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Posts published in “Crossovers”

R.I.P. Acclaimed Author and Activist, Dr. Maya Angelou

By goodblacknews on May 28, 2014

best-Maya-Angelou-Quotes-sayings-wise-people

Maya Angelou, acclaimed author, poet, professor and civil rights activist, has died at her home in Winston-Salem, North Carolina. She was 86.  Angelou was found by her caretaker this morning, Winston-Salem Mayor Allen Joines confirmed.

Angelou was set to be honored with the “Beacon of Life Award” at the 2014 Major League Baseball Beacon Award Luncheon on May 30 in Houston, but recently cancelled due to  health problems.  She is survived by her son, author Gus Johnson.

Angelou had a prolific career, published seven autobiographies, three books of essays, and several books of poetry, and is credited with a list of plays, movies, and television shows spanning more than fifty years. She received dozens of awards and over thirty honorary doctoral degrees. Angelou is best known for her series of seven autobiographies, which focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of seventeen, and brought her international recognition and acclaim.

She became a poet and writer after a series of occupations as a young adult, including fry cook, night-club dancer and performer, castmember of the opera Porgy and Bess, coordinator for the Southern Christian Leadership Conference, and journalist in Egypt and Ghana during the days of decolonization. She has also been an actor, writer, director, and producer of plays, movies, and public television programs.

Since 1982, she has taught at Wake Forest University in Winston-Salem, North Carolina, where she holds the first lifetime Reynolds Professorship of American Studies. She was active in the Civil Rights movement, and worked with Martin Luther King, Jr. and Malcolm X. Since the 1990s she made around eighty appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem “On the Pulse of Morning” at President Bill Clinton’s inauguration, the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy’s inauguration in 1961.

In 2011, she was awarded the Presidential Medal of Freedom by President Obama.  To learn more about her life and career, click here.

article by Lori Lakin Hutcherson; @lakinhutcherson

R.I.P. "Godfather of House Music" and DJ Legend Frankie Knuckles

By goodblacknews on April 1, 2014

Frankie Knuckles
Nobody can agree on who invented the blues or birthed rock & roll, but there is no question that house music came from Frankie Knuckles, who died Monday afternoon of as-yet-undisclosed causes at age 59. One of the Eighties and Nineties’ most prolific house music producers and remixers, Knuckles is, hands down, one of the dozen most important DJs of all time. At his Chicago clubs the Warehouse (1977-82) and Power Plant (1983-85), Knuckles’ marathon sets, typically featuring his own extended edits of a wide selection of tracks from disco to post-punk, R&B to synth-heavy Eurodisco, laid the groundwork for electronic dance music culture—all of it.
Knuckles made an abundant number of dance classics, including early Jamie Principle collaborations “Your Love“(1986) and “Baby Wants to Ride“(1987); “Tears“(1989), with Satoshi Tomiie and Robert Owens; “The Whistle Song“(1991); and his remixes of Chaka Khan’s “Ain’t Nobody“(1989), Sounds of Blackness’s “The Pressure” (1992), and Hercules and Love Affair’s “Blind” (2008).
http://youtu.be/rd0Zo1WAk5I
Born Francis Nicholls in the Bronx on January 18, 1955, Knuckles began hitting New York’s after-hours spots such as the Loft, the Sanctuary, Better Days, and Tamburlaine—the clubs where disco was born—as a teenager, along with his best friend, Larry Philpot. By the mid-Seventies, both of them were DJs themselves, and Philpot had changed his surname to Levan. The duo worked together at two of the most important early discos: the Gallery (presided over by Nicky Siano, whose smooth on-beat mixing style was enormously influential) and the Continental Baths, a multi-room gay bathhouse on Manhattan’s West Seventy-fourth Street. (Two other entertainers got their start there: Bette Midler and her pianist, Barry Manilow.)
By 1977, both started their own clubs in difference cities. While Levan (who died in 1992) helmed the Paradise Garage in Soho, Knuckles moved to Chicago, where Robert Williams, an old friend of both, was opening what became the Warehouse. A narrow building with oblong windows at 206 South Jefferson St. (today it’s a law office), the Warehouse was where Knuckles began honing his sound and style—”a wide cross-section of music,” as he told The Guardian in 2011. His mélange of disco classics, weird indie-label soul curiosities, the occasional rock track, European synth-disco and all manner of rarities would eventually be codified (at Importes, Etc., the record shop where Knuckles bought much of his music) as “House Music”—short, of course, for the Warehouse. (In 2004, the block where the Warehouse stood was renamed Honorary Frankie Knuckles Way.)

R.I.P. Poet and Activist Amiri Baraka

By goodblacknews on January 9, 2014
Portrait of American writer Amiri Baraka, USA, 17th March 2013. (Photo by Mick Gold/Redferns)
Portrait of American writer Amiri Baraka, USA, 17th March 2013. (Photo by Mick Gold/Redferns)

Amiri Baraka, the militant man of letters and tireless agitator whose blues-based, fist-shaking poems, plays and criticism made him a provocative and groundbreaking force in American culture, has died. He was 79.  His booking agent, Celeste Bateman, told The Associated Press that Baraka, who had been hospitalized since last month, died Thursday at Newark Beth Israel Medical Center.
Perhaps no writer of the 1960s and ’70s was more radical or polarizing than Baraka (formerly LeRoi Jones), and no one did more to extend the political debates of the civil rights era to the world of the arts. He inspired at least one generation of poets, playwrights and musicians, and his immersion in spoken word traditions and raw street language anticipated rap, hip-hop and slam poetry. The FBI feared him to the point of flattery, identifying Baraka as “the person who will probably emerge as the leader of the Pan-African movement in the United States.”
Baraka transformed from the rare black to join the Beat caravan of Allen Ginsberg and Jack Kerouac to leader of the Black Arts Movement, an ally of the Black Power movement that rejected the liberal optimism of the early ’60s and intensified a divide over how and whether the black artist should take on social issues. Scorning art for art’s sake and the pursuit of black-white unity, Barak was part of a philosophy that called for the teaching of black art and history and producing works that bluntly called for revolution.
“We want ‘poems that kill,’” Baraka wrote in his landmark “Black Art,” a manifesto published in 1965, the year he helped found the Black Arts Movement. “Assassin poems. Poems that shoot guns/Poems that wrestle cops into alleys/and take their weapons leaving them dead/with tongues pulled out and sent to Ireland.”

R.I.P. Oscar-Nominated "Imitation of Life" Actress Juanita Moore

By goodblacknews on January 1, 2014

Juanita Moore
Juanita Moore, who broke barriers for African-American actors and was Oscar-nominated for 1959′s remake of Imitation of Life, died Tuesday at her home in Los Angeles. Her step-grandson, actor Kirk Kahn, said she was 99.  Moore received a supporting actress nomination for the Douglas Sirk-directed Imitation of Life, playing Annie Johnson, the housekeeper whose daughter passes for white, in the racially-themed film that was based on the Fannie Hurst novel. She was the fifth African-American to ever be nominated for an Academy Award.

Kahn said she was still running lines with him recently, and had planned to participate in a reading at the Saban Theater in a few weeks. “She didn’t candy-coat it for you,” he said. “She said, ‘If you’re no good, the play’s no good.’”  “She gave back to the community in so many ways,” he said. “Wherever we went she stopped and told black boys and girls they could do anything with their lives.”
Moore, who was a founding member of the Cambridge Players along with thespians such as Esther Rolle, was honored at the Black Theater Festival in North Carolina, her grandson said.  Born in Los Angeles, Moore was a chorus girl at the Cotton Club who started out as a film extra, then worked as an actor at the Ebony Showcase Theater.  She made her film debut in 1949′s Pinky, and often played a maid in 1950s films such as The Girl Can’t Help It.  In the 1960s and ’70s, she played a nun in The Singing Nun and appeared in films including Uptight and The Mack.
Though she didn’t work often through the 1980s, she began appearing onscreen again in later years on TV shows such as E.R. and Judging Amy and in films such as Disney’s The Kid.  In addition to her grandson, she is survived by two nephews.  To learn more about her life and career, click here.
article by Pat Saperstein via Variety.com; additions by Lori Lakin Hutcherson

R.I.P. "Fresh Prince of Bel-Air" Star James Avery

By goodblacknews on January 1, 2014

James Avery
As reported in Variety.com, James Avery, the imposing actor who laid down the law as the Honorable Philip Banks – aka Will Smith’s “Uncle Phil” – inThe Fresh Prince of Bel-Air, has died. Avery’s publicist, Cynthia Snyder, told the Associated Press that Avery died Tuesday. The Associated Press reported that he was 65, while TMZ, which said he died in a Glendale, Calif. hospital after heart surgery, said he was 68.

Alfonso Ribeiro who played his son on Fresh Prince, remembered him on Twitter.

I’m deeply saddened to say that James Avery has passed away. He was a second father to me. I will miss him greatly. @alfonso_ribeiro

Avery’s movie credits included The Blues Brothers, Fletch, The Brady Bunch Movie and Doctor Dolittle 2. He appeared on dozens of TV shows including Hill St. Blues, L.A. Law, The Division, Soul Food, That ’70s Show, All of Us, Grey’s Anatomy and The Closer.  Born in Atlantic City, N.J., he served in Vietnam and began writing TV scripts and poetry for PBS. He graduated with a drama degree from U.C. San Diego. In addition to extensive work as a voiceover actor on productions such as The Wild Thornberrys and Prince of Egypt, he hosted the PBS travel show Going Places.  To learn more about his life and career, click here.
article by Lori Lakin Hutcherson

Nelson Mandela, South Africa’s Liberator as Prisoner and President, Dies at 95

By goodblacknews on December 5, 2013

Nelson Mandela
Nelson Mandela, who led the emancipation of South Africa from white minority rule and served as his country’s first black president, becoming an international emblem of dignity and forbearance, died Thursday night. He was 95.
“Our nation has lost its greatest son,” said Jacob Zuma, the South African president, about Nelson Mandela.   Zuma announced Mr. Mandela’s death.  Mr. Mandela had long said he wanted a quiet exit, but the time he spent in a Pretoria hospital this summer was a clamor of quarreling family, hungry news media, spotlight-seeking politicians and a national outpouring of affection and loss. The vigil eclipsed a visit by President Obama, who paid homage to Mr. Mandela but decided not to intrude on the privacy of a dying man he considered his hero.

Mr. Mandela ultimately died at home at 8:50 p.m. local time, and he will be buried according to his wishes in the village of Qunu, where he grew up. The exhumed remains of three of his children were reinterred there in early July under a court order, resolving a family squabble that had played out in the news media.

Mr. Mandela’s quest for freedom took him from the court of tribal royalty to the liberation underground to a prison rock quarry to the presidential suite of Africa’s richest country. And then, when his first term of office was up, unlike so many of the successful revolutionaries he regarded as kindred spirits, he declined a second term and cheerfully handed over power to an elected successor, the country still gnawed by crime, poverty, corruption and disease but a democracy, respected in the world and remarkably at peace.

The question most often asked about Mr. Mandela was how, after whites had systematically humiliated his people, tortured and murdered many of his friends, and cast him into prison for 27 years, he could be so evidently free of spite.

The government he formed when he finally won the chance was an improbable fusion of races and beliefs, including many of his former oppressors. When he became president, he invited one of his white wardens to the inauguration. Mr. Mandela overcame a personal mistrust bordering on loathing to share both power and a Nobel Peace Prize with the white president who preceded him, F. W. de Klerk.

And as president, from 1994 to 1999, he devoted much energy to moderating the bitterness of his black electorate and to reassuring whites with fears of vengeance.  The explanation for his absence of rancor, at least in part, is that Mr. Mandela was that rarity among revolutionaries and moral dissidents: a capable statesman, comfortable with compromise and impatient with the doctrinaire.

When the question was put to Mr. Mandela in an interview for this obituary in 2007 — after such barbarous torment, how do you keep hatred in check? — his answer was almost dismissive: Hating clouds the mind. It gets in the way of strategy. Leaders cannot afford to hate.

R.I.P. Former Heavyweight Boxing Champion Ken Norton

By goodblacknews on September 19, 2013
Ken Norton connects with a left to the head of Muhammad Ali during a bout in Inglewood, Calif., in 1973.

Ken Norton, who had three memorable fights with Muhammad Ali, breaking Ali’s jaw in winning their first bout, then losing twice, and who went on to become the World Boxing Council heavyweight champion, died Wednesday in the Las Vegas suburb of Henderson, Nevada. He was 70.

His death was confirmed by his son Ken Jr., an assistant coach with the Seattle Seahawks of the N.F.L. and a pro linebacker for 13 seasons, The Associated Press said. Norton had been in poor health for several years after sustaining a series of strokes, The A.P. reported.

Norton defeated Ali on a 12-round split decision in 1973 to capture the North American Boxing Federation heavyweight title. Norton was an exceptionally muscular 6 feet 2 inches and 220 pounds, but he was a decided underdog in the first Ali fight.

“Ali thought it would be an easy fight,” Norton’s former manager, Gene Kilroy, was quoted by The A.P. as saying. “But Norton was unorthodox. Instead of jabbing from above like most fighters, he would put his hand down and jab up at Ali.”  Kilroy said that after the fight, Norton visited Ali at the hospital where he was getting his broken jaw wired, and Ali told him he never wanted to fight him again.

R.I.P. Jazz Icon, Grammy Award-Winning Musician and Composer George Duke

By goodblacknews on August 6, 2013
GEORGE DUKE | Aug. 5 (age 67) | The legendary keyboardist released more than 40 albums during his four-decade-plus career. He memorably collaborated with artists such as Michael Jackson, Jill Scott and Miles Davis.
GEORGE DUKE | The legendary keyboardist released more than 40 albums during his four-decade-plus career. He memorably collaborated with artists such as Michael Jackson, Jill Scott and Miles Davis. Jean-Christophe Bott, AP
Jazz musician George Duke died Monday in Los Angeles at age 67.  A pioneer in the funk and R&B genres, he had been battling chronic lymphocytic leukemia, according to his label Concord Music Group, which confirmed his death.  “The outpouring of love and support that we have received from my father’s friends, fans and the entire music community has been overwhelming,” said his son, Rashid Duke, in a statement. “Thank you all for your concern, prayers and support.”
Born in San Rafael, Calif., Duke aspired to a music career from an early age, after his mother took him to a Duke Ellington concert.  “I remember seeing this guy in a white suit, playing this big thing, which I later found out was a piano,” Duke told USA TODAY in 1997. “He had all these guys around him, and he was waving his hands conducting, and he spoke very intelligently and seemed to be having a good time. And his name was Duke, and my last name was Duke. I told my mom, ‘I want to be him.’ That moment in time set the stage for me.”
Over the course of his four-decade-plus career, the Grammy Award-winning keyboardist put out more than 40 albums and collaborated with artists such as Frank Zappa, Miles Davis, Jill Scott and Michael Jackson. His music was also sampled by Kanye West, Daft Punk and Common.  “It’s a wonderful thing that has happened under the banner of jazz,” Duke told USA TODAY of his career longevity. “In R&B and rock, when you are over a certain age, they say goodbye to you. But in jazz, you just kind of level off and continue to gain respect, so long as you keep your integrity.”
Duke’s final album, DreamWeaver, was released July 16 and made its debut at No. 1 on Billboard‘s contemporary jazz chart. It was his first new music since the death of his wife, Corine, last year.  To learn more about Duke’s life and music, click here.  Also, watch a video of Duke recording his classic “Dukey Stick” below:

[youtube=http://www.youtube.com/watch?v=CT2ZBoWtNes&w=420&h=315]
article by Patrick Ryan via usatoday.com

R.I.P. Blues Music Legend Bobby "Blue" Bland

By goodblacknews on June 25, 2013

Bobby "Blue" BlandRobert Calvin “Bobby” Bland (January 27, 1930 – June 23, 2013, né Brooks), also known as Bobby “Blue” Bland, was an American singer of blues and soul. He was an original member of the Beale Streeters, and was sometimes referred to as the “Lion of the Blues”. His storied career came to an end this weekend, when he passed away at the age of 83 due to complications from an ongoing illness.
Bland was also known as the “Sinatra of the Blues” because of his super-suave persona and his flawless 1961 album Two Steps From the Blues, which should be required listening for anyone who appreciates soul.  Along with such artists as Sam Cooke, Ray Charles, and Junior Parker, Bland developed a sound that mixed gospel with the blues and R&B. His music was also influenced by Nat King Cole.
Bland was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and received theGrammy Lifetime Achievement Award in 1997.

To learn more about his life and music, click here. To see him do his thing, click below:
[youtube http://www.youtube.com/watch?v=Pn1lZP5uPXw&w=420&h=315]
article by Lori Lakin Hutcherson

R.I.P. NFL Hall of Famer and Defensive Legend David 'Deacon' Jones

By goodblacknews on June 5, 2013

jones 2

David “Deacon” Jones (pictured), the defensive end who was credited for using the word sack to describe how he knocked down quarterbacks on the field, passed away at his Southern California home on Monday night of natural causes. He was 74 years old, according to USA Today.
Jones was a legendary player that other players idolized and was often referred to as “one of the greatest players in NFL history.” Jones played for the L.A. Rams from 1961 to 1971, San Diego Chargers from 1972 to 1973, and signed on with the Washington Redskins in 1974, marking the end of his stellar career.
Former Rams head coach George Allen once referred to Jones as the “Greatest Defensive End of Modern Football,” while the New York Times pegged the gridiron great as the “Most Valuable Ram of All Time.” Jones was voted to the NFL’s 75 Year All Time Team and was inducted in to the Pro-Football Hall of Fame in 1980.
jones
Jones, who has been deluged with honors throughout his playing career and has never been taken off any sports analyst’s or enthusiast’s list of  “Top 100 players of all time,” actually came from humble beginnings.
Jones was born in Eatonville, Fla., and shared the home with nine other family members.  He attended Hungerford High School, where he excelled in all areas of athletics, baseball, basketball, and football.  Even though Jones managed to earn a scholarship to South Carolina State University, when he finally landed there in 1957, it was revoked after academicians discovered he took part in a civil rights sit-in.
foursome
An assistant coach at South Carolina State, who was leaving and had taken a position at Mississippi Vocational, convinced Jones and a handful of other Black players that he could get them scholarships to his new school.
When Jones and the players went to the college, though, they were not allowed to join their White team members at motels and were relegated to sleeping on shoddy cots at the opposing school’s gymnasiums.
The Rams selected Jones in 1961, and he quickly became one of the team’s “Fearsome Foursome” defensive line of players along with Rosey Grier (pictured second from right), Lamar Lundy (pictured far left), and Merlin Olsen (pictured second from left).
These four men are now considered to be one of the best defensive lines in all of NFL history.