Marie Holmes (pictured) is one very lucky lady. The mother of four just happened to be one of Wednesday’s huge Powerball winners, and will share the $564 million jackpot. Holmes’ reported cut from the mega winnings will be a not-too-shabby $188 million before taxes, according to WGN-TV.
The 26-year-old Wilmington, North Carolina woman, who has a special needs child with cerebral palsy, is still reeling from the news. “I don’t think it’s really hit me,” she said. “I guess when it hits my account is when it’s really going to hit me, but I’m thankful that I can bless my kids with something that I didn’t have.”
Holmes, who does not regularly purchase lottery tickets, said she was struggling before her win. Upon seeing that her numbers matched the winning Powerball drawing ones, Holmes thought she was going to have a heart attack and screamed so loudly, she scared her children, one boy and three girls.
So what will the young mom do with all of the money? “First I ‘m going to pay my tithes because I wouldn’t have none of it if it wasn’t for God. After that I’m going to set up accounts for my kids,” she told WGN-TV. “And when we figure out where we’re going to live, I’m going to buy a house for me and my kids, then make sure my family is all good.”
Holmes, whose uncle actually sold her the winning ticket, was unemployed and looking for a job. She is only too glad that now she no longer has to depend on anyone financially. “I don’t have to worry about the word struggle no more and neither do they (her children).”
Does Holmes have any trepidation with regards to how her entire life will now drastically change?
“I am ready for it, ready to embrace the change! I am very grateful for what is about to happen to my family,” she told WGN-TV. “Everything is all for them. My kids can go to college, all on me, and they don’t have to worry about nothing. My granddaddy, my daddy, my sisters, they don’t have to worry about nothing, we made it.” article by Ruth-Manuel Logan via newsone.com
Since 1940, the United States Postal Service has paid homage to the countless achievements made by African-American men and women through stamps that immortalize those individuals who had an impact on this country’s history.
Now Robert Robinson Taylor (pictured), the first academically trained black architect in the U.S. and, coincidentally, the great-grandfather of Valerie Jarrett, Senior Advisor to President Barack Obama, was honored on USPS’ 38th Black Heritage stamp, issued yesterday, February 12.
Taylor was born in Wilmington, N.C. 1868 to a middle-class family. Taylor’s grandfather was a white slave owner, who freed his son, Henry Taylor, in 1847.Robert’s mother was descended from free blacks since before the Civil War. Upon graduating high school, Taylor worked for his father a bit but then attended the prestigious Massachusetts Institute of Technology (MIT) where prejudice awaited him and the other handful of blacks who dared to attend.
During his four years at MIT, Taylor worked hard and managed to maintain an above average grade point average. He went on to graduate from MIT in 1892 becoming the first black person to receive a degree from the university.
Upon graduating MIT, Taylor married his wife, Nellie and landed a job at Tuskegee as an architect and educator through a close relationship he forged with Booker T. Washington. Taylor designed most of the university’s buildings built before 1932. He retired from his university posts in 1935.
Taylor collapsed and passed away in 1942 while attending a service at the Tuskegee chapel which he had designed.
Last year the USPS honored the meritorious works of such African-American greats as Shirley Chisholm, Ralph Ellison, Jimi Hendrix, C. Alfred “Chief” Anderson, Edna Lewis and Wilt Chamberlain through stamps. article by Ruth Manuel-Logan via newsone.com
NEW YORK –– SiriusXM announced the launch of “African Ancestry Radio,” a three-week series of live, call-in shows during which the hosts help listeners and celebrities of African descent in their quest to reconnect with their heritage.
Hosted by Gina Paige, co-founder of African Ancestry, and award-winning producer Shirley Neal, “African Ancestry Radio” launched live on Sunday, February 8 at 12:00 pm ET on SiriusXM Urban View channel 126 with Louis Gossett Jr. and Aunjanue Ellis as their first celebrity guests. EURweb.com’s founder Lee Bailey also joins in each week as special entertainment correspondent.
Scheduled in celebration of Black History Month, the hosts lead conversations on ancestry and heritage and guide SiriusXM listeners who are looking to more accurately and reliably trace their African roots. Themed around music, the February 15 show will feature Grammy award-winners and alternative hip hop group Arrested Development.
In addition, “African Ancestry Radio” will feature discussions on how a person’s roots influence personality, who they are and how they act. Each show will include at least one celebrity guest who has previously taken the tests and whose African ancestry will be revealed during the broadcast.
“‘African Ancestry Radio’ promises to be enlightening, empowering, and inspirational for SiriusXM listeners across the country,” said Dave Gorab, Vice President and General Manager, Talk Programming, SiriusXM. “We are pleased to present this exclusive series as part of our special programming commemorating Black History Month.”
After the broadcast, “African Ancestry Radio” will be available on SiriusXM On Demand for subscribers listening via the SiriusXM Internet Radio App for smartphones and other mobile devices or online at siriusxm.com. Visit www.siriusxm.com/ondemand for more information.
Gina Paige is co-founder of African Ancestry, Inc., pioneering a new way of tracing African lineage using genetics. Paige resides in Washington, D.C. and holds a degree in Economics from Stanford University and an MBA from the University of Michigan’s Ross School of Business.
On this day in 1995, Bernard Harris Jr. became the first African American to walk in space. After logging 198 hours and 29 minutes in space and completing 129 orbits, he traveled more than 4 million miles total throughout his career as an astronaut.
Harris was born in Temple, Texas, on June 26, 1956. He graduated from high school in San Antonio, and later went on to receive a Bachelor of Science from the University of Houston. He earned a doctorate in medicine at Texas Tech University in 1982. He also earned a master’s in biomedical science from the University of Texas Medical Branch at Galveston in 1996. Harris has won numerous awards and honors including the 1996 Honorary Doctorate of Science, Outstanding Young Men of America in 1984, the University of Houston Achievement Award in 1978, the National Research Council Fellowship in 1986 and 1987, and many, many more.
Harris joined the NASA Johnson Space Center as a scientist and flight surgeon after completing his fellowship in 1987; he held the title of project manager. He was selected by NASA in January 1990 to become an astronaut, and he qualified for a space mission. During his time on flight STS-63 that departed Feb. 2, 1995, and returned Feb. 11, he made by becoming the first African American to touch down and walk in space. He left NASA the following April; he is currently chief scientist and vice president of Science and Health Services. article by Cristie Leondis via blackenterprise.com
Taraji P. Henson, Terrence Howard and creator/writer/executive producer Lee Daniels speak onstage during the ‘Empire’ panel discussion at the FOX portion of the 2015 Winter TCA Tour at the Langham Hotel on January 17, 2015 in Pasadena, Calif. Empire, the hip-hop drama that stars Terrence Howard and Taraji P. Henson, has broken a ratings record that stood for more than 23 years, according to Entertainment Weekly.
The show is averaging 14 million viewers and a strong 5.6 rating among adults 18-19, so far for the first two weeks of the season with total DVR data available, the report notes. Fox says the show is the only primetime scripted series to grow in total viewers over each of its first five telecasts since at least 1991 and is the strongest hour-long show this season, the news outlet reports.
While the record may have stood for longer than that, the report notes, Nielsen revised its measuring system 23 years ago “and so comparisons can only be properly calculated that far back.”
Further to its credit, Empire is technically the only series—not just scripted—to have earned such an accomplishment, the entertainment news site writes. ABC’s game show Who Wants to Be a Millionaire grew through each of its first five telecasts in 1999, but they were technically considered “specials” when the show first started instead of regular episodes, according to the news outlet. article by Lynette Holloway via theroot.com
Before the show even started, a handful of winners have been announced for this year’s 57th Annual Grammy Awards. Beyonce, who has had a record-breaking 52 nominations,took home an early award in the Best Surround Sound Album category for her self-titled 2013 release. Beyonce has now won 18 Grammy’s but has yet to take home the Album of the Year title, an award she’s up for later tonight.
Meanwhile, Pharrell won another Grammy for himself in the form of Best Music Video with his wildly popular “Happy” visuals.
Ahead of the ceremony and performances, check out an early list of the winners and nominees below: Album of the Year
Beck, Morning Phase
Beyonce, Beyonce
Ed Sheeran, x
Sam Smith, In the Lonely Hour
Pharrell Williams, G I R L Best New Artist
Bastille
Iggy Azalea
Brandy Clark
Haim
Sam Smith Record of the Year
“Fancy,” Iggy Azalea ft. Charli XCX
“Chandelier,” Sia
“Stay With Me (Darkchild Version),” Sam Smith
“Shake It Off,” Taylor Swift
“All About That Bass,” Meghan Trainor Song of the Year
“Chandelier,” Sia
“All About That Bass,” Meghan Trainor
“Shake It Off,” Taylor Swift
“Stay With Me (Darkchild Version),” Sam Smith
“Take Me to Church,” Hozier Best Rap Album The New Classic, Iggy Azalea Because the Internet, Childish Gambino Nobody’s Smiling, Common The Marshall Mathers LP2, Eminem Oxymoron, ScHoolboy Q Blacc Hollywood, Wiz Khalifa Best Pop Duo/Group Performance
“Fancy,” Iggy Azalea ft. Charli XCX
“A Sky Full of Stars,” Coldplay
“Say Something,” A Great Big World ft. Christina Aguilera
“Bang Bang,” Ariana Grande, Jessie J & Nicki Minaj
“Dark Horse,” Katy Perry ft. Juicy J Best Rap Performance
“3005,” Childish Gambino
“0 to 100/The Catch Up,” Drake
“Rap God,” Eminem
“i,” Kendrick Lamar
“All I Need Is You,” Lecrae Best Alternative Music Album This Is All Yours, alt-J Reflektor, Arcade Fire Melophobia, Cage the Elephant St. Vincent, St. Vincent Lazaretto, Jack White
Memoirs, graphic novels and stories in verse were the big winners of this year’s American Library Association’s awards for young adult and children’s literature. The awards, which are among the most prestigious literary prizes for children’s book authors, were announced Monday at the association’s midwinter conference in Chicago.
Kwame Alexander’s novel in verse, “The Crossover,” about 13-year-old twin brothers who are basketball stars, won the John Newbery Medal for the most outstanding contribution to children’s literature. Mr. Alexander also received a Coretta Scott King honor recognizing African-American authors and illustrators. It was the first A.L.A. award for Mr. Alexander, a poet and novelist who has published 17 books.
Jacqueline Woodson’s memoir in verse, “Brown Girl Dreaming” (which has already won a National Book Award), along with Cece Bell’s illustrated memoir, “El Deafo” (which chronicles her hearing loss at an early age from spinal meningitis and her struggle to fit in at school), were named as Newbery Honor books.
Ms. Woodson, whose memoir describes her childhood and coming of age in South Carolina and New York in the 1960s and 1970s, also won the Coretta Scott King Award recognizing outstanding African-American children’s book authors and illustrators, and the Robert F. Sibert honor for the most distinguished informational book for children.
Other winners include Dan Santat’s “The Adventures of Beekle: The Unimaginary Friend,” a whimsical story for 3- to 6-year-olds, which earned the Randolph Caldecott Medal for the most distinguished American picture book.
“I’ll Give You the Sun,” Jandy Nelson’s novel about teenage fraternal twins who compete over everything, won the Michael L. Printz Award for excellence in literature written for young adults.
The awards come at a moment when children’s literature is holding steady as a fast-growing and profitable category for publishers. Sales of children’s and young adult books grew nearly 22 percent in the first 10 months of 2014, compared with the previous year, while sales of adult books fell slightly, according to the latest figures from the Association of American Publishers.
At Good Black News, February is an especially invigorating time. When Black History Month rolls around, people have more interest than normal in African-American history, music and culture, and GBN inevitably benefits from the heightened exposure. We make an extra effort to provide a wide variety of information and stories (historical and current) during this time, and point to events and programming we find to be educational as well as entertaining.
Even so, we are a small operation with limited (albeit growing) reach, and we know a lot of black folks feel skeptical about BHM — it always seems like the same old, same old — Martin, Malcolm, Rosa, and the black movie, tv show or person du jour get celebrated in the national news, and then everybody forgets (or tries to forget) about African-American history until next year.
Last night, however, as I was flipping through cable before going to bed, I noticed there was not only an increased amount of black programming (and not just on BET or TV One or PBS), it was more varied than ever. So much so, I wasn’t even sure what to watch: “Angel Heart” with Lisa Bonet and Mickey Rourke, a horror thriller set in New Orleans and the world of voodoo (which reminded me of a time where the media considered Bonet the controversial one from “The Cosby Show”), “School Daze”, the Spike Lee movie set at an all-black college in the South, or “Iceberg Slim: Portait of a Pimp”, a 2012 documentary produced by Ice T, primarily chronicling the author’s experiences in Chicago and Los Angeles.
I had been thinking about “School Daze” earlier that day, so I took it as a sign and flipped to that. It was the scene where the light-skinned sorority girls (lead by Tisha Campbell-Martin and Jasmine Guy) bump into the dark-skinned girls (lead by Kyme and Joie Lee) and go into a full-on musical fantasy where they square off as they sing “Good and Bad Hair.”
My jaw about dropped — I saw this movie in the theatre when I was in college, but I’d forgotten how provocative the lyrics and the visuals were. I mean, this movie was released in 1988 and had black women going hard for each other over hair, calling each other “high-yellow” and “jigaboo,” holding up fans with images of Hattie McDaniel as Mammy and Vivien Leigh as Scarlett to taunt one another! Up until Chris Rock‘s 2009 documentary “Good Hair,” when had this subject matter ever received exposure in mainstream entertainment?
I’d also forgotten how talented the actors and dancers were/are, blending traditional and historical dancing styles and choreography with contemporary steps, and how creative and original Lee was to even imagine doing a number like this in what was then only his second motion picture.
The next scene was a frat hazing scene where pledges where being paddled and this all-too-real violence (as well as the abhorrent misogyny that would soon be coming down the pipe) made me realize the film was deeper and pointed to more problems and issues in the black community than I’d recalled. “School Daze” received its share of flak (at the time and over the years) for being the hodgepodge of styles that it is, but it’s an important, innovative part of Lee’s work as well as black cinema, as relevant as “Dear White People” is in 2015, and fully worth a re-watch and discussion with the new generation of young people and college students.
Jazzed from this rediscovery, I flipped over to the Iceberg Slim documentary. Although I’ve known about Iceberg Slim for decades, I’ve never read his work, dismissing it based on its categorization as “gangsta” literature. Having matured since my 20s however (at least I think I have), I realized I really didn’t know anything about Iceberg Slim other than my perception, so perhaps I should learn more. I’m so glad I did. Not only was the documentary particularly well-executed (creative visuals, innovative music, interesting talking heads and dynamic footage of old Slim interviews), I learned what an intelligent man (Robert Beck) lay behind the Iceberg Slim persona, and how he wrote books such as “Pimp” and “Trick Baby” as cautionary tales rather than celebrations of street life. Even though I don’t (neither does he in his later years) condone or excuse his repulsive criminal behavior and abuse of women, I do recognize he artfully captured and described a very real part of the black experience in the 50s, 60s and 70s.
I also had no idea “Trick Baby” was made into a motion picture by Universal, which helped spur the burgeoning “Blaxploitation” film boom in the 1970s, or that he lived for years only ten blocks away from my grandparents in the Crenshaw district of Los Angeles/Inglewood. It was equally fascinating to learn Birdman of Cash Money Entertainment acquired the rights to “Pimp” and Slim’s other works to keep them alive on the Cash Money Content imprint via Simon & Schuster. And now I want to read those books and get that movie.
All in all, these late-night viewings made me even more excited and energized about Black History Month. And when I looked at my DVR this morning, I saw a variety of options casually waiting for me there, too: the latest episodes of the “Nightly Show with Larry Wilmore”, “How To Get Away With Murder”, “Empire”, “Black-ish” and what I hear via Twitter was an incredible performance by D’Angelo on “Saturday Night Live” last night. If that wasn’t enough, I started writing this piece while watching NFL QB Russell Wilson attempt to lead the Seattle Seahawks to back-to-back Super Bowl wins, which, if he does, will be a first for an African-American quarterback. (And btw, what an unexpected treat to see Missy Elliott featured in the halftime show with Katy Perry — Missy was fire!)
We all have the ability, even casually, to celebrate and discover (or re-discover) our history, music, literature and culture and I invite all GBN followers to comment, tweet, email or share any unexpected, positive BHM experiences you have. I’m going to continue to chronicle mine alongside more formally-presented stories and articles — looking forward to hearing yours as well!
Onward and upward! Lori Lakin Hutcherson, GBN Founder/Editor-In-Chief
NASCAR Hall of Fame Inductee Wendell Scott Announced last May, the news finally became official: as of tonight, African-American race car driver Wendell Scott is the first black man inducted into the NASCAR Hall of Fame.
Scott drove during the Jim Crow era, and he was the first African-American to win a race at NASCAR’s elite major league level. He died in 1990. His career began in 1952, and his racing team was his family. They would travel to races together from their home in Virginia, and his sons served as his pit crew. Wendell Scott’s son Frank Scott (left) and grandson Warrick Scott at StoryCorps in Danville, Va. Wendell Scott, who died in 1990, was one of the first African-American NASCAR drivers to win a race at the elite level.
“It was like Picasso, like a great artist doing his work,” says Scott’s son, Frank, 67, at StoryCorps. “And he was in that car, he was doing his work. And as children we didn’t have that leisure time, you know, we couldn’t go to the playground. He said to us, ‘I need you at the garage.’ I can remember him getting injured, and he’d just take axle grease and put it in the cut and keep working.”
But Scott wasn’t allowed to race at certain speedways. When he planned to go to Atlanta, he even received death threats.
“Daddy said, ‘Look, if I leave in a pine box, that’s what I gotta do. But I’m gonna race,’ ” Frank says. “I can remember him racing in Jacksonville, and he beat them all, but they wouldn’t drop the checkered flag. And then when they did, they had my father in third place. One of the main reasons that they gave was there was a white beauty queen, and they always kissed the driver.”
“Did he ever consider not racing anymore?” asks Scott’s grandson, Warrick, 37.
“Never,” Frank says. “That was one of my daddy’s sayings: ‘When it’s too tough for everybody else, it’s just right for me.’ ”
Before the Atlanta 500 in 1964, Scott was sick and needed an operation, but he refused not to race.
“And so, I said, ‘Daddy, we don’t have to race,’ ” Frank says. “He whispered to me and said, ‘Lift my legs up and put me in the car.’ So, I took my arms and put them behind his legs and kind of acted like I was hugging him and helped him into the car. He drove 500 miles that day.”
Wendell Scott (right) and his son Frank in Darlington, S.C., in 1970. Wendell Scott becomes the first African-American driver inducted into the NASCAR Hall of Fame on Friday. (Courtesy of the Scott family)
“How did his racing career officially end?” Warrick asks.
Scott’s career ended only because he couldn’t afford to race anymore. No one would financially support his career.
“Where other drivers that we were competing against had major sponsorships, providing them engineers, as many cars as they needed,” Frank says, “he did everything that he did out of his own pocket.
“He always felt like someday he’s going to get his big break,” Frank adds. “But for 20 years nobody mentioned Wendell Scott. At one point it was like he never existed. But he didn’t let it drive him crazy. I think that’s what made him so great. He chose to be a race car driver, and he was going to race until he couldn’t race no more.” Produced for Morning Edition by Jud Esty-Kendall and John White. To hear audio of this story, click through to npr.org.
Nile Rodgers, the songwriter and producer behind Chic’s “Le Freak,” David Bowie’s “Let’s Dance,” and Sister Sledge’s “We Are Family,” will be honored by the Recording Academy’s Producers and Engineers Wing at a special tribute on February 3. As part of the official roster of Grammy week events, the evening will include appearances by nine-time Grammy nominee Ledisi, six-time Grammy winner Al Jarreau, and Def Jam co-founder Rick Rubin.
Rodgers co-founded the legendary band Chic with Bernard Edwards in the late ‘70s, and capitalized on disco’s popularity with a string of hits including “Good Times” and “I Want Your Love.” Rodgers also produced for top artists such as Madonna and Diana Ross, and won the Grammy for Record of the Year for Daft Punk’s “Get Lucky” along with Pharrell Williams in 2014.
Rodgers will also be awarded the Vanguard Award at this year’s MojaMoja Pre-Grammy Brunch, an annual event hosted by KCRW’s Garth Trinidad. In March, Chic will release a new album entitled It’s About Time. article by Rhonda Nicole via theurbandaily.com
Since 1940, the United States Postal Service has paid homage to the countless achievements made by African-American men and women through stamps that immortalize those individuals who had an impact on this country’s history.
On this day in 1995, Bernard Harris Jr. became the first African American to walk in space. After logging 198 hours and 29 minutes in space and completing 129 orbits, he traveled more than 
Jacqueline Woodson’s memoir in verse, “Brown Girl Dreaming” (which has already won a National Book Award), along with Cece Bell’s illustrated memoir, “El Deafo” (which chronicles her hearing loss at an early age from spinal meningitis and her struggle to fit in at school), were named as Newbery Honor books.
