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"Prancing Elites Project" Season 2 Premieres on Oxygen at 8PM EST Tonight

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Oxygen Media’s empowering docu-series “The Prancing Elites Project” returns for a second season with an expanded hour-long format beginning tonight, Tuesday, January 19 at 8PM ET/PT.  If you haven’t had the pleasure of seeing the Prancing Elites in action – set your DVRs for an experience that will not disappoint.  The Elites are five African American, gay and gender non-conformists who are an award-winning J-Setting dance team from Mobile, AL – Adrian Clemons, Kentrell Collins, Kareem Davis, Jerel Maddox and Tim Smith. 

Prancing Elites

As a fan, I watched season 1 in its entirety – it’s funny and outrageous as well as tender and heart-warming, all in the face of very real prejudice and adversity – and I could not wait to see more.  “The Prancing Elites Project” was Oxygen’s highest-rated new series of 2015, and as a result, the Elites have begun to defy the odds and find success and acceptance in the South as well as other parts of the U.S.  And if the second season is as promising as its premiere (I saw an advance screening), Oxygen might as well dust off the green light for Season 3.

Good Black News had the chance to chat with the Elites about the second season and what it has in store (and like any good entertainers, they left us wanting more): 

Good Black News: Kentrell, this season we see you’re in a relationship and it’s teased that you still want to have children. You had fun with that last season – caring for the doll as the baby -but what steps this season are you taking towards fulfilling your dream of becoming a parent?
Kentrell: I can’t really say what steps I’ve taken [we have to watch!], but I actually still want to, because everybody in my family has kids except me now.
You also seem to focus a lot on trying to move the team to the next level.  What would be the ultimate fantasy goal for you as the team leader for the Prancing Elites?
Honestly… the sky is the limit. We could tour… we can act, we can sing… we can put on these big, lavish shows. But it all comes with hard work – nothing in this life comes easy and that’s one of the things that I’m always stressing. If we want to get to the next level we’ve got to constantly keep working… If we were ever to perform during Super Bowl halftime, that would be the best of the best.  And we would love to perform with Beyoncé, obviously…
Of course!
We’ve also talked about performing on big award shows like Grammys, the Oscars and entertaining there.
Tim, it’s teased this season that you’ll be dealing with issues around your identity. Can you talk about that if it doesn’t spoil anything?
Tim: I’m basically an easygoing person… whatever floats your boat, if I could sum it up.  I know what I want to be called, but my sisters just think you shouldn’t let a person call you something you’re not comfortable being called… so it’s about owning up about who I really want to be… and not letting a person walk over me and do what they want to do. It’s about having confidence.
Which ultimately is an issue we all can relate to… The show is mainly shot in your hometown of Mobile, Alabama. Are you celebrities there now?
Yeah. Because every time a person sees us, they always scream, “Oh my God, it’s y’all!” and they want to take a picture. I love it… I like that people like us.
Jerel, it sets up in the premiere that you have a deep interest in make-up artistry. Is it something you are interested in pursuing professionally?
Jerel:  I love the beauty that you can get from make up. I never feel like make-up makes someone beautiful – I only feel like make-up enhances a person’s beauty… I see myself possibly one day having my own make-up line and working for celebrities all around the world, and also making YouTube tutorials and things of that nature.  I love my hometown, but in order to pursue my passion which is make up… I would have to be in a bigger environment like New York, LA or Atlanta.
How do you stay dedicated to the team and balance your individual interests?
There’s a line – you just have to find the balance. I don’t even know how to explain it – you can’t spend more time on one to another.  You’ve got to find an equal balance.
Adrian, some of the highlights from the first episode are when you are mentoring the young women’s dance team, especially the moments with Amber, who is plus-sized. What do you hope to accomplish with those girls and that team?
Adrian: I wanted to mentor young women because a lot of them look up to the way I dance.  So I thought it would be nice if I could, you know, give some of my tips and some of my movements to them and share it with them.
Did you sense or know it would lead into helping them with deeper issues like self-esteem?
That was really unexpected. I didn’t know it was going to lead to that. But me working with them, I’m growing more and I’m finding out more about myself. I take myself more serious now, because I have my little ones that look up to me and I want to lead them toward the right path.
So you’ve become a role model… unexpectedly.
Most definitely apparent.
Did you growing up have any mentors in dance? Was there anybody to help you when you were trying to pursue your interest at a younger age?
No, not really, because when I first started doing it, I kind of kept it secret because I didn’t know how people around me would take it. So I kind of did it on my own behind closed doors. The older I got, then I didn’t care about what people think.
Are you still living with Tim and her boyfriend?
[Hesitates] Yes… I still live with Tim.
Hmm… interesting.  Okay, that’s fine, I’ll leave it there.  Kareem, it’s so great to see you smiling and so much happier this season after dealing with all you were dealing with last season [Kareem revealed he is HIV-positive].
Kareem: Thank you.
Are you still active in the HIV awareness campaign?
Yes, but it’s more education than anything else. Whenever I learn something, in an intimate setting I educate others.  I need to speak to my manager about making [more] appearances at events. It’s not happening now but it will eventually.
What can you tell me about the situation where you chose to coach your boyfriend on a competing dance team? I’m wondering what kind of internal conflict did you have over making that decision?
The main conflict was trying to regain the connection with the Prancing Elites. Because going through everything I went through [last season], I disconnected from a lot of different aspects of my life. But I’m no longer going through that and I’m coming back full circle and now we have all these issues as a group, so I’m having to focus on mentoring a team and reconnecting with the rest of the team that I’m on. In the beginning the balance was a bit shaky because there was so much going on with the Prancing Elites… and I hadn’t planned to be that intensely involved right then [with the competing team].  So… I didn’t go crazy but when I was asked to, but I thought I would probably go crazy. But you’ll see how everything works out throughout the different situations in the season.  I don’t think I gained any grey hair from it…
We can’t wait to watch.  In the meantime, anything coming up that people can know about?
Adrian: We’re still pretty.
We know that, Adrian.
Kentrell:  We’re doing Mardi Gras parades on February 1st and the 6th in Mobile, AL.
Prancing Elites: It’s a party!!!!!!
The Prancing Elites are also scheduled to do some international appearances in the coming months. For more information and dates, go to their Facebook page or their Twitter @PrancingElites.
For more of “The Prancing Elites Project,” fans can visit the official show site to see exclusive videos, dance footage, GIFs, photos, interactive polls, interviews and bios.  Viewers can also create and share memes after each episode. Check out the official Facebook page, and join the conversation on Twitter or Instagram using hashtag #PrancingElites.

by Lori Lakin Hutcherson, GBN Editor-in-Chief
by Lori Lakin Hutcherson, GBN Editor-in-Chief

Jussie Smollett to Host 8th Season of "AfroPop" Television Series Premiering on MLK Day

 Jussie Smollett will host the eighth season of the public television show AfroPoP: The Ultimate Exchange. The star of the hit FOX TV show Empire will emcee the popular show about contemporary art, life and culture across the African Diaspora as it premieres on Martin Luther King, Jr. Day, Monday, January 18, at 8 p.m. ET/5 p.m. PT on WORLD Channel.

New episodes premiere weekly through February 15. AfroPoP is produced by National Black Programming Consortium (NBPC) and co-presented by American Public Television (APT), which distributes the series to the full public television system in February 2016.

Smollett will also be seen in the new WGN thriller Underground in 2016. The acclaimed entertainer is also involved in numerous humanitarian pursuits, sitting on the boards of the Black AIDS Institute, Artists for a New South Africa and the RuJohn Foundation. 

Previous hosts of AfroPoP include Idris Elba, Anika Noni Rose, Wyatt Cenac, Gabourey Sidibe, Anthony Mackie and Yaya DaCosta.

AfroPoP’s engaging, real-life tales add to the collection of rich Black stories that audiences are clamoring for and I wanted to be a part of bringing them to national attention,” said Smollett.

Hometown Hero: Misty Copeland Gets a Street Named After Her in San Pedro, CA

Misty Copeland And Cindi Levine Light The Empire State Building Pink In Celebration Of Glamour's Girl Project
Misty Copeland (Source: Noam Galai / Getty)

San Pedro honored their hometown hero Misty Copeland by naming a street after her.
Copeland was greeted by hundreds of fans after an amazing year of breaking barriers and dancing with grace, poise, and expertise.
Misty became the first African-American principle dancer at American Ballet Theatre in June. Now her entire town is celebrating her groundbreaking acheivements.
The 33-year-old gave a heart-touching speech to a crowd of 500, saying:
“Growing up in the atmospheres that I grew up in, San Pedro was the only place I ever considered home,” Copeland said, tearing up. “There really hasn’t been a place that’s replaced that in my heart since I lived here and I’m so proud, and I never forget San Pedro.”
Misty is a perfect example of where hard work, perseverance, and pursuing your dreams full throttle can take you. Like so many other black women, the odds were stacked against her racially and economically. She almost had to quit her craft because her parents didn’t have a car to take her to and from practice. But she didn’t give up, and now she’s a legend…and a street!
The ballerina celebrated by posting on her IG page:


You make us so proud, Misty!
article by Keyaira Kelly via hellobeautiful.com

Choreographer Fatima Robinson Lands Dance Drama Project Based on her Life at NBC

Fatima Robinson
Fatima Robinson

NBC is calling on three principals from its production of “The Wiz Live!” for a new drama.
According to The Hollywood Reporter, the network picked up a script from the TV musical’s executive producers Neil Meron and Craig Zadan that’s based on the life of its veteran choreographer, Fatima Robinson.
Inspired by Robinson’s life as a dancer-turned-choreographer, the untitled drama is set in Los Angeles with early plans to set it in the 1990s, as dance begins to dominate pop culture on the streets and clubs that gave birth to hip-hop.
The project is in the early stages of development, according to THR. A writer has yet to come aboard.
Zadan and Meron will executive produce alongside their Storyline Entertainment banner’s Mark Nicholson and Tasha Brown, with the latter duo set to produce. Robinson will executive produce and serve as choreographer.
The drama marks her third go-round with Zadan and Meron following their collaboration on the Academy Awards, which producers told THR inspired them to enlist her to help stage NBC’s “The Wiz Live!”
“We worked with her on the Oscars and knew she was special,” Zadan told THR last week when he singled out Robinson’s contributions to helping to make the live musical a critical success. “We hired Fatima Robinson, who is not a Broadway choreographer, to do authentic black dancing. She comes from hip-hop and a lot of her point of view on dance is very gritty and authentic and raw.”
Fatima was behind the telecast’s most-tweeted moment during the song, when Ne-Yo “hit the dab” during his  “Slide Some Oil to Me” performance. The moment drew 15,218 tweets per minute.
article via eurweb.com

"Brown Girls Do Ballet" Draws Attention to Dance’s Need for Diversity

Photo From Brown Girls Do Ballet Instagram via Alex Ray Studios
Photo From Brown Girls Do Ballet Instagram via Alex Ray Studios 

The organization Brown Girls Do Ballet is drawing attention to ballet’s need for diversity through beautiful Instagram posts.

According to their website, the organization is “dedicated to promoting diversity in ballet programs through various media platforms, training resources, and an exclusive network in the world of ballet.”
Co-founders TaKiyah Wallace and Brittani Marie created the group in 2013 after Wallace noticed a lack of diversity among her young daughter’s ballet classes.
“We realized the missing link to diversifying ballet was a resource that spoke to their identity. We wanted to convey a message of acceptance, vision, and possibility,” the founders told BuzzFeed.
The duo wanted to show young dancers of color that there are dancers out there that look like them, so they began their Instagram page.
One of their Instagram videos of students dancing en pointe to Disclosure and Sam Smith’s “Omen” recently went viral. Check it out below:


article by Carrie Healey via thegrio.com

Misty Copeland Lands Deal to Write "Ballerina Body", a Health-And-Fitness Book

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ABT Principal Dancer Misty Copeland

NEW YORK (AP) — Dancer Misty Copeland is working on a health-and-fitness book.
Grand Central Life & Style, an imprint of Grand Central Publishing, announced Thursday that Copeland’s “Ballerina Body” is scheduled for 2017. Copeland, the first African-American woman to become the American Ballet Theatre’s principal dancer, is a member of President Barack Obama’s Council on Fitness, Sports & Nutrition.
Copeland said in a statement issued by her publisher that she wanted to show “all athletes have to take care of themselves from the inside out.”
Her previous books include the memoir “Life in Motion” and the picture book “Firebird.”
article via blackamericaweb.com

Alvin Ailey To Make its Feature Film Debut Today in Theaters Nationwide

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The Alvin Ailey American Dance Theater has been amazing audiences around the world since 1958. However, even after almost 60 years in business, it is still breaking ground as a modern dance company.
On Thursday, Oct. 22, Ailey will be debuting its first-ever feature film as part of the Lincoln Center at the Movies series, Great American Dance. In movie theaters nationwide, audiences will have the chance to watch the Ailey company perform some of its most classic, popular pieces like “Revelations,” “Takademe” choreographed by Robert Battle and “Grace” by Ronald K. Brown.
Hosted by Kelly Ripa and Michael Strahan, the film will also feature behind-the-scenes footage from shows and exclusive interviews with members of the company.
Considering that this is a one-night only affair, this event is the opportunity of a lifetime. The Ailey company is critically acclaimed for its brilliant choreography and innovative scores featuring some of the most loved and revered musicians in Black music including Duke Ellington, Roy Davis and Fela Kuti.  The entire show is performed to African-American spirituals, song-sermons, gospel songs and holy blues.
Interested? Check local listings (the show starts at 7 pm local time) here or here and check out the trailer below:
[youtube https://www.youtube.com/watch?v=kidmQA4Loqc&w=560&h=315]
article by Monique John via hellobeautiful.com

Jeffrey Osborne Headlines 26th Annual African Festival of the Arts in Chicago this Labor Day

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Lesa Lakin GBN Lifestyle
Lesa Lakin
GBN Lifestyle

This Labor Day weekend Jeffrey Osborne headlines the 26th Annual African Festival of the Arts held in Chicago’s historic Washington Park (September 4 – 7, 2015). http://www.aihusa.org/african-festival
This extraordinary event transforms Washington Park into a simulated African village. Patrons experience African culture, spirituality, fine art, film, video, music and more! Over 300 vendors will present artifacts, textiles, music, food and many other interactive program spaces.
AFA is the largest event of its kind held in the U.S. with a focus on African arts and culture. Attendees are transported across the Diaspora with the AFA’s authentic pavilions, including the Drum & African Folk Village; Children and Family Pavilion; Wellness Village; Book & Author Pavilion; and Fine Art Pavilion.
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Each day of the Festival is themed: Opening day (Friday, Sept. 4th) will be the Chicago Steppin’ Party and Show, featuring R&B crooner K’Jon. K’Jon’s hit, “On the Ocean,” is fast becoming a classic and is a fan favorite among the Steppers’ crowd.
On Saturday, the focus will be on African Beats with Reggae, Afro-Columbian, Nigerian, and Caribbean music; Sunday is Chicago’s Best with Jazz vocalist Tammy McCann, percussionist Taylor Moore and vocal powerhouse Terisa Griffin, as well as Chicago-style Blues and comedy. Leading up to Osborne’s main-stage performance on Monday evening will be award-winning jazz/R&B vocalist Joan Collaso, along with soul artist, Sax Preacher, and the Big Band rhythms of Soundmine Merchants.

This festival is a virtual African marketplace brought to us by African International House. The mission of Africa International House (AIH) is to serve as a center that exposes and educates all people to the individual works and collective contributions of African cultures. This mission is addressed through their flagship program, the African Festival of the Arts, and through other activities that promote African-based culture. To find out more click here: http://www.aihusa.org

"The Prancing Elites Project" Gets Green Light for 2nd Season on Oxygen

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The cast of Oxygen’s “The Prancing Elites Project” reality show  (Photo: OXYGEN.COM)

Get ready to see more sparkly leotards and the fiercest J-setting dance moves because Oxygen just greenlit a second season of The Prancing Elites Project.
The docuseries explores the world of competitive dancing through the lives of an all-male dance troupe based in Mobile, Alabama. All five members are African American, and a majority of them are gay.
Variety explains how the Prancing Elites were a godsend for the network after it rebranded itself in 2014; the program had the highest-rated series premiere after the rebranding.
That the show has generated such a strong following is also important because gay men are an underrepresented group. This platform gives them an opportunity to tell their own stories instead of being the sidekicks and the “gay” voice of reasoning for hetereosexuals in other reality-TV shows.
Plus, black gay culture has been one of the most appropriated cultures in recent years, with the advent of the Housewives franchise and other reality shows featuring straight women lobbing slang words at one another—words that were created or, at the very least, popularized by African-American gay men.
Season 2 will premiere in 2016; Oxygen is broadening the original 30-minute format to one hour.
article by Diana Ozemebhoya Eromosele via theroot.com

It's Official: Misty Copeland Becomes 1st Black Principal Dancer at American Ballet Theater

Prima Ballerina Misty Copeland (Photo via livetalksla.com)
Prima Ballerina Misty Copeland (Photo via livetalksla.org)

One of today’s most famous ballerinas just made history by becoming the first African-American woman to hold the position of principal dancer at the American Ballet TheaterMisty Copeland was promoted Tuesday after more than 14 years with the company, the New York Times reports. She spent eight of those years as a soloist, the Times points out.
Copeland, known for being vocal about the lack of representation and diversity in the company and in the realm of dancing in general, made the cover of TIME magazine just this year. She is also the subject of a documentary screened at the Tribeca Film Festival, the Times writes.  In addition to being known for a popular Under Armour ad, she has a base of followers on social media larger than some of Hollywood’s finest.
But it’s Copeland’s precision and elegant fluidity while she dances that compound her popularity. That and her tendency to make history — her new post as principal dancer isn’t the first time her name will be written in books. Just this month, Copeland became the first African-American woman to star in “Swan Lake” with the Ballet Theater, a performance so well-attended that cheers from the crowd reportedly stopped parts of the show.
From the NYT:

Ms. Copeland, who declined to be interviewed for this article, was unusually outspoken about her ambition of becoming the first black woman named a principal dancer by Ballet Theater, one of the nation’s most prestigious companies, which is known for its international roster of stars and for staging full-length classical story ballets.

“My fears are that it could be another two decades before another black woman is in the position that I hold with an elite ballet company,” she wrote in her memoir, “Life in Motion: An Unlikely Ballerina,” published last year. “That if I don’t rise to principal, people will feel I have failed them.”

This put an unusual public spotlight on Ballet Theater as it weighed the kind of personnel decision that, in the rarified world of ballet, is rarely discussed openly. If the company had not promoted Ms. Copeland, it risked being seen as perpetuating the inequalities that have left African-American dancers, particularly women, woefully underrepresented at top ballet companies.

Stella Abrera, Alban Lendorf, and Maria Kochetkova were all named principal dancers along with Copeland.
article by Christina Coleman via newsone.com