article by Melanie L. Brown via rollingout.com
Rolling out interviewed Jerald Gary, the new owner of the New Regal Theater in Chicago. The 30-year-old talked about his memories of the Regal and how he came to acquire this historic building on the South Side.
Who is Jerald Gary?
I am a private equity investor. I bought the Regal Theater in 2014 to provide access to the performing arts for the community. I created the Chicago Regal Foundation to use the theater as a cultural asset that the community can leverage through various arts nonprofits. My day to day is figuring out how to render capital of the community more active and productive.
What is some history that you’ve heard about the Regal?
When I was growing up, the Regal was really in its prime. It reopened in 1987. It revived in 85′. I think it took them two years to do renovation, reopened it in 1987, and got it a landmark right there in ’92. Matter of fact, Mayor Harold Washington facilitated some money because doing the political thing for office in return was bringing dollars into the community. I got a picture of Ed Gardner and Harold Washington right there in the lobby. Harold was giving Ed a million-dollar check for the restoration. I saw a flyer the other day, it was Tupac and Biggie’s first time in Chicago on the Regal Theater stage. They were introducing a new [act], 17-year-old Kanye West, at the bottom of the flyer. Crucial Conflict was at the show, Da Brat was at the show, Common was at the show and a couple of other artists, at one show. That was the type of stuff that was going on. I [saw] Common and told him I was about to buy the Regal Theater and he stated how he thought Beyoncé and Jay were going to buy it. There was no Regal Theater from the mid ’70s until Avalon Theater was restored and they did the New Regal in 1987.
Who were some of the people that got their start with plays here?
Tyler Perry got his start at the Regal Theater. I was too young to go to his stuff but I remember his bus being in the parking lot. He was sleeping in his bus. It was a lot of church plays here.
Have you thought about changing the name from the New Regal Theater?
Yes, so we are going to change the name to Avalon Regal Theater because the building we’re in is the Avalon, which was from 1927 up until the mid ’70s. It was the Operation Regal Theater in Bronzeville so at the time so we had a lot of Irish German immigrants who lived here who came here for shows. Somebody came to me and said ” Wait right here.” The person came back and gave me a flyer from 1929 of a silent movie/music dance with the orchestra pit. They would do that type of stuff here until like the ’60s. It was mostly a movie house before they had multiplexes, this was the spot to come and see movies. A lot of white people come to me and say they use to come to Avalon and use to watch cartoons on Saturday. That’s the heritage as well, we want to preserve. The whole legacy of the Avalon Regal Theater (ART) is what we’re trying to get trending, the rich heritage of the South Side. The concept we have is we really feel this could be a Beale Street like in Memphis, [Tennessee]. They got like 20 or 30 music joints like on one strip, [along with] restaurants and bars. You can’t just have a venue and people can’t go get dinner before the show, a cocktail after the show. What you gonna get? Are you going to get robbed after the show? That’s what’s going to happen here now. Why can’t we have this [be] Beale Street? I feel like the South Side is like the Africa of the city. I think we have the opportunity to do crazy stuff like they did in Dubai. It’s cheap to do. We bought the Regal for $100,000. When I say “we” I mean the companies I chair. We bought it from the FDIC. It took us about nine months to negotiate because it’s a landmark. We had to get a blessing from a commissioner. We got about $7 million dollars worth of work to do. Three million dollars of that is on the facade. We probably are going to do a Kickstarter campaign.
When do you plan on opening?
We hope to be running by 2017.
How can people get more information about the Regal?
They can go to www.regaltheater.org and it has a lot of information about the project and the Regal itself.
To read full article, go to: http://rollingout.com/2016/06/03/new-regal-theater-868707/
by Lori Lakin Hutcherson, GBN Editor-in-Chief (@lakinhutcherson)
I don’t know about anyone else, but I really needed this today. I specifically set my alarm this morning to wake me at 6AM (PST) to watch Serena Williams compete for her seventh – yes, take that in – seventh Wimbledon title, and to tie Steffi Graf for the most Grand Slams won in the Open Era.
I’ll admit, regardless of the week of continued brutality and violence by police against black citizens and the gut-wrenching retaliation in Dallas because of such violence, as a lifelong fan, I most likely would have been up and watching Serena anyway. But because of its timing, this victory – this continued rising, this perseverance – was that much more coveted, and that much sweeter.
Although Williams did not mention or comment on what’s been happening in America as she accepted her trophy, don’t think she’s remained silent in the media about it. On her Twitter (which we here at GBN happily follow), she spoke directly to the recent atrocities and let us know they were on her mind days before this most crucial, career-defining match:
In London I have to wake up to this. He was black. Shot 4 times? When will something be done- no REALLY be done?!?! pic.twitter.com/OaLn60G6nm
— Serena Williams (@serenawilliams) July 7, 2016
This tweet leads me to speculate that Serena was that much more focused, that much more centered and that much more desirous of the outcome that occurred – because she knew in her heart she wasn’t just winning her 22nd Grand Slam and making history for herself, but for all of us.
