According to nytimes.com, American athlete Rafer Johnson, who carried the United States flag into Rome’s Olympic Stadium in August 1960 as the first Black captain of a U.S. Olympic team and went on to win gold in the decathlon bringing him acclaim as the world’s greatest all-around athlete, died today at his home in Los Angeles, CA. He was 86.
Johnson never competed after that decathlon triumph. He became a good-will ambassador for the United States and a close associate of the Kennedy family, taking a leadership role in the Special Olympics, which were championed by Eunice Kennedy Shriver, and joining Robert F. Kennedy’s entourage during Kennedy’s presidential campaign in 1968. He was remembered especially for helping to wrestle the senator’s assassin to the ground in Los Angeles in 1968.
Johnson’s national profile was largely molded at the 1960 Olympics, one of the most celebrated in the history of the Games, a moment when a host of African-American athletes burst triumphantly onto the world stage.
Muhammad Ali, known then as Cassius Clay, captured boxing gold in the light-heavyweight division. Wilma Rudolph swept to victory in the women’s 100- and 200-meter dashes and combined with her Tennessee State teammates for gold in the 4 x 100 relay. Oscar Robertson helped take the United States basketball team to a gold medal.
Johnson is survived by his wife, Elizabeth Thorsen, brother Jimmy Johnson, a former San Francisco 49er and Pro Football Hall of Famer; two children, Jennifer Johnson Jordan, who was a member of the U.S. women’s beach volleyball team at the 2000 Sydney Olympics and is now a volleyball coach at U.C.L.A., and Josh Johnson; and four grandchildren.
(The Emotions, September 1977 Pamela Hutchinson, center: Michael Putland/Getty Images)
Pamela Hutchinson, singer from the famed R&B group The Emotions, has died at the age of 61, according to a post on the band’s official Facebook page Sunday.
The Emotions were comprised of Hutchinson and her sisters, Wanda Hutchinson-Vaughn, Jeanette Hutchinson-Hawes and Sheila Hutchinson-Witt. The family act got its start in Chicago, IL as the gospel group the Hutchinson Sunbeams before transitioning to disco/R&B.
“Pam succumbed to health challenges that she’d been battling for several years,” the post said. “Now our beautiful sister will sing amongst the angels in heaven in perfect peace.”
The Emotions’ two biggest hits were the R&B/disco classics “Best of My Love” and “Boogie Wonderland,” the latter of which they collaborated with Earth, Wind & Fire. Other hit singles include “Don’t Ask My Neighbors,” “I Don’t Wanna Lose Your Love,” “You’re the Best” and “Turn it Out.”
This September 11th also marked the passing of one of the fathers of reggae music: Toots Hibbert.
Starting out with the rock steady pioneer Clement “Coxcome” Dodd, The Maytals emerged as one of the earliest reggae hit-makers. Hibbert holds a firm spot in Jamaica’s musical pantheon as the first artist to use the word reggae on a record, “Do The Reggay,” and to bring the music to the world at large.
Many likely first heard his songs covered by The Clash, The Specials, and other punk and ska artists. This collection features the Toots & The Maytals versions of “Monkey Man” and “Pressure Drop.”
I have also included some of his many covers including “Country Road” and collaborations with Willie Nelson, UB40, The Easy Star All-Stars, Los Pericos and others.
Hope you all enjoy this tribute to one reggae and ska music’s most enduring founders. Have a great week, and see you next Monday.
According to Variety.com, AMC Theatres will pay tribute to beloved actor and Black Panther star Chadwick Boseman, who died last week of colon cancer at 43, by screening 42, Boseman’s leading man debut as Major League Baseball barrier breaker and icon Jackie Robinson. (To read GBN’s review of 42, click here.)
Warner Bros. and Legendary, the studios behind the 2013 film, have teamed up with the theater chain to make “42” viewable in more than 300 locations. That’s nearly every AMC venue that’s open as coronavirus closures start to lift. Tickets for 42 will only be $5 and will go on sale by the end of Tuesday.
With the passing of the great Chadwick Boseman, I am inclined to hold the playlist I made to share today until next week. I thought instead I’d share this playlist I created in celebration of Black Panther two years ago.
I won’t say how many times I’ve seen the film, so far. Though I made this playlist by imagining what genius Princess Shuri would listen to in her lab.
It was made before the film grossed over $1.3 billion worldwide and broke numerous box office records, including the highest-grossing film by a Black director. Before it became the ninth-highest-grossing film of all time, the third-highest-grossing film in the U.S. and Canada, and the second-highest-grossing film of 2018.
I made before it received seven nominations at the 91st Academy Awards including Best Picture, with wins for Best Costume Design, Best Original Score, and Best Production Design. Black Panther is the first superhero film to receive a Best Picture nomination.
Director Ryan Coogler wrote of Boseman this weekend:
Not even death can stop John Lewis from giving his heart and soul to the fight for equality and justice for all.
Civil Rights titan and Congressmember Lewis wrote an essay for the New York Times entitled “Together, You Can Redeem the Soul of Our Nation,” meant to be published today, the day of his funeral.
As Lewis’s body is being laid to rest at Ebenezer Baptist Church in Atlanta, GA, the spirited words in his essay urge us all to “answer the highest calling of your heart and stand up for what you truly believe.”
Lewis also writes about what and who ignited his journey into protest against injustice:
Emmett Till was my George Floyd. He was my Rayshard Brooks, Sandra Bland and Breonna Taylor. He was 14 when he was killed, and I was only 15 years old at the time. I will never ever forget the moment when it became so clear that he could easily have been me. In those days, fear constrained us like an imaginary prison, and troubling thoughts of potential brutality committed for no understandable reason were the bars.
Lewis also shares the moment he first encountered the teachings and mission of Dr. Martin Luther King, Jr. and how it affected him:
Like so many young people today, I was searching for a way out, or some might say a way in, and then I heard the voice of Dr. Martin Luther King Jr. on an old radio. He was talking about the philosophy and discipline of nonviolence. He said we are all complicit when we tolerate injustice. He said it is not enough to say it will get better by and by. He said each of us has a moral obligation to stand up, speak up and speak out. When you see something that is not right, you must say something. You must do something. Democracy is not a state. It is an act, and each generation must do its part to help build what we called the Beloved Community, a nation and world society at peace with itself.
Rep. John Lewis, an iconic pioneer of the Civil Rights Movement and Freedom Rider who literally shed his blood in the fight for Black voting rights and went on to become a 17-term Democratic member of Congress, died yesterday from pancreatic cancer. He was 80 years old.
Regardless of his health issues, Lewis took to the streets again in early June to join protests for racial justice near the White House that were in response to the police killings of George Floyd, Breonna Taylor and Rayshard Brooks, among others.
Lewis was born in Troy, Alabama and attended segregated schools before earning his college degree at Fisk University in Nashville.
While a student there, Lewis organized his first sit-in demonstration at a lunch counter and was soon arrested for what he started to call “good trouble, necessary trouble.”
Rev. C.T. Vivian receives 2013 Presidential Medal of Freedom from Barack Obama (photo: commons.wikipedia.org)
According to nytimes. com, the Rev. C.T. Vivian, a civil rights organizer and adviser for the Rev. Dr. Martin Luther King Jr. and the Southern Christian Leadership Conference in the struggle for racial justice a half-century ago, died at the age of 95 today at his home in Atlanta. Kira Vivian and Denise Morse, two of Vivian’s daughters, confirmed his passing.
C.T. Vivian was a Baptist minister and member of MLK’s inner circle of advisers, alongside the Rev. Fred L. Shuttlesworth, the Rev. Wyatt Tee Walker, the Rev. Ralph Abernathy and other civil rights luminaries such as Julian Bond and Rev. Jesse Jackson.
Vivian was the national director of some 85 local affiliate chapters of the S.C.L.C. from 1963 to 1966, directing protest activities and training in nonviolence as well as coordinating voter registration and community development projects.
In Selma and Birmingham, Ala.; St. Augustine, Fla.; Jackson, Miss.; and other segregated cities, Mr. Vivian led sit-ins at lunch counters, boycotts of businesses, and marches that continued for weeks or months, raising tensions that often led to mass arrests and harsh repression.
Televised scenes of marchers attacked by police officers and firefighters with cattle prods, snarling dogs, fire hoses and nightsticks shocked the national conscience, legitimized the civil rights movement and led to passage of the Civil Rights Act of 1964 and the Voting Rights Act of 1965.
“Nonviolence is the only honorable way of dealing with social change, because if we are wrong, nobody gets hurt but us,” Mr. Vivian said in an address to civil rights workers, as recounted in “At Canaan’s Edge: America in the King Years, 1965-68” (2006), by Taylor Branch. “And if we are right, more people will participate in determining their own destinies than ever before.”
Cordy Tindell Vivian was born in Boonville, Mo., on July 30, 1924, the only child of Robert and Euzetta Tindell Vivian. His family moved to Macomb, Ill., when he was 6, and he later graduated from Macomb High School in 1942. He studied history at Western Illinois University in Macomb, but he dropped out and became a recreation worker in Peoria, Ill., where he joined his first protest, in 1947, helping to desegregate a cafeteria.
In 1945, Mr. Vivian married Jane Teague, who worked at a hardware store, and they had one daughter, Jo Anna Walker, who survives him. The couple separated amicably in the late 1940s and divorced later so that Mr. Vivian could marry Octavia Geans, in 1952. She was the author of “Coretta” (1970), the first biography of Dr. King’s wife, Coretta Scott King. She died in 2011.
In addition to his daughters Kira, Denise and Jo Anna, Mr. Vivian is survived by another daughter, Anita Charisse Thornton; two sons, Mark Evans Vivian and Albert Louis Vivian; nine grandchildren; 10 great-grandchildren; 28 great-great-grandchildren; and two great-great-great-grandchildren. Another son, Cordy Jr., died in 2010.
Singer-songwriter Bill Withers (photo via wikipedia.com)
According to Variety.com via Associated Press, Grammy winner and Rock and Roll Hall of Fame member Bill Withers, whose career in music blossomed in the early ‘70s via a string of highly-personalized hits such as “Lean On Me,” “Ain’t No Sunshine,” “Lovely Day,” and “Use Me,” died from heart complications on Monday in Los Angeles. He was 81. Withers is survived by his wife and two children.
To quote the article:
“We are devastated by the loss of our beloved, devoted husband and father. A solitary man with a heart driven to connect to the world at large, with his poetry and music, he spoke honestly to people and connected them to each other,” the family said in a statement to AP. “As private a life as he lived close to intimate family and friends, his music forever belongs to the world. In this difficult time, we pray his music offers comfort and entertainment as fans hold tight to loved ones.”
Withers was 33 years old and working on an aircraft assembly line in 1971 when his first hit, the self-penned, Grammy-winning “Ain’t No Sunshine,” soared up the charts. He quickly followed up that success with a run of hit singles that included “Use Me” and the gospel-soul smash “Lean On Me,” which won a belated Grammy Award as best R&B song in 1987.
While those songs are recognized today as classics, Withers was not able to top the surprise commercial success of his early career. His subdued, introspective, often acoustic-based style grew increasingly at odds with the hard funk and disco of the ‘70s, and disputes with his record labels slowed his production at the height of his popularity. He essentially retired from performing and recording in the mid-‘80s. He was inducted into the Rock and Roll Hall of Fame in 2015.
Withers was born July 4, 1938, in the mining town of Slab Fork, VA. He was afflicted with a stutter from an early age. He enlisted in the Navy at 18, and, as his speech disability receded, he began singing and songwriting. After nine years of service, he was discharged in 1965.
Relocating to Los Angeles, he began performing in local clubs at night while working assembly line jobs in the aviation industry. In 1970, a demo tape he had recorded caught the interest of the well-traveled black record exec Clarence Avant, who signed Withers to his label, Sussex Records.
Withers debut album “Just As I Am” was released in May 1971; Withers is pictured on the cover holding a lunchbox in his hand, for the shot was taken during his lunch break at Burbank’s Weber Aircraft, where he continued to install toilet seats in commercial airplanes.
The collection was the first major hit produced by Booker T. Jones, the former keyboardist for the Memphis instrumental soul act Booker T. & the MG’s, who appeared on the set with former band mates Donald “Duck” Dunn and Al Jackson. Stephen Stills, of Crosby, Stills, Nash & Young, and studio ace Jim Keltner also contributed to the record’s eclectic sound.
The LP contained “Ain’t No Sunshine,” an incantatory two-minute cry of pain that its author said was inspired by a viewing of Blake Edwards’ drama about alcoholism “The Days of Wine and Roses.” The song — released as the B-side of the “Harlem” 45, which was flipped by DJs — soared to No. 3 on the pop chart and No. 6 on the R&B rolls, garnered a Grammy as best R&B song, and pushed “Just As I Am” into the national pop top 40. The album’s moving “Grandma’s Hands” also reached No. 18 on the R&B side.
For his follow-up, Withers recruited four members of the Watts 103rd Street Rhythm Band, a popular L.A. act fronted by singer Charles Wright, to back him and co-produce his sophomore album. “Still Bill” (1972) topped its predecessor, shooting to No. 4 on the pop list and No. 1 on the R&B album chart; the LP was pushed by the massive hit singles “Lean On Me” (No. 1 pop and R&B) and “Use Me” (No. 2 pop, No. 1 R&B). In 1973, Withers wed “Room 222” sitcom star Denise Nicholas, but the marriage lasted only a year.
He made his last appearance in the national top 10 in 1981 with a guest vocal on “Just the Two of Us” (No. 2 pop, No. 3 R&B), a romantic ballad issued on hitmaking saxophonist Grover Washington, Jr.’s album “Winelight.”
After Columbia’s release of “Watching You Watching Me” (No. 143, 1985), Withers stepped away from performing. In later years, he explained his retreat from the stage and the studio, and ultimately from writing, to Alix Sharkey of England’s Telegraph: “That kind of stuff, to me, was a lot more interesting at 35…. I’m not motivated to wanna draw attention to myself or travel all over the place. There was a time for that. When it was done, it was done.”
To hear some of his best music, listen to the Spotify playlist below:
McCoy Tyner, a cornerstone of John Coltrane’s groundbreaking 1960s quartet and one of the most influential pianists in jazz history, died on Friday at his home in New Jersey at age 81, according to the New York Times.
His death was announced by a spokesman for the Tyner family. No other details were provided. Mr. Tyner’s survivors include his wife, Aisha; his son, Nurudeen, who is known as Deen; and his brother, Jarvis.
To quote from the article:
Along with Bill Evans, Herbie Hancock, Chick Corea and only a few others, Mr. Tyner was one of the main expressways of modern jazz piano. Nearly every jazz pianist since Mr. Tyner’s years with Coltrane has had to learn his lessons, whether they ultimately discarded them or not.
Mr. Tyner’s manner was modest, but his sound was rich, percussive and serious, his lyrical improvisations centered by powerful left-hand chords marking the first beat of the bar and the tonal center of the music.
That sound helped create the atmosphere of Coltrane’s music and, to some extent, all jazz in the 1960s. (When you are thinking of Coltrane playing “My Favorite Things” or “A Love Supreme,” you may be thinking of the sound of Mr. Tyner almost as much as that of Coltrane’s saxophone.)
Mr. Tyner did not find immediate success after leaving Coltrane in 1965. But within a decade his fame had caught up with his influence, and he remained one of the leading bandleaders in jazz as well as one of the most revered pianists for the rest of his life.
Alfred McCoy Tyner was born in Philadelphia on Dec. 11, 1938, to Jarvis and Beatrice Tyner, both natives of North Carolina. His father sang in a church quartet and worked for a company that made medicated cream; his mother was a beautician. Mr. Tyner started taking piano lessons at 13, and a year later his mother bought him his first piano, setting it up in her beauty shop.
He grew up during a spectacular period for jazz in Philadelphia. Among the local musicians who would go on to national prominence were the organist Jimmy Smith, the trumpeter Lee Morgan and the pianists Red Garland, Kenny Barron, Ray Bryant and Richie Powell, who lived in an apartment around the corner from the Tyner family house, and whose brother was the pianist Bud Powell, Mr. Tyner’s idol. (Mr. Tyner recalled that once, as a teenager, while practicing in the beauty shop, he looked out the window and saw Powell listening; he eventually invited the master inside to play.)
Just before Coltrane’s death in 1967, Mr. Tyner signed to Blue Note. He quickly delivered “The Real McCoy,” one of his strongest albums, which included his compositions “Passion Dance,” “Search for Peace” and “Blues on the Corner,” all of which he later revisited on record and kept in his live repertoire.
