Hemsley was discovered by producer Norman Lear on stage in New York. He first played George Jefferson on ‘All in the Family.’ ‘The Jeffersons’ ran for 11 seasons. Sherman Hemsley, who was rooted in the minds of millions of television viewers as Archie Bunker’s bombastic black neighbor, George Jefferson, in“All in the Family” and later as the star of his own long-running sitcom, “The Jeffersons,” has died. He was 74.
Posts published in “Seniors”
Lucille Singleton
Age: 88
Place of Residence: Harlem, N.Y.
Why she is a local hero: Lucille Singleton inspires people to be healthy with her marathon running.
Singleton runs everywhere she goes. It doesn’t seem like a big deal until you realize she’s almost 90. Singleton has run three New York City Marathons and finished in the top 10 for her age group all three times.
“I just love running. It makes me feel so good,” said Singleton.
Around her Harlem neighborhood, everyone recognizes her as he senior citizen who runs. The door attendant at her senior building asks how her running is going. And when she shows up at her gym at the New York Sports Club, she can barely make it to the weights because everyone wants to hug her.
Singleton gets up at 4 a.m. to run three miles and still hits the gym three or four times per week. She’s recently had some age-related kidney problems and now needs regular dialysis. Even that hasn’t stopped her running.
“When I finish dialysis, I like to run home,” said Singleton.
Her efforts are simply inspiring, says neighbor and friend Sylvia White.
“She runs four days a week, goes to aerobics twice a week. When you see this woman you … do a double take because she looks half her age. She defies the common expectations for seniors,” said White.
Singleton is proof that it’s never too late to accomplish your goals in life. At 71, after a career as a home health aide, she became a construction worker. The manager gave her the job of a flag person but Singleton wanted more. She wanted to lift and carry things. And that’s just what she did, helping to build 19 Rite Aid stores.
Singleton also didn’t run her first marathon until she was 75 years old. A friend’s daughter was running, and Singleton, remembering her high school running days, decided to give it a try. She finished fifth in her age group.
Now, Singleton feels her running is an inspiration to others. That’s why she has no plans to stop.
“When I get out and run in the morning, the cars blow their horns and the people wave,” said Singleton. “I have fans out there so I can’t stop.”
Thursday was the graduation day a Hamden grandmother has been looking forward to for 42 years. Dora Anne Council, 76, was among the 870 graduates to receive their diplomas at Gateway Community College Thursday night.
JOCELYN NOVECK,AP National Writer
WASHINGTON (AP) — The stately White House East Room, home to many a bill signing and ceremonial gathering, became a stage Tuesday for pirouettes, jetes, gravity-defying leaps and a few bumps and grinds as Michelle Obama inaugurated a new dance series.
Dancers of all types — ballet, modern, hip hop and Broadway — took over the room, first for a series of workshops in which students from around the country had a chance to learn from the pros.
After a short break, the students were to return to see their mentors for the day perform in an hour-long, star-studded show. Even Broadway’s young “Billy Elliot” was there — well, four Billys actually, from the show’s rotating cast.
But the main attraction was the Alvin Ailey American Dance Theater, whose celebrated artistic director, Judith Jamison, soon to retire after two decades in the job, was the honoree of the event. At the afternoon workshops, young girls in leotards, their hair tightly wrapped in buns, sprawled on the shiny East Room floor, stretching their legs into splits as they warmed up. Jamison watched with a smile on her face as current Ailey dancers then taught the kids — about 100 boys and girls from across the country — excerpts from Ailey’s “Revelations,” one of the most beloved works in all of modern dance. “Slow! Slooooow,” intoned teacher Nasha Thomas-Schmitt, urging the kids at one point to take their time with a stretch.
“Wow,” said Damian Woetzel, director of the event and a former star of New York City Ballet, after the Ailey workshop. “Now you’ve danced in the White House!” he told the kids.
The 67-year-old Jamison is an icon of the dance world. She joined the Ailey company in 1965 and became the choreographer’s muse, her dramatic power as a dancer epitomized in the unforgettable 1971 solo piece “Cry.” In 1989, after Ailey’s death, she took over as artistic director. She is scheduled to step down in 2011.
“What a rare opportunity, to be invited by your country’s first lady to be honored like this,” Jamison said in a weekend interview. “I’ve been to the White House a couple of times before, but this event is totally unique. It’s so terribly important to recognize this art form and to understand how important it is to the fabric of this country.” “This will be another clarion call to people: Pay attention to your arts!” Jamison said. “My dancers are so excited.”
Woetzel, who is on the President’s Committee on the Arts and Humanities, had a dizzying array of choices from which to cull an hour of the country’s best dance. And he said it wasn’t exactly hard to find dancers, no matter that the event came just after a summer vacation weekend.
“Everyone was so excited to be a part of this,” Woetzel said in an interview. “It’s really an exciting opportunity to present the variety of dance in this country. And the student component makes it especially unique. It’s a great way to start the school year.”
Though the Obamas have spotlighted many varieties of music since they came to the White House — there have been events celebrating Latin music, rock, jazz, country, classical and Broadway show tunes — the dance world might have felt ignored, until now. But Michelle Obama seems to be a dance fan. Jamison noted proudly that the Obamas and their daughters spent one of their first nights out as first family taking in an Ailey performance at the John F. Kennedy Center for the Performing Arts.
“They came backstage, took pictures — the dancers were thrilled,” she said. Also on the program Tuesday: the Paul Taylor Dance Company, The Washington Ballet, Super Cr3w and the New York City Ballet. The students came from dance schools around the country: The Alvin Ailey School, Ballet Hispanico, Cab Calloway School of the Arts, Dance Theatre of Harlem, the Chicago Multicultural Dance Center and others.
Copyright 2010 The Associated Press.
Still, Limerick didn’t want to be presumptuous. She wasn’t sure that her mother’s legacy would qualify for the Smithsonian. A documentary producer for National Public Radio, Limerick had heard that the Smithsonian’s new National Museum of African American History and Culture was looking for compelling stories about black families and culture. With modest expectations, she nominated her mother, Mae Reeves.
“Oh, God bless you,” Reeves said, as television cameras closed in on her. She’d just been handed a softball-sized bronze model of the Liberty Bell that clanged happily in her lap.
“It’s our biggest honor,” said Melanie Johnson, city representative, apologizing that Mayor Nutter couldn’t make the event. He was in Washington for a meeting, representing the U.S. Conference of Mayors, but promised to make a personal visit upon his return.
“Oh my goodness!” Reeves said.
Now 97 and living in a retirement home in Darby, she arrived in a stylish wheelchair upholstered in teal leatherette. Her arthritic knees were covered by a black chenille blanket to match her beaded black jacket and dress. She wore a hat (of course) – one of her favorites, a cloche layered thickly in shiny black feathers with an emerald and turquoise gleam.
For more than 50 years, until 1997 when she retired at 85, Reeves ran her own store, first on South Street and later on North 60th Street. She sold to stars such as Ella Fitzgerald, Lena Horne and Marian Anderson; the social and political elite like Leonore Annenberg and C. Delores Tucker; and everyday women seeking audacious hats.
Midway through the ceremony, held in the auditorium of the African American Museum in Philadelphia, a short video was shown. Produced by one of her nine grandchildren, it captures Reeves in a sparky exchange with her daughter.
Having grown up in Georgia and studied millinery in Chicago, Limerick asks Reeves, “Why did you come to Philadelphia?”
“Because I knew people!” Reeves says.
by Melissa Dribben via articles.philly.com