Alicia Watkins is a retired Air Force staff sergeant who proudly served in Iraq and Afghanistan. She risked her life for the freedom of others, survived the 9/11 attack on the Pentagon, and watched her colleagues die. But it wasn’t any of her combat experiences that broke Watkins’ spirit; it was the fact that she retired from the military and found herself homeless.
In 2010, Watkins’ allowed “The Oprah Winfrey Show” to document her life as a homeless veteran. Her “kitchen” was a cardboard box of snacks and microwavable meals. Her bed was a car that she rented for $10 a day. Her restrooms were the toilets at various airport hotels.
Watch a clip from Watkins’ eye-opening video diary.
The 10-year veteran was struggling, but even during her low points, she believed that others were struggling more. At one point, Watkins did have housing, but she gave up her room to a homeless mother and her three kids.
“It might have been different had I not seen the children and the babies. So, I decided to be on the street and put them in the room,” Watkins told Oprah five years ago. “Why wouldn’t I?”
Since that emotional interview, a lot has changed for Watkins, who recently sent an update to “Oprah: Where Are They Now?” In the above video, she shares a surprising truth: Until her ‘Oprah Show’ interview aired, Watkins’ friends and family had no idea she was homeless.
“I had… alienated myself from everyone,” she admits now. “They really were shocked when they found out, and they were also just hurt by the fact that I was suffering.”
After the show, Watkins moved in with a family friend. Though she no longer lives in a car, Watkins says that her many health issues have prevented her from being able to work.
“I have traumatic brain injury, I have post-traumatic stress disorder, I have a spinal cord injury,” she says. “It’s a hard road. I would love to be able to work today. I have offers, I have people that are willing to help me, but they all have to take a backseat to my health. As much as I want to work, I have to acknowledge that I am a casualty of war.”
With a secure roof over her head, Watkins decided to focus on her education and began applying to colleges.
“I wanted to be able to care for wounded warriors, and so I decided to apply to Harvard University,” she says. “In 2012, I was accepted. My college expenses are paid by the G.I. Bill.”
Watkins’ says that her personal life has really turned around as well.
“I recently got engaged, on my birthday of all days,” she says, smiling. “It is amazing.”
“Oprah: Where Are They Now?” airs Sundays at 9 p.m. ET on OWN.
article via huffingtonpost.com
NEW YORK (AP) — An emotionally charged series in New York City is exploring racial and social injustice through dance, photography and public dialogue.
Among the elements of the production opening Wednesday is a stirring performance by 21 African-American dancers whose style of street dance known as “flex” is inspired by events in their own lives as well as larger issues like police-involved shootings of blacks.
The 21 dancers, most of them men ages 18 to 32, will perform at the cavernous Park Avenue Armory as part of a series that includes a panel of experts exploring pressing issues of social and criminal justice and a photo installation described as the single largest documentation of juveniles in solitary confinement in the United States.
“Every one of them has lost someone to a shooting, frequently to a police shooting,” said Peter Sellars, a theater director known for stretching artistic boundaries and the co-director of FLEXN, which runs at the armory through April 4.
The dancers’ first workshop for the commissioned performance began in August — the same month Eric Garner and Michael Brown, two unarmed black men, were killed by police.
During the exercise, two dancers began chasing a third dancer to a far corner of the room where they pretended beating him. He didn’t get up, nothing was said “but everyone in the room knew that Eric Garner was on everyone’s mind,” Sellars said.
“Black young men are killed by police quite often and that story wasn’t going away . it became clear people were really outraged, people were saying something has to change,” Sellars said. “One of the reasons that art exists is to give people a way to express extremely difficult things without violence and to articulate complex feelings.”
“The protest march is powerful but then what?” he said.
FLEXN comes amid a national debate about revisions to police training and policy.
The dancers’ freestyling pieces are based on “flex” a street dance that evolved from a Jamaican style popular in Brooklyn dance hall in the 1990s. It involves a range of styles including flexing, gliding — and “bone-breaking” whereby dancers dislocate parts of their body to make moves “you could not imagine are possible,” Sellars said.
One dance in the production deals with a subway fare beater. A dancer enacts a man jumping over a turnstile and getting into an argument with a police officer. An ensuing altercation ends with the “perpetrator” being shot and leaving his body to comfort his parents.
“What we know is that among those most likely to be victims of violence are young men of color,” said Danielle Sered, director of Common Justice at the nonprofit Vera Institute of Justice who will sit on a panel titled “Restorative Justice.” She said she was participating because it was her hope the 11-night series “will be able to raise the urgency of these issues in a way that is not just about the devastation but really pointed toward action.”
Each of the dancers also created a piece about solitary confinement after Sellars invited them to respond to the armory photo installation by Richard Ross, who spent eight years documenting juveniles held in solitary confinement in 34 states.
“Thank God the mayor says it will not happen to 16 to 17 years old,” Sellars said referring to Mayor Bill de Blasio’s efforts to eliminate solitary confinement for those inmates and phase out its use for 18- to 21-year-olds by the beginning of next year. He said the dancers’ exploration of the topic gives insight to an issue “that perhaps is easily debated . but we don’t actually realize the weight of.”
Prior to each performance, a half-hour discussion will be led by educators, community leaders and public officials on a range of topics, including reforming Rikers Island, community policing and stop and frisk. Among the participants will be “young people who have been through this and can speak about it,” Sellars said.
“Most Americans treat these issues of violence in black neighborhoods with an imaginary distance,” he said. “It’s extremely important to have personal and grounded views in what is going on day-to-day in these neighborhoods and to hear personal testimony from a range of people.”
Sered added that the combination of the arts and public conversation is “a powerful tool for conveying that — wherever we live and whatever our experience — these issues belong to all of us to experience, to think about, to grapple with and to change.”
article by Ula Ilnytzky, Associated Press via bet.com
GOOD BLACK NEWS proudly celebrates its fifth anniversary today, with 8,941 
Thursday, Coast Guard brass honored her by naming a dining hall on Staten Island in her honor. But the commandant of the Coast Guard announced that a training center at Coast Guard Headquarters in Washington, D.C., would also bear the name of this 100-year-old pioneer.
rush you to do anything and he never dismisses anything you say.”