According to via jbhe.com, the state of Maryland approved a new scholarship program in memory of slain Bowie State University student, 2nd Lt. Richard Collins III. In May 2017, Collins was fatally stabbed on the University of Maryland, College Park campus just days before he was scheduled to graduate from Bowie State. Police classified the murder as a hate crime because the attacker was a White man who allegedly went after Collins because he was African American.
In an effort to honor Collins legacy, Maryland Governor Larry Hogan approved legislation to establish the 2nd Lt. Richard W. Collins III Leadership with Honor Scholarship, which will be funded by the state with $1 million annually. Recipients must be eligible for in-state tuition, a member of a Reserve Officer Training Corps, part of an underrepresented group in the ROTC, and must attend a historically black college or university.
The scholarship will be split between Bowie State and Maryland’s three other historically Black universities: Morgan State University, Coppin State University, and the University of Maryland Eastern Shore.
For The Hollywood Reporter’s largest shoot ever, members of Black Women Who Brunch, a networking group co-founded by Lena Waithe, gather to discuss how the industry can better understand black women in Hollywood: “We have to be exceptional.”
In 2014, Nkechi Okoro Carroll was an executive story editor on Bones when she met an up-and-coming scribe named Lena Waithe at a WGA Committee of Black Writers event. The two hit it off, so much so that Okoro Carroll got the future Emmy winner — whose major credit at the time was writing for the Nickelodeon series How to Rock — hired as a staff writer on her Fox procedural, making Waithe the second black woman in the room. “Aren’t you worried she’s going to take your job?” a fellow writer on staff asked Okoro Carroll.
“You should be worried she’ll take your job,” retorted Okoro Carroll, now showrunning The CW’s All American. What the duo felt was not competition but kinship: “We often felt like unicorns,” Okoro Carroll says. “When someone asked me to recommend mid-level female writers [of color] for a job, I was appalled to realize I didn’t know many names.”
Together with Erika L. Johnson, then writing for BET’s Being Mary Jane, the women decided to create a network of black female TV writers themselves. Twelve assembled for the March 2014 inaugural meeting of what came to be known as Black Women Who Brunch (BWB); today, the membership nears 80. “This group is the proof” against and antidote to “people saying, ‘We can’t find any black female writers,'” says Johnson, now a co-executive producer on NBC’s upcoming The Village.
BWB holds potlucks at Okoro Carroll’s house every few months (usually about 30 members are available at one time) to toast triumphs and troubleshoot challenges. “It’s not just a community we’re building, but a resource,” says Waithe. “We really are able to recommend eight or nine black women for certain jobs.”
In August, BWB took its first off-site trip — a weekend getaway to Palm Springs. And in November, 62 members gathered for THR‘s biggest photo shoot ever, where they revealed what they wish their colleagues knew about being a black woman in the business.
Recently, the Rhodes Trust announced the 32 American winners of Rhodes Scholarships for graduate study at Oxford University in England. Being named a Rhodes Scholar is considered among the highest honors that can be won by a U.S. college student.
The scholarships were created in 1902 by the will of Cecil Rhodes, an industrialist who made a vast fortune in colonial Africa. According to the will of Rhodes, applicants must have “high academic achievement, integrity of character, a spirit of unselfishness, respect for others, potential for leadership, and physical vigor.”
This year, more than 2,500 students applied to be Rhodes Scholars. A total of 880 college students were endorsed by 281 colleges or universities for consideration for a Rhodes Scholarship. Some 221 applicants from 82 colleges and universities were named finalists. Then, two Rhodes Scholars were selected from each of 16 districts across the United States. Students may apply from either the district where they reside or the district where they attend college. The 32 American Rhodes Scholars will join students from 23 other jurisdictions around the world as Rhodes Scholars. The Rhodes Trust pays all tuition and fees for scholarship winners to study at Oxford. A stipend for living and travel expenses is also provided.
In 1907 Alain LeRoy Locke, later a major philosopher and literary figure of the Harlem Renaissance, was selected as a Rhodes Scholar to study at Oxford University. It is generally believed that at the time of the award the Rhodes committee did not know that Locke was Black until after he had been chosen. It would be more than 50 years later, in 1962, until another African American would be named a Rhodes Scholar.
Other African Americans who have won Rhodes Scholarships include Randall Kennedy of Harvard Law School, Kurt Schmoke, former mayor of Baltimore, and Franklin D. Raines, former director of the Office of Management and Budget and former CEO of Fannie Mae. In 1978 Karen Stevenson of the University of North Carolina at Chapel Hill was the first African-American woman selected as a Rhodes Scholar.
Here are brief biographies of the three new African American Rhodes Scholars:
Austin T. Hughes from San Antonio, Texas, is a senior at the University of Iowa. He is triple majoring in creative writing, theatre arts, and Japanese language and literature. He is a cellist and a cross-country runner at the university. Hughes served as co-president of The English Society at the University of Iowa. In that role, he showcased student literature to the campus community and beyond. He has won numerous awards for his poetry and creative writing. At Oxford, Hughes will pursue a master’s degree in Japanese studies. Continue reading “Three African American Students, Lia Petrose, Anea B. Moore and Austin T. Hughes, Named 2019 Rhodes Scholars”→
According to PRNewswire, Byron Allen’s Entertainment Studios (ES) and the National Association of African-American Owned Media (NAAAOM) – plaintiffs in federal lawsuits filed against Comcast and Charter Communications – have announced two decisions issued by the United States Court of Appeals for the Ninth Circuit that will allow them to go to trial against two of the largest cable television carriers in the country.
In the $20 billion lawsuit against Comcast and the $10 billion suit against Charter, the carriers are accused of violating the Civil Rights Act of 1866, which prohibits racial discrimination in contracting. For years, Entertainment Studios has been requesting that Comcast and Charter carry its networks, which are distributed by Comcast and Charter’s competitors, including Verizon, DirecTV, AT&T, DISH, and many other carriers, to millions of people around the country.
Both Comcast and Charter, however, refused all of Allen’s requests for network carriage. Subsequently, Allen filed lawsuits in federal district court in Los Angeles.
In two historically significant decisions, the United States Court of Appeals for the Ninth Circuit rejected Comcast and Charter’s attempts to dismiss the cases before trial. The Court upheld Entertainment Studios’ Section 1981 claims against both Comcast and Charter; and instead ruled that both cases could proceed in the trial courts to discovery and trial.
“These two decisions against Comcast and Charter are very significant, unprecedented, and historic,” said Byron Allen, Founder/Chairman/CEO of Entertainment Studios. “The lack of true economic inclusion for African Americans will end with me, and these rulings show that I am unwavering in my commitment to achieving this long overdue goal.”
“The Court’s rulings overwhelmingly reflect the Ninth Circuit’s rejection of the Defendants’ positions and arguments,” said Mark DeVitre, President of plaintiff, NAAAOM. “I look forward to quickly moving into discovery where we expect much more evidence to surface.”
“These decisions are hugely important in terms of opening the courts to African American-owned media. The Court paved the way to our eventual success at trial by ensuring that the proper ‘mixed motive’ standard for our claims – a lower standard of proof than the ‘but for’ standard argued by Comcast and Charter – applies,” said Entertainment Studios’ attorney, Skip Miller, partner in Miller Barondess. “Additionally, the Court dismissed Charter’s and Comcast’s attempts to use the First Amendment as a shield for their alleged discrimination. I very much look forward to trying these cases. And I give Mr. Allen tremendous credit for having the will and the constitution to invest the capital and resources to pursue them relentlessly.”
According to Deadline.com, Charter and Comcast issued separate statements, expressing disappointment with the ruling. “We respectfully disagree with the Court’s decision, and are reviewing the decision and considering our options,” Comcast said in a statement.
Charter was more pointed in its response. “This lawsuit is a desperate tactic that this programmer has used before with other distributors,” Charter said in a statement to Deadline. “We are disappointed with today’s decision and will vigorously defend ourselves against these claims.”
The Los Angeles-based Entertainment Studios alleged Charter’s former senior vice president of programming, Allan Singer, refused to meet with its representatives. Singer rescheduled and postponed meetings and offered “disingenuous” explanations for refusing to carry it programming, according to court documents.
Singer said bandwidth limitations and operational demands precluded carriage of ENT’s cable networks, while reaching carriage agreements with “lesser-known, white-owned channels” such as the rural focused RFD-TV and the horror channel Chiller.
Court documents cite evidence of racial bias, including one instance in which Singer allegedly approached an African-American protest group outside Charter’s headquarters and told them “to get off welfare.” Additionally, in court documents Charter CEO Tom Rutledge is alleged to have referred to Allen as “Boy” at an industry event.
“Plaintiffs suggest that these incidents are illustrative of Charter’s institutional racism,” the Appeals Court writes, in summarizing the case’s history. “Noting also that the cable operator had historically refused to carry African American-owned channels and, prior to its merger with Time Warner Cable, had a board of directors composed only of white men.”
Entertainment Studios ascribed similar discriminatory motives on the part of Comcast, which offered carriage deals to such networks as Inspirational Network, Fit TV, Outdoor Channel and Baby First Americas while telling Allen it had no bandwidth or storage capacity for his networks.
Allen founded Entertainment Studios in 1993 and owns eight 24-hour HD television networks serving nearly 160 million subscribers: THE WEATHER CHANNEL, PETS.TV, COMEDY.TV, RECIPE.TV, CARS.TV, ES.TV, MYDESTINATION.TV, and JUSTICE CENTRAL.TV. The company also produces, distributes, and sells advertising for 41 television programs, making it one of the largest independent producers/distributors of first-run syndicated television programming for broadcast television stations.
Entertainment Studios Motion Pictures is a full-service, theatrical motion picture distribution company specializing in wide release commercial content. ESMP released 2017’s highest-grossing independent movie, the shark thriller 47 METERS DOWN, which grossed over $44.3 million. In 2018, ESMP also released the critically-acclaimed and commercially successful Western HOSTILES and the historic mystery-thriller CHAPPAQUIDDICK.
Upcoming releases include the Keanu Reeves sci-fi thriller REPLICAS, the John Krasinski/Emily Blunt-starring animated feature ANIMAL CRACKERS, and Joe Carnahan’s Mel Gibson/Naomi Watts starring action-thriller BOSS LEVEL.
Sean “Diddy” Combs announced Tuesday that he’s pledging $1 million to the Capital Preparatory Schools network to help provide children from underserved communities access to high-quality education. The school has been approved to expand to a third location in the New York City’s Bronx borough, and is set to open in September 2019.
Capital Prep Schools is a free, public charter school network, currently operating in Harlem and Bridgeport, Connecticut. The schools provide students in grades K-12 with a year-round, college preparatory education and has sent 100 percent of its low-income, minority, first-generation high school graduates to four-year colleges every year since its first class graduated in 2006. Capital Prep Bronx will open to serve 160 students in 6th to 7th grade and will grow to serve 650 students in 6th to 11 grade during an initial five-year term.
“Mr. Combs’ commitment and leadership continue to inspire us. On behalf of the Capital Prep students, parents and teachers I want to express our sincerest gratitude for such a generous gift,” said Dr. Steve Perry, the founder of Capital Prep Schools. “Mr. Combs wanted to open schools to develop leaders. What he’s done with his investment is embody what we expect students to do, which is to invest their resources in our communities.”
Combs is a Harlem native and worked closely with Dr. Perry to expand the school to new locations as well as enlist a team of educators, parents, and business leaders to bring the idea to life. He is also a benefactor.
“I came from the same environment these kids live in every day,” Combs said. “I understand the importance of access to a great education, and the critical role it plays in a child’s future. Our school provides historically disadvantaged students with the college and career skills needed to become responsible and engaged citizens for social justice. We don’t just teach kids to read, write and compute, we teach them how to make a difference and nurture them to be future leaders of our generation.”
Apart from giving away more than $1 million dollars in scholarship funds to students across America, The Carters have been working overtime to raise more than $6 million dollars for the City Of Hope charity, Forbes reports.
The organization, which specializes in cancer treatment and research, held a gala earlier this week in Santa Monica, California. The power couple was in attendance to help raise money for the non-profit organization.
JAY-Z and Beyonce partnered with Warner/Chappell Publishing CEO and Chairman Jon Platt to combine their efforts to bring forth a well-rounded event with top-notch industry players. According to Forbes, Dr. Dre, Tiffany Haddish, Usher, Quincy Jones, Wiz Khalifa, Timbaland, Kelly Rowland, and Rita Ora showed up in support of the event.
With more than 1,200 members of the entertainment industry present, Beyonce performed “Halo” and “Ave Maria” for the crowd.
The combined billionaires have greatly given back to their communities over their decades-long careers and constantly prove why they are considered the king and queen of hip-hop and evidently philanthropy.
If you would like to donate to City of Hope’s cancer research and treatment fund or find out more about the organization, click here.
With powerful, poignant speeches from presenters and honorees alike, this year’s W.E.B. Du Bois Medal awards felt more like a gospel church service-cum-rock concert than an academic award ceremony.
Athlete and social activist Colin Kaepernick set the tone before an exhilarated crowd that included some 150 local high school students, declaring that people in positions of privilege and power have a “responsibility” to speak up for the powerless.
“People live with this every single day and we expect them to thrive in situations where they’re just trying to survive,” said the NFL free agent who famously took a knee during pregame national anthems to protest racial injustice in America. “If we don’t, we become complicit. It is our duty to fight for them.”
Kaepernick was one of the eight laureates who received medals at Sanders Theatre on Thursday night. Others were comedian Dave Chappelle; writer and social critic Florence C. Ladd; Rensselaer Polytechnic Institute President Shirley Ann Jackson; renowned artist Kehinde Wiley; General Catalyst chairman and CEO Kenneth I. Chenault; philanthropist and Avid Partners founder Pamela J. Joyner; and human rights lawyer Bryan Stevenson.
The awards are bestowed by the Hutchins Center for African and African American Research for contributions to African and African-American history and culture. Ladd, the former director of the Bunting Institute at Radcliffe, donned her medal, then pumped her fist in the air and told the cheering crowd: “A takeaway must be protest, protest, protest.”
Stevenson, M.P.P. ’85, J.D. ’85, L.L.D. ’15, who founded the Equal Justice Initiative, dedicated his award to “people who did so much more with so much less” and asked the audience to think of hope as “your superpower.” To the students, he made a more pointed request: “You’ve got to be willing to do uncomfortable things. You’ve got to be willing to do inconvenient things. Don’t ever think that your grades are a measure of your capacity.” Stevenson himself won a historic Supreme Court ruling that declared that mandatory sentences of life without parole for children 17 or younger are unconstitutional.
Moments of humor punctuated the call to resistance, particularly when presenter and incoming Dean of Social Science Lawrence D. Bobo recited parts of Chappelle’s famous skit “The Racial Draft.“ He called the comedian a “teller of uncomfortable truths.”
Chappelle, for his part, praised his parents, especially his mother, a professor of African-American studies. “She raised me well. I am not an uninformed person,” he said.
Chappelle said he was humbled to be on stage with his fellow honorees: “You all make me want to be better,” he said. He promised another comedy special and ended his speech with a quote from favorite writer James Baldwin’s book “The Fire Next Time.”
“God gave Noah the rainbow sign. No more water. The fire next time.”
Hutchins Center director Henry Louis Gates Jr., the Alphonse Fletcher Jr. University Professor, reflected on the critical nature of the honorees’ work in the fight for racial and social justice.
“When we recall the dramatic progress we’ve made in this country’s struggle for civil rights, it’s tempting to remember only our long arc of progress. But we find ourselves in a new nadir in our country’s race relations,” he said, quoting Du Bois, the first African-American to earn a Ph.D. at Harvard.
“Agitation is a necessary evil to tell of the ills of the suffering. Without it, many a nation has been lulled to false security and preened itself with virtues it did not possess.”
Lisa Borders has spent the last three seasons leading the WNBA but just announced on Tuesday that she is stepping down from her post to become the first president and CEO of the advocacy group Time’s Up.
The league, which is a subsidiary of the NBA, made the announcement in a tweet on Tuesday morning.
“It has been an honor and my absolute privilege leading the WNBA and being part of what it stands for,” Borders said in a joint statement with the NBA. “I want to thank [NBA Commissioner] Adam [Silver] for giving me the opportunity and support to help grow this league.
“I am most proud of the players for their amazing talents on the court and their dedication to making an impact in their communities. I look forward to continuing my support for the W in my new role with Time’s Up. I will always be the WNBA’s biggest advocate and fan.”
Time’s Up was formed in January after a series of sexual harassment allegations in the entertainment industry involving Harvey Weinstein, Kevin Spacey, Brett Ratner, Louis CK, Matt Lauer, and others. The organization advocates for safer and more equitable work environments for women in Hollywood and in other industries.
The organization is also pushing for Hollywood to reach gender pay equity. Borders had overseen the WNBA since 2016 after serving as Coca-Cola’s Vice President of Global Community Affairs.
“We are extremely grateful for Lisa’s leadership and tireless commitment to the WNBA,” Silver said. “This is a natural transition for Lisa knowing what a champion she is for issues involving women’s empowerment and social justice and fortunately for us, she leaves the league with strong tail winds propelling it forward.”
Under Borders, the WNBA inked a new jersey deal with Nike, signed an agreement with Twitter to stream games on the social media platform and helped bring women to into the NBA Live video games for the first time through a deal with EA Sports.
NBA Deputy Commissioner Mark Tatum will serve as interim WNBA president while the search for a new president begins.
TIME’S UP is actively working with various industries including advertising, entertainment, healthcare, press, tech, music, venture, and advocacy groups representing farmworkers, restaurant workers, domestic workers to ensure safer workplaces and economic parity for women.
Under Border’s stewardship, TIME’S UP will continue its focus on creating solutions that increase safety and equity at work for women of all kinds.
According to the U.S Department of Health and Human Services Office of Minority Services, African-Americans are 20% more likely to experience psychological distress such as depression, suicide, PTSD and anxiety than their non-Hispanic white counterparts.
Meet Dr. Joy Bradford, a licensed psychologist based in Atlanta, Georgia and founder of Therapy for Black Girls. Passionate about changing the stigma surrounding mental health issues and therapy which often prevents black women from taking the step of seeing a therapist, Bradford aims to alleviate the process of seeking relief for mental health-related issues within the black community, by fostering a safe space to present mental health topics to black millennial women in a digestible way.
Previously a college counselor, Bradford leveraged her people person and problem solver skills to create the Therapy for Black Girls platform in 2014. The Therapy for Black Girls platform now reaches over 32,000 members with its blog, podcast, social media communities, and very own national therapist directory, that lists black women mental health providers nationally.
I spoke with Bradford about what inspired her to create Therapy for Black Girls, why there’s a stigma surrounding mental health in the black community and the challenges that isolate black women millennials from seeking mental health care.
Dominique Fluker: As a licensed psychologist, speaker and host of the popular mental health podcast, Therapy for Black Girls, share why you decided to create the online space dedicated to encouraging the mental wellness of black women and girls?
Dr. Joy Bradford: I created the space because I really wanted Black women to have a place to go to get information about mental health that felt relevant and accessible to them. I wanted to be able to share information about recognizing signs and symptoms of mental illness but also to have conversations about the kinds of things we can do to encourage mental wellness.
Fluker: How is the Therapy for Black Girls platform combating the stigma surrounding mental health issues and therapy for African-American women?
Bradford: I think it’s combating stigma because it is making topics that were once taboo, okay to be publicly discussed. I think that topics covered on the podcast have given people language for some of the things they may have been struggling with, and I think the directory has allowed scores of women to connect with mental health professionals across the country who are excited about providing high-quality care to them.
Fluker: What are the challenges that black women millennial face daily that might make them feel isolated from mental health care?
Bradford: I think that sometimes black millennial women worry that their issues are not “big” enough to go to therapy and so they don’t utilize the service. I also think that sadly a lot of black millennial women also don’t feel like providers will really get them and it feels really hard to go into space where you’re supposed to be very transparent but not able to be comfortable. Additionally, I think that the cost may be prohibitive for some people who may want to go to therapy. Even with insurance, it may be difficult to afford therapy, but without it, there can be a lot of hoops to jump through to find lower cost therapy that is a good fit.
Rapper/singer J. Cole is raising funds through his Dreamville Foundation to help people from his hometown of Fayetteville, N.C., who have been affected by Hurricane Florence.
“The Dreamville Foundation is looking to lend a helping hand to the community, children, and families affected by Hurricane Florence,” the nonprofit which is based in Fayetteville, N.C., said on its webpage. “There will be hot food stations placed throughout the city, temporary housing options for families and stocking of food pantries/shelters (as) well as supporting other local nonprofits who help provide services for the people in Fayetteville.”
According to CBS News at least, 42 people have died as a result of Florence, which barreled through the Carolinas last week.
The goal of the 4-year-old organization is to inspire urban youth, according to the website. Cole is quoted on the homepage as saying, “I want to start the process of showing them there are other options besides what’s on the screen. They don’t have to be a rapper or an athlete, there are people who manage the rappers, who book the shows. There are so many jobs you can do, this is about expanding their minds to those possibilities.”
The hurricane forced the cancellation of J. Cole’s inaugural Dreamville Festival, which was slated to take place in Raleigh and include not only J. Cole but also Big Sean, SZA, Nelly and Young Thug. The festival has been rescheduled for April 2019, according to the Dreamville Festival Twitter account.
Cole, born Jermaine Lamarr Cole, was born on a U.S. military base in Germany but raised in Fayetteville. Along with the foundation, he is the founder of Dreamville Records, with his manager, Ibrahim Hamad.