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EDITORIAL: What Black History Month Means to GBN in 2023 and Beyond

by Lori Lakin Hutcherson, GBN founder and Editor-in-Chief

Well, here we are, once again. Forty seven years after February was officially recognized by the U.S. government as Black History Month, and ninety seven years after Negro History Week was founded by Carter G. Woodson, “The Father of Black History.”

We are also, once again, deeply distressed by the murder of a young Black person (Tyre Nichols) at the hands of police officers. The fact that the officers and the police chief are Black this time around doesn’t complicate but instead amplifies the grotesque, stark, ironically colorblind reality of systemic racism — it is a pernicious construct of power and oppression that can be upheld or enforced by anyone of any color or gender or creed.

So, how do we reconcile the two — the celebration of Black people and their achievements while constantly experiencing injustice, inequity and increasingly, erasure?

If you think “erasure” is a hyperbolic, overused buzzword, please check out this PBS piece, this ACLU podcast or get your up-to-date Critical Race Theory ban statuses state by state on World Population Review. You can also Google what the governor of Florida is up to these days in regards to one particular course offered in the AP curriculum. and the AP’s seeming capitulatory response.

As Editor-in-Chief of Good Black News, a site which for over a decade has literally been dedicated year-round to the celebration of Black people and their achievements, I have been wrestling with this question for a while, particularly in the last eight months.

After the murder of 10 Black people at a supermarket in Buffalo, NY by a white supremacist in May 2022 and the continued downplaying of racially-based domestic terrorism, I felt depleted and bereft. Of hope, of faith, of purpose. It didn’t seem to matter how much Black people achieved or prospered or protested or suffered in America — we couldn’t even buy our groceries in peace.

And once again, the narrative of the “lone, mentally unstable shooter” was trotted out. One person was (rightfully) punished, but the racist political and economic system he embraced in its most violent extreme? It remained (and remains) steadfastly in place. As did the onus remain on the shoulders of Black people to be seen as worthy of basic human rights.

America quickly got back to the business of forgetting and moving on, even after experiencing only two years before what seemed like a watershed moment of racial reckoning after the police murder of George Floyd.

But here were are again today, literally TODAY, with civil rights attorney Benjamin Crump saying during his call to action during Tyre Nichols’ funeral: “Why couldn’t they see the humanity in Tyre?… We have to make sure they see us as human beings worthy of respect and justice!”

We do?

I’ll admit in many ways, I understand where Crump is coming from. “Show the humanity” has essentially been the GBN operating philosophy since 2010 — to create a site and space where we can see and celebrate our humanity, while offering access to anyone else who wants to take a gander.

But now, in 2023, I must push myself to dig deeper and firmly challenge why it should it ever be the responsibility of any human being to convince any other human being of their humanity. To state the obvious, once, and for all:

BLACK PEOPLE ARE HUMAN BEINGS.

If the words above are not inherently understood to be true, why is that? Why does this have to be shown? Proven? Over and over and over again?

My answer, also obvious, is that they don’t. Not ever.

So, while I absolutely respect and still intend to celebrate the legacies of people such as Frederick Douglass, Harriet Tubman, Dr. Martin Luther King, Jr., Rosa Parks, Jackie Robinson, Sidney Poitier and the like, going forward I also need for GBN’s Black History Month and GBN in general to engage more actively in the interrogation and disempowering any systems, institutions or public policies that do not recognize or uphold this truth and all the basic rights that should flow from it (e.g. respect, freedom, safety, equality).

Maybe I’m not giving enough credit to GBN in its past and present form — I acknowledge that GBN has been helpful and appreciated by many for the way we offer information via the lens of celebration and positivity.

What I’m aiming to add to our existing ethos is more critical thinking and opinion about cultural topics and cultural content, boosting political, economic and social policies that are truly about protecting, serving and uplifting Black people, and working to upend those that don’t.

What will this “new GBN” look like, you might ask? Well, today it’s looking like me sharing this link to the NAACP Petition to Demand Educational Freedom in Florida. To quote the petition:

The College Board creates and administers the AP program. Join us in demanding that they:

  • Reject the narrow interpretation of Florida law that contradicts principles of academic freedom and autonomy in determining what to teach in classrooms.
  • Take swift action to make sure Florida does not modify the curriculum of the proposed AP African-American Studies course designed with the help of respected Black scholars, but rather, maintains the integrity of the proposed curriculum.

Florida’s current agenda of political interference in the AP African American studies curriculum directly conflicts with the values of equity, fairness, and justice. Our students deserve better.

To sign it, click here.

Additionally, I want to highlight Nikole Hannah-Jones’ The 1619 Project series now streaming on Hulu as well as promote the excellent “Intersectionality Matters” podcast by law professor Dr. Kimberlé Crenshaw whose name is among the writers expunged from the AP African American studies curriculum.

[spotifyplaybutton play=”https://open.spotify.com/show/5CEVNLkyQ1kAx2MTSJZJLP?si=1d7be514acc241f1″]

I also want to give props to Beyoncé for officially announcing her 2023 Renaissance World Tour!  A definite bright spot on this first day of Black History Month, the efforts Beyoncé and her team are making via the Verified Fan system and its tiers of engagement (first priority given to the BeyHive!) to ensure real fans get access to tickets over usurious resale entities is for sure worth a shout out.

Frankly, I am tired of us being caught out there, and I want GBN to do more, offer more, share more and speak out more. In our tweets, reels, stories, posts, playlists, comments — however.

Maybe I’ll get it wrong sometimes, but with deep love for this community as my true north, may my faith, purpose and hope never again be broken.

Happy Thanksgiving to All and Congratulations to the Winners of “A Year of Good Black News” Page-A-Day® Calendar for 2023!

As promised last week, GBN is giving thanks today to three members of the GBN community who entered our giveaway for the chance to receive one free copy each of our “A Year of Good Black News” Page-A-Day® Calendar for 2023 .

Congratulations to Erica Donaldson-Ellison, Lise Andreasen and Karla Stewart-Tyson! We will be contacting you each shortly via email to arrange delivery of your free calendars from Workman Publishing.

Also, thank you so much to all who entered the giveaway. If you didn’t win today — good news! Due to popular demand, we will be holding a second drawing on December 9 and will announce three more lucky winners!

No need to enter again if you already have — you will automatically remain in the running.

To those who have yet to enter – it’s not too late! For a chance to win in December, send your first name, last name and email address with the subject heading “A Year of Good Black News Giveaway” to goodblacknewsgiveaways@yahoo.com from now until 11:59PM PT on December 8. One entry per unique email.

Already a Top 10 release in Multicultural Calendars on Amazon, A Year of Good Black News is filled with facts, history, bios, quotes, jokes and trivia in easy-to-read entries delivered on the daily.

In case you can’t wait to see if you’re the lucky winner, or if you want to buy copies as gifts for family, friends, teachers or loved ones,  you can use the code: CYBER22 at Workman.com or pageaday.com until November 30 to receive 25% OFF site-wide, plus Free Shipping on orders over $25.

If you want to support a Black-owned bookstore with your purchase, order through this link on Bookshop.org: https://bookshop.org/shop/esowonbooks, search “Good Black News Calendar” to add it to your cart, and a portion of the sale will go to directly to Eso Won Books in Los Angeles, CA.

Or, if you prefer, you can also order from the retailers below:

Onward and upward… and good luck!

“Food Griot” Tonya Hopkins to Host “The Kwanzaa Menu” Online Series on Food Network this December

The seven days of Kwanzaa just got tastier.

According to Variety.com“The Kwanzaa Menu” in concert with the beginning of Kwanzaa, will debut on December 26 on FoodNetwork.com.

Hosted by culinary scholar Tonya Hopkins, the series will discuss each of Kwanzaa’s seven principles using a special dish as the springboard to conversation.

To quote from Variety.com:

“Celebrating Kwanzaa through good food and drink not only allows us to reconnect to the vibrance of our culinary history that greatly informs who we are as Black people, our very identities — but also to take pride in that which has so profoundly shaped American foodways at large, for centuries,” Hopkins says of the series produced by Best Wishes Studio.

Per Food Network, “In each of the seven episodes Tonya and a special guest prepare a recipe that is connected to the day’s celebration. Together they will commemorate each day of Kwanzaa by cooking meaningful dishes and discussing the Nguzu Saba, the seven principles, and history of the holiday. When presented together, the collective dishes create a meaningful and celebratory Kwanzaa Menu.”

The series is a family affair for Hopkins, filmed at her family’s South Orange County, Calif. home and featuring guest appearances from her father Dr. Thomas A. Parham and sister Kenya Parham, who also serves as a writer and producer.

“Both my and Tonya’s life work centers around doing all things ‘for the culture!’ This project was a deeply personal labor of love — love for our people, love for ourselves, and love for the principles that anchor our lives,” cultural strategist Kenya says of the project. “To collaborate on this production with my brilliant sister, our family, an all-star (majority Black) crew led by Best Wishes Studio and Food Network is the kind of kismet synergy dreams are made of! We know we’ve created a cultural gem with ‘The Kwanzaa Menu’ and are tremendously excited for the world to receive it and celebrate with us!”

Read more about each episode’s inspiration, special guests and delicious dishes below:

“Umoja” (Unity) | Amazing Hibiscus Mulled Wine Kwanzaa Mimosa – Tonya is joined by her sister, Kenya Parham, to prepare a recipe celebrating the principle of Umoja, which emphasizes the importance of unity in all areas, including family, community, nation and race. Traditionally libations, served in a Kikombe Cha Umoja (Unity Cup) are presented to acknowledge and honor the family units of present and past.

“Kujichagulia (Self-Determination)” | Crispy Akara (Black-Eyed Pea Fritters) with Savory Smoky Sesame Sauce – The principle of Kujichagulia focuses on building one’s identity as a person and a community and in honor of that, Tonya whips up a dish with the help of special guest, Kareem Grimes. The majority of Black Americans descended from (or passed through) the West African region and the recipe is a way to make culinary contact and acknowledge that point of origin and ancestral journey.

IT’S BACK!! GBN’s “A Year of Good Black News” Page-A-Day Calendar for 2023 Now Available for Pre-Order

by Lori Lakin Hutcherson, GBN Editor-in-Chief

Last fall GBN came out with its first physical product: the A Year of Good Black News Page-A-Day Calendar for 2022, published by Workman Publishing.

We are excited to announce that, with your support, its sequel is on the way — the  A Year of Good Black News Page-A-Day Calendar for 2023!

Written by yours truly, the A Year of Good Black News Page-A-Day Calendar for 2023 is filled with fresh new facts, history, bios, quotes, jokes and trivia in easy-to-read daily entries.

The 2023 calendar’s official drop date is Tuesday, November 1, and if you pre-order now at Workman.com using the code: CALENDAR22 from now until December 31, you will receive 20% off.

A Year of Good Black News offers fun Black facts about inventors, artists, entrepreneurs, musicians, comedians, historians, educators, athletes and entertainers.

We’re introducing new monthly categories for 2023 like “In The Paint: Black Artists,” and “Hit The Books: Black Authors,” along with established ones like “Lemme Break It Down: Black Lexicon,” “We Got Game: Black Trivia,” “Get The Knowledge: Black Museums and Landmarks” and “You Know We Did That, Right?: Black Inventors.” 

Here’s a sneak peek inside:

Although I’m biased because I wrote it, the A Year of Good Black News calendar is an awesome way to get inspired every day by the good things Black people do (and have done) for centuries, but haven’t always been widely known or shared.

It’s also a great gift for family members, friends, teachers, children and loved ones. Did I mention if you use the code: CALENDAR22 at Workman.com, you get 20% off?

Or, if you prefer, you can also order from the retailers below:

Bookshop: https://www.bookshop.org/

IndieBound: https://www.indiebound.org/book/9781523516353?aff=workmanpub

Barnes & Noble: barnesandnoble.com

Books-A-Million: www.booksamillion.com

Amazon: https://www.amazon.com/dp/1523516356?tag=workmanweb-20

Onward and upward –  hope you enjoy – and share!

Advanced Placement African American Studies Classes Debut at 60 U.S. High Schools

The College Board has announced it will begin offering an Advanced Placement (AP) African American Studies course at 60 high schools across the U.S. this fall.

The AP program, which traditionally gives high school students an opportunity to take college-level courses before graduation, currently covers 38 subjects, including  U.S. government and politics, biology, chemistry, English, European History and art history.

The AP African American Studies course is the College Board’s first new offering since 2014, according to TIME, and the multi-disciplinary course will cover over 400 years of African American history, literature, civil rights, politics, the arts, culture and geography.

Though a pilot program currently, the aim is by the 2024-2025 school year for this AP offering to be the first course in African American studies for U.S. high school students that is considered rigorous enough to allow students to receive credit and advanced placement at colleges across the country.

To quote the New York Times:

The plan for an Advanced Placement course is a significant step in acknowledging the field of African American studies, more than 50 years after what has been credited as the first Black studies department was started after a student strike at San Francisco State College in 1968, said Henry Louis Gates Jr., a former chair of Harvard’s department of African and African American studies and director of the Hutchins Center for African & African American Research.

“In the history of any field, in the history of any discipline in the academy, there are always milestones indicating the degree of institutionalization,” said Dr. Gates, who is a consultant to the project along with a colleague, Evelyn Brooks Higginbotham. “These are milestones which signify the acceptance of a field as being quote-unquote ‘academic’ and quote-unquote ‘legitimate.’”

Students will take a pilot exam but will not receive scores or college credit, according to the College Board.

Read more: https://www.cbsnews.com/news/advanced-placement-african-american-studies-class-rollout-us-high-schools-college-board/

https://www.smithsonianmag.com/smart-news/ap-african-american-studies-coming-to-us-high-schools-180980689/

Bank of America Launches Zero Down Payment Mortgage Plan to Expand Homeownership Opportunities in Black and Latinx Communities

Bank of America recently announced a new zero down payment, zero closing cost mortgage plan for first-time homebuyers, which will be available in certain markets, including African American and/or Hispanic-Latino neighborhoods in Charlotte, Dallas, Detroit, Los Angeles and Miami.

What BofA is calling “The Community Affordable Loan Solution™” aims to help eligible individuals and families obtain an affordable loan to purchase a home.

“Homeownership strengthens our communities and can help individuals and families to build wealth over time,” said AJ Barkley, head of neighborhood and community lending for Bank of America. “Our Community Affordable Loan Solution will help make the dream of sustained homeownership attainable for more Black and Hispanic families, and it is part of our broader commitment to the communities that we serve.”

The Community Affordable Loan Solution is a Special Purpose Credit Program which uses credit guidelines based on factors such as timely rent, utility bill, phone and auto insurance payments. It requires no mortgage insurance or minimum credit score.

Individual eligibility is based on income and home location. Prospective buyers must complete a homebuyer certification course provided by select Bank of America and HUD-approved housing counseling partners prior to application.

This new program is in addition to and complements Bank of America’s existing $15 billion Community Homeownership Commitment™ to offer affordable mortgages, industry leading grants and educational opportunities to help 60,000 individuals and families purchase affordable homes by 2025.

According to the National Association of Realtors, currently there is a nearly 30-percentage-point gap in homeownership between White and Black Americans; for Hispanic buyers, the gap is nearly 20 percent. And the competitive housing market has made it even more difficult for potential homebuyers, especially people of color, to buy homes.

In addition to expanding access to credit and down payment assistance, Bank of America provides educational resources to help homebuyers navigate the homebuying process, including:

  • First-Time Homebuyer Online Edu-Series,™a five-part, easy-to-understand video roadmap for buying and financing a home, available in English and Spanish.
  • BetterMoneyHabits.com free financial education content, including videos about managing finances and how to prepare for buying a new home.
  • Bank of America Down Payment Center – site to help homebuyers find state and local down payment and closing cost assistance programs in their area. Bank of America participates in more than 1,300 state and local down payment and closing cost assistance programs.
  • Bank of America Real Estate Center – site to help homebuyers find properties with flags to identify properties that may qualify for Bank of America grant programs and Community Affordable Loan Solution™.

For more information, contact Bank of America at 1-800-641-8362.

Read more: https://www.prnewswire.com/news-releases/bank-of-america-introduces-community-affordable-loan-solution-to-expand-homeownership-opportunities-in-blackafrican-american-and-hispanic-latino-communities-301614686.html

https://www.businessinsider.com/bank-of-america-zero-down-mortgages-buy-home-cheaper-easier-2022-9

Tennis Legend Althea Gibson Honored with Street Renaming in Hometown of Harlem, NY

Althea Gibson, the first Black tennis player to win a Grand Slam title, was honored in her hometown of Harlem, NY with a street renaming in her honor on what would have been her 95th birthday.

The intersection of West 143rd Street and Malcolm X Boulevard, where Gibson grew up, is now called Althea Gibson Way.

The ceremony took place last week in front of Gibson’s old apartment building on 143rd Street and was attended by Gibson’s family members, who were given a replica of the new street sign.

Born in 1927, Gibson was the daughter of sharecroppers in South Carolina who moved to Harlem in 1929. There, she was introduced to the Harlem River Tennis Courts in 1941, where she developed her skills.

Gibson won the French Open in 1956, and subsequently took home back-to-back Grand Slam singles titles at Wimbledon and the US Open in 1957 and 1958.

Read more: https://abc7ny.com/althea-gibson-street-renaming-harlem-tennis/12164886/

Althea Gibson: I Always Wanted To Be Somebody: https://amzn.to/3KDhIVV

(paid amazon link)

ART: Marlon West’s Ink Tributes to Real Life Heroes Debuts at Museum of Social Justice in Los Angeles on 8/13

by Lori Lakin Hutcherson (@lakinhutcherson)

Disney VFX Supervisor Marlon West (Iwájú, Princess and The Frog, Moana, Frozen) will have his own art on display in an exhibition that debuts at the Museum of Social Justice in Los Angeles on August 13.

Since 2020, West has been drawing and posting ink tributes on his social media of African-American people slain by police or targeted by racists, including George Floyd, Breonna Taylor, Ahmaud Arbery, Sandra Bland and Michael Brown, to name a few.

“For many of us Black nerds, Marvel’s characters are particularly relatable. They are often hated and hunted by the powers that be,” West said.  “There isn’t a more American form of portraiture than black ‘inks’ over white, to honor those that faced this nation’s fear and loathing of the Black body.”

West has also posted ink tributes to civil rights leaders and protestors like John Lewis and Gloria Richardson Dandridge (seen below).

West, who is also a contributor to GBN (check out his prolific and eclectic Music Monday playlists on this site), recently did a Q&A with us to share more insight into the process and journey that led to his drawings and the upcoming exhibit:

GBN: When you started posting and sharing your drawings on social media, what was the response?

Marlon West: The response was very positive. They were met with surprise from many, as I had limited myself to drawing only effects and instructional drawovers for decades. It took being on lockdown, away from some of the best artists on the planet, and feeling the despair that so many of us did around George Floyd’s murder to move to draw what I initially thought would be four drawings. I’ve done more than 40.

Marlon West (photo courtesy Marlon West)

When you decided who you were going to draw, how did you decide what image of them to use?

Almost all of them are based on photos that have been widely seen. Many are in fact selfies taken by the subjects themselves. It felt very intimate to draw them, staring into their eyes while I did so. It was often tear inducing to do so for the hours it took to do each one. But I found it cathartic to sit alone and try to honor each one. 

Did you ever receive any feedback from any family or loved ones of your subjects?

A good friend knows Michael Brown Sr. I created, until this exhibit, the only physical copy of any of them to give to him. He was thankful, but understandably guarded. 

How did the museum display of your work come about?

My friend and colleague reached out to the museum regarding them. They were very receptive to the idea. I am super flattered and honored. They are also leaning into presenting them in the comic style nature that I drew them.

To attend this free event or to learn more, click here: https://bit.ly/InkTributesOpening

Follow Marlon at: FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest

West also recently organized the  “A Great Day in Animation” photo of 54 Black professionals in animation. Read more about that here.

Return of Bruce’s Beach in CA to Descendants of Charles and Willa Bruce Receives Unanimous Approval from LA Board of Supervisors

[Photo: Anthony Bruce, the great-great-grandson of Charles and Willa Bruce, at Bruce’s Beach on Thursday. Photograph: Jay L Clendenin/Los Angeles Times/Rex/Shutterstock]

This week, in California, a case for reparations was finally won.

According to the Los Angeles Times, the Los Angeles Board of Supervisors voted their unanimous approval of the return of two oceanfront parcels unjustly taken by the government known as Bruce’s Beach to the descendants of former owners Charles and Willa Bruce.

Near the beginning of the 20th century, Charles and Willa Bruce made their way to California and purchased two lots in Manhattan Beach right by the sand and ran a popular lodge, cafe and dance hall for Black beachgoers.

A few more Black families, drawn to this new neighborhood that became known as Bruce’s Beach, bought and built their own cottages nearby. But they all soon were threatened by white neighbors and harassed by the local Ku Klux Klan.

When those attempts at intimidation failed, in 1924 city officials condemned the neighborhood and seized more than two dozen properties via eminent domain, claiming there was an urgent need for a public park. For decades, the properties sat empty.

The two oceanfront parcels that had been owned by the Bruces were transferred to the state in 1948, then to the county in 1995. The other lots were eventually turned into the park by city officials in Manhattan Beach.

To quote latimes.com:

In a heartfelt moment during the board meeting Tuesday, Supervisor Janice Hahn reflected on all the legal, legislative and very complicated real estate details that had to be worked out to right a wrong that had sparked a movement and captivated the country.

“We are finally here today,” said Hahn, who launched the complex process more than a year ago. “We can’t change the past, and we will never be able to make up for the injustice that was done to Willa and Charles Bruce a century ago. But this is a start, and it is the right thing to do.”

The property will now enter escrow before officially transferring to the Bruce family. After it’s transferred, the county has agreed to rent the property from the Bruces for $413,000 a year and will maintain its lifeguard facility there.

The lease agreement also includes a right for the county to purchase the land at a later date for $20 million, plus any associated transaction costs.

This unprecedented case of restorative justice to a Black family or property owners who were harassed by the KKK and run out of Manhattan Beach via racially-weaponized invocation of eminent domain almost a century ago — paves the way for more efforts by the government to rectify similar historic injustices.

[Wedding portrait of Charles Aaron and Willa A. Bruce.
California African American Museum]
To quote latimes.com once more:

For Anthony Bruce, the great-great-grandson of Charles and Willa Bruce, the last two years have been a jumble of emotions.

What Manhattan Beach did almost a century ago tore his family apart. Charles and Willa ended up as chefs serving other business owners for the remainder of their lives. His grandfather Bernard, born a few years after his family had been run out of town, was obsessed with what happened and lived his life “extremely angry at the world.” Bruce’s father, tormented by this history, had to leave California.

Bruce, a security supervisor in Florida, was thrust into the spotlight after Bruce’s Beach became a national story. It has been painful for him to talk publicly about his family’s history, but he has been heartened to see the growing movement of people calling for justice.

“Many families across the United States have been forced away from their homes and lands,” he said. “I hope that these monumental events encourage such families to keep trusting and believing that they will one day have what they deserve. We hope that our country no longer accepts prejudice as an acceptable behavior, and we need to stand united against it, because it has no place in our society today.”

Read more: https://www.latimes.com/california/story/2022-06-28/county-officials-approve-transfer-of-bruces-beach-property?utm_id=59648&sfmc_id=2415824

https://www.npr.org/2021/10/10/1043821492/black-americans-land-history

https://www.theguardian.com/us-news/2021/oct/01/bruces-beach-returned-100-years-california

HISTORY: Bridget “Biddy” Mason: From “Property” to Property Owner (LISTEN)

[Image: Composite portrait of Bridget “Biddy” Mason and the First African Methodist Episcopalian Church at the intersection of 8th and Towne in Los Angeles, California, circa 1940. Photos courtesy of Los Angeles Public Library and California State University Dominguez Hills.]

by Lori Lakin Hutcherson (@lakinhutcherson)

Today, GBN highlights and celebrates 19th century entrepreneur and community builder Bridget “Biddy” Mason, who won her freedom in court and in her time became the wealthiest Black woman in Los Angeles.

To read about her, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, May 5th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Ever hear the one about the enslaved mother of three who sued for her freedom, won… and became the richest Black woman in Los Angeles? It’s no joke.

Bridget “Biddy” Mason was born into slavery in 1818 in Mississippi and is reported to have been taken from her mother as a young child. She learned about herbs and midwifery from older enslaved women and when her owner Robert Smith converted to Mormonism, he decided to move to Utah and join the community there.

Mason and her three children were part of that trek – literally – she had to walk the 2,000 miles behind the wagon caravan, tending to the livestock, her owners and her children along the way. After a few years in Utah, Smith relocated to a Mormon enclave in San Bernadino, California.