Frances Dancy Hooks, the civil rights activist and widow of Dr. Benjamin Hooks, died Thursday, reports WREG TV. The prominent educator and philanthropist was 88.
As co-founder of the Memphis Volunteer Placement Program, she helped draw Black students to some of the nation’s best private boarding schools, notes the report.
Dr. Hooks died in 2010. He was the first African-American commissioner of the Federal Communications Commission, and served as executive director of the NAACP from 1977-1992.
From The Commercial Appeal:
Mrs. Hooks, 88, leaves behind a legacy of activism devoted to improving education, race relations and women’s rights in Memphis and across the nation.
A graduate of Booker T. Washington High School, Mrs. Hooks earned a bachelor’s degree from Fisk University in Nashville and a master’s degree from Tennessee State University. Mrs. Hooks began her 24-year career as an educator in Memphis but later served as secretary and adviser to her husband Ben, whom she called “the Catch of Memphis.”
“So many people think of her husband, Dr. Ben Hooks, but she was such a person of incredible competence in her own right,” said Jean Varnell, a friend of nearly 50 years. “They were such a team together.”
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He grew up in a hardscrabble home with only one book — the Bible — and parents who worked blue-collar jobs and never advanced beyond ninth grade.
But Melvin L. Oliver rose to become an award-winning University of California professor, researcher, author and administrator noted for championing campus racial diversity. Now he will become the sixth president of Pitzer College — and the first African American to lead one of the five undergraduate Claremont Colleges, officials announced Wednesday.
Oliver, 65, will assume office July 1 at a time of national campus unrest over racial, ethnic and gender equity, including protests that forced out the dean of students at nearby Claremont McKenna College last year. Pitzer student activists have also asked for steps to increase campus diversity.
Oliver, who has tackled racial and economic inequality with both research and practical initiatives during three decades at UCLA and UC Santa Barbara, along with a stint at the Ford Foundation, said he would seek to address those concerns as one of his top priorities.
“I want to deepen the commitment of Pitzer to recruiting, supporting and graduating those students [of color] because I think it’s an exceptional education and I want it to be available to as many of them as possible,” he said in an interview.
Leah Still, the 5-year-old daughter of NFL defensive end Devon Still, will be discharged from the hospital Tuesday after completing her final cancer treatment.
Her pops tweeted the good news on Monday, saying, “She really beat cancer!
She really beat cancer! Beyond thankful for all the support y’all showed us
— Devon Still (@devonjstill) January 12, 2016
It’s crazy to sit here in the hospital know that after leah gets discharged tomorrow we are really done with this chapter in our lives
— Devon Still (@devonjstill) January 12, 2016
Leah was diagnosed with Stage-4 neuroblastoma in June 2014. With a 50-50 chance of survival, Leah was being treated at Children’s Hospital of Philadelphia. The former Cincinnati Bengals and current Houston Texans player has been documenting his daughter’s journey on social media using the hashtag #LeahStrong.
Still also shared the number of hours and days Leah spent battling cancer.
“41 days of chemotherapy, 40 days of antibody therapy, 19 days of radiation, 7 hours surgery and 1 win!” a photo he shared on Twitter stated.
Read more at http://www.eurweb.com/2016/01/devon-still-announces-daughter-leah-really-beat-cancer/#OhjXkgD9Hxufib0g.99
“I don’t know anything else that would be as fulfilling as this,” says Joseph Danquah of his teaching career. Danquah teaches Advanced Placement Calculus AB and BC, integrated algebra, pre-calculus, and geometry at Bard High School Early College in New York. He is one of two African teachers to win a 2015 Sloan Award for Excellence in Teaching Science and Mathematics.
The Sloan Award is just one validation of Danquah’s effectiveness as a teacher, although his career choice at first displeased his father.
“My dad never thought of teaching as a career for me. He thought I could do more,” the 36-year-old Danquah says.
The New York City high school math teacher had originally planned to become an academic. “I developed a passion for mathematics and seemed to be able to help my peers, which I always enjoyed. The dream was to get a doctorate and teach in a university somewhere.”
But the dream was shattered when his family learned that his younger brother was autistic. His mother left her job to become her son’s full-time caregiver, so Danquah left school where he was earning a Ph.D. and went home to help her.
He became a high school teacher at DeWitt Clinton, the school he’d attended for one year after arriving in the United States from Ghana when he was nearly 18. “I was lucky enough to meet some of the teachers who had left an impact on me,” he says.
The award-winning teacher, also a Master Teacher Fellow with Math for America, says that math was not always his strong suit. He approached the subject in unorthodox ways that his teachers frowned upon. Instead of attempting to understand how his mind worked, his teachers discouraged him, shutting down his unique approach. He struggled to adapt, and eventually used drawing as a way to grasp what he was being taught.
“I was thinking about it spatially and so I started to draw. I couldn’t think in the way my earlier teachers wanted me to think. I didn’t even know I could draw. But that was the way I understood math.”
Because of his own struggles, Danquah is sensitive to students who approach math in unusual ways. “I try to make it easy for them to be themselves.”
The Los Angeles Board of Education on Monday named Deputy Supt. Michelle King as superintendent, ending a high-stakes search to fill a challenging and hard-to-fill job at a seminal time in California’s largest school system.
King, 54, was considered a reliable choice because she came up through the system. But some district observers voiced surpise at her selection after the board sent a prominent head-hunting firm on a months-long nationwide quest to recruit potential leaders, including those outside the field of education.
King, formerly a respected high school principal, has cultivated a low profile as a senior administrator, keeping her views on where she would like to take Los Angeles Unified a mystery, as is protocol for leaders within the $7-billion bureaucracy.
But board members said that she impressed them in their long interviews behind closed doors. They said they appreciated her knowledge of L.A. Unified, which, they concluded, would allow her to tackle the school system’s problems without delay.
The board’s decision comes at the end of a five-month process spurred by the departure of Supt. Ramon C. Cortines, whose retirement took effect Jan. 2.
In recent years the district has suffered from inconsistent direction as political factions have battled for control in the nation’s most costly school board elections. These power shifts have contributed to turnover — eight superintendents over the last 20 years — and have made deft political skills an essential quality for the schools chief.
“The district needs a strong diplomat but also someone who will burrow into the classroom and regain the momentum on student achievement,” said Bruce Fuller, professor of education and public policy at UC Berkeley.
The next time you find yourself in Philadelphia and in need of a comic books and coffee fix, there’s a destination in town that has you covered. Amalgam Comics and Coffeehouse is owned by Ariell R. Johnson, the first Black woman to open a comic book store on the East Coast.
Johnson, a Baltimore native, says she got the idea for Amalgam over 12 years ago when she was a student at Temple University. A comic books fan herself, her favorite store sat across from her coffee shop of choice. She would buy copies of comics then head across the street to have a cup of joe while reading her new finds. When the coffeehouse closed, Johnson’s wheels began turning and she began planting the early seeds for Amalgam.
Amalgam rests in Philly’s up-and-coming Kensington section, and she hopes that it becomes a haven for longtime comics fans and newbies alike. There is also a push for diversity, as there are comic book lines that focus on underrepresented groups such as people of color and the LBGTQ community.
Another focus of the store is to feature not only the major lines from top companies like Marvel and DC, but also the growing number of independent comic book lines from across the nation. Johnson envisions Amalgam as a place where everyone feels welcomed and has put in place a staff that will help guide the less experienced on their comic journey.
There has been some debate whether or not Johnson is the first Black female comic store owner ever, but nonetheless she is definitely a rarity in the white and male-dominated world of comics.
article by D.L. Chandler via blackamericaweb.com
HBO is expanding its relationship with “Ballers” star Dwayne “The Rock” Johnson. Johnson will produce and appear in a documentary for the network about youth prison boot camps, which is inspired by his young life. The film is set to premiere in May.
Titled “Rock and a Hard Place,” the documentary captures the lives of incarcerated young people who are granted a second chance: the opportunity to trade an extensive prison sentence for a fresh start by completing the famed Miami-Dade County Corrections & Rehabilitation Boot Camp Program. The doc chronicles the harsh six-month program, in which drill sergeants push inmates to their limit, encouraging them to learn from their past mistakes and become constructive members of society so that they’re less likely to return to prison.
Inspired by Johnson’s own experiences with the law as a youth, the wrestler-turned actor will appear in the documentary — a passion project for him — as he visits a facility to speak with a group of young offenders who are on the brink of serving long prison terms.
“By the time I was 16, I had been arrested eight or nine times for a variety of things, and can relate to what these kids are going through,” Johnson said.
Hailing from Johnson’s Seven Bucks Productions — which he co-founded with Dany Garcia — and 44 Blue Productions, Johnson, Garcia and 44 Blue president Rasha Drachkovitch will serve as executive producers, in addition to HBO’s Sheila Nevins and Matthew O’Neill and Jon Alpert who are directors on the film. HBO’s Jacqueline Glover is a supervising producer.
Garcia commented, “Miami-Dade is making a difference and truly changing lives in the process of all their hard work. That is why we wanted to make a film about it.” Drachkovitch added, “Something remarkable is happening behind the scenes of this program — we’re going to find out exactly what that is.”
“Rock and A Hard Place” marks the second collaboration between Seven Bucks Prods. and HBO, following “Ballers,” which is heading into Season 2. The project is the latest partnership between Seven Bucks and 44 Blue, following the companies’ co-produced docu-series “Hard Corps,” which is set in the competitive world of Drum Corps International and was recently greenlit at Fuse.
Aside from a stacked slate with “Hard Corps,” “Ballers” and “Rock and A Hard Place,” Johnson is staying plenty busy this year. News of the HBO doc right on the heels of Seven Bucks Prods. landing a script deal for a LAPD drama “Boost Unit” at Fox.
article by Elizabeth Wagmeister via Variety.com
Hip-Hop and art have once again merged in an exciting way, thanks to the inventive mind of a graduate student. Regina Flores Mir is the brains behind the Hip-Hop Project, a program being implemented at the Metropolitan Museum of Art that allows visitors to navigate the various collections with guiding narration from MCs. Lyrics from songs by artist including Missy Elliott, Notorious B.I.G., Eric B. & Rakim, Kendrick Lamar, Nas, Queen Latifah, and more are used as keywords and then cross-referenced with the Met’s massive archive of art, providing listeners with a Hip-Hop-centric blueprint by which to examine and understand the museum’s collections.
According to the Hip-Hop Project’s website, “although the rap lyric may not be directly correlated to the art work in meaning, it allows visitors to see work that they may not have otherwise known existed,” allowing for the kind of accidental discovery that could inspire Heads to establish bridges between music and art in uniquely individualized ways.
As Kari Paul wrote for Vice’s Motherboard channel, the relationship between the lyrics and pieces of art in question aren’t necessarily straightforward, but are nevertheless engaging. “For example, in ‘Juicy’ when the Notorious B.I.G. says ‘fuck all y’all hoes,’ the Hip-Hop Project pulls up an ancient hoe artifact. Users can click on it and explore this work and others,” she explains. The Hip-Hop Project’s site allows users to experience the museum tour without a trip to the Met, simply by picking a rapper and delving into the lyrical matches to items available for viewing. Heads will also appreciate the website’s domain (www.rappersdelight.nyc).
article by Bonita via ambrosiaforheads.com
ARRAY @ The Broad is a brand new, ongoing series featuring classic and contemporary films curated with an eye toward the intersection of art, history and cultural identity. ARRAY, founded in 2010 by filmmaker Ava DuVernay, is an arts collective dedicated to the amplification of films by people of color and women filmmakers.
The monthly series aims to engage audiences through post-screening conversations with a spectrum of artists and scholars for an immersive exchange of ideas and insights beyond the screen that enliven many issues addressed by artists in the Broad collection.
DuVernay launched the series on December 10, 2015, bringing to the screen the 1961 film “Paris Blues,” starring Oscar-winning actor Sidney Poitier and Golden Globe-winning actress Diahann Carroll. The 35mm print was projected at the REDCAT theater to a sold-out audience, and was immediately followed by panel discussion moderated by Ms. DuVernay with some of her celebrated colleagues; director Ryan Coogler, actress Tessa Thompson, actor Andre Holland and Grammy nominated singer Ledisi.
This weekend, TV One will premiere LisaRaye McCoy‘s directorial debut with the made-for-TV film Skinned, which tackles a very sensitive topic within the African-American community.
Skinned confronts colorism, pigmentocracy, and the outbreak of skin bleaching, as well as the use of lightening creams amongst many individuals in America and around the world.
According to Black Enterprise and the University of Cape Town, skin bleaching has ballooned into a $10 billion market and the long-term effects of bleaching one’s skin is currently unknown. Black Enterprise reports 35 percent of South African women bleach their skin, and 77 percent of Nigerian women bleach their skin.
On Friday, McCoy, best known for her roles in The Players Club, All of Us, Single Ladies and the TV One reality series The Real McCoy, joined Roland Martin on NewsOne Now to discuss the notion of colorism within the Black community through the muse of Skinned’s main character, Jolie.
Essence Magazine reports, “Jolie is a young woman who is uncomfortable with her complexion and begins to experiment with bleaching and lightening creams to alter her skin tone.”
When asked why she wanted to tackle the issue of colorism in her directorial debut, McCoy said Studio 11 Films asked her to direct the movie and once she read the script, the message behind it forced her to ask, “Why do they want a light-skinned woman to direct a dark-skinned project?”
McCoy explained the reason was controversy. She said, “Controversy now sells and I wanted to have all eyes on this epidemic, because not only is it happening in Africa and our Caribbean nations, but here in America too.”
During their conversation, McCoy mentioned the lightening of former MLB star Sammy Sosa and late King of Pop Michael Jackson as instances of skin bleaching’s prevalence in our society.
McCoy later added that skin bleaching “causes skin cancer, yet it is an over-the-counter drug.”
Psychologist Dr. Kevin Washington, a board member of The Association of Black Psychologists, also joined Martin to discuss the epidemic. He said people of color have been “indoctrinated into a system of European superiority.”
“Anything that is associated with the dominate group becomes desirable,” said Dr. Washington. Adding, “Even in Cote d’Ivoire — just in May — they’ve banned skin bleaching for the purpose of health and racial identity.”
According to Washington, skin lightening “is not just a Black issue.” Dr. Washington said, “The idea of pigmentocracy takes over as a result of a hierarchy that is ascribed to the features associated with Whiteness in this country and globally.”
Watch Roland Martin, LisaRaye McCoy, and Dr. Kevin Washington discuss colorism, pigmentocracy, self-esteem, and Skinned, which premieres Saturday night at 8PM ET on TV One.
article via newsone.com