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Posts published in “Arts / Style”

Cambridge University in England Hosts Major Exhibition Devoted to Afro Combs

By goodblacknews on September 23, 2013

fitzwilliam-installations-3

The University of Cambridge is staging a mayor exhibition exploring the 6,000-year history of the afro comb and the politics of black hair.  The fascinating display charts the inception of the comb in Ancient Egypt through to its ascendancy as a political emblem post-1960s.

“What we know from the early hair combs is they were connected to status, group affiliation, cultural and religious beliefs,” says curator Sally-Ann Ashton. “In more recent times, the ‘black fist’ comb that references the black power salute has wider political connotations.”
The material is being showcased at 2 university sites: The Fitzwilliam Museum, and alongside life-size installations created by artist Dr. Michael McMillan at the Museum of Archaeology and Anthropology (MAA).  Items on display at Fitzwilliam include hundreds of combs from pre-dynastic Egypt to contemporary picks. Some interesting artifacts include a 5,500-year-old comb from Southern Egypt and the original black fist comb, which was patented in 1976 in America.
The idea behind the exhibition was to take a fresh look at Egyptology within the parameters Africa in all its diversity, rich heritage, and culture, says Ashton. Interestingly, she says the earliest combs in the collection are from Egypt and this alongside her scholarly research has left her with no doubt that ancient Egyptians were racially and culturally black African.
“People do not want to admit or believe that these early civilizations were non-European but they were,” says Ashton.  Associated material includes paintings, sculpture and images showing the variety and complexity of hair styles found in Africa and on the Diaspora.

NYFW Recap: Best Spring 2014 Looks by Black Designers

By goodblacknews on September 17, 2013
Kithe Brewster
Kithe Brewster has styled a who’s who of fashion icons from Halle Berry to Eve to Julianne Moore to Heidi Klum, not to mention Andre 3000. He’s lent his expert sartorial spin to clients including Puma, Revlon, and Flaunt Magazine. Now, the talent has turned his fashion focus on designing bait for Best Dressed Lists. This canary yellow number from his Spring 2014 collection has Zoe Saldana’s name all over it. (Getty Images)

From established names like Tracy Reese to emerging designers like Azede Jean-Pierre, black designers were behind some of the hottest looks on the New York Fashion Week runways.  Taking luxe liberties with classic sportswear shapes, presenting fresh takes on color blocking, and daring us all to flash flesh via sexy slashes and airy panels in many of their designs, these ateliers made a strong case for commandeering extra room in our closets in the coming months.

Black designers made quite an impact with strong representation, if not in the main tents of Mercedes-Benz Fashion Week. Many independent shows and group showcases brought their looks to the forefront.
New black talent, center stage
The Spring 2014 season was a particularly strong one for new talent. Designer competition shows like Harlem’s Fashion Row, Elle Fashion Next, and, of course, Project Runway, introduced unknown designers to insiders and influencers while fresh faces enjoyed the crucial support of industry authorities.  Charles Elliot Harbison, for example, formerly a senior designer at Billy Reid and LUCA LUCA, burst onto the scene with nods from The New York Times and WWD.com, while being featured in Vogue’s September issue.  Shayne Oliver’s sport couture brand Hood by Air was praised across the blogosphere in addition to receiving coverage on GQ.com, Vogue.com, and WWD.com.
Breaking through to the mainstream
Likewise, many designers who have heretofore enjoyed a following limited to their niches, have broken through to the mainstream. On the heels of receiving the coveted CFDA Swarovski Award for Menswear in June, Maxwell Osborne and Dao-Yi Chow’s haute sportswear label Public Schoolreceived widespread coverage for their Spring 2014 offering.
The new attention on these strong black talents of high fashion is long overdue, but welcome all the same. The talent has clearly always been there — but now more customers will know about it.
For more great upcoming names in fashion, click through our slideshow above for future pieces, or fashion inspiration.
article by Nana Ekua Brew-Hammond via thegrio.com

Marc Bamuthi Joseph and Kyle Abraham Hip-Hop Performance Pieces Captivate at Lincoln Center Out of Doors

By goodblacknews on August 3, 2013
Marc Bamuthi Joseph’s “Word Becomes Flesh” was performed at Lincoln Center Out of Doors. (Photo: Ruby Washington/The New York Times)

In a split bill at Damrosch Park Bandshell in New York City, Marc Bamuthi Joseph’s “Word Becomes Flesh” and Kyle Abraham’s “Pavement” explored race, power and, most specifically, what it means to be a black man in contemporary society as part of the Lincoln Center Out of Doors series last Thursday night. Using spoken word, movement and music, Mr. Joseph takes on the issues confronting black fatherhood in “Word Becomes Flesh,” which program notes describe as a “choreopoem.” First performed in 2003 by Mr. Joseph, the work is a recitation of letters written to his unborn son. Now “Word” is reimagined for an ensemble cast of six. The performers share their fears about bringing a child — first addressed as “heartbeat” and later as “brown boy” — into the world.

Spurts of movement — diagonal runs from the wings; slow, exaggerated steps; and springy jumps — often serve to accentuate the wistful text, which magnifies the idea of multiple, insecure fathers-to-be. “You have an intrinsically intimate relationship with your mother,” one dancer says, “but your dad didn’t check out when you were in the womb.”

For all of its words, Mr. Joseph’s loquacious piece lacks poetry. Mr. Abraham’s “Pavement” is more elegiac, yet the thorny sightlines of the Damrosch bandshell did the piece few favors. Mr. Abraham is a beautiful dancer — unpredictable and spry, with the kind of articulation that is likely to become only more refined and subtle with age — but his packed productions are somewhat unconvincing.  “Pavement,” influenced by the writings of W. E. B. Du Bois and John Singleton’s 1991 film “Boyz N the Hood,” is set in the historically black neighborhoods of Pittsburgh. It was there, at 14, that Mr. Abraham first watched the Singleton movie; audio clips from the film are included in the production.

Tension is wonderful in a work, and Mr. Abraham’s propensity for moving his dancers in multiple directions — his movement phrases show a body swirling one way and then the next before evading momentum with a backward hop in arabesque — can be exhilarating. But the push and pull between narrative and dancing throughout “Pavement” gives it a choppy, locomotive feel. The film audio is overkill.

Smithsonian’s National Museum of African-American History Wants Trayvon Martin’s hoodie

By goodblacknews on August 1, 2013

Trayvon Martin
The Smithsonian’s National Museum of African-American History wants the hooded sweatshirt Trayvon Martin was wearing when he was shot and killed.  The 17-year-old was shot and killed on his way home by neighborhood watchman George Zimmerman. Zimmerman was charged with second-degree murder and pleaded not guilty, arguing self defense.
On July 13th, Zimmerman was acquitted of all charges by a Florida jury.  The hoodie Martin was wearing on the night of his death became a symbol for protesters and Martin family supporters.  Lonnie Bunch, the museum’s director, confirmed to The Washington Times that they are seeking the hoodie for display following the Department of Justice’s investigation.
“It became the symbolic way to talk the Trayvon Martin case. It’s rare that you get one artifact that really becomes the symbol,” Bunch told The Washington Times. “Because it’s such a symbol, it would allow you to talk about race in the age of Obama.”
The National Museum of African American History and Culture is set to open in 2015.
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article by Carrie Healey via thegrio.com

Russell Simmons Raises 1.5 Million Dollars for the Arts at Annual Art For Life Benefit

By goodblacknews on August 1, 2013
Russell Simmons raises 1.5 million dollars for the arts at annual Art For Life Benefit
Russell Simmons raises 1.5 million dollars for the arts at annual Art For Life Benefit. Michael Strahan, Nicole Murphy, Anthony Anderson, among others, were in attendance (photo by Nia Hamm)

Celebrities, activists, artists and media descended upon Bridgehampton, New York last Saturday July 28 to help raise more than $1.5 million — and counting — for Danny and Russell Simmons’ fourteenth annual Art For Life Benefit.  The event, held at Russell Simmons’ Fairview Farms East Hampton estate, helped to raise money for the Rush Philanthropic Arts Foundation, which provides arts education opportunities for inner-city youth.
“It’s very important that kids get a chance to practice and appreciate art,” Russell Simmons said of his inspiration for the benefit and organization, because, “it informs everything that we do. Nothing happens without creativity.”  Guests included Michael Strahan, Nicole Murphy, Anthony Anderson, Rev. Al Sharpton, Star Jones, Angela Simmons and more. Youthful new faces such as Skylar Diggins, Olivia Culpo, Nana Meriwether, Melanie Fiona and Tahira Jose were also seen on the scene to bring attention to the importance of promoting culture among our youth.
Soledad O’Brien hosted the gala, while special performances included Estelle, Rick Ross and Maxwell. There was even a surprise performance by Doug E. Fresh.  This year’s theme, ‘A Field of Dreams,’ highlighted the creativity of New York City youth and honored individuals in the community for their contributions, career achievements and philanthropic work.
Honorees included Samuel Englebardt and William D. Johnson of Demarest Films, writer Walter Mosley, Ann Pasternak of Creative Time and filmmaker Tyler Perry.  Attendees agreed that the arts are an integral part of any child’s upbringing. “As a parent I want them to be able to read. I want them to be able to write and do mathematics. That’s all really important. But they also, to be human beings, have to understand how to express themselves,” Soledad O’Brien said.  The final amount raised by the Art For Life Benefit the will be announced when the online auction, hosted by Charitybuzz, closes on August 7.
article by Nia Hamm via thegrio.com

Darren Walker to be Named President of the Ford Foundation

By goodblacknews on July 27, 2013

Darren Walker (pictured above)  was born in a charity hospital in Lafayette, La., and grew up in the 1960s in a single-parent household in rural Texas, where his mother worked as a nurse’s aide and he was enrolled in one of the first Head Start programs. He went on to the University of Texas at Austin with help from a Pell grant scholarship, awarded to low-income students based on financial need. He put in a few years at a prestigious Manhattan law firm and a Wall Street investment bank. Then he moved into the nonprofit world, first in Harlem, where, among other things, he worked on the project to build the first full-service supermarket there in a generation.
On Thursday, Mr. Walker, 53, will take the next step in a career that has taken him from Harlem to world-famous foundations five and a half miles away in Midtown Manhattan. He is to be named president of the Ford Foundation, the nation’s second-largest philanthropic organization. He will succeed Luis Ubiñas, who announced in March that he would step down. For Mr. Walker, the new job is a promotion. He has been a vice president at Ford since 2010, when Mr. Ubiñas hired him away from the Rockefeller Foundation, where Mr. Walker had worked for several years, also as a vice president.

GBN Photo of the Day: "Black is Beautiful 1970"

By goodblacknews on July 13, 2013

Black Is Beautful 1970
Flori Roberts Cosmetics makeup artist demonstrating products to women, Los Angeles, 1970. Source: Los Angeles Times Photographic Archive, UCLA Library. (http://blackhistoryalbum.tumblr.com)

LACMA's 'Shaping Power' Exhibit Reveals Central African Masterpieces

By goodblacknews on July 13, 2013
"Caryatid Stool" from the 19th century, part of the LACMA exhibition "Shaping Power: Luba Masterworks from the Royal Museum for Central Africa." (LACMA / Royal Museum for Central Africa)
“Caryatid Stool” from the 19th century, part of the LACMA exhibition “Shaping Power: Luba Masterworks from the Royal Museum for Central Africa.” (LACMA / Royal Museum for Central Africa)

A terrific exhibition of carved wood sculptures inaugurates the Los Angeles County Museum of Art’s first gallery exclusively dedicated to the display of the arts of Africa. On the second floor of the Hammer building the newly renovated space is not large: Big exhibitions often have entryways that are bigger. And it’s not uncommon to see shows with educational texts covering more wall space than is occupied by this compact show.
But bigger is not always better. The 27 ceremonial objects that make up “Shaping Power: Luba Masterworks from the Royal Museum for Central Africa” are scaled to the human body. Many are made to fit in the hand, on the head or under one’s neck, while sleeping. Each needs to be seen up-close and in person.
All of the ancestral figures, medicinal bowls, regal staffs, double-sided cups and elaborate masks resonate alongside their neighbors. This allows first-time visitors and more experienced viewers to see the stylistic consistencies that unify these fascinating objects and to notice the idiosyncrasies that distinguish one from another. Sometimes the hand of a specific artist is revealed. More often anonymous adaptations amplify each piece’s accessibility, not to mention its humanity. Such range reveals a robust, visually sophisticated culture.

Professor, Playwright and Actress Anna Deavere Smith Awarded National Humanities Medal by President Obama

By goodblacknews on July 11, 2013

President Barack Obama presents a 2012 National Humanities Medal to American actress, playwright, and professor, Anna Deavere Smith during a ceremony in the East Room of the White House on July 10, 2013 in Washington, DC. Smith is recognized for her portrayal of authentic American voices. (Photo by Pete Marovich/Getty Images)
President Barack Obama presents a 2012 National Humanities Medal to American actress, playwright, and professor, Anna Deavere Smith during a ceremony in the East Room of the White House on July 10, 2013 in Washington, DC. Smith is recognized for her portrayal of authentic American voices. (Photo by Pete Marovich/Getty Images)

WASHINGTON (AP) — Describing them as teachers, President Barack Obama said Wednesday that two dozen recipients of national medals for contributions to the arts and humanities have created works that will last for American life.
At a White House ceremony, Obama awarded medals to 23 singers, dancers, poets, producers, playwrights, scholars and others, and one performing arts organization.  As applause and cheers rippled across the stately East Room, Obama joked that the audience was doing so “Because I’ve bought their books, I’ve seen their movies, I buy their records. So we’re major contributors here.”
Turning more serious, he praised the medal recipients for using their talents “To open up minds and nourish souls, and help us understand what it means to be human, and what it means to be an American.”  “We celebrate people like our honorees here today not just because of their talent, but because they create something new. They create a new space and that becomes a lasting contribution to American life,” Obama said.
Among those receiving a National Medal of Arts are Herb Alpert, of Malibu, Calif., the musician behind the Tijuana Brass phenomenon and co-founder of A&M records; filmmaker George Lucas, of San Anselmo, Calif., and the Washington Performing Arts Society, of Washington, D.C.
Recipients of the National Humanities Medal include author Joan Didion, sportswriter Frank Deford and Robert B. Silvers, editor and co-founder of The New York Review of Books. All three are from New York.

NYC’s Motown to Def Jam Art Exhibit Celebrates the Legacy of Black Music

By goodblacknews on June 28, 2013
Souleo, Aanisah Hinds, Macy Gray. From Motown to Def Jam.
Souleo, Aanisah Hinds, Macy Gray. From Motown to Def Jam. (Photo: John Brathwaite)

Curator and art afficiando Souleo has put together a multi-destination art exhibition called “Motown to Def Jam” in collaboration with ArtCrawl Harlem in New York City.
The meticulously planned, four-gallery, 49-artist exhibition takes visitors from the early days of Chess Records in the mid 20th century, all the way through to the contemporary offerings of rap and R&B label Def Jam in a series of visionary visual works.  Also referenced in the show are the legendary Stax and Philadelphia International labels that helped pave the way in bringing new African-American sounds to the mainstream.
For pieces in the show, participating artists created or contributed works that described their interpretations of specific songs from singers and rappers at these record labels. Each piece, inspired by a beloved song, or songwriter, from black and American pop music history, brings black music history to life in a new way.
“A lot of people don’t know that June is African-American Music Appreciation Month,” said Souleo. “I wanted to share our struggles and triumphs and the unique ways that we express ourselves. For example, instead of the usual pop hits from Motown, I wanted to use more of the later socio-political music that came out of Motown.”
A lively Black Music Month kickoff
Souleo kicked off the five-weeks exhibit with gallery tours and a series of parties. An exhibition this grand required not one, but four different galleries, and these ancillary events connected them all.
The guides for a special preview tour were celebrity columnist and author Flo Anthony, pop culture critic Patrick Riley, historian John T. Reddick and renaissance media man Walter Rutledge. “I chose these people as the tour guides because they are the experts and they have been in the same room with some of these musical artists. They can give those extra tidbits that you would not get anywhere else,” said Souleo.