To all who are serving, who have served and have made the ultimate sacrifice for our nation, and to your families, thank you. Your lives and efforts are greatly appreciated and of inestimable value to us all. Happy Veteran’s Day!
Posts published in “Commemorations”
via jbhe.com
Cornelius Adewale, a doctoral student in the School of the Environment at Washington State University, has been selected to received the Bullitt Environmental Prize from the Bullitt Foundation. The prize, which comes with a $100,000 grant for continued research, is awarded to individuals who have “extraordinary potential to come powerful and effective leaders in the environmental movement.”
A native of Nigeria, Adewale’s research focuses on improving the environmental impact of agriculture. He hopes to develop methods to reduce chemical fertilizers but produce more food.
“Without food in their bellies, people have no time for anything else,” said Denis Hayes, CEO of the Bullitt Foundation. “Cornelius is working at the leading edge of research to find ways to produce more food, even as we fight climate change and dramatically reduce the use of pesticides.”
“I am trying to change the way we farm,” said Adewale.
Source: https://www.jbhe.com/2017/11/washington-state-university-scholar-to-be-awarded-the-bullitt-environmental-prize/
via jbhe.com
George Mason University in Fairfax, Virginia, recently named its North Plaza in honor of Roger Wilkins, a former long-time faculty member who died this past March. Angel Cabrera, president of George Mason University, said at the dedication ceremony, “when Roger came to George Mason, few knew much about this fledgling university in the suburbs of Washington D.C. Roger was one of those intellectual pioneers who helped put this university on the map.”
A native of Kansas City, Missouri, Wilkins moved to Harlem at the age of 9 and later settled in Grand Rapids, Michigan. He earned a bachelor’s degree and a law degree at the University of Michigan.
Wilkins joined the Kennedy administration in 1962 as a special assistant to the director of the Agency for International Development. In 1965, he was appointed an assistant attorney general by President Johnson.
When the Democrats lost power after the 1968 election, Wilkins left government to work for the Ford Foundation. Beginning in 1972, Wilkins began a new career as a journalist, first for the Washington Post and then The New York Times. He was the author of Jefferson’s Pillow: The Founding Fathers and the Dilemma of Black Patriotism (Beacon Press, 2001).
In 1988, Wilkins joined the faculty at George Mason University in Fairfax, Virginia, as the Clarence J. Robinson Professor in History and American Culture. He remained on the faculty for nearly 20 years until his retirement in 2007.
by Ginger Adams Otis via nydailynews.com
An EMS captain with 21 years on the job will become the first African-American woman in the Fire Department of New York to achieve the rank of deputy chief on Thursday.
Capt. Tonya Boyd, who joined the FDNY’s Emergency Medical Services while in college as a way to make money, said she never dreamed her career would reach such heights. “I’m so excited and I am so blessed,” the EMS officer told the Daily News. “After hearing about the promotion, I couldn’t believe it. I feel like I’ve knocked down a door and opened it for a lot of EMTs just starting on this job,” said Boyd. “African-American women will see someone who looks like them as a deputy chief and they will know more is possible — their careers won’t top out at paramedic or even lieutenant,” said the captain of Station 39 in Brooklyn.
Fire Commissioner Daniel Nigro said Boyd’s success was due to her efforts. “Tonya is not only helping to raise the bar for our ability to provide pre-hospital care, she’s also demonstrating to young women of all backgrounds the incredible rewarding career they can achieve in the FDNY,” Nigro said.
As a young woman growing up in Brooklyn, Boyd, who described herself as “fortysomething,” planned to follow her grandmother into nursing. But a need for cash while in nursing school sent her looking for work — and a cousin suggested she get an EMT license. Thanks to classes offered at Brooklyn College, Boyd passed the state exam. On Jan. 27, 1997, she became an official employee of the FDNY.
It was just after then-Mayor Rudy Giuliani merged the city’s cash-strapped 911 EMS system with the Fire Department — a joining that not everyone in the FDNY embraced.“We were very merger-oriented,” Boyd recalled. “We got through it.” She quickly set her sights on the next challenge — becoming a paramedic. “The FDNY offered a wonderful program that let us go to school from 7 a.m. to 3 p.m.,” Boyd said. “I became a paramedic after about seven years.”
Boyd didn’t stop there, moving on to lieutenant and then captain.But the path from rank-and-file to officer isn’t as clear-cut in EMS as it is on the FDNY’s firefighting side. Firefighters take civil service promotional exams for officer ranks and move up in rank according to a scored hiring list. Only the very top brass are appointed at the discretion of FDNY leadership. In EMS, a civil service promotion exam is only given for lieutenant. Promotions above that rank are awarded by discretionary appointment. With roughly 4,000 employees, EMS is far more diverse in gender and race than the city’s firefighting ranks. Women EMTs and paramedics comprise roughly 35% of the non-officer workforce. Above the rank of lieutenant, there are “only a handful of women who make it to captain, and even fewer to deputy chief,” said lawyer Yetta Kurland.
Boyd’s promotion — the first time in more than 150 years the FDNY will have an African-American woman as a deputy chief — is eagerly anticipated by other women in the agency. She will be the highest-ranking black woman in the entire department, said Regina Wilson, an FDNY firefighter and head of the Vulcan Society, a fraternal organization of African-American fire department employees. “It’s a proud moment for the department to have a woman of color reach such a rank and we hope there will be many more to follow,” the Brooklyn firefighter said.
To read full article, go to: FDNY veteran Tonya Boyd to become first black female deputy chief – NY Daily News
via thegrio.com
Keith Wilder, the lead singer of Heatwave, died in his sleep on Sunday at the age of 65. Billy Jones, Wilder’s cousin and band mate, confirmed the news. Wilder had been struggling with health problems lately before passing away this weekend, and he will be sorely missed. The funk bank Heatwave was known for such 70’s hits as “Always and Forever,” “Boogie Nights” and “The Groove Line.”
https://www.youtube.com/watch?v=qiI42aZ5F40
They were nominated for two Grammys, though they never won, and “Always and Forever” went platinum. “Boogie Nights” also broke the Top Ten for the group.
To read more, go to: ‘Always and Forever’ singer Keith Wilder dead at 65 | theGrio
by Brent Lang via Variety.com
Vanessa Morrison, longtime head of Twentieth Century Fox Film’s animation division, is moving into a new role at the studio. She has been named president of Fox Family, a newly-created division that will develop films aimed at younger moviegoers and their parents. They include both animated films and films with live action elements. Her appointment is effective immediately, and she will report to Chair Proman and CEO Stacey Snider and Vice Chairman Emma Watts.
Fox said it will announce a replacement for Morrison in the coming days. The move comes as Snider is shaking up Fox’s animation arm with the goal of releasing at least one animated film a year. Snider recently signed a multi-year production deal with Locksmith Animation. The goal is to augment the films that Blue Sky, the makers of the “Ice Age” series, creates for Fox. The studio owns Blue Sky.
Snider believes that animated releases are an increasingly popular genre and that Fox needs to be a bigger player in the space. There’s certainly a lot of competition. Disney continues to dominate the market thanks to its Pixar division, Warner Bros. and Sony have upped their number of family releases, and Universal’s parent company Comcast made the decision in 2016 to shell out $3.8 billion to buy DreamWorks Animation.
In addition to her movie work, Morrison will also oversee the studio’s family animated television business. That division makes holiday television specials based on existing film properties. Fox is also making film features based on its small-screen efforts, such as a “Bob’s Burgers” film. Morrison will oversee those productions, as well. “Vanessa has for many years championed the studio’s efforts to take a more wholistic approach to the family entertainment space, and this new role will empower her to execute on that goal,” Snider and Watts said in a joint statement. “We are thrilled to have her leading this initiative, and as this segment in the marketplace continues to grow, the creation of this new division will strengthen our footprint as we look to create the best possible films for families across our entire company.”
Morrison has headed up Fox Animation since 2007. In addition to the “Ice Age” franchise, Morrison oversaw the production of the likes of the “Rio” films, “Peanuts,” and “Book of Life.” She also worked on “Ferdinand,” Fox’s next animated release, which hits theaters in November.
Source: Vanessa Morrison Named Head of Fox Family in Animation Division Overhaul – Variety
via jbhe.com
Colson Whitehead recently won the 2017 Hurston/Wright Award for fiction presented by the Zora Neale Hurston/Richard Wright Foundation. Whitehead was honored for his novel The Underground Railroad (Doubleday, 2016).
The book tells the tale of a slave woman named Cora who escapes from a cotton plantation in Georgia. During her journey North on the Underground Railroad, she kills a young White man who was trying to capture her. The novel has previously won the 2017 Pulitzer Prize for Fiction, the 2016 National Book Award for Fiction, and the Carnegie Medal of Excellence.
A graduate of Harvard University, Whitehead also won a MacArthur Fellowship in 2002. Whitehead has taught at the University of Houston, Columbia University, Brooklyn College, Hunter College, New York University, Princeton University, Wesleyan University, and been a Writer-in-Residence at Vassar College, the University of Richmond, and the University of Wyoming.
Source: Colson Whitehead Honored Once Again for His Novel The Underground Railroad : The Journal of Blacks in Higher Education
Jon Pareles and William Grimes via nytimes.com
Fats Domino, the New Orleans rhythm-and-blues singer whose two-fisted boogie-woogie piano and nonchalant vocals, heard on dozens of hits, made him one of the biggest stars of the early rock ’n’ roll era, has died in Louisiana. He was 89.
His death was confirmed by his brother-in-law and former road manager Reggie Hall, who said he had no other details. Mr. Domino lived in Harvey, La., across the Mississippi River from New Orleans. Mr. Domino had more than three dozen Top 40 pop hits through the 1950s and early ’60s, among them “Blueberry Hill,” “Ain’t It a Shame” (also known as “Ain’t That a Shame,” which is the actual lyric), “I’m Walkin’,” “Blue Monday” and “Walkin’ to New Orleans.”
https://youtu.be/xbfMlk1PwGU
Throughout he displayed both the buoyant spirit of New Orleans, his hometown, and a droll resilience that reached listeners worldwide.He sold 65 million singles in those years, with 23 gold records, making him second only to Elvis Presley as a commercial force. Presley acknowledged Mr. Domino as a predecessor. “A lot of people seem to think I started this business,” Presley told Jet magazine in 1957. “But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. I know that.”
Rotund and standing 5 feet 5 inches — he would joke that he was as wide as he was tall — Mr. Domino had a big, infectious grin, a fondness for ornate, jewel-encrusted rings and an easygoing manner in performance; even in plaintive songs his voice had a smile in it. And he was a master of the wordless vocal, making hits out of songs full of “woo-woos” and “la-las.”Working with the songwriter, producer and arranger David Bartholomew, Mr. Domino and his band carried New Orleans parade rhythms into rock ’n’ roll and put a local stamp on nearly everything they touched, even country tunes like “Jambalaya” or big-band songs like “My Blue Heaven” and “When My Dreamboat Comes Home.”
Antoine Dominique Domino Jr. was born on Feb. 26, 1928, the youngest of eight children in a family with Creole roots. He grew up in the Ninth Ward of New Orleans, where he spent most of his life.Music filled his life from the age of 10, when his family inherited an old piano. After his brother-in-law Harrison Verrett, a traditional-jazz musician, wrote down the notes on the keys and taught him a few chords, Antoine threw himself at the instrument — so enthusiastically that his parents moved it to the garage.
He was almost entirely self-taught, picking up ideas from boogie-woogie masters like Meade Lux Lewis, Pinetop Smith and Amos Milburn. “Back then I used to play everybody’s records; everybody’s records who made records,” he told the New Orleans music magazine Offbeat in 2004. “I used to hear ’em, listen at ’em five, six, seven, eight times and I could play it just like the record because I had a good ear for catchin’ notes and different things.” He attended the Louis B. Macarty School but dropped out in the fourth grade to work as an iceman’s helper. “In the houses where people had a piano in their rooms, I’d stop and play,” he told USA Today in 2007. “That’s how I practiced.”
In his teens, he started working at a club called the Hideaway with a band led by the bassist Billy Diamond, who nicknamed him Fats. Mr. Domino soon became the band’s frontman and a local draw.“Fats was breaking up the place, man,” Mr. Bartholomew told The Cleveland Plain Dealer in 2010. “He was singing and playing the piano and carrying on. Everyone was having a good time. When you saw Fats Domino, it was ‘Let’s have a party!’ ”He added: “My first impression was a lasting impression. He was a great singer. He was a great artist. And whatever he was doing, nobody could beat him.”
In 1947 Mr. Domino married Rosemary Hall, and they had eight children, Antoine III, Anatole, Andre, Anonio, Antoinette, Andrea, Anola and Adonica. His wife died in 2008. A complete list of survivors was not immediately available.
To read more, go to: https://www.nytimes.com/2017/10/25/obituaries/fats-domino-89-one-of-rock-n-rolls-first-stars-is-dead.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=second-column-region®ion=top-news&WT.nav=top-news&_r=0
Richard Natale via variety.com
Emmy Award-winning actor Robert Guillaume, best known as the title character in the TV sitcom “Benson,” died Tuesday. He was 89.
His wife Donna Brown Guillaume told the Associated Press he died at their Los Angeles home of complications of prostate cancer. Guillaume often played acerbic, dry-witted, but ultimately lovable characters like the butler Benson Du Bois, which he created on the 1977 series “Soap,” before his character was spun off in 1979. Guillaume won Emmys both for “Soap” (as supporting actor) and “Benson” (as lead actor).
He was also known as the the voice of Rafiki in “The Lion King,” for which he also won a Grammy for a spoken word recording. “Benson” ran on ABC for seven years until 1986. The show brought Guillaume an Emmy in 1985 for lead actor in a comedy. In the late ’90s he took on the role of Isaac Jaffe, executive producer of a cable sports show on the ABC sitcom “Sports Night,” and continued to perform even after being felled by a stroke.
Guillaume also possessed a powerful, mellifluous voice, which he used most notably to play the title role in Andrew Lloyd Webber’s “Phantom of the Opera” onstage. After suffering through a period of unemployment during the ’70s, he was cast in an all-black revival of “Guys and Dolls” as Nathan Detroit, which debuted on Broadway in 1977 and secured him a Tony nomination. He also guested during this period on sitcoms such as “All in the Family,” “Good Times,” “Sanford and Son” and “The Jeffersons,” which led to the supporting role of Benson in “Soap.”
He tried another sitcom in 1989, “The Robert Guillaume Show,” playing a marriage counselor. The series lasted four months before ABC pulled the plug. He returned to singing in 1990 in the Los Angeles production of “Phantom of the Opera” and on Broadway in the lead role of “Cyrano — The Musical” for four months beginning in November 1993. He also performed regularly in concert.
Guillaume was featured in films such as “Meteor Man,” “First Kid” and “Spy Hard.” On television he appeared in the HBO family series “Happily Ever After” and TV movies and miniseries including “Children of the Dust,” “Run for the Dream” and “Pandora’s Clock.” He appeared in Tim Burton’s “Big Fish” in 2003, and then made more frequent bigscreen appearances later in the decade, appearing in the Christian film “The Secrets of Jonathan Sperry” in 2008; in the thriller “Columbus Circle,” starring Selma Blair, in 2010; and in the small musical dramedy “Satin” in 2011.
Robert Peter Williams was born in St. Louis, Mo., changing his name only after he decided on a career in acting. After completing his schooling he joined the Army in 1945 and was discharged 15 months later. He took on a number of menial jobs while studying nights at St. Louis U. He originally intended to study business but became interested in singing and transferred to Washington U. to study voice and theater. His performance at the 1957 Aspen Music Festival led to an apprenticeship at the Karamu Performing Arts Theater in Cleveland, where he appeared in operas and musical comedies.
After moving to New York, he made his Broadway debut in a 1960 revival of “Finian’s Rainbow” and found regular employment in the chorus of shows like “Fly, Blackbird,” “Golden Boy” and “Porgy and Bess.” In 1972 he took on the title role in the musical “Purlie” and also appeared in the revue “Jacques Brel Is Alive and Well and Living in Paris.”He is survived by his second wife, TV producer Donna Brown Guillaume; one son (another died in 1990); and three daughters.
Source: Robert Guillaume, Star of ‘Benson,’ Dies at 89 – Variety