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Posts published in “Photography”

Hiram Rhoades Revels Sworn in as 1st Black Senator 143 Years Ago Today

rhoades revel

The First Colored Senator and Representatives, in the 41st and 42nd Congress of the US. Top standing left to right: Robert C. De Large, M.C. of S. Carolina; and Jefferson H. Long, M.C. of Georgia. Seated, left to right: U.S. Senator H.R. Revels of Mississippi; Benj. S. Turner, M.C. of Alabama; Josiah T. Walls, M.C. of Florida; Joseph H. Rainy, M.C. of S. Carolina; and R. Brown Elliot, M.C. of S. Carolina. Lithograph by Currier and Ives, 1872.

On February 25, 1870, exactly 143 years ago today, Hiram Rhoades Revels was sworn into the U.S. Senate, making him the first black person to ever sit in Congress.  After the Reconstruction Act of 1867 was passed by a majority-Republican Congress, the South was divided into five military districts and all men, regardless of race were granted voting rights. Revels was elected by the Mississippi legislature, and seven black representatives were later elected for states like Alabama, South Carolina, Florida and Georgia thanks, in large part, to the support of African American voters.
Revels and some 15 other black men served in Congress during Reconstruction, and more than 600 served in state legislatures, while hundreds held local offices.
article via huffingtonpost.com

Gordon Parks Honored by Macy's

gordon-parks001NEW YORK – From one icon to another, this February Macy’s, an American retail institution, salutes American cultural hero Gordon Parks in celebration of Black History Month. 
Via special events and exhibits at select stores across the country, Macy’s will honor the legacy of this artistic master who chronicled and defined a generation and whose work continues to inspire artists today.
A humanitarian with a deep commitment to social justice, Gordon Parks was one of the seminal figures of twentieth-century photography.
From the early 1940s until his death in 2006, Parks created a body of work that documents many of the most important aspects of American culture, with a focus on race relations, poverty, Civil Rights and urban life.
In addition, Parks was a celebrated composer, author and filmmaker who interacted with many of the most prominent people of his era — from politicians and artists to celebrities and athletes. In 1969 he became the first African-American to write and direct a Hollywood feature film based on his bestselling novel “The Learning Tree.” This was followed in 1971 by the hugely successful motion picture “Shaft.”

White House Releases New Official Portrait Of First Lady

Left: First Lady Michelle Obama  Blue Room of the White House February 2009 in Washington, DC. This was the first time the offical First Lady portrait was captured digitally. (Photo by Joyce N. Boghosian/The White House via Getty Images) Right: In this handout provided by the White House, first lady Michelle Obama poses in the Green Room of the White House for her official photograph, made available to news outlets February 20, 2013 in Washington, DC. The portrait was released via the Flickr photo sharing website. (Photo by Chuck Kennedy/The White House via Getty Images)

Official portrait of First Lady Michelle Obama in the Green Room of the White House, Feb. 12, 2013. (Official White House Photo by Chuck Kennedy)

The first lady’s new official portrait has been released for President Obama’s second term. While still wearing pearls, Michelle Obama is sporting a distinctly different look in comparison to her official portrait from 2009.
The first lady’s fashion choice, hairstyle, and location of the photo are different.  Mrs. Obama recently weighed in on her widely publicized choice to sport bangs, calling it the result of a “mid-life crisis.”  In this term’s portrait she is also seated, as opposed to standing.
article via thegrio.com

Barclays Center Pays Tribute to Segregated Black Basketball Stars "The Black Fives"

Smart Set Athletic Club, 1911. Compilation Copyright 2013 Black Fives Foundation, All Rights Reserved
Smart Set Athletic Club, 1911. Compilation Copyright 2013 Black Fives Foundation, All Rights Reserved

The Barclays Center is linking Brooklyn’s African-American basketball history and its present-day team, the Brooklyn Nets, with a new installation of historic photographs of the Black Fives, early-20th century African-American basketball teams, throughout the arena’s main concourse. Before the NBA, there were the Black Fives, segregated basketball teams formed shortly after the game’s invention in 1891.
The Black Fives Era photographs chosen to be displayed include four pictures of Brooklyn’s historic team, the Smart Set Athletic Club, from 1908, 1909, 1911 and 1912.  To celebrate the unveiling of the large-scale photographs for Black History Month, the Barclays Center hosted an event Monday where Claude Johnson, founder and executive director of the Black Fives Foundation, greeted students, members of the local community, and descendants of Black Fives players.

NY Capitol Exhibit Honors New York Abolitionists

An exhibit honoring African-American historical figures opened Monday at New York’s state Capitol to highlight February as “Black History Month.”
Titled “From Slavery to Citizenship: The African American Experience in New York 1817-1872,” the display chronicles contributions black New Yorkers made during the years following the Civil War and emancipation of slaves.
“New York’s history as a progressive leader really began during this time,” Gov. Andrew Cuomo said in a statement Monday. “The courage of the writers, activists and soldiers, both black and white, who confronted racial inequality set a precedent that would inspire the New Yorkers who followed to lead the nation in the struggle against every type of injustice.”
The exhibit’s timeline starts with 1817, when New York passed a law to enact the gradual emancipation of slaves, and ends in 1872, when abolitionist Frederick Douglass became a member of New York’s Electoral College.
The display includes relevant artifacts, biographies and historical narrative. The artifacts are from collections belonging to the state Archives, the state Library and the state Military Museum.

'African Americans in World War II' Exhibit opens at Museum in Michigan

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Howard Lynch and Zack Skiles look at photographs at the Kalamazoo Valley Museum’s exhibit “African Americans in World War II”Nicholas Grenke | MLive

KALAMAZOO, MI – A mentor for Big Brothers Big Sisters  of Greater Kalamazoo pointed to a black and white photograph of U.S. Army General George S. Patton pinning a Silver Star Medal on an African American soldier during World War II.
“Thank God you’ll never have to see a war like that,” Howard Lynch said to the Little Brother he mentors, Zack Skiles.
The “African Americans in World War II” exhibit at theKalamazoo Valley Museum opened on January 12, displaying 40 photographs of how life was for men and women during the most widespread war in human history.
“It’s interesting we’re finally starting to feature African Americans in military history,” Lynch said. “It’s nice to see them get their day in the sun.”
The exhibit on the first floor gallery is on loan from The National Museum of Nuclear Science and History. On the walls are photographs of famous soldiers such as heavyweight boxer Joe Louis and Benjamin O. Davis, the first African American General Officer in military history, and also unknown privates engaging in everyday military life.

Gordon Parks Photos: New York Museum To Mark Photographer's 100th Birthday With New Exhibit

Gordon Parks Photos
The State Museum in Albany, NY is marking the 100th birthday of photographer Gordon Parks with an exhibit of his works.  The show opens on Jan. 26  and will showcase six decades of Parks’ photographs.  It will include his most famous photo, “American Gothic, Washington, D.C.,” which shows a black cleaning woman standing in front of an American flag with a broom and a mop.
State Education Commissioner John King says Parks’ work helped drive the Civil Rights movement by exposing the stark realities of life faced by many African Americans.
The State Museum display is organized by the Schomburg Center for Research in Black Culture. The exhibit includes images from the Farm Security Administration and Office of War Information collections at the Library of Congress.
article by Associated Press via huffingtonpost.com

Murals of the Rev. Dr. Martin Luther King Jr.

One of Camilo José Vergara’s photographs on view at the New-York Historical Society.

 

Since the 1970s Camilo José Vergara has been photographing murals of the Rev. Dr. Martin Luther King Jr. painted on walls in cities across the United States. Through them, he has documented social and political changes in the country itself. On a wall in the Callowhill section of Philadelphia, above, Dr. King is the potent orator of the Washington marches; on Frederick Douglass Boulevard in Harlem he’s a solitary, anxious visionary. In Los Angeles his figure is all but buried under fresh graffiti; in the South Bronx, the site of turf wars between blacks and Latinos in the 1970s, his face is scratched out.

Most of the murals were based on published images of Dr. King, edited to context. With trends in immigration, he takes on Latino and Asian features. Over time he is joined by a shifting pantheon of timely heroes: Malcolm X, Nelson Mandela, Michael Jackson and President Obama. As one person explained to Mr. Vergara: “Rosa Parks sat so Martin Luther King could walk. Martin Luther King walked so Obama could run. Obama ran so we all can fly.” On the evidence of the 30 pictures in “The Dream Continues: Photographs of Martin Luther King Murals by Vergara” at the New-York Historical Society through May 5, the popularity of other heroes brightens and fades while Dr. King’s mystique lives on.

article by Holland Cotter via nytimes.com

President Barack Obama's Profound Visual Argument for Gun Control

Barack Obama, gun control

President Barack Obama, accompanied by children who wrote to the president about gun violence following last month’s school shooting in the US, signs executive orders. Photograph: Charles Dharapak/AP
Barack Obama signs a series of executive actions in favour of gun control, flanked by children who wrote to him after the killings at Sandy Hook. Their parents or guardians stand behind them. While the children reflect the president’s solemnity, the supervising adults are finding it hard not to grin with pride at their kids’ involvement in this historic occasion.
It might look cynical. It might seem a bit obvious. The imagery here is so crystal clear they might as well have had a big sign saying “Children! Future!” (as they sing at The Simpsons’ Springfield elementary school).
But if you think that you probably haven’t got a child. Or perhaps you rationalised the US’s horror at the shootings that led to this photograph as colossal hypocrisy in the face of alleged massacres of non-American children by military drones. For some on the left it seems Obama is little better than a child murderer himself, while for the gun-toting right, his desire to restrict gun access is an assault on freedoms defined in the 18th-century political discourse that is the Constitution of the United States:

“A well regulated Militia being necessary to the security of a free State, the right of the people to bear Arms shall not be infringed.”

And this is the point of Obama’s photo opportunity with America’s children. The debate about gun control is a debate about history and its burdens. When that amendment was added to the constitution in 1791, the authors surely did not think they were setting down the Ten Commandments of national identity, to be preserved unaltered forever. Or if they did, well … they are dead.

Exhibit to Explore History of African-Americans in Medicine During Civil War

(File Photo)Some may not know how much of a part African-Americans played in the Civil War, but the National Library of Medicine has produced a free, traveling exhibit to shed light on their work in the health field during that time.  “Binding Wounds, Pushing Boundaries” explores black Americans’ contributions as nurses, surgeons and hospital staff during the war.

According to the National Library of Medicine, for African-Americans, the Civil War was “a fight for freedom and a chance for full participation in American society.”  “Their participation challenged the prescribed notions of both race and gender and pushed the boundaries of the role of blacks in America,” the site reads.