In a significant move that brings to the forefront African-American aviation pioneers, the first-ever U.S. postal stamp honoring Tuskegee Airmen is due to be issued this month. The definitive stamp, which immortalizes aviation trailblazer Charles Alfred Anderson, Sr., goes on sale nationwide March 13.
The 70-cent, First-Class Mail, two-ounce rate stamp, by artist and illustrator Sterling Hundley, will be unveiled next Thursday at a dedication ceremony at Bryn Mawr College in Pennsylvania.
It is part of the Distinguished Americans series, which since 2000 has honored people such as actor José Ferrer, athlete Wilma Rudolph, and scientist Jonas Salk. The Chief Anderson stamp is the fifteenth in the series.
C. Alfred “Chief” Anderson, also known as the “father of black aviation” was selected because he was “a pioneer in aviation who played a crucial role during World War II in training the nation’s first black military pilots, the Tuskegee Airmen,” says USPS regional spokesman Ray V. Daiutolo Sr.
In fact, when Anderson earned his air transport license in 1932, he was the only black American in the country qualified to serve as a flight instructor or to fly commercially. Later he because the first-ever American to successfully land an airplane in the Bahamas.
Posts published in “Awards/Honors”
12 Years A Slave topped off its amazing awards-season run by earning the Best Picture Oscar tonight at the 86th Academy Awards. 12 Years director/producer Steve McQueen and producer Brad Pitt accepted the award at the end of a night that also saw writer John Ridley win for Best Adapted Screenplay, and rising star Lupita Nyong’o triumph in the Best Supporting Actress category. According to Variety.com, McQueen made history by becoming the first black producer to ever win an Academy Award for Best Picture.
The star-studded night also saw an energizing performance of “Happy” by Original Song nominee Pharrell Williams (who danced with Nyong’o, Meryl Streep and Amy Adams in the aisles), a brief a cappella version of “Eye on the Sparrow” from Darlene Love during the Best Feature Documentary acceptance speech for 20 Feet From Stardom and Oscar presentations from Will Smith, Whoopi Goldberg, Jamie Foxx, Michael B. Jordan, Tyler Perry, Gabourey Sidibe, Academy President Cheryl Boone Isaacs, and the first black man to ever win a Leading Actor Oscar, Sidney Poitier.
One of the biggest highlights of the evening was Nyong’o’s acceptance speech, where she honored those who suffered so she could shine:
Thank you to the Academy for this incredible recognition. It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s. And so I want to salute the spirit of Patsey for her guidance. And for Solomon, thank you for telling her story and your own.
Nyong’o then went on to thank McQueen, co-star and Best Actor nominee Chiwetel Ejiofor, her family and her chosen family, before closing with encouragement to children everywhere:
When I look down at this golden statue, may it remind me and every little child that no matter where you’re from, your dreams are valid. Thank you.
According to Variety.com, 12 Years a Slave dominated the Independent Spirit Awards today, winning Best Feature, Best Director for Steve McQueen, Best Supporting Actress for Lupita Nyong’o and Best Adapted Screenplay for John Ridley. 12 Years also took the cinematography award for Sean Bobbitt. McQueen dedicated his Best Director award to Solomon Northup, whose life and book was the basis for the searing historical drama, and also gave thanks to Chiwetel Ejiofor — the “soul” of the film.
In her acceptance speech, a composed Nyong’o said breathlessly that she had not been aware initially of the distinction of independent films, but said she then realized, “Independent film is where stuff actually happens.” Nyong’o noted that it was her birthday and concluded her speech by thanking her mother for supporting her choice to become an actress.
Fruitvale Station finally gained some much-deserved recognition this awards season, winning Best First Feature for writer/director Ryan Coogler and its cast. Coogler gave a moving acceptance speech honoring Oscar Grant that received a standing ovation.
Matthew McConaughey won the best actor trophy as an activist for Dallas Buyers Club and Cate Blanchett took the best actress award for her portrayal of the neurotic title character in Woody Allen’s Blue Jasmine. A full list of winners appears below.
In order to be nominated, each film has to have less than a $20 million production budget. To vote, one need only buy a $95 per year membership in Film Independent, the nonprofit arts organization that also produces the Los Angeles Film Festival.
I wrote down this speech that I had no time to practice so this will be the practicing session. Thank you Alfre, for such an amazing, amazing introduction and celebration of my work. And thank you very much for inviting me to be a part of such an extraordinary community. I am surrounded by people who have inspired me, women in particular whose presence on screen made me feel a little more seen and heard and understood. That it is ESSENCE that holds this event celebrating our professional gains of the year is significant, a beauty magazine that recognizes the beauty that we not just possess but also produce.
I want to take this opportunity to talk about beauty, black beauty, dark beauty. I received a letter from a girl and I’d like to share just a small part of it with you: “Dear Lupita,” it reads, “I think you’re really lucky to be this black but yet this successful in Hollywood overnight. I was just about to buy Dencia’s Whitenicious cream to lighten my skin when you appeared on the world map and saved me.”
My heart bled a little when I read those words, I could never have guessed that my first job out of school would be so powerful in and of itself and that it would propel me to be such an image of hope in the same way that the women of The Color Purple were to me.
I remember a time when I too felt unbeautiful. I put on the TV and only saw pale skin, I got teased and taunted about my night-shaded skin. And my one prayer to God, the miracle worker, was that I would wake up lighter-skinned. The morning would come and I would be so excited about seeing my new skin that I would refuse to look down at myself until I was in front of a mirror because I wanted to see my fair face first. And every day I experienced the same disappointment of being just as dark as I was the day before. I tried to negotiate with God, I told him I would stop stealing sugar cubes at night if he gave me what I wanted, I would listen to my mother’s every word and never lose my school sweater again if he just made me a little lighter. But I guess God was unimpressed with my bargaining chips because He never listened.
And when I was a teenager my self-hate grew worse, as you can imagine happens with adolescence. My mother reminded me often that she thought that I was beautiful but that was no conservation, she’s my mother, of course she’s supposed to think I am beautiful. And then … Alek Wek. A celebrated model, she was dark as night, she was on all of the runways and in every magazine and everyone was talking about how beautiful she was. Even Oprah called her beautiful and that made it a fact. I couldn’t believe that people were embracing a woman who looked so much like me, as beautiful. My complexion had always been an obstacle to overcome and all of a sudden Oprah was telling me it wasn’t. It was perplexing and I wanted to reject it because I had begun to enjoy the seduction of inadequacy. But a flower couldn’t help but bloom inside of me, when I saw Alek I inadvertently saw a reflection of myself that I could not deny. Now, I had a spring in my step because I felt more seen, more appreciated by the far away gatekeepers of beauty. But around me, the preference for my skin prevailed, to the courters that I thought mattered I was still unbeautiful. And my mother again would say to me you can’t eat beauty, it doesn’t feed you and these words plagued and bothered me; I didn’t really understand them until finally I realized that beauty was not a thing that I could acquire or consume, it was something that I just had to be.
And what my mother meant when she said you can’t eat beauty was that you can’t rely on how you look to sustain you. What is fundamentally beautiful is compassion for yourself and for those around you. That kind of beauty enflames the heart and enchants the soul. It is what got Patsey in so much trouble with her master, but it is also what has kept her story alive to this day. We remember the beauty of her spirit even after the beauty of her body has faded away.
And so I hope that my presence on your screens and in the magazines may lead you, young girl, on a similar journey. That you will feel the validation of your external beauty but also get to the deeper business of being beautiful inside.
There is no shade to that beauty.
To see video of this speech, click here.
article by Lindsey Weber via vulture.com
One of Massachusetts’ most important historical figures, former slave Elizabeth Freeman, is being honored at the State House in Boston today. Freeman, formerly known as Mum Bett, was one of the first black slaves in Massachusetts to file a “freedom suit” and win in court under the 1780 state constitution.
“In the Berkshires, Mum Bett is pretty well-known,” said state Rep. William “Smitty” Pignatelli. “Beyond our county, that’s not the case. I think Black History Month gives us a great opportunity for people outside the Berkshires to hear this amazing story.”
Massachusetts Chief Justice Roderick Ireland will give the keynote speech. In addition, actress Tammy Denease will present a 15-minute reenactment of the story of Mum Bett.
Denease is a Connecticut-based actress who specializes in reenacting the stories of prominent black women from history. In addition to Mum Bett, her characters include Elizabeth Keckly, another former slave who won her freedom, and Bessie Coleman, the world’s first African-American aviatrix.
Bett was born a slave and was owned by the Col. John Ashley family of Sheffield. Ashley was, by all accounts, even-tempered. His wife, Hannah, however, was not. Hannah Ashley at one point struck Bett with a red-hot coal shovel, scarring her face. This moved Bett to travel to nearby Stockbridge, where she sought the assistance of Stockbridge attorney Theodore Sedgwick. Through Sedgwick, Mum Bett and another slave, Brom, won their freedom in 1781, a legal victory that essentially led to the end of the slave trade in Massachusetts in 1789.
Track star Lauryn Williams is the first American woman and the fifth athlete to medal in both the Summer and Winter Olympics after winning a silver medal in the women’s two-person bobsled at the Sochi Games on Wednesday.
Williams joined the sport only seven months ago. The 30-year-old track and field sprinter of Trinidadian decent competes internationally for the United States. She previously won gold as part of the women’s 4×100 relay in the 2012 London Games as well as a silver medal in the 100 meters at the 2004 Games in Athens.
“I didn’t come here to make history,” Williams said, as reported at TeamUSA.org. “I came here to help Team USA, and I feel like I did the best I could. I’m just happy to be here, and it wasn’t about history for me.”
Had Williams won gold, she would have become the first woman and only the second athlete ever to win a gold medal in the Olympic Winter and Summer Games. Eddie Eagan is the only other American to medal in both Olympics, winning gold in boxing in 1920 and in the four-man bobsled in 1932.
Chicago native and former Illinois track star Aja Evans took bronze in the women’s two-person bobsled, giving the US two medals in a bobsled event for the first time in history. A former Big Ten shot put champion, Evans also was a sprinter. “You go into the competition setting goals for yourself, and the ultimate goal is to win gold,” Evans said. “But you go in with nothing, so to come out with a bronze, you’ve reached a goal, you’ve achieved a lot. I’m just as excited as if I’ve won gold.”
Track star Lolo Jones finished in 11th place. Jones, a two-time Olympic hurdler, joined Williams as the ninth and 10th American athletes to compete in both the Summer and Winter Olympic Games. The U.S. is the only nation to medal in every women’s bobsled Olympic event since the discipline made its debut at the 2002 Salt Lake City Games. Jill Bakken and Vonetta Flowers won the inaugural women’s bobsled race in 2002, with Flowers becoming the first African-American ever to win a gold medal at the Winter Games.
article by Carolyn M. Brown via blackenterprise.com
Kevin Hart was named Entertainer of the Year while 12 Years a Slave racked up another four awards including for Outstanding Motion Picture at the NAACP Image Awards, which were held Saturday at the Pasadena Civic Auditorium. Hart said he was a “real mama’s boy” and dedicated his prize to his mother, who recently passed away.
Forest Whitaker and David Oyelowo were honored for their roles in Lee Daniels’ The Butler and Angela Bassett won the Lead Actress prize for Black Nativity. Whitaker was also honored with the NAACP Chairman’s Award. “I’m one of those with a funny accent and an African name,” Oyelowo referencing emcee Anthony Anderson’s earlier jokes about Brit actors with their accents and African names in his speech who cross the Pond to grab roles in Hollywood. Meanwhile, Whitaker quoted a song from Nat King Cole, “The greatest thing you’ll ever learn is to love and be loved.”
On the television side, Hart and his BET show Real Husbands of Hollywood were honored for comedy, while Kerry Washington, Joe Morton and ABC’s Scandal picked up three awards for drama. Since showrunner Shonda Rhimes was unable to attend, Washington accepted the Scandal award. In her own acceptance speech, Washington said, “The historic nature of this role is due not to lack of talent, but lack of opportunity.”
The NAACP Image Awards were broadcast live on TV One and hosted by Anthony Anderson. Academy of Motion Pictures Arts and Sciences (AMPAS) President Cheryl Boone Isaacs and Director’s Guild (DGA) president Paris Barclay were inducted into the Image Awards Hall of Fame. Both are the first African-American presidents of their respective organizations. Barclay referenced his upbringing saying, “I’m the first in a long line of factory workers.” Boone Isaacs said AMPAS invited more women and minority this year than it ever has. “We still have a lot of work to do. I look forward to it,” she said to applause.
article by Lori Lakin Hutcherson