The profits from 2Chainz’s mega-successful “Dabbin’ Santa” Christmas sweaters is being used for the utmost good. The “Hair Weave Killer” has donated a five bedroom, three bathroom home to a family of 11 through his TRU Foundation.
The TRU (To Reassure U) Foundation is a nonprofit based out of Atlanta which aims to help families living in the Southside of Atlanta and its surrounding areas. 2 Chainz found out about this family in need through a GoFundMe campaign created by Atlanta’s Progression Church, as told in a video posted on Tity Boi’s YouTube Channel. The family, which has nine children including two sets of twins, was living in squalid conditions in a heatless two-bedroom apartment, where they were facing eviction. The father was unable to work due to health conditions.
“We ain’t know where we was gonna go,” the family patriarch says. “We was not looking forward to nothing like this. It is way over our head, but we gonna learn how to deal with it. But we thank God for it. … Now we don’t have to cry no more. We don’t have to worry nothin no more.”
2 Chainz, who noted he didn’t want to receive anything from his charitable deed, said that he was looking forward to just helping others who needed it most.
“I’m looking forward to seeing their smiles,” 2 Chainz says. “I’m looking forward to the kids growing up knowing that Uncle 2 Chainz came through. All you gotta do is pray… Keep praying. You gotta have faith. You gotta believe.”
To see the heartwarming video, click below:
[youtube https://www.youtube.com/watch?v=zkUiq0X-ALo&w=560&h=315] article by J’na Jefferson via vibe.com
Chris Rock speaks at #MLKNow event (photo via lifestream.com) Chris Rock brought the powerful words of James Baldwin to life Monday during a tribute at the “MLK Now” event in Harlem honoring the late Martin Luther King, Jr.
The program, put together by the Campaign For Black Achievement and Blackout for Human Rights — organizations committed to social justice — took place at Harlem’s Riverside Church, where King delivered his riveting 1967 speech, “Beyond Vietnam: A Time To Break Silence.”
The event attracted a bevy of black Hollywood stars, who celebrated the legacy of King and other black historical icons. Some stars paid tribute through musical performances, like India.Arie, who praised Shirley Chisholm. Others, including Rock, gave powerful recitals.
Rock, who will host the Oscars next month, read the words to Baldwin’s widely praised 1963 letter, “My Dungeon Shook.” Watch Rock’s full performance (he takes the stage around the 1:44 mark) by clicking here.
Public television’s WORLD Channelwill present the complete Emmy-Award winning Eyes on the Prize I and II starting tonight, January 17, 2016. A 30-minute special feature, Eyes on the Prize: Then and Now, will launch the encore presentation of this historic two-part series and explore its impressive relevance today.
Eyes on the Prize, created by Executive Producer Henry Hampton, is a critically-acclaimed and in-depth documentary series on civil rights in America. With the current national spotlight on issues of race and inequality—as well as the marking of the 50th anniversary of the Voting Rights Act, and the 60th anniversary of the Montgomery Bus Boycott—the time is right for this series about the nation’s civil rights history to be front and center as part of an essential dialogue.
America continues to struggle with the recurring crisis of race-related violence; Eyes on the PrizeI and II can provide perspective for a new generation and be a touchstone for citizens who lived through the decades that the films depict. Journalist and writer Al Letson hosts new introductions to each episode.
“We are elated that this landmark series will once again be broadcast across the country, reaching millions of viewers—many of whom may never have seen the original airing. The series focuses on solutions to the conflicts that we face today. Eyes on the Prize shows leadership, grass roots organization and personal sacrifice as the recipe that can create lasting change. It is our hope the television programs together with our comprehensive outreach campaign will spark a national dialogue about this critical topic,” says Judi Hampton, president of Blackside, and sister of the late Henry Hampton (1940-1998).
The WORLD Channel presentation, made possible with support from the Corporation for Public Broadcasting and the Ford Foundation, includes Eyes on the Prize: Then and Now, a new, original 30-minute special, which will lead into the premiere January 17 of Eyes on the Prize, setting the groundbreaking documentary series in the context of today. Narrated by music artist Aloe Blacc, Eyes on the Prize: Then and Now features Eyes on the Prize filmmakers, present-day activists, human rights leaders, and scholars. The special revisits key historical moments and explores commonalities with current national events.
“The WORLD Channel is honored to be presenting this signature series,” says Chris Hastings, Executive Producer of the WORLD Channel. “It’s a history that must be understood. With Eyes on the Prize: Then and Now, we ask questions and draw comparisons about the struggle to achieve equality today. As conflicts and challenges continue, Eyes on the Prize remains essential viewing for all Americans.”
As part of the initiative, WGBH Education is developing a digital resource collection supporting Eyes on the Prize and civil rights themes in history and social studies curricula, to help the civil rights movement come alive for students today. This collection will be available on PBS LearningMedia in January.
Based at WGBH Boston, the national public media producer, WORLD Channel delivers the best of public television’s original documentary films and news to US audiences through local public television stations, including America ReFramed,AfroPop, POV and Local, USA.The special Eyes on the Prize presentation also will be made available to all public television stations for local broadcasts (check listings) after the WORLD premiere.
EYES ON THE PRIZE I and II
Almost three decades since its premiere, the groundbreaking series Eyes on the Prize I and II will return to PBS this January. Eyes on the Prize I will premiere on The WORLD Channel six consecutive Sundays – January 17, 24, 31 and February 7, 14, 21 at 9:00 p.m. (EST). Eyes on the Prize II will air eight consecutive Sundays—February 28, March 6, 13, 20, 27, and April 3, 10, 17 at 9:00 p.m. (EST).
Produced by Blackside, Eyes on the Prize tells the definitive story of the Civil Rights era from the point of view of the ordinary men and women whose extraordinary actions launched a movement that changed the fabric of American life and embodied a struggle whose reverberations continue to be felt today. This multi-part Academy Award nominated documentary is the winner of numerous Emmy Awards, a George Foster Peabody Award, an International Documentary Association Award, and a Television Critics Association Award.
Through contemporary interviews and historical footage, Eyes on the Prize I and II, traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions. The late Julian Bond, political leader and civil rights activist, narrates. Descriptions of each episode follow below:
Reverend Larry Wright at Heal The Land Outreach Ministries in Fayetteville (photo by Andrew Craft)
A pastor’s swift thinking led to a gunman being disarmed during a New Year’s Eve prayer service at a small eastern North Carolina congregation, according to the Fayetteville Observer.
No one was injured during the shocking event that came about as Larry Wright, pastor of the Heal the Land Outreach Ministries in Fayetteville, North Carolina, was praying with about 60 parishioners as they rang in the New Year and spoke about the senseless deaths affecting our country. Suddenly, a man armed with a rifle walked into his church, writes the news outlet.
The gun was in “one hand and an ammo magazine with shiny rounds in the other,” Wright told CNN.
From CNN:
The glint made the retired Army sergeant first class recognize the weapon was real. Still, he was worried the man had one round in the gun.
“I’m the first person to see him and when I saw him, I thought it was a dummy gun, but then I saw the bullet clip in his hand and the bullets were shining,” he said.
Instead of an altercation, the man asked the church to pray for him. Then a deacon and three others hugged the man, the site reports. He then apologized to them, saying “he intended to do something terrible that night. But the Lord spoke to him,” writes the news outlet.
Via the Observer:
Wright stepped down quickly from the pulpit when he saw the man, who appeared to be in his late 20s. The man continued moving toward the front of the church, pointing the rifle into the air. The two met, near the front of the sanctuary. “Can I help you?’’ the pastor asked the man.
Wright, who is a 57-year-old retired soldier, said the man’s answer determined his next action. “If he was belligerent, I was going to tackle him,” said Wright, who is 6-foot-2 and 230 pounds.
But the stranger was calm, and Wright took the weapon from him. He then patted him down, and the pastor summoned four strong deacons to embrace the disarmed man, in an effort to make him feel welcome.
Wright then prayed for the man, who fell to his knees and began crying.
The man was then invited to sit on the front pew, and Wright resumed the Watch Night service. During the altar call at the conclusion, the man came forward and asked for salvation.
Someone had called 911, and before the service had ended, police had arrived. But Wright said he asked the police to remain outside. “I didn’t want to interrupt the service,” said the two-term councilman, whose church members call him Bishop Wright.
Police Department spokesman Lt. David McLaurin said the incident was noted as a “Call for Service.’’ Notes regarding the call, McLaurin said, indicated the man was taken to Cape Fear Valley Medical Center at his request as a voluntary commitment.
This was truly a holiday miracle. Who could forget what happened over the summer at Emanuel AME in Charleston, South Carolina when a stranger asked to join a prayer group?
Wright said he never got the man’s last name before he was escorted away, but he hopes to contact him again. “I want to follow up with him and see that he’s getting the help and resources he needs,” Wright said. article by Andrew Barksdale via fayobserver.com; additions from newsone.com
Alfred Street Pastor Howard-John Wesley with James McNeil, Board of Trustees, Chair and Pat Johnson, Deacon Chair
Alexandria, VA — In the final days of 2015, Alfred Street Baptist Church (ASBC), one of the nation’s oldest historically African American churches located in Alexandria, Virginia, announced that it is pledging to donate $1 million to the Smithsonian’s newNational Museum of African American History and Culture (NMAAHC).
As such, the $1 million donation to the museum is the largest from a faith-based organization to date, thus allowing the church to be designated as a founding donor of the museum.
Scheduled to open in the fall of 2016 on the National Mall in Washington, DC adjacent to the Washington Monument, the museum will be a place where visitors can learn about the richness and diversity of the African American experience, what it means to the lives of the American people, and how it helped shape this nation. Rev. Dr. Howard-John Wesley, the esteemed pastor of Alfred Street Baptist Church said:
“We are very proud and honored to make this contribution to a museum that promises to contribute immensely to the knowledge base of African American history and culture.
This historic attraction will be an astounding and visionary force in our communities and lives for decades to come. More importantly, we as a church, understand the importance of learning about the accomplishments of African American people. Therefore, we realize that if we don’t tell and preserve our own history, our children will never know their real value.”
Accepting the donation on behalf of the Smithsonian’s NMAAHC was Lonnie Bunch, founding director of the museum, who said, “We are honored to have the support of Alfred Street Baptist Church, an institution that has generously served its community for more than 200 years and whose support will help ensure that the museum fulfills its mission to tell the American story through an African American lens.”
James McNeil, chairman of the Board of Trustees of Alfred Street Baptist Church, continued:
“We are pleased to be the first faith-based organization to contribute $1 million to this magnificent cultural development. I challenge others in the faith-based community to follow suit to ensure that the history of African Americans will be celebrated and shared with everyone regardless of their background. The story of our country’s greatness cannot be told without sharing how we live and work together to help America thrive.”
2 Chainz (photo via clutchmagonline.com)
According to Forbes, 2 Chainz conquered Christmas with his timely and super cute “Dabbin’ Santa” sweaters. While the rapper has been toying with merchandising ideas for years, he finally found a hit when “the dab” (a dance) found its way into primetime courtesy of NFL star Cam Newton.
[youtube https://www.youtube.com/watch?v=ySilAPr6fW4&w=560&h=315]
“I don’t want people to think this was an overnight success. We’ve been trying with a bunch of designs for a couple years now. This is just timing meets opportunity,” he explained. “There’s the whole dab thing, and Atlanta’s always been somewhere that actually moves the culture a little bit. We have been the backbone of hip-hop for the past couple years. So with dabbing coming out of Atlanta, it just began to grow legs and start moving on its own.”
The sweaters became wildly popular and grossed around $2 million in revenues for 2 Chainz and his team. Instead of spending the profits on frivolous things, the Atlanta native decided to help others.
“I had a numerous amount of celebrities helping with the shirt. It was on the NFL, it was on TNT, it was on Good Morning America, it’s on ESPN. So I could not continue receiving those blessings without giving back at the end of the day,” he said.
A large slice of the profits went into 2 Chainz’s T.R.U. Foundation, which is “dedicated to promoting balanced, respectful and enriched relationships and aim to create life changing moments and help build a positive outcome for our young generation.”
Because of the “Dabbin’ Santa” craze 2 Chainz’s organization was able to pay the rent for one family for an entire year, and donate a minivan to another. The move not only benefitted the families in need, but also helped 2 Chainz as well.
“For us, it’s about putting it together independently, with nobody really being the boss. We’re creating our own way to give back, to do something for people,” he toldForbes. “We’ll trickle down to the kids and lead by example. Like I say, actions speak louder than words. We could have spent this money on possessions, but giving a family that needs it will actually go further for them and for me.” article via clutchmagonline.com
The 1976-77 National Unit Harlem Globetrotters team. Kneeling, from left: Nate Branch, Curly Neal, Meadowlark Lemon and Jackie Jackson. Standing, from left: Dallas Thornton, Edmond Lawrence, Robert Paige, Twiggy Sanders and Jerry Venable. (Hulton Archive/Getty Images) Meadowlark Lemon, whose halfcourt hook shots, no-look behind-the-back passes and vivid clowning were marquee features of the feel-good traveling basketball show known as the Harlem Globetrotters for nearly a quarter-century, died on Sunday in Scottsdale, Ariz. He was 83.
His death was confirmed by his wife, Cynthia Lemon, who did not specify the cause.
A gifted athlete with an entertainer’s hunger for the spotlight, Lemon, who dreamed of playing for the Globetrotters as a boy in North Carolina, joined the team in 1954, not long after leaving the Army. Within a few years, he had assumed the central role of showman, taking over from the Trotters’ long-reigning clown prince Reece Tatum, whom everyone called Goose.
Tatum, who had left the team around the time Lemon joined it, was a superb ballplayer whose on-court gags — or reams, as the players called them — had established the team’s reputation for laugh-inducing wizardry at a championship level.
This was a time when the Trotters were known for more than their comedy routines and basketball legerdemain; they were also recognized as a formidable competitive team. Their victory over the Minneapolis Lakers in 1948 was instrumental in integrating the National Basketball Association, and a decade later their owner, Abe Saperstein, signed a 7-footer out of the University of Kansas to a one-year contract before he was eligible for the N.B.A.: Wilt Chamberlain.
Meadowlark Lemon showed off his large hands on arrival in London, where the Globetrotters performed at the Empire Pool in Wembley for a week in 1959. (Associated Press)
By then, Lemon, who was 6 feet 3 inches tall and slender, was the team’s leading light, such a star that he played center while Chamberlain played guard.
Lemon was a slick ballhandler and a virtuoso passer, and he specialized in the long-distance hook, a trick shot he made with remarkable regularity. But it was his charisma and comic bravado that made him perhaps the most famous Globetrotter. For 22 years, until he left the team in 1978, Lemon was the Trotters’ ringmaster, directing their basketball circus from the pivot. He imitated Tatum’s reams, including spying on the opposition’s huddle, and added his own.
He threatened referees or fans with a bucket that like as not was filled with confetti instead of water. He dribbled above his head and walked with exaggerated steps. He mimicked a hitter in the batter’s box and, with teammates, pantomimed a baseball game. And both to torment the opposing team — as time went on, it was often a hired squad of foils — and to amuse the appreciative spectators, he smiled and laughed and teased and chattered; like Tatum, he talked most of the time he was on the court.
The Trotters played in mammoth arenas and on dirt courts in African villages. They played in Rome before the pope; they played in Moscow during the Cold War before the Soviet leader Nikita S. Khrushchev. In the United States, they played in small towns and big cities, in Madison Square Garden, in high school gyms, in cleared-out auditoriums — even on the floor of a drained swimming pool. They performed their most entertaining ballhandling tricks, accompanied by their signature tune, “Sweet Georgia Brown,” on “The Ed Sullivan Show.”
Through it all, Lemon became “an American institution like the Washington Monument or the Statue of Liberty” whose “uniform will one day hang in the Smithsonian right next to Lindbergh’s airplane,” as the Los Angeles Times columnist Jim Murray once described him.
Significantly, Lemon’s time with the Globetrotters paralleled the rise of the N.B.A. When he joined the team, the Globetrotters were still better known than the Knicks and the Boston Celtics and played for bigger crowds than they did. When he left, Larry Bird and Magic Johnson were about to enter the N.B.A. and propel it to worldwide popularity. In between, the league became thoroughly accommodating to black players, competing with the Globetrotters for their services and eventually usurping the Trotters as the most viable employer of top black basketball talent.
Chance The Rapper (photo via eurweb.com)
Need a source of holiday inspiration? Try Chance the Rapper.
According to Mic.com, the Chicago rhymesayer is making it his business to bring at least 1,000 coats to his city’s homeless population via a recent partnership with the Empowerment Plan, a Detroit-based nonprofit organization that employs homeless people from local Detroit shelters to create long, self-insulating coats that transform into sleeping bags and totes.
The project, known as Warmest Winter, launched Wednesday (Dec. 21) with the goal of bringing the coats to Chicago by asking folks to sponsor a coat with a $100 donation for the manufacturing of the coat. Broken down, the money will help cover the labor, materials and overhead expenses involved in creating the coat.
To date, the Warmest Weather project has raised more than $43,000, which has funded the manufacturing of 430 EMPWR coats. The coats are noted for being water resistant and self-heating, in light of them being constructed with upcycled automotive insulation and durable work fabric from Carhartt. When they are not being worn, the coats can be carried as an over-the-shoulder bag.
Founded by Veronika Scott, a social entrepreneur, the Empowerment Plan started distributing the EMPWR coats in Detroit in 2011 with 10 formerly homeless women the organization initially employed, according to The Huffington Post. Since its creation, the Empowerment Plan now employs 20 formerly homeless individuals, who have created more than 9,000 coats.
The organization’s partnership with Chance the Rapper allows for its coats to come to Chicago with an ultimate goal of opening an Empowerment Plan factory in the city and offering homeless Chicago residents a chance to earn a living wage.
For his part, Chance the Rapper is using the power of social media to actively promote the Warmest Winter initiative. Since last week, the rhymesayer has been busy encouraging his more than 1.2 million Twitter followers and 900,000 Instagram fans to donate to the cause with offering donors such things as
tickets to one of his concerts, a Chicago White Sox game and a Chicago Bulls game.
Within hours of Chance the Rapper’s first tweet about Warmest Winter, $7,500 — or 75 coats — had been raised, the Los Angeles Times reports.
The support comes at a troubling time in Chicago, which is experiencing a harsh winter. Mic.com references findings from the Chicago Coalition for the Homeless, which reveal that an estimated 125,838 Chicagoans were homeless during the 2014-2015 school year. The National Coalition for the Homeless found that out of the homeless population in America, about 700 people die of hypothermia every year.
Estimates by Warmest Winter state that for each 1,000 coats funded, it can save 14 lives. The initiative is set to run until Jan. 13.
For more information and to donate to Warmest Winter, click here. To see one of Chance the Rapper’s tweets about Warmest Winter, scroll below:
An image of the Warriors’ Stephen Curry from an ad that is the result of a partnership between the N.B.A. and the organization Everytown for Gun Safety. (photo via nytimes.com)
The National Basketball Association, alarmed by the death toll from shootings across the country, is stepping into the polarizing debate over guns, regulation and the Second Amendment with an advertising campaign in partnership with one of the nation’s most aggressive advocates of stricter limits on firearm sales.
The first ads, timed to reach millions of basketball fans during a series of marquee games on Christmas Day, focus on shooting victims and contain no policy recommendations. The words “gun control” are never mentioned.
Besides N.B.A. players, the ads feature survivors of shootings and relatives of those killed by guns. (photo via nytimes.com)
The N.B.A.’s involvement suggests that a bloody year of gun deaths — in highly publicized mass shootings and countless smaller-scale incidents — may be spurring even some generally risk-averse, mainstream institutions to action.
Players who appear in the first 30-second ad, which will run five times on Friday, speak in personal terms about the effects of gun violence on their lives. Stephen Curry of the Golden State Warriors describes hearing of a 3-year-old’s shooting: “My daughter Riley’s that age,” he says. Chris Paul of the Los Angeles Clippers recalls the advice he heeded as a child: “My parents used to say, ‘A bullet doesn’t have a name on it.’”
The N.B.A. said it held little internal debate about working with Mr. Bloomberg’s group. “We know far too many people who have been caught up in gun violence in this country,” said Kathleen Behrens, the league’s president of social responsibility and player programs. “And we can do something about it.”
But the decision may prove tricky for the league: While many of its teams are based in cities dominated by Democrats, a number of other teams — and millions of N.B.A. fans — hail from places where Mr. Bloomberg and his approach to guns are viewed with deep suspicion. Ms. Behrens said the league had not shown the ads to team owners, but added, “We’re not worried about any political implications.”
The Bloomberg-N.B.A. partnership was brokered by an unlikely figure: Spike Lee, a member of Everytown’s creative council, whose latest film, “Chi-Raq,” set on Chicago’s South Side, confronts gun violence with an unflinching eye.
Over breakfast at the Loews Regency Hotel in Manhattan in November, not long before the movie was released earlier this month, Mr. Lee proposed the idea for the ads to John Skipper, the president of ESPN, who then took it to Adam Silver, the N.B.A.’s commissioner. Mr. Lee insisted on the participation of Everytown, with which he collaborated on a protest march down Broadway after the film’s New York premiere.
In an interview, he sounded many of the themes that Mr. Bloomberg himself has emphasized in the past, saying it was time for “common sense anti-gun laws.”
“But because of the N.R.A., politicians and the gun manufacturers, we’re dying under that tyranny,” Mr. Lee said.
Mr. Bloomberg’s interventionist policies as mayor and his left-leaning tactics on guns have earned the vitriol of gun-rights advocates, who have mocked him with TV ads as an out-of-touch elitist.
Schomburg Center Renovation Project includes installing a high-definition LED screen on the facade, new benches and landscape on Lenox Avenue, expansions to the gift shop and research spaces, and adding a new exhibition space for children. (image via dnainfo.com)
HARLEM — The Schomburg Center for Research in Black Culture is getting a $22 million facelift, officials announced Friday.
The ambitious renovation project includes installing a high-definition LED screen on the facade, new benches and landscape on Lenox Avenue, expansions to the gift shop and research spaces, and adding a new exhibition space for children.
“All of this makes for a really terrific start into the 21st Century and puts the Schomburg on its way its next 90 years,” said Director Dr. Khalil Gibran Muhammad.
The renovation comes at a time of growth at the research library, which is celebrating its 90th anniversary. Over the last three years their attendance has increased by 26 percent and program attendance by nearly 40 percent, according to NYPL President Tony Marx.
This is the most significant investment in the library named after Arturo Schomburg since its 1979 expansion, said the founder’s grandson Dean Schomburg. RELATED:
“I’m standing here thinking what my grandfather would have felt with what’s going on here today,” he said. “It would’ve been an enormous, enormous pleasure for him as it is for me to see what is happening.”
The research library’s reading room will get a makeover as will the video division. New storing and presentation equipment will make it easier for people to access historic recorded equipment, said Muhammad. “Some of the Schomburg’s greatest treasures are locked in hiding in those spaces and will begin to see the light of day again,” he said.
Scaffolding is already up on the south side of the building. The project is expected to be completed sometime in 2017. article by Gustavo Solis via dnainfo.com
