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Jay Z’s TIDAL Adding Exclusive Drama & Comedy Shows to Service

By goodblacknews on November 3, 2015

Jay Z At Tidal
Jay Z at Tidal (photo via theurbandaily.com)

Jay Z’s music streaming service TIDAL is expanding its content beyond just music, according to exclusive reports on Variety.
Today (November 3), a new show titled “No Small Talk” is set to premiere on the service. The comedy, which will initially include five, 25-30 minute episodes, is hosted by DJ Cipha Sounds, who himself is signed to the management arm of Jay Z’s Roc Nation. Each episode is set to detail the lives of three burgeoning comedians performing at Manhattan’s Comedy Cellar.
“I didn’t want it to feel polished like the standup specials you see on TV,” Cipha Sounds says. “My goal is to help new guys get known, like Def Comedy Jam set up a lot of people’s careers.”
Elsewhere, TIDAL has ordered the second season of “Money & Violence,” an urban drama based on the lives of a group of thieves and drug dealers in Flatbush, Brooklyn. The second season, which is scheduled to premiere in January, is set to be comprised of 12 episodes and will be available exclusively on TIDAL for one week prior to wider distribution, Variety reports.
This change in strategy is part of TIDAL’s next step forward to increase value to its subscribers, Tim Riley, TIDAL’s Senior VP of Artist and Label Relations, said.
“If someone is paying for Tidal, we want that to be the best experience they can have,” Riley said.
article by Henry Mansell via theurbandaily.com

Online Entrepreneur Camille Newman Seeks to Revolutionize Fashion for Curvy Girls with PopUpPlus.com

By goodblacknews on November 1, 2015

Midnight Mock Neck Dress
Midnight Mock Neck Dress

It is a time old scenario, college girl meets hot guy, girl gets asked out on a date, girls goes to the mall and is unable to find anything to wear, as a result, girl creates her own business.
This is the true story of Camille Newman, founder of  the online plus-size boutique PopUpPlus.com.  Although the market of curvy women has gone largely ignored by the fashion world, today, this overlooked demographic is becoming increasingly popular and lucrative. According to Bloomberg, the plus-size industry is now valued at $17.5 billion. However, maverick and online entrepreneur Camille already knew the value of her curvy sisters and had her nose to the grindstone catering to this underserved market long before it became in vogue.
Eurweb had the pleasure to catch up with Camille Newman to discuss her online fashion boutique and why she feels most retailers are late guests to the curvy gal party.
Describe your background.
I graduated from college in 2002 with a liberal arts background.  I have always had a love for fashion and I’ve always been curvy.  I was actually on the path to a Ph.D. program, but I transitioned into corporate retail and moved back to New York City.  I started out with Lane Bryant and since then for a number of companies for a long amount of time. I’ve been in fashion for almost 15 years [overseeing] store management, pricing strategy, planning and buying.
How did you come up with the ideas to start your business?
While in college, I met this cute guy and he asked me out for a date.  My best friend and I went to the local mall and [we spent hours there]. I realized that I gained a lot of weight and I could not find anything to wear.  I remember feeling terrible. It was a real blow to my self-esteem. I promised myself that no other girl that was my weight or heavier would ever feel like that.  That is how my interest in the plus size industry started.  I [thought of] a way to enter the industry with a low overhead and that’s how the idea for the pop up shop [was developed].
What are biggest misconceptions about plus-size women?
The biggest misconception is that we all have some insecurity, we overeat, and that we are unhappy and fat.  A plus-size woman is a regular girl with some extra weight on.  I’m saying we don’t have our challenges but I think our challenges [are increased] when you don’t see yourself being represented in the fashion industry. There are so many reasons why women gain weight. Many women have had children, they have issues with thyroids [which affects] a lot of African American women, which was my issue, it made me gain and keep the weight.  I have met plus size women who are fashionable and taking style risk.  Plus-size woman are have always been creative.  I met a lady who tailored maternity wear.  We have always been a creative group of fashionistas.
In your opinion, why these misconceptions continue to exist in our society?
Love Story Crop Set Black
Love Story Crop Set Black

On my Instagram, I will post a girl in a form fitting dress and people will have rude, nasty comments. “Oh my God look at her butt, yes she has shape wear on but why is she wearing that, [she should wear] something more flowing, [she should] cover [her] arms.” And the [July issue where] the Oprah Magazine article said that you can only wear a crop top if you have a flat stomach. I think we live in a society unfortunately, that fashion has been able to take over our minds and make you think that in order to be fashionable you have to be skinny, blonde, tall, and anorexic looking.
The reality is according to the United States Census 6 out of 10 women in the U.S. are a size 14 or larger. Yet, we allow the fashion industry to dictate our taste, but they shouldn’t be able to dictate what is good and real for a woman’s body. The fashion industry should not be allowed to perpetuate size-ism; they should not be allowed to make the majority of American woman feel bad about themselves.
What separates your company from other retailers that cater to the full-figure woman?

Hip-Hop Artist Lupe Fiasco Creates Nonprofit to Help Inner City Businesses

By goodblacknews on October 19, 2015
Rapper Lupe Fiasco (photo via bet.com)

Lupe Fiasco wants businesses in underserved communities to succeed. The rapper has teamed up with tech business leader Di-Ann Eisnor to create the Neighborhood Start Fund, a nonprofit organization that will provide monetary aid to projects in low-income areas. In addition to funding, entrepreneurs will have access to mentorship opportunities and networking events.

Those struggling to launch their businesses can compete for funding by sharing their startup goals on stage to a panel of judges. The live pitch competitions will take place around the country, with winners receiving $5,000. The first “Idea” competition will take place November 13, 2015, in Brownsville, Brooklyn, in New York City.
And because it’s important to keep investing in your community, proceeds from the funded startups will be used to fund other businesses. So it’s a project that will keep on giving.
To learn more about the program and submit an idea for selection into the Brownsville live pitch, visit start.fund.
article by Dorkys Ramos via bet.com

African Billionaire Tony Elumelu Launches $100 Million Dollar Program for African-American Entrepreneurs

By goodblacknews on October 16, 2015
African billionaire Tony Elemelu and President Barack Obama (photo via financialjuneteenth.com)

Tony Elumelu, an attributed philanthropist and African billionaire, is a stellar businessman with specialized training in economics, seeking to change the economic standing of those in the African-American community.  Elumelu chairs Heirs Holdings and Transcorp, and is also the founder of the esteemed Tony Elumelu Foundation.
In 2014, Elumelu, along with other prominent American and African business moguls, partnered to form a summit in Washington DC that consisted of more than 45 African and American business heads, along with 50 African business leaders. The common theme of the platform was to see to the improvement in the economic stance of Africans, as well as African-Americans, and to create advancement opportunities for all who interacted.
Elumelu’s statements to the media explained that the summit presented a promising opportunity for individuals to make positive returns on contributions made to valuable incentives around the Atlantic. He expressed that this was not mere chatter, but an outlet to expose those involved to greater opportunities in business growth.
Speaking to the Wall Street Journal, Elumelu said, “An opportunity to move beyond the usual conversations on aid and instead explore new opportunities to collaborate and co-invest in initiatives that generate value on both sides of the Atlantic.”
Elumelu also spoke with Black Enterprise on his vision for a real partnership between the United States and Africa, not just a relationship of providing aid, but trade as equal partners, engaging investors and the need for consistent electricity.
“We should welcome the fact that the journey has finally begun. I like the nature of the imagined engagement between Africa and America. President Obama’s visit to Africa last year was the starting point,” Elumelu says. “The fact that they have realized the need to engage with Africa at the scale and magnitude that they are going about it now is welcome.”
His foundation is also playing its part in reaching out to minority and women-owned businesses. “The Tony Elumelu Foundation will launch an entrepreneurship program with 100 million dollars that will touch 10,000 entrepreneurs across Africa and the United States,” he says. “We will train and mentor them and create platforms for them to have commercial business engagements.”
The vision set forth by Tony Elumelu is one that he believes merges more than simple aid; it creates a solid partnership between Africa and the U.S. It’s the beginning of a business journey that takes a different, but more rewarding, path for all of those invested. The trip to Africa taken by President Obama was another key indicator that steps are being taken in the right directions to strengthen business ventures between Africa and America.
This newly-formed relationship between Africa and the U.S is one that can create a positive mode of growth for African American entrepreneurs who stay the course and take the route the foundation has designed. The overwhelming occurrences of negativity surrounding African Americans in the press makes it necessary for many to find outlets that help them reach their full business potential. The summit created the opportunity and the foundation’s program provides the means to capitalize on the opportunity.
article by Angela Wills via financialjuneteeth.com

Jon Platt Named CEO of Warner/Chappell Music

By goodblacknews on October 6, 2015
Jon Platt 2015
Jon Platt speaks onstage at the 2015 SESAC Pop Music Awards at New York Public Library on May 4, 2015 in New York City. (Johnny Nunez/Getty Images for SESAC) 
Jon Platt will lead Warner/Chappell Music going forward.  As part of a transition plan, Platt, who joined Warner/Chappell in 2012, will be promoted to the company’s CEO on Nov. 1 from his current position as president, North America. Subsequently, in May 2016 (most likely when Cameron Strang’s contract ends), Cameron Strang, currently chairman & CEO, will step down to devote his full focus to serving as chairman & CEO of Warner Bros. Records.
Platt is known for being a doubled-edged sword, having great creative skills combined with top-notch leadership. On the creative side, he has helped attract such artists and songwriters as Jay Z, Beyoncé, Vance Joy and Echosmith to Warner/Chappell.
“Jon has a deep understanding of the creative process, an outstanding devotion to songs and songwriters, and an innate ability to nurture the next generation of talented publishing executives,” Warner Music Group CEO Steve Cooper said in a statement. “His combination of artistic sensibility and commercial savvy is very rare, and is clearly why so many of the world’s greatest songwriters want him as their partner and champion.” Cooper added that Platt will enhance Warner/Chappell’s “position” as the best home for songwiters.
Over the last five years, Warner/Chappell’s revenues have steadily declined, from $582 million for the year ended Sept. 30, 2009 to $503 million for the year ended Sept. 30, 2013, before rebounding last year to $517 million. In the first nine months of this year, Warner/Chappell revenue stands at $359 million, down from $387 million, or 7.2 percent.
Platt’s ability to attract top flight songwriters should help boost the company’s bottom line. Over the last several years, Warner/Chappell has added such songwriters as Pharrell Williams’ pre-2010 repertoire, Taio Cruz, Aloe Blacc, Sean Douglas, Belly, Mano, Julia Michaels, Steve Kipner, Nico & Vinz, Slash, Dave Mustaine, Mike WiLL Made It, Lady Antebellum, Liz Rose, and Lee Miller, as well as the Roc Nation publishing catalog.
“Ever since Jon came on board in 2012, he has played a pivotal role in our success story, making enormous contributions to the company’s rapid development,” Strang said in a statement.”Warner/Chappell is now ready for the next phase of its ongoing evolution, and Jon is exactly the right executive for the job. He is a force of nature: a brilliant creative collaborator; a principled leader; and an inspiring mentor. He will be a terrific CEO, as he brings his dynamism and expertise to our songwriters, teams and business around the world.”
Cooper added that “with a smooth transition underway at Warner/Chappell, Cameron will lead our plan to build on [Warner Bros. Records] existing success, turbocharge its long-term growth and deepen our commitment to A&R and artist development.”
Prior to joining Warner/Chappell Platt, who received SESAC’s Visionary Award in May, spent 17 years at EMI Music Publishing, where he signed an early-career Jay Z, Kanye West, Usher, Drake, Ludacris, Mary Mary, Young Jeezy, Fabolousand Snoop Dogg, according to Warner/Chappell’s announcement.
“Warner/Chappell is an iconic music company with an incomparable roster of extraordinary songwriters,” Platt said in a statement. “Our mission is to develop, grow, reward and sustain a prosperous and healthy creative community — the community of songwriters who make it possible for music to have such a special place in all of our lives. My vision for Warner/Chappell is one of peerless commitment to the songwriter and unmatched advocacy for the value of music.  I see us leading the industry in our service not only to our songwriters, but also to the partners and fans that help make their livelihoods possible.”
article by Ed Christman via billboard.com

Tech Giant Apple Appoints former Boeing CEO James A. Bell to its Board of Directors

By goodblacknews on October 4, 2015

James A. Bell (photo via macdaily.com)
James A. Bell (photo via macdaily.com)

Technology companies have been the target of questioning when it comes to hiring minorities. In fact, with the lack of adequate minority representation in companies like Facebook and Google, civil rights activists such as the Rev. Jesse Jackson along with the Rev. Al Sharpton have called out these companies. By calling out major technology companies with regard to their hiring practices of minorities to managerial and upper management positions, some companies are listening.
In a recent development, Apple has elected James, A. Bell to its board of directors. This move is without a doubt, a move in the right direction for a company as powerful as Apple.
Bell is the former chief financial officer and corporate president of the Boeing Company. With a 38-year tenure at Boeing, Bell served as the interim CEO of the the company in 2005.
When asked about his election to the board of directors for Apple, Bell said “I am an avid user of Apple products and have a tremendous respect for the company’s ability to innovate. I am delighted to join the Apple board and look forward to contributing to its continued success in any way I can.” according to The Root.
With all of his vast experience in corporate America, Bell brings quality leadership and strategic planning to the board. In addition to that, his experience in finance will definitely be a huge contributing factor.
“In August, Apple said it was making efforts to hire more women and underrepresented minorities, recruiting more diverse candidates in the past 12 months than in any previous year, but overall there was little change in the demographics of the company, which is overwhelmingly male and white, USA Today reported Thursday.”
Apple isn’t the only board appointment Bell has. He’s a board member of the following: Dow Chemical, JP Morgan Chase, and CDW. He’s also a trustee of the Chicago’s Rush University Medical Center
.
article via financialjuneteenth.com

‘Power’ Producer 50 Cent Signs Overall Deal with Starz

By goodblacknews on September 29, 2015
50 cent power starz
“Power” producer Curtis “50 Cent” Jackson (COURTESY OF GREGORY PACE/BEI/REX SHUTTERSTOCK)

Curtis “50 Cent” Jackson has signed a two-year exclusive premium television pact with Starz, the cabler that is home to his drama series “Power.”  Under the deal, Jackson will develop new projects for the network through his G Unit Film & Television, Inc. shingle and continue as executive producer on “Power.”
“Starz has been the perfect partner to make ‘Power’ the success that it is and I am looking forward to developing many more record-breaking series with them,” said Jackson.
Starz has been proud of the success of “Power”; the second season finale in August set a series record for its episode premiere viewership performance (2.39M viewers Live+3). A 10-episode third season ordered in June and production began earlier this month at the series’ home base at Steiner Studios in Brooklyn.
“Curtis is a wonderful hands-on producer and actor on ‘Power’ and we look forward to expanding his roles behind-the-camera with Starz over the next two years,” said Carmi Zlotnik, managing director of Starz.
“Power” creator Courtney Kemp Agboh signed her own overall deal with Starz in June. In addition to Kemp Agboh and Jackson, “Power” exec producers are Mark Canton, Randall Emmett and Gary Lennon.
article by Whitney Friedlander via Variety.com

Steve Harvey Inks Overall Production Deal with Endemol Shine North America

By goodblacknews on September 28, 2015

Steve harvey Endemol Shine
Steve Harvey (PHOTO COURTESY OF ENDEMOL SHINE)

Endemol Shine North America, which produces the nationally syndicated daytime talk show “Steve Harvey,” has signed an overall production deal with Steve Harvey and his East 112th Street Productions shingle, Variety has learned.
Under the new pact, the company and Harvey’s production banner will develop original programming in the unscripted, scripted and digital spaces. East 112th Street Prods. will now be based at Endemol Shine North America’s L.A. office.
“We are thrilled to be extending our relationship with Steve Harvey, arguably the hottest personality in TV right now,” says Cris Abrego and Charlie Corwin, co-chairmen and co-CEOs of Endemol Shine North America. “We’ve enjoyed a great relationship with him on our hit, Emmy Award-winning daytime talk show for several years now and we’re excited to explore new programming opportunities with Steve and his team at East 112th Street across a wide variety of platforms and genres.”
Harvey commented: “I’m truly excited to bring East 112th Street Productions to Endemol Shine, where I’ve enjoyed a great partnership with my talk show over the last four years. Cris, Charlie and the team at Endemol Shine offer us the opportunity to expand our vision for East 112th Street globally and we’re already exploring a number of potential projects together that I can’t wait to see get off the ground.”
East 112th Street Prods. is led by president Gerald Washington and director of development Donna-Marie Reid.
Washington, who also serves as president of The Steve Harvey World Group, added, “Our team has enjoyed a tremendously successful year across TV, radio, print and other platforms and Steve’s brand has never been stronger. We believe our partnership with Endemol Shine is going to take us to the next level.”
In addition to his daytime talker, now in its fourth season, Harvey also hosts “Family Feud” and ABC’s summer game show “Celebrity Family Feud” with both Harvey and Washington serving as executive producers on the latter. On the radio front, Harvey also hosts the “Steve Harvey Morning Show.” Coming up, he will host and executive produce NBC’s kid talent show “Big Little Shots,” along with exec producer Ellen DeGeneres.
article by Elizabeth Wagmeister via Variety.com

Harlem's Fashion Row Honors Emerging Designers of Color

By goodblacknews on September 21, 2015
Image: Harlem's Fashion Row - Backstage - Spring 2016 New York Fashion Week
NEW YORK, NY – SEPTEMBER 10: Models backstage at the Harlem’s Fashion Row show during Spring 2016 New York Fashion Week on September 10, 2015 in New York City. (Photo by Grant Lamos IV/Getty Images) Grant Lamos IV / Getty Images
Harlem’s Fashion Row has become a New York Fashion Week standard.
Founded and conceived by Brandice Henderson-Daniel, Harlem’s Fashion Row, known as HFR, held their 8th annual award and fashion show to lead off NYFW on Sept 10.  A sea of people dressed in their most chic attires took over Chelsea Piers.
Some women stepped out in high-split bodycon dresses with sweetheart necklines, while others strutted in bright halter top jumpers.
But what made this scene different than many other packed New York Fashion Week events was the overflow of mahogany and brown faces congregating to support a group of entrepreneurs and creative minds that are widely overlooked.
Over the last 8 years, the event has become a hub where black celebrities and the black fashion elite collide, bringing together entertainers such as Sheryl Lee Ralph, Mary J. Blige and cultural influencers like Emil Wilbekin and Michaela Angela Davis.
One of the goals of HFR is to elevate and showcase up-and-coming designers of color. Most new designers struggle with finding the necessary funding to launch a line and what you’ll find here is a community that not only celebrates one another’s drive and goals, but one that also puts their money where their mouth is.
“Today we have fewer designers than we did in the 70s,” said Tai Beauchamp, host of TLC’s Dare to Wear. “What it really boils down to is financing and funding. The reality is that these designers have the talent and the will and the desire, but often times there aren’t any resources to do it.”
Davis noted that it’s harder for African-Americans to stay in the industry because of the amount of capital it takes to keep a line alive. “It’s not the same as writing or being a painter where you can produce without having a staff. In order to have full collections it takes a tremendous amount of work,” said Davis.
Harlem’s Fashion Row honored multicultural designers and prolific trendsetters, but most importantly, exhibited emerging fashion talent and provided them a platform to further bridge them to the fashion industry.

Tracee Ellis Ross at Harlem Fashion Row on Sept. 10. Johnny Nunez

Tracee Ellis Ross: The Icon

The beautiful, funny and forevermore fashionable Tracee Ellis Ross received the Icon 360 Award. If you’ve followed Ross, especially on the red carpet or on Instagram, you would know that she’s become just as well-known for her bold style as her acting chops. She never shies away from showing off her figure in form fitting, body con dresses and playing with unique patterns and textiles on the red carpet.

Ava DuVernay Expands and Renames AFFRM Distribution Company "Array," Focuses on Films by Minorities and Women

By goodblacknews on September 9, 2015

Ava DuVernay attends as Russell Simmons' Rush Philanthropic Arts Foundation Celebrates 20th Anniversary At Annual Art For Life Benefit at Fairview Farms on July 18, 2015 in Water Mill, New York.
“Selma” director Ava DuVernay has given an extreme makeover to her 5-year-old distribution company.  Previously known as AFFRM (African American Film Festival Releasing Movement), the filmmaker has relaunched and expanded the company as Array.
“I’ve always felt as if there were so many films that get made but not seen,” she told Variety. “The real focus of our company has always been distribution. What we’re doing now is opening our arms a little wider and enlarging our mission.”
Array announced Tuesday that it has two films due out this fall: South African director Sara Blecher’s coming-of-age drama “Ayanda and the Mechanic” and Takeshi Fukunaga’s debut feature, “Out of My Hand.”
The focus will be films by minorities and women. Array aims to significantly boost the number of films it releases beyond the original company’s two a year. AFFRM released DuVernay’s 2012 film “Middle of Nowhere.”
“It’s a definite evolution of what we were doing at AFFRM,” she said. “When I was out promoting ‘Selma,’ I became aware of so many other films that ought to be getting distribution. And this is a problem I can do something about because of my experience.”
DuVernay said Array will distribute films via the theatrical arthouse circuit as well as on streaming platforms.
Array has teamed with Netflix to release Tina Mabry’s “Mississippi Damned,” a family drama that debuted at Slamdance in 2009. That film recently began streaming on Netflix.
article via eurweb.com