
It is a time old scenario, college girl meets hot guy, girl gets asked out on a date, girls goes to the mall and is unable to find anything to wear, as a result, girl creates her own business.
This is the true story of Camille Newman, founder of the online plus-size boutique PopUpPlus.com. Although the market of curvy women has gone largely ignored by the fashion world, today, this overlooked demographic is becoming increasingly popular and lucrative. According to Bloomberg, the plus-size industry is now valued at $17.5 billion. However, maverick and online entrepreneur Camille already knew the value of her curvy sisters and had her nose to the grindstone catering to this underserved market long before it became in vogue.
Eurweb had the pleasure to catch up with Camille Newman to discuss her online fashion boutique and why she feels most retailers are late guests to the curvy gal party.
Describe your background.
I graduated from college in 2002 with a liberal arts background. I have always had a love for fashion and I’ve always been curvy. I was actually on the path to a Ph.D. program, but I transitioned into corporate retail and moved back to New York City. I started out with Lane Bryant and since then for a number of companies for a long amount of time. I’ve been in fashion for almost 15 years [overseeing] store management, pricing strategy, planning and buying.
How did you come up with the ideas to start your business?
While in college, I met this cute guy and he asked me out for a date. My best friend and I went to the local mall and [we spent hours there]. I realized that I gained a lot of weight and I could not find anything to wear. I remember feeling terrible. It was a real blow to my self-esteem. I promised myself that no other girl that was my weight or heavier would ever feel like that. That is how my interest in the plus size industry started. I [thought of] a way to enter the industry with a low overhead and that’s how the idea for the pop up shop [was developed].
What are biggest misconceptions about plus-size women?
The biggest misconception is that we all have some insecurity, we overeat, and that we are unhappy and fat. A plus-size woman is a regular girl with some extra weight on. I’m saying we don’t have our challenges but I think our challenges [are increased] when you don’t see yourself being represented in the fashion industry. There are so many reasons why women gain weight. Many women have had children, they have issues with thyroids [which affects] a lot of African American women, which was my issue, it made me gain and keep the weight. I have met plus size women who are fashionable and taking style risk. Plus-size woman are have always been creative. I met a lady who tailored maternity wear. We have always been a creative group of fashionistas.
In your opinion, why these misconceptions continue to exist in our society?

On my Instagram, I will post a girl in a form fitting dress and people will have rude, nasty comments. “Oh my God look at her butt, yes she has shape wear on but why is she wearing that, [she should wear] something more flowing, [she should] cover [her] arms.” And the [July issue where] the Oprah Magazine article said that you can only wear a crop top if you have a flat stomach. I think we live in a society unfortunately, that fashion has been able to take over our minds and make you think that in order to be fashionable you have to be skinny, blonde, tall, and anorexic looking.
The reality is according to the United States Census 6 out of 10 women in the U.S. are a size 14 or larger. Yet, we allow the fashion industry to dictate our taste, but they shouldn’t be able to dictate what is good and real for a woman’s body. The fashion industry should not be allowed to perpetuate size-ism; they should not be allowed to make the majority of American woman feel bad about themselves.
What separates your company from other retailers that cater to the full-figure woman?
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The building of the National Museum of African American History and Culture is now complete, with interior work underway. Now marks the final countdown to the museum’s grand opening next Fall (exact dates have not yet been announced). Though an actual visit to the long-awaited museum is still many weeks away, visitors to the National Mall next month will get a taste of what’s to come when the museum’s façade will be transformed into a lively and spectacular display of video, music and light.
“What we wanted to do was to metaphorically have the museum speak even before we open next year,” says Kinshasha Holman Conwill, deputy director of the museum.
“And the signal design element for our building is the corona: the three-tiered bronze colored element that has references in African sculpture and African American life and that identifies this building as something unique on the Mall. So to project on to that façade really gave us that opportunity to make the museum speak.”
The display, which the museum’s director Lonnie Bunch has called a “dynamic event,” will be accompanied by a soundtrack of historical music and spoken word, and will pay tribute to three significant moments in history: the culmination of the Civil War with the surrender at Appomattox on April 8, 1865; ratification of the 13th Amendment, which officially ended the institution of slavery on December 5, 1865; and the passage of the Voting Rights Act on August 6, 1965.
“One of the things that [the film connects] to is the notion and the vision that the museum would be a place for those who already revel in African American history and culture,” says Conwill. “But most importantly,” she adds that the museum seeks to also provide a unique “lens into what it means to be an American and that those milestones in American history, as viewed through that lens, really amplifies that notion.”
On its opening night, November 16, the state-of-the-art digital projection imagery will also be accompanied by a live, outdoor program, produced and directed by Ricardo Khan, former artistic director of the Tony Award-winning Crossroads Theatre Co. Actor Erik Todd Dellums will serve as master of the ceremonies, which will include remarks by other dignitaries, including Washington D.C. Mayor Muriel Bowser; and U.S. Representative Eleanor Holmes Norton.

The George Lucas Family Foundation has gifted $10 million to the USC School of Cinematic Arts to provide financial support to African-American and Hispanic students. The money is a part of the foundation’s 2006 pledge to the film school and represents the largest single donation for student support in the school’s history.
Minority students on both the graduate and undergraduate levels will receive priority consideration for financial support, which will also be split evenly between male and female students, who will be known as George Lucas Scholars or Mellody Hobson Scholars.
“Hispanic and African-American storytellers are underrepresented in the entertainment industry,” Lucas said. “It is Mellody’s and my privilege to provide this assistance to qualified students who want to contribute their unique experience and talent to telling their stories.”
The first recipients will be awarded financial support for the fall of 2016.
The announcement came from dean of the USC film school, Elizabeth M. Daley, who said in a statement: “We are so grateful to George and Mellody for their continued support of the School of Cinematic Arts, and in particular for this amazing gift, and their recognition of the need to encourage the Hispanic and African-American storytellers of tomorrow.”
The Lucas Family Foundation’s gift is a part of a greater fundraising campaign at the University of Southern California, which is a multiyear plan to raise $6 billion dollars to continue the university’s various educational efforts.
article by Mia Galuppo via hollywoodreporter.com

JACKSON, Miss. (AP) — The University of Mississippi has removed the state flag on its Oxford campus Monday morning because the banner contains the Confederate battle emblem, which some see as a painful reminder of slavery and segregation.
The action came days after the student senate, the faculty senate and other groups adopted a student-led resolution calling for removal of the banner from campus.
“As Mississippi’s flagship university, we have a deep love and respect for our state,” Stocks said in a statement Monday. “Because the flag remains Mississippi’s official banner, this was a hard decision. I understand the flag represents tradition and honor to some. But to others, the flag means that some members of the Ole Miss family are not welcomed or valued.”
Since 1894, the Mississippi flag has had the Confederate battle emblem in the upper left corner — a blue X with 13 white stars, over a field of red. Residents chose to keep the flag during a 2001 statewide vote.
However, the public display of Confederate symbols has been subject to heated debates since the June massacre of nine black worshippers at a church in Charleston, South Carolina. Police said the attack was racially motivated. The white man charged in the slayings had posed with a Confederate battle flag in photos posted online before the massacre.
More than 200 people took part in a remove-the-flag rally Oct. 16 on the Oxford campus. It was sponsored by the university chapter of the NAACP.
The University of Mississippi has struggled with Old South symbolism for decades. In 1962, deadly riots broke out when James Meredith was enrolled as the first black student, under court order. Ole Miss administrators have tried to distance the school from Confederate symbols. Sports teams are still called the Rebels, but the university several years ago retired the Colonel Rebel mascot — a white-haired old man some thought resembled a plantation owner. The university also banned sticks in the football stadium nearly 20 years ago, which eliminated most Confederate battle flags that fans carried.
“The University of Mississippi community came to the realization years ago that the Confederate battle flag did not represent many of our core values, such as civility and respect for others,” Stocks said in the statement Monday. “Since that time, we have become a stronger and better university. We join other leaders in our state who are calling for a change in the state flag.”
Several Mississippi cities and counties have stopped flying the state flag since the Charleston shootings. The state’s three historically black universities had stopped flying the flag earlier, and the state’s only black U.S. representative, Democrat Bennie Thompson, does not display the state flag in his offices because of the Confederate symbol.
article by Emily Wagster Pettus via blackamericaweb.com

Actress and comedian Sasheer Zamata, known for her breakout role on the cast of Saturday Night Live, will partner with the American Civil Liberties Union to support women’s rights. She joins the ACLU as a celebrity ambassador on the heels of her recent promotion to repertory player for SNL’s 41st season, her third season with the show.
In her role as an ambassador, Zamata will elevate the ACLU’s work to fight gender inequality and structural discrimination against women in employment, education, healthcare, housing, and criminal justice through advocacy and public education. The ACLU Women’s Rights Project was co-founded in 1972 by U.S. Supreme Court Justice Ruth Bader Ginsburg, who called women’s rights “an essential part of the overall human rights agenda.”
Zamata is featured in Sasheer Zamata Says Women’s Rights “Still a BFD!” a new ACLU video that puts the spotlight on gender inequality and privilege.
“It’s so wonderful that women continue to break down barriers and change societal expectations, but women still suffer discrimination for their gender, class and race,” says Zamata. “I am honored to continue the fight for equal economic opportunities, the right to choose, and an end to gender-based violence by serving as an ACLU Celebrity Ambassador.”
Though strides have been made in the past several decades to advance and protect the rights of women and girls, there’s a lot left to do. In the U.S. today:
- Women make only 78 cents for every dollar earned by a man; African-American women only earn 64 cents; and Latinas, only 55 cents for each dollar earned by a white man;
- A woman’s right to choose is threatened by extreme lawmakers who have introduced more than 100 abortion restrictions in 2015 alone;
- Few legal protections exist for pregnant workers and new mothers, putting families in danger of economic instability, though women are the primary breadwinners in 4 out of 10 families with children.
“We are thrilled to name Sasheer Zamata as our newest celebrity ambassador,” says Anthony D. Romero, executive director of the American Civil Liberties Union. “She is the perfect voice for the next generation, and especially for those looking to effect real and lasting change on women’s rights issues.”
Zamata—who was named one of Cosmopolitan’s “13 Funny Women to Watch in 2014,”—joins Harry Belafonte, Michael K. Williams, Lewis Black, Marlee Matlin, and others, to amplify the ACLU’s work on priority civil liberties issues, including mass incarceration, voting rights, disability rights, and LGBT equality.
Read more about the ACLU Ambassador Project at:
https://www.aclu.org/feature/aclu-ambassador-project
Be a friend and share the video Sasheer Zamata Says Women’s Rights “Still a BFD!”
https://www.youtube.com/watch?v=SqL9onVybW0
More information about the ACLU’s women’s rights work is available at:
https://www.aclu.org/issues/womens-rights
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

R&B and soul legend William “Smokey” Robinson will be honored by The Rock and Roll Hall of Fame and Case Western Reserve University during the 20thAnnual Music Masters™ series, presented by Klipsch Audio. Robinson was inducted into the Rock and Roll Hall of Fame as a part of the sophomore class of inductees in 1987. The weeklong celebration, Nov. 2-7, 2015, will culminate with the Annual Music Masters concert on Sat., Nov. 7 at 7:30 p.m. EST at Playhouse Square’s State Theatre.
The tribute concert, presented by Klipsch Audio, on Nov. 7 will feature previously announced Inductees Dennis Edwards, Martha Reeves, and Mary Wilson, as well as the Robert Glasper Experiment. New guests scheduled to perform include Avant, Avery*Sunshine, Bilal, JoJo, Eric Roberson, and Michelle Williams. Adam Blackstone (who has worked with artists such as Rihanna, Janet Jackson and Justin Timberlake) will serve as the tribute concert’s Musical Director. Robinson will attend the tribute concert to accept the award but is not scheduled to perform.
Tickets to the Nov. 7 concert range from $30 – $100 and are available now at the Playhouse Square box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org. A limited number of premium seating and VIP packages beginning at $300 are available by contacting the Rock Hall’s development office at (216) 515-1201 or development@rockhall.org by Fri., Oct. 30.
To open the tribute concert, Case Western Reserve will bestow an honorary Doctor of Humane Letters degree to Smokey Robinson, recognizing his many musical and cultural contributions, which extend from enduring songs to his leadership in the music industry. The university awards honorary degrees to recognize those who exemplify in their work the highest ideals and standards of excellence in any valued aspect of human endeavor, including scholarship, public service and the performing arts.
Additional events include:
JUST ANNOUNCED! FREE with RSVP – Mon., Nov. 2 at 7 p.m. – “Smokey Robinson and the Sensual Black Avant-Garde” / Author Series with Jason King at the Rock Hall’s Library and Archives (2809 Woodland Avenue, Cleveland). Reservations can be made through the Rock Hall website at https://tickets.rockhall.com or at the Rock Hall Box Office.
FREE with RSVP – Wed., Nov. 4 at 8 p.m. – An Evening with Members of the Music Masters tribute band in the Rock Hall’s Foster Theater. This event will be streamed live at http://rockhall.com.
FREE – Thurs., Nov. 5 at 7 p.m. – Keynote Lecture “You Really Got a Hold On Me” by Dave Marsh at Case Western Reserve University’s Tinkham Veale University Center (11038 Bellflower Road, Cleveland OH). Marsh, rock critic, historian, anti-censorship activist, talk show host, and “Louie Louie” expert, has written more than 20 books about rock and popular music, and edited that many more. In this talk, Marsh will explore more than 50 years of listening to Smokey and why, in his opinion, Smokey Robinson is the best singer-songwriter ever. This event is free and reservations are not required. Seats are available on a first-come, first-served basis. This event will be streamed live at http://rockhall.com.
Sat., Nov. 7 from 10:30 a.m. until 3:30 p.m. – Annual Music Masters Conference in the Rock and Roll Hall of Fame’s Foster Theater
The conference will celebrate Smokey Robinson’s impact on popular music, including a panel discussion on Smokey moderated by renowned author and Smokey Robinson autobiography co-author, David Ritz. Ritz will be joined by Harry Weinger, Vice President, A&R at Universal Music Enterprises; Jason King, Director of Writing, History & Emergent Media Studies at New York University’s Clive Davis Institute of Recorded Music; and Andy Flory, Assistant Professor of Music at Carleton College. There will be a special Motown-inspired performance and master class with the youth of the Boys and Girls Clubs of Cleveland as well as interviews with special guests. Tickets are $25 ($10 lunch voucher included) and are available through the Rock Hall website at https://tickets.rockhall.com or at the Rock Hall Box Office. Admission to the Museum is free with the purchase of a conference ticket.
Sat., Nov. 7 at 7:30 p.m. – Annual Music Masters Tribute Concert at Playhouse Square’s State Theatre. Tickets to the November 7 tribute concert range from $30 – $100 and are at the Playhouse Square box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org. A limited number of premium seating and VIP packages beginning at $300 are available by contacting the Rock Hall’s development office at (216) 515-1201 or development@rockhall.org by Friday, October 30.
Special programming for teachers and students:
Tues., Nov. 3 – Digital Classroom: Launch of Smokey Robinson and the Miracles Education Unit
The Rock Hall’s award-winning education team will launch a special Smokey Robinson and the Miracles teaching unit as part of their Digital Classroom online curriculum on Tuesday, November 3. The Digital Classroom allows teachers and students to learn more about rock and roll history with lesson plans, listening guides, and exclusive content that can be used in classroom. To learn more, visit http://www.rockhall.com/digitalclassroom.
About Smokey Robinson:
Save for founder Berry Gordy, no single figure has been more closely allied with the Detroit-based recording empire known as Motown than William “Smokey” Robinson. In addition to leading the Miracles, Robinson served as a Motown producer, songwriter, talent scout and Gordy’s most trusted confidant and right-hand man.
Smokey Robinson and the Miracles scored twenty-seven pop-soul hits at Motown between 1960 and 1971, including the classics “You’ve Really Got a Hold on Me,” “Shop Around,” “Going to a Go-Go” and “I Second That Emotion.” The Miracles’ brightest moments on record – “Ooo Baby Baby,” “The Tracks of My Tears” and “The Tears of a Clown” foremost among them – still kindle memories for those who came of age in the Sixties.

A broad coalition of women’s groups is coming together to raise awareness about sexual assault and to propel black women to be a force for getting Detroit’s languishing rape kits processed.
The coalition is named the African American 490 Challenge because it is urging black women, individually and collectively, to raise multiples of $490, the cost of processing a single rape kit. The group will kick off its efforts at a gathering Tuesday morning to be attended by leaders of several black women’s service organizations, sororities and other supporters.
Their effort buttresses the work of Enough SAID (Enough Sexual Assault In Detroit), the rape kit testing and investigation effort being led by Wayne County Prosecutor Kym Worthy and the Michigan Women’s Foundation. Worthy has been leading a campaign to get kits tested since learning five years ago that more than 11,300 kits — the key investigative evidence of assault taken from women during a physical exam — were left unopened and untested in a police storage unit.
“I think this is a fabulous effort,” said Worthy, who will attend Tuesday’s meeting. “If ever there’s an issue these women should get behind, it’s this one. The support they’ll be able to amass will be essential to our success.”
About 10,000 kits have been tested since an assistant prosecutor discovered them in a police storage unit in 2009. More than 1,000 kits have yet to be tested, and money is needed to complete the investigations of those assaults, Worthy said.
Investigations of the kits thus far have revealed that more than 500 rapists were serial offenders, according to data from the Wayne County Prosecutor’s Office.
More than 80% of victims associated with the rape kits are African-American women, according to data released by the foundation.
“They look like my mother, my aunts, our sisters, our daughters, our nieces,” said Maureen Stapleton, a local leader of the Links and Alpha Kappa Alpha Sorority, two community service organizations tailored to African-American women.
Stapleton joined forces with civic leader Kim Trent and public relations executive Darci McConnell in spearheading the coalition. Trent was moved to action by a Facebook debate that seemed to place the blame for sexual assault on women.
“I decided I needed to do something constructive with my anger,” said Trent, a member of the Wayne State University Board of Governors. “We want to come together to say: ‘This is unacceptable, and we are black women who stand ready to make sure this never happens again, and that the women it happened to get justice.’ ”
Both Trent and McConnell said they were victims of sexual assault, and neither reported it. Trent said statistics show that the majority of women don’t report sexual assault. “Those who do deserve to have their day in court,” especially given the invasive procedure required to obtain rape kits.
“We want to make sure that people understand how serious this is, and that they don’t do what many of us did, which was to keep quiet and retreat,” McConnell said.
The coalition has begun raising money through an online donation site — crowdrise.com/AfricanAmerican490Challenge — and has gained the support of local businesses owned by black women, including two spas — Woodhouse Day spa in Detroit and Lavender Mobile Spa — that are donating part of profits to the effort.
Additionally, the group is encouraging black womens groups, book clubs and other organizations to host fund-raising house parties and other events to raise money.
“The great majority of the victims of these unsolved crimes are black women,” states the coalition’s fund-raising page. “Our mothers. Our sisters. Our daughters. Our neighbors. Our aunts. Our cousins. Our friends. Women who look and live like us. Now is the time for black women to use our voices and resources to show sexual assault victims that they have not been forgotten.”
UPCOMING SPA EVENTS
The two spas are holding fundraising efforts this month for the African American 490 Challenge are:
- The Woodhouse Day Spa, 1447 Woodward Ave., which will donate 10% of its profits on Oct. 22 to the challenge. In addition, there will be a reception for supporters 5-7:30 p.m. that day. The reception is free and open to the public.
- Lavender Mobile Spa will host a fund-raiser at the Westin Hotel in Southfield 1500 Town Center, Southfield, 10 a.m.-7 p.m. Oct. 24.


rofessor Joseph is being honored for his book 

