Jaki Shelton Green, an instructor at the Center for Documentary Studies at Duke University in Durham, North Carolina, was named the ninth poet laureate of the state of North Carolina. She is the third woman and the first African American to hold the position.
In making the announcement of Green’s appointment, North Carolina Governor Roy Copper said that “Jaki Shelton Green brings a deep appreciation of our state’s diverse communities to her role as an ambassador of North Carolina literature. Jaki’s appointment is a wonderful new chapter in North Carolina’s rich literary history.”
In 2014, Green was inducted into the state’s Literary Hall of Fame and was nominated for a Pushcart Prize. In 2009, she served as the North Carolina Piedmont Laureate. In 2016, Green served as the writer-in-Residence at Lenoir-Rhyne University in Hickory, North Carolina.
Green has penned eight books of poetry, co-edited two poetry anthologies, and written one play. Her poetry collections include Dead on Arrival(Carolina Wren Press, 1983) and Breath of the Song(Carolina Wren Press, 2005).
Idris Elba by Lori Lakin Hutcherson (@lakinhutcherson)
Get ready to suspend all disbelief and witness true acting talent, for, according to hollywoodreporter.com, Idris Elba has signed on to star as the Hunchback of Notre Dame for Netflix.
Golden Globe winner Elba will also direct and produce Hunchback under his Green Door production company, and will also be producing original music for the feature, which is being described as a “sonic and musical experience.” The Hunchback of Notre Dame, a 19th century gothic romance novel originally written by Victor Hugo in 1831, follows Quasimodo, a hunchback, who tragically falls in love with the gypsy Esmeralda. Hunchback has been adapted to film more than seven times over the years, most notably the 1956 version starring Anthony Quinn and Gina Lollabrigida, and the 1996 Disney animated adaptation voiced by Tom Hulce and Demi Moore. The Hunchback of Notre Dame is Elba’s latest foray into directing, having made his directorial debut this year with Sundance drama Yardie. He also created and will star and executive produce comedy Turn Up Charlie that was ordered straight-to-series by Netflix. Michael Mitnick, the screenwriter of The Current War and The Giver, will write the modern day re-telling of the Victor Hugo classic. Fred Berger (La La Land) and Brian Kavanaugh-Jones (Midnight Special) will produce for Automatik, along with Elba and Green Door’s Ana Garanito.
American Library Association President Wanda K. Brown (photo via bcala.org) via jbhe.com Wanda K. Brown, the director of library services at Winston-Salem State University in North Carolina, was named president-elect of the American Library Association. She will serve as president-elect for one year and then will take over the presidency at the conclusion of the association’s 2019 annual meeting.
The American Library Association was founded in 1853. It has more than 57,000 members worldwide. Brown will be the first president who is a librarian at a historically Black college or university.
Before joining the staff at Winston-Salem State University in 2016, Brown was associate dean of the Z. Smith Reynolds Library at Wake Forest University in Winston-Salem. She joined the staff at Wake Forest in 1977. Brown is a former president of the North Carolina Library Association and former president of the Black Caucus of the American Library Association.
Brown is a graduate of Winston-Salem State University and holds a master of library and information science degree from the University of North Carolina at Greensboro.
To learn more about other pioneering African-American librarians, click here. Source: https://www.jbhe.com/2018/04/winston-salem-state-universitys-wanda-brown-to-lead-the-american-library-association/
by Robin White Goode via blackenterprise.com
It’s National Library Week, and at Spelman College a student is changing lives by improving a community’s literacy. Deanna Hayden, a junior Comparative Women’s Studies major, volunteers in an impoverished neighborhood in Atlanta, the West End community.
“I grew up in rural Mississippi,” Hayden said, “where there was an overwhelming lack of educational resources. When I started volunteering at Paul Laurence Dunbar Elementary School in the West End, I noticed parallels between the education system here and in Mississippi.”
BOOKS TRUMP POVERTY
Hayden relayed there are students with low reading scores, ironically in a school named after a literary giant. “I sat in on third-grade classes and could see that there is a need to improve their literacy,” she says.
Hayden had noticed that in wealthy communities there are what she calls “free libraries”—not library buildings from which books can be borrowed, but small, house-shaped structures full of books that can be taken for keeps, or added to. (Hayden was most likely referring to the Little Free Library book exchange.)
Regular reading is critical to raising literacy and reading levels, but book ownership also makes a huge difference. According to a 2014 study cited in a New York Times article, the number of books in a home is “the most important predictor of reading performance” after gross national product. “The greatest effect was seen in libraries of about 100 books, which resulted in approximately 1.5 extra years of grade-level reading performance.”
Astonishingly, a home library appears to matter more than the family budget. The Times article goes on: “… in the United States, with the size of libraries being equal, students coming from the top 10% of wealthiest families performed at just one extra grade level over students from the poorest 10%.”
THE HOUSE OF KNOWLEDGE
(Courtesy of Spelman College)
Similar to both the Little Free Library and Barbershop Shops, which sets up books targeting black boys from age 4 to 8 in barbershops, the House of Knowledge is a literacy initiative that Hayden developed in response to the struggling readers she encountered.
There are now seven Houses of Knowledge throughout the West End community “in places frequented by children, such as churches, recreation centers, and doctor’s offices,” Hayden told me. Each holds 25 books targeting readers in kindergarten to eighth grade.
“Each House of Knowledge has its own theme,” Hayden says. “Some offer books on science and technology—others are all about black women.” Each box has a sponsor which is responsible for monitoring the box to make sure there is always a selection of books inside. The sponsor—organizations like the NAACP, the National Council of Negro Women, and others on the Spelman campus—determines what books will be offered.
Hayden, who graduates next year and plans to study public health and educational policy in graduate school, still has plans for the House of Knowledge project. “I’d like the kids to do surveys and quizzes on the books,” she says. “Eventually I’d like to develop an after school component as well.”
In the meantime, she’s also hoping for a grant that will make the program more sustainable.
To learn more, visit the House of Knowledge website. Source: http://www.blackenterprise.com/spelman-student-raising-literacy-skills/
When Troy Johnson began tracking the number of black-owned bookstores in the U.S. in 1999, there were more than 325. By 2014, that number had dwindled to 54, a decline of 83%.
“They were closing left and right, and the major ones were struggling,” said Johnson, who runs the African American Literature Book Club, an online book database. Today, Johnson estimates, there are at least 108 black-owned independent stores, a number of which have opened in the past six months, marking a substantial reversal. “Last year was the first year I added more stores to the list than I took away,” he noted.
The surge in black-owned indie bookstores is notable at a time when both bookselling and publishing are wrestling with issues of workforce diversity.
Ramunda and Derrick Young, wife-and-husband owners of the newly opened MahoganyBooks, looked for a physical location for years, but a wave of gentrification in Washington, D.C., left them with few promising options. That changed in early 2017, when they found a location in the Anacostia Arts Center, in the historically African-American neighborhood of Anacostia in Southeast D.C. Ramunda, a former general books manager of the Howard University Bookstore, said opening a store was a logical step toward diversifying the couple’s business after having run a books website serving predominately African-American readers for a decade.
MahoganyBooks opened in February and is the first bookstore in Anacostia in 20 years. The 500-sq.-ft. store has an adjacent events space for large readings. With tablets for readers to locate books online while they browse, the store fulfills the couple’s vision of “a bookstore 2.0,” Derrick said.
“Bookstore 2.0” is shorthand for the Youngs’ effort to integrate the physical store and the long-standing digital operation, creating independent sources of revenue that stand alone but point to one another. In-store technology points to the website, and the website now points to the physical store’s events. “We thought, if there were another big crazy economic downturn, how would we prepare ourselves so that we would have multiple streams of income?” Derrick said.
Opening the bookstore is also a homecoming. Derrick’s grandmother lived in Anacostia when he was a child, and he frequented the neighborhood’s black-owned bookstores. He later worked at the black-owned Karibu booksellers with Ramunda. Speaking about himself and Ramunda, he paid tribute to those earlier stores: “We were both kind of nurtured in that way. We both made an effort to be mentored and to understand the experience that readers want when they come into a bookstore.”
When forensic anthropology professor Christina Benton opened Janco Books in Las Vegas in October 2017, readers asked if she would model her store after Native Son, a neighborhood African-American specialty bookstore that closed in 2008. Benton expanded the store’s African-American section, but she said her interest is in catering to as broad a community as possible. “It’s a general bookstore owned by an African-American person,” she said. With a selection of new and used books, Janco caters most of all to families that homeschool in the area. “They buy the most, because they need to have the resources,” Benton said.
In Brooklyn’s rapidly gentrifying Crown Heights neighborhood, a general bookstore is as far from what Afro-Latina owner Kalima Desuze and her Caribbean husband, Ryan Cameron, wanted to open when they launched the Afro-feminist Cafe Con Libros in late December. Desuze, a retired U.S. Army JAG corps member with master’s degrees in social work and public administration, grew up in Prospect Place and credits her trajectory in life to reading feminist African and African-American authors.
“A lot of the reason why I opened up the store is because feminism has not always been the province of women of color,” Desuze said. “Part of my challenge as a black woman, calling my bookstore a feminist bookstore, is that some black women do not identify with the word feminism. But if they took the time to explore they would discover that they are already living it.”
Author Jacqueline Woodson (Juna F. Nagle / HarperCollins) by Lori Lakin Hutcherson (@lakinhutcherson)
According to latimes.com, acclaimed author Jacqueline Woodson, who won a National Book Award for “Brown Girl Dreaming,” just won the 2018 Astrid Lindgren Memorial Award on Tuesday. The award comes with a prize of $608,000, which is funded by the government of Sweden. Publishers Weekly reports that Woodson is the 18th person or organization to win the prize, which is considered one of the most prestigious children’s literary awards in the world.
The Lindgren Award, named after the Swedish creator of “Pippi Longstocking,” caps a list of many honors Woodson has won over her career. In addition to her National Book Award, the author has won the Coretta Scott King Award twice and a Newbery Award four times.
In January, the Library of Congress named Woodson the National Ambassador for Young People’s Literature. Although Woodson has written two adult novels, “Autobiography of a Family Photo” and “Another Brooklyn,” most of her published work has been for middle-grade readers and young adults.
via jbhe.com Lorna G (photo via tallawahmagazine.com)
The Beinecke Rare Book and Manuscript Library at Yale University has announced the eight winners of this year’s Windham-Campbell Prizes in the fields of fiction, nonfiction, drama, and poetry. Each winner will receive a $165,000 prize at an international literary festival at Yale in September.
Four of the eight winners of this year Windham-Campbell Prizes are Black. Three have ties to academic institutions in the United States. Lorna Goodison, a winner of a poetry prize, is a professor emerita at the University of Michigan, where she served as the Lemuel A. Johnson Professor of English and African and Afro-American studies. She currently serves as poet laureate of the nation of Jamaica. Professor Goodison has published 13 collections of poetry including Supplying Salt and Light (McClelland & Stewart, 2013). John Keenes (photo via vice.com) John Keene, a professor of English at Rutgers University-Newark is the recipient of a Windham-Campbell Prize in the fiction category. He is the author of the short story collection Counternarratives (New Directions, 2015) and the novel Annotations (New Directions, 1995). Professor Keene received a bachelor’s degree from Harvard University and a master of fine arts degree from New York University. Jennifer Nansubuga Makumbi (photo via lareviewofbooks.com) Jennifer Nansubuga Makumbi, a native of Uganda who now lives in England, won a prize in the fiction category. Her debut novelKintu (Transit Books, 2014) tells the parallel stories of the fall of a cursed bloodline—the titular Kintu clan—and the rise of modern Uganda. Dr. Makumbi earned a Ph.D. in African literature from Lancaster University in England. She has taught creative writing at several universities in the United Kingdom. Suzan-Lori Parks Suzan-Lori Parks won an award in the drama category. She is a professor of creative writing at the Tisch School of the Arts at New York University. Parks is a graduate of Mount Holyoke College in South Hadley, Massachusetts. She is a former MacArthur Foundation “Genius Award” winner. Professor Parks was awarded the Pulitzer Prize in 2002 for her play “Topdog/Underdog.” In addition to her plays, Parks is the author of the novel Getting Mother’s Body(2003). Source: https://www.jbhe.com/2018/03/four-black-scholars-to-receive-165000-windham-campbell-prizes-from-yale-university/
Ava DuVernay (photo via Variety.com) by Dave McNary via Variety.com Ava DuVernay is stepping into the superhero universe. The filmmaker has come on board to direct “New Gods” at Warner Bros. as part of the studio’s DC Extended Universe. “New Gods,” based on the DC Comics series of the same name, is aimed at creating a new universe of properties for the studio. Created and designed by Jack Kirby, the comic was first released in 1971.
The movie marks the second major superhero tentpole directed by a woman, following another DC property: Patty Jenkins’ “Wonder Woman.”
DuVernay directed Disney’s “A Wrinkle in Time,” becoming the first woman of color in Hollywood to helm a live-action film with a production budget of $100 million. The time-travel fantasy has grossed $42.2 million in its first six days in North America.
The New Gods are natives of the twin planets of New Genesis and Apokolips. New Genesis is an idyllic planet ruled by the Highfather, while Apokolips is a dystopia filled with machinery and fire pits ruled by the tyrant Darkseid. New Genesis and Apokolips call themselves gods, living outside of normal time and space in a realm known as the Fourth World.
Half a dozen “New Gods” series have been published following the original. The most recent, “The New 52,” was issued in 2011.
DuVernay also directed the Oscar-nominated documentary “13th” and the civil-rights drama “Selma.” She is the creator and executive producer of the OWN series “Queen Sugar.”
“New Gods” would be a major addition to the DC Extended Universe, which Warner Bros. launched in 2013 to take advantage of the massive DC library and compete with Disney’s Marvel Cinematic Universe. The DCEU launched with 2013’s “Man of Steel,” followed by “Batman v Superman: Dawn of Justice,” “Suicide Squad,” “Wonder Woman,” and “Justice League,” which was the lowest grosser of the five titles, with $657.9 million worldwide.
“Aquaman,” starring Jason Momoa, is the next title in the DC Extended Universe, set for release on Dec. 21. The studio is also moving ahead with a “Wonder Woman” sequel with Gal Gadot and director Jenkins returning. The pic hits theaters on Nov. 1, 2019.
In the wake of the box office under-performance of “Justice League,” Warner Bros. is re-organizing the DC film operations by promoting Walter Hamada to president of DC-based film production in an effort to exert more quality control over its big-screen efforts. Toby Emmerich, who was promoted in 2016 to president and chief content officer at Warner Bros., worked with Hamada at New Line, which he ran before moving over to the main studio. To read more: http://variety.com/2018/film/news/ava-duvernay-superhero-movie-new-gods-dc-1202725043/
Jerrod Carmichael (left), Dapper Dan (Courtesy of NBCUniversal; Jon Wes)
by Mia Galuppo via hollywoodreporter.com
The life of Dapper Dan — the godfather of hip-hop fashion, who dressed everyone from LL Cool J to Jay Z — is coming to the big screen.
Sony is developing a biopic based on Dapper Dan’s upcoming memoir (due out in 2019 via Random House), which will be adapted by Jerrod Carmichael. Set in Harlem, the feature is described as a “high-stakes coming-of-age story.”
Carmichael, who is best known as the creator and star of the NBC critical darling The Carmichael Show, will also produce alongside Josh Bratman of Immersive Pictures. Dapper Dan and Jelani Day, his son and brand manager, are set to executive produce.
Daniel “Dapper Dan” Day is a streetwear pioneer that outfitted some of the biggest New York City-based stars of the ’80s and ’90s out of his iconic store on 125th Street in Harlem. His clientele included Eric B. & Rakim, Salt-N-Pepa, P. Diddy, Mike Tyson, Aaliyah and Floyd Mayweather.
His style of remixing high-end logos from the likes of Gucci and Louis Vuitton into his designs led to litigation that eventually prompted the closure of his store. Over two decades later, in September of last year, Dapper Dan struck a partnership with Gucci to relaunch his exclusive Harlem atelier that includes a Dapper Dan x Gucci capsule that will be available along with the fall 2018 collection. To read more: https://www.hollywoodreporter.com/news/dapper-dan-biopic-works-sony-jerrod-carmichael-1092914
