Black emojis have arrived. Recently, Apple executives said they would work on getting emojis of color. But Africa couldn’t wait. Oju Africa, a division of African mobile company Mi-Fone, released 15 emojis this week on the Google Play store.
“We follow global trends but we are differentiated by our authentic African voice. So as a brand we wanted to do something that only Africa could pull off, something that could become so iconic that it would have the world talking. I believe what we have created will ensure that every African on the planet won’t be able to help but love it!” Eserick Fouché, the creative director of Oju Africa, told International Business Times.
Accordingly, Oju translates as “face” in the Yoruba language of Nigeria. The emojis, which are similar to Apple’s yellow smiley face, are available now for Android (search for “oju emoticon app” in the Play Store), and will be released soon for iOS.
article by Dominique Zonyeé via bet.com
Posts published in “Business/Finance”
Longtime music executive Sylvia Rhone has officially been named the president of Epic Records. Rhone headed Elektra Entertainment Group, then Universal Motown for nearly two decades. Her new appointment comes just a year after she launched Vested in Culture (VIC), her joint venture with Epic. VIC will remain an imprint of the label. Rhone served as president of Universal Motown Records before joining Epic in 2013.
“I’m honored to have the opportunity to expand my relationship with the talented team and amazing artists at Epic,” Rhone said in a statement. “What makes this opportunity different from any other is my partnership with renowned music executive L.A. Reid. I’m looking forward to what I think will be the finest chapter in my career.”
article by Erika Benton-Martin via thesource.com
Lionsgate and Roadside Attractions have acquired all U.S. and Canadian rights to Dear White People, which premiered at the 2014 Sundance Film Festival. Written and directed by Justin Simien, Dear White People follows the stories of four black students at Winchester University, where a riot breaks out over a popular ‘African American’ themed party thrown by a white fraternity.
The comedy, Co-starring Tyler James Williams (Everybody Hates Chris) and Tessa Thompson (Veronica Mars), won the Special Jury Award for Breakthrough Talent at Sundance. “Justin Simien is a funny, fresh and current voice with his finger on the Millennials’ pulse,” said Roadside’s co-president Howard Cohen.
article via Variety.com
The comedy, Co-starring Tyler James Williams (Everybody Hates Chris) and Tessa Thompson (Veronica Mars), won the Special Jury Award for Breakthrough Talent at Sundance. “Justin Simien is a funny, fresh and current voice with his finger on the Millennials’ pulse,” said Roadside’s co-president Howard Cohen.
article via Variety.com
The directive is meant to help salaried workers, such as fast-food shift supervisors or convenience store managers, who may be expected to work more than 40 hours a week without receiving overtime pay.
For example, the Labor Department could raise the pay threshold for workers covered by overtime rules. Currently, salaried workers who make more than $455 per week are exempt from overtime.
It’s the latest move in Obama’s self-described “year of action,” a series of economy-focused executive decisions that don’t require congressional approval.
The White House official spoke on condition of anonymity because the official was not authorized to discuss the directive on the record before the president’s announcement, expected Thursday.
article via blackamericaweb.com
For example, the Labor Department could raise the pay threshold for workers covered by overtime rules. Currently, salaried workers who make more than $455 per week are exempt from overtime.
It’s the latest move in Obama’s self-described “year of action,” a series of economy-focused executive decisions that don’t require congressional approval.
The White House official spoke on condition of anonymity because the official was not authorized to discuss the directive on the record before the president’s announcement, expected Thursday.
article via blackamericaweb.com
The old school bus painted with big green and purple leaves pushed through the icy rain to ease alongside Southern Boulevard in the South Bronx. The door swung open with a squeak, revealing a cornucopia of organic eggs, potatoes, onions, garlic, cabbage, apples and turnips piled on the seats.
Tanya Fields, the founder of this rolling veggie mart, hopped out and beckoned to an old man on the sidewalk. “Go on, see what we’ve got,” she said. “I promise I won’t bite you. Even if you don’t want to buy anything, you can take some apples for free.” The man hesitated, then folded his umbrella and climbed aboard.
If Manhattan and Brooklyn have treat trucks dispensing gourmet bites on street corners, the South Bronx also has a food mobile of its own: one that delivers fruits and vegetables straight from the farm to the tables of the poor and struggling. The effort, called the South Bronx Mobile Market, was started last month with $65,000 in donations and grants raised by Ms. Fields, the executive director of the BLK Projek, a nonprofit group that sees food as a way to empower minority women and youth and stimulate local development.
The mobile market, which is modeled after similar efforts in Chicago, Detroit and New Orleans, strives to help people eat and live better in an impoverished borough that has been racked by some of the highest rates of obesity, diabetes and other health problems in the city. A common gripe among residents of the South Bronx — home to a sprawling wholesale produce market in Hunts Point — is that grabbing a burger and fries is far easier and cheaper than finding ripe tomatoes or crisp greens in local stores.
“You have to go outside the community to get good, fresh vegetables,” said Shirley Littleton, 48, a program specialist for the disabled who shops in Washington Heights and Chinatown at least once a month for fresh produce. “You will not find it in the ghetto.”
Ms. Fields, 33, who is expecting her fifth child, does the work for her neighbors by buying fruits and vegetables from Corbin Hill Farm, a network of rural farms, and reselling the produce from what she calls a “supermarket on wheels.” She tries to hit the street each Tuesday and Wednesday. The bus, which is borrowed from another farm, runs on used vegetable oil. Ms. Fields plans to install solar panels on the roof — with a $12,000 donation from Green Mountain Energy — to power a refrigerator and freezer that can be used to store meats, organic milk and cheeses. She said she would like to join other community groups to offer cooking demonstrations and health screenings.
“I am saving my own life,” said Ms. Fields, who moved to the South Bronx more than a decade ago from Harlem. “These are my folks. I know what they go through. This resonates with me and I want to do something to help them, and to help me.”
According to a press release, a $500,000 grant from Wal-Mart will go to the United Negro College Fund to help sixteen HBCUs gain financial stability to ensure their continued mission of providing black students with higher education. Grants of $1 million and $250,000 to the National Urban League and the NAACP respectively will help individuals secure and build successful careers through training and placement assistance and help businesses create more job opportunities. Wal-Mart is providing $1.75 million in grants through its foundation to three of the nation’s biggest civil rights organizations: the NAACP, National Urban League and United Negro College Fund.
“With today’s economic climate there is a growing need to empower individuals in communities nationwide with access to opportunities that will help them live better. Part of this work will come from helping businesses understand and unlock the powerful results that a more diverse workforce has to offer,” said Wal-Mart Senior Director of Corporate Affairs Tony Waller in the release. “By helping one individual at a time build a successful career, we are growing a more competitive work environment. A competitive environment ignites innovation, which helps build stronger communities and, ultimately, a stronger America.”
“Since 2006 we have been able to increasingly grow our workforce training program through ongoing support from the Walmart Foundation and subsequently have exceeded expectations of the number of individuals we’ve been able to serve,” Marc H. Morial, president and CEO of the NUL, said in the press release. “This new grant will help us further strengthen our workforce development programs and continue helping African Americans and other communities of color across the United States secure economic independence and empowerment.”
article by Breanna Edwards via theroot.com
article by Breanna Edwards via theroot.com
NEW YORK – Basketball and celebrity superstar Shaquille O’Neal and Peerless Clothing have partnered to create a new fashion menswear collection. O’Neal recently launched the line exclusively at Macy’s, offering a line that ranges in sizes from regular to, fittingly, big and tall.
The Shaquille O’Neal Collection, available at 100 Macy’s stores nationwide and online at www.macys.com, will include suit separates and sport coats and patterns will include traditional solids, stripes, and plaids as well as more modern and unexpected sharkskin in shades of black, navy, tan and gray. Retailing from $150 for pants to $400 for a jacket, The Shaquille O’Neal Collection will allow the 60XL guy to shop in the same store as his size 40R friend.
“Shaq is one of the biggest stars in sports with a huge fan base and following. A favorite celebrity and personality that is larger than life. Fans everywhere love Shaq for his athletic accomplishments, and his successful foray into music, movies, television shows and business. They love his style, passion and charisma,” said Ronny Wurtzburger, president of Peerless Clothing. “When it comes to fashion, Shaq is a trendsetter not only for big and tall and regular size men, but he also has strong consumer appeal among African- and Hispanic-Americans, moms who relate to Shaq’s dedication to providing quality products at affordable prices, and kids who see him as their ultimate role model.”
“My interest in developing a menswear collection was based on my frustration with the lack of fashion for big and tall customers and the higher prices for larger size suits,” O’Neal said. “I was frustrated that I had to go to a big and tall store rather than shop with my friends at the local department or specialty store. I originally wanted to develop a more fashion-forward menswear collection at an affordable price. Once Peerless and I developed the collection, the reaction from Macy’s was so positive that we decided to make the collection in all sizes.”
Beyhive, pat yourselves on the back. Thanks to your unwavering support of Queen Bey, according to MTV News, at the end of the Mrs. Carter Tour Beyoncé will be highest paid Black musician of all time.
According to estimates, the Mrs. Carter tour is expected to make well over $200 million which would make it Beyonce’s most successful tour ever and lead to her being crowned the highest paid Black musician of all time. This is on top of the Mrs. Carter tour already taking the honor of the highest-grossing concert by a female artist in 2013.
As MTV news points out, this feat would be an especially big one for Bey considering she’s the director and executive producer of the tour, via her production company, Parkwood Entertainment. That same company is also responsible for creating her self-titled visual album and her 2013 HBO documentary Life Is But A Dream.
The Mrs. Carter tour wraps March 27 in Portugal — unless Bey decides to extend it again — so it won’t be long before we see if she makes her mark.
See more at: http://madamenoire.com/402663/beyonce-highest-paid-black-musician-time-end-mrs-carter-tour/#sthash.KjVKdH5U.dpuf
Kevin Hart more than lived up to his name on Valentine’s day as Sony-Screen Gems’ About Last Night led the charge among couples. And yet, the comedian-turned-leading man, who stands at just 5’2″ tall, has been quietly building his brand, which has only just blown up at the box office, in order to become one of the most biggest African American stars since Will Smith or Denzel Washington. Prior to this year, Hart was known more in the stand-up world, with Codeblack-produced and distributed (along with Summit) hits like Laugh at My Pain and Let Me Explain, both of which were preceded by the eponymous Kevin Hart.
In less than two months, Hart has become one of the industry’s sturdiest B.O. players with two major narrative feature hits: Universal’s Ride Along, which became this year’s first $100 million-plus grosser and now “About Last Night,” which topped Friday’s box office with $12.9 million, kick-starting a solid $28.5 million four-day run.
Earlier in his career, Hart had memorable supporting roles in such films as The Five-Year Engagement and Think Like a Man. Hart’s seemingly overnight hit status also is due, in part, to the recent success of urban-targeted films in general, including The Best Man Holiday and 12 Years a Slave, both of which were released late last year.
Still, neither of those films broke out the way Ride Along has when it scored a rare three straight wins atop the domestic box office. And while African American-themed films typically do not travel well outside the U.S. (aside from Will Smith — formerly, at least), they are made for a price. About Last Night, for instance, cost only $12.5 million to produce, while Ride Along was budgeted at $25 million. During opening weekend, Ride Along scored 30% of its gross from Hispanics, with Caucasians contributing 12% of the opening. African Americans still delivered half of the box office, though since then the film’s staying power is attributed to a broadened demo base. About Last Night, on the other hand, earned an overwhelming 72% of its opening from African Americans.
Regardless, it’s a steady beat for Hart. Sony is further investing in multi-hyphenate by his upcoming comedy The Wedding Ringer to Martin Luther King Jr. weekend in 2015.
article by Andrew Stewart via Variety.com
In less than two months, Hart has become one of the industry’s sturdiest B.O. players with two major narrative feature hits: Universal’s Ride Along, which became this year’s first $100 million-plus grosser and now “About Last Night,” which topped Friday’s box office with $12.9 million, kick-starting a solid $28.5 million four-day run.
Earlier in his career, Hart had memorable supporting roles in such films as The Five-Year Engagement and Think Like a Man. Hart’s seemingly overnight hit status also is due, in part, to the recent success of urban-targeted films in general, including The Best Man Holiday and 12 Years a Slave, both of which were released late last year.
Still, neither of those films broke out the way Ride Along has when it scored a rare three straight wins atop the domestic box office. And while African American-themed films typically do not travel well outside the U.S. (aside from Will Smith — formerly, at least), they are made for a price. About Last Night, for instance, cost only $12.5 million to produce, while Ride Along was budgeted at $25 million. During opening weekend, Ride Along scored 30% of its gross from Hispanics, with Caucasians contributing 12% of the opening. African Americans still delivered half of the box office, though since then the film’s staying power is attributed to a broadened demo base. About Last Night, on the other hand, earned an overwhelming 72% of its opening from African Americans.
Regardless, it’s a steady beat for Hart. Sony is further investing in multi-hyphenate by his upcoming comedy The Wedding Ringer to Martin Luther King Jr. weekend in 2015.
article by Andrew Stewart via Variety.com
Dwayne Johnson is headed to HBO‘s primetime. The pay cable network has picked up to series half-hour pilot Ballers toplined by the wrestling and movie star in his first major series gig. He is executive producing the series with his Pain & Gain co-star Mark Wahlberg; Wahlberg’s manager/frequent producing partner Steve Levinson, on whose original idea the project is based; showrunner Even Reilly; and Peter Berg, who directed the pilot.
Written by Levinson in his pilot-writing debut, Ballers is exploring the lives of a group of former and current football players. Johnson stars as Spencer Strasmore, a retired athlete. The cast includes Omar Benson Miller as Charles, an affable former pro athlete who is searching for his next career; Denzel Washington’s son John David Washington as Ricky, a highly competitive and highly spiritual pro athlete; Rob Corddry as Joe, a financial advisor who tries really hard to fit in; Troy Garity as Jason, a top-tier sports agent; Donovan Carter as Vernon, a deeply family-oriented pro athlete; Jazmyn Simon as Julie, wife of an ex-pro athlete; Taylor Cole as Michaels, an ESPN sideline reporter who is romantically involved with Spencer; and LeToya Luckett as Tina, widow to one of Spencer’s closest friends.
The series pickup for Ballers, which will start production later this year, comes on the heels of the series order on Tuesday of another half-hour project with marquee stars from a top director and producer, The Brink, starring Jack Black and Tim Robbins. Jay Roach, who directed the pilot, and Jerry Weintraub are executive producing. Both series have been touted as capable of attracting broad audiences, something Johnson already has done in primetime as his WWE alter ego The Rock and on the big screen. He next reprises his role on the Fast & Furious 7 movie, whose production has been delayed by the death of star Paul Walker, and also has feature Hercules and TNT reality series Wake Up Call coming up.