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Posts published in “Arts / Style”

FASHION: Olivier Rousteing's "Balmain x" Collection for H&M in Stores Tomorrow

By goodblacknews on November 4, 2015
Balmain H&M
Lesa Lakin GBN Lifestyle
Lesa Lakin
GBN Lifestyle

#HMBALMAINATION
It’s here! Starting tomorrow, November 5th, Balmain x hits 258 H&M stores worldwide. Arguably one of H&M’s coolest collaborations yet, Balmain x already has people lining up for first crack at these highly-anticipated pieces. Creative director Olivier Rousteing and the Balmain/H&M design teams offer a strong collection featuring women’s & menswear and a few limited edition pieces. Get ready to competitive shop because I’ve seen the pieces, and they are amazing! Personally, I’m looking to score that black and gold limited edition dress.
Check it out the collection online: http://www.hm.com/us/
Here’s a little more info about the collaboration: http://www.hm.com/us/life/fashion/featured-fashion/2015/11/everything-you- need-to-know-about-balmain-x-hm

Tuskegee University Receives Four Paintings by Benny Andrews

By goodblacknews on November 1, 2015

Artist Benny Andrews
Artist Benny Andrews

Tuskegee University in Alabama received a donation of four paintings by the late artist Benny Andrews from the United Negro College Fund. The paintings have a value of more than $100,000.
Andrews is known as an abstract expressionist. Many of his works are images from his childhood in Georgia. Andrews died in 2001.
Grandmother's-Favorite3Brian L. Johnson, president of Tuskegee University, stated that the university “thanks both the UNCF and the Berry Andrews Foundation for this wonderful gift that will further enhance the university’s aesthetic, artistic, and cultural appeal to both students and visitors worldwide. I was Benny Andrews’ wish to share his artworks and legacy to inspire African American artists, art enthusiasts, and students around the country.”
Nene Humphrey, the artist’s widow and president of the Andrews Humphrey Family Foundation said “the placement of these artworks will enhance Benny Andrews’ legacy and provide an opportunity to educate new audiences about this work.”
article via jbhe.com

Online Entrepreneur Camille Newman Seeks to Revolutionize Fashion for Curvy Girls with PopUpPlus.com

By goodblacknews on November 1, 2015

Midnight Mock Neck Dress
Midnight Mock Neck Dress

It is a time old scenario, college girl meets hot guy, girl gets asked out on a date, girls goes to the mall and is unable to find anything to wear, as a result, girl creates her own business.
This is the true story of Camille Newman, founder of  the online plus-size boutique PopUpPlus.com.  Although the market of curvy women has gone largely ignored by the fashion world, today, this overlooked demographic is becoming increasingly popular and lucrative. According to Bloomberg, the plus-size industry is now valued at $17.5 billion. However, maverick and online entrepreneur Camille already knew the value of her curvy sisters and had her nose to the grindstone catering to this underserved market long before it became in vogue.
Eurweb had the pleasure to catch up with Camille Newman to discuss her online fashion boutique and why she feels most retailers are late guests to the curvy gal party.
Describe your background.
I graduated from college in 2002 with a liberal arts background.  I have always had a love for fashion and I’ve always been curvy.  I was actually on the path to a Ph.D. program, but I transitioned into corporate retail and moved back to New York City.  I started out with Lane Bryant and since then for a number of companies for a long amount of time. I’ve been in fashion for almost 15 years [overseeing] store management, pricing strategy, planning and buying.
How did you come up with the ideas to start your business?
While in college, I met this cute guy and he asked me out for a date.  My best friend and I went to the local mall and [we spent hours there]. I realized that I gained a lot of weight and I could not find anything to wear.  I remember feeling terrible. It was a real blow to my self-esteem. I promised myself that no other girl that was my weight or heavier would ever feel like that.  That is how my interest in the plus size industry started.  I [thought of] a way to enter the industry with a low overhead and that’s how the idea for the pop up shop [was developed].
What are biggest misconceptions about plus-size women?
The biggest misconception is that we all have some insecurity, we overeat, and that we are unhappy and fat.  A plus-size woman is a regular girl with some extra weight on.  I’m saying we don’t have our challenges but I think our challenges [are increased] when you don’t see yourself being represented in the fashion industry. There are so many reasons why women gain weight. Many women have had children, they have issues with thyroids [which affects] a lot of African American women, which was my issue, it made me gain and keep the weight.  I have met plus size women who are fashionable and taking style risk.  Plus-size woman are have always been creative.  I met a lady who tailored maternity wear.  We have always been a creative group of fashionistas.
In your opinion, why these misconceptions continue to exist in our society?
Love Story Crop Set Black
Love Story Crop Set Black

On my Instagram, I will post a girl in a form fitting dress and people will have rude, nasty comments. “Oh my God look at her butt, yes she has shape wear on but why is she wearing that, [she should wear] something more flowing, [she should] cover [her] arms.” And the [July issue where] the Oprah Magazine article said that you can only wear a crop top if you have a flat stomach. I think we live in a society unfortunately, that fashion has been able to take over our minds and make you think that in order to be fashionable you have to be skinny, blonde, tall, and anorexic looking.
The reality is according to the United States Census 6 out of 10 women in the U.S. are a size 14 or larger. Yet, we allow the fashion industry to dictate our taste, but they shouldn’t be able to dictate what is good and real for a woman’s body. The fashion industry should not be allowed to perpetuate size-ism; they should not be allowed to make the majority of American woman feel bad about themselves.
What separates your company from other retailers that cater to the full-figure woman?

Alvin Ailey To Make its Feature Film Debut Today in Theaters Nationwide

By goodblacknews on October 22, 2015

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The Alvin Ailey American Dance Theater has been amazing audiences around the world since 1958. However, even after almost 60 years in business, it is still breaking ground as a modern dance company.
On Thursday, Oct. 22, Ailey will be debuting its first-ever feature film as part of the Lincoln Center at the Movies series, Great American Dance. In movie theaters nationwide, audiences will have the chance to watch the Ailey company perform some of its most classic, popular pieces like “Revelations,” “Takademe” choreographed by Robert Battle and “Grace” by Ronald K. Brown.
Hosted by Kelly Ripa and Michael Strahan, the film will also feature behind-the-scenes footage from shows and exclusive interviews with members of the company.
Considering that this is a one-night only affair, this event is the opportunity of a lifetime. The Ailey company is critically acclaimed for its brilliant choreography and innovative scores featuring some of the most loved and revered musicians in Black music including Duke Ellington, Roy Davis and Fela Kuti.  The entire show is performed to African-American spirituals, song-sermons, gospel songs and holy blues.
Interested? Check local listings (the show starts at 7 pm local time) here or here and check out the trailer below:
[youtube https://www.youtube.com/watch?v=kidmQA4Loqc&w=560&h=315]
article by Monique John via hellobeautiful.com

Kendrick Lamar Will Perform ‘To Pimp A Butterfly’ Songs At the Kennedy Center with the National Symphony Orchestra

By goodblacknews on September 30, 2015

Kendrick Lamar
Kendrick Lamar (photo via theurbandaily.com)

A live band rendition of To Pimp A Butterfly is in high demand, and you’d have to look no further than Kendrick Lamar‘s performances on Stephen Colbert‘s shows to know why.
Lamar has been performing cuts live with a backing track, but that changes for one day later in October. The star will perform To Pimp A Butterfly songs with the National Symphony Orchestra in Washington, D.C.’s Kennedy Center on October 20, according to the Washington Post. Nas performed with the orchestra last year to commemorate the 20th anniversary of Illmatic.
article by bjosephsny via theurbandaily.com

Mario Macilau, a Former "Street Child" in Mozambique, Becomes Top Photographer Through Exhibitions on Isolated Groups

By goodblacknews on September 9, 2015

As a boy, I dreamed of becoming a journalist. But then I got caught up with day-to-day troubles. When your life is full of worry it is like the future does not exist.
When I was about seven, my father left our home in a township near Maputo and travelled to South Africa to look for work. I was older than my sisters and had to help bring in some money. So I started to take my mother’s biscuits into town to sell in the market.
I got into doing odd jobs in the market – washing people’s cars and helping to carry their bags. Instead of going home, I often slept overnight in the market with my friends.

Showering by Mario Macilau
A boy washes himself with soap before a meeting with charity workers (Image copyright: Mario Macilau)

It wasn’t very safe. We had nowhere to keep anything, so we stole from one another. I got into some bad habits – minor criminality, but it was a question of survival. Dog eat dog.
My mother tried several times to send me to school but she just couldn’t afford the fees. But all this time I was learning – I read books, and through volunteering with NGOs I learned English.
When I was about 14, I borrowed a friend’s camera. I started to take photographs of my surroundings, documenting people from the townships as they travelled to the city to sell their things. They were black-and-white photos, which I developed in a darkroom I made in my mother’s house. I was teaching myself how to do things, practising whenever I could, but it was difficult for me to pay for the film and the chemicals.

Dreaming of Sunset by Mario Macilau
Street children live as nomads, moving from one point to the next with nothing but a little water and hand towels to wash cars. Macilau says they mostly sleep during the day because they are scared of night-time attacks by policemen, many of whom used to be street boys. (Image copyright: Mario Macilau)White line 10 pixels

My favourite photograph was taken near the township where I grew up early one morning. It was of a woman walking into town to sell cassava. She had her back to the camera and it was raining.

CULTURE: West Indian American Day Parade Comes Together One Costume at a Time

By goodblacknews on September 7, 2015
Karen Maynard putting the finishing touches on a headdress for Monday’s parade. (Credit: Michelle V. Agins/The New York Times) 

Reisha Maynard-Holder meticulously cut patterns for a collar out of foam rubber as a fan whirred in the sweltering heat. Next, she turned her attention to feathers, attaching them to the collars one at a time with a glue gun. It was another grueling evening in a monthslong effort to create some of the most elaborate and spectacular costumes seen on the streets of New York.

“These are our summers,” said Mrs. Maynard-Holder, one of hundreds of people who prepare the costumes worn in the West Indian American Day Parade, scheduled for Monday morning. More than 5,000 people were expected to take part in the parade, a tradition known as “playing mas.” And, over a million people are expected to gather on Eastern Parkway in Brooklyn for the event, which celebrates Caribbean culture with food and music. But the real stars of the parade are the bright array of costumes, visually stunning concoctions of feathers and beads, with headdresses often rising several feet in the air.

“The costumes are a symbol of the flair and vibrancy of the culture and demonstrate the pride of the Caribbean,” Jamell Henderson, spokesman for Karma Carnival NYC Band, said. “They are the centerpiece and main attraction.”

The “Heaven” costume. (Credit: Marlon Smart)

Making the costumes often begins a year in advance, shortly after the parade ends, with the bands — as the groups that participate are called — selecting themes in the fall and fabric samples in the spring. Fashion shows displaying prototypes are held in early summer, followed by production until Labor Day.

Black Victorian Photos Exhibit "Black Chronicles II" at Harvard University's Cooper Gallery Through December

By goodblacknews on September 6, 2015
BlackJonas-and-Xiniwe-Photo-Hi_6053
“We are not what we seem.” When the iconic novelist Richard Wright wrote those words, in 1940, he was describing the African-American experience. As a stunning new exhibit at Harvard University’s Ethelbert Cooper Gallery shows, the complexity of seeing and identity took its own twists on the other side of the Atlantic when the relatively new art of photography began producing images of people of color in Victorian England.
In more than 100 photographs, including a striking set that has been lost for more than 120 years, “Black Chronicles II” reveals a mash-up of racist imagery and cultural tropes that in many ways will be familiar to American viewers — and still often reveals the timeless humanity of the subjects.
Current issues of cultural identity and self-determination are at the fore of the exhibit, says gallery executive director Vera Grant, although the works themselves were largely made from 1862 to 1899. Curated by Renée Mussai and Mark Sealy of the London-based arts agency Autograph ABP, “Black Chronicles II” was produced through original research in private collections in the United Kingdom in collaboration with the Hulton Archive, London, a division of Getty Images. Part of a larger ongoing project called “The Missing Chapter,” it is the second in a series of exhibitions dedicated to excavating archives that began in 2011 with a small showcase done in collaboration with Magnum Photos in London.
570-Black_Peter Jackson Photo Hi
Despite the anonymity of many of its subjects (research is ongoing), “Black Chronicles II” reveals the complicated nature of life for people of color in Victorian England. Ndugu M’Hali, for example, came to the public’s attention as Kalulu, the boy servant of the explorer Sir Henry Morton Stanley. In this show, he is depicted several times, in both African and Western dress, a child between cultures.
A more formal series of small portraits — largely cartes de visites, or calling cards — opens the exhibit. These include images of Sarah Forbes Bonetta, a native of West Africa who was “given” to Queen Victoria as a slave and raised as her goddaughter. In two portraits from 1862, one with her husband, she appears the essence of a calm, well-dressed Victorian lady, despite her tragic history.

Architect Everett L. Fly and Historian Evelyn Brooks Higginbotham to Receive National Humanities Medals

By goodblacknews on September 6, 2015
photo of Everett L. Fly
Everett L. Fly (Photo by Rosalinda Fly)
Architect and preservationist Everett L. Fly, who in 1977 became the first African American to earn a master of landscape architecture degree from the Harvard Graduate School of Design (GSD), and Thomas Professor of history and of African and African American studies at Harvard Evelyn Brooks Higginbotham are among the 10 recipients of the 2014 National Humanities Medal announced yesterday.
The National Humanities Medal honors an individual or organization whose work has deepened the nation’s understanding of the human experience, broadened citizens’ engagement with history and literature or helped preserve and expand Americans’ access to cultural resources. Fly’s medal citation praises him:

for preserving the integrity of African-American places and landmarks. A landscape architect, Mr. Fly has worked tirelessly to win historical recognition for Eatonville, Florida, Nicodemus, Kansas, and other sites central to African-American history, preserving an important part of our broader American heritage.

Higginbotham’s citation honors her:

for illuminating the African-American journey. In her writings and edited volumes, Dr. Higginbotham has traced the course of African-American progress, and deepened our understanding of the American story.

According to the biography of Fly provided by the NEH, when he noticed that his GSD classes rarely mentioned buildings and places significant to African-American culture and heritage, he began a career-long study of the origin and evolution of historic black settlements in America. Ever since, he has been unearthing and saving historically significant but forgotten or unrecognized Native- and African-American settlements, more than 1,200 to date. “If we want our American cities to be healthy and sustain them in the future,” he says, “we have to find ways to value not just new office buildings and developers that have the most money and political clout. You find collective history in places where everyday people worked and made contributions that are just as valuable as a big businessperson or landowner. If you can find those connections to their history, people can have a closer relationship to their community.”

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Evelyn Brooks Higginbotham (Photo via of Harvard University)

Higginbotham “knew from childhood” that she “wanted to teach, research, and write about the history of African Americans,” according to her biographical sketch. She moved from learning the stories of her family’s history to uncovering and sharing the stories of “individuals, groups, and institutions left out of the traditional American narrative” through her own works and as editor in chief of The Harvard Guide to African-American History and as co-editor of the 12-volume African American National Biography.
At Harvard, she has also fostered social engagement among students in the department of African and African American studies, seeking “a curriculum that said you could be socially responsible and engaged, and yet still be intellectually rigorous—that those two things could be wed together.”
Higginbotham and Fly will receive their medals from President Obama in a White House ceremony on September 10, as the National Endowment for the Humanities (NEH) enters its golden anniversary year.
article by Jean Martin via harvardmagazine.com

THEATER: "Fall of The Kings" by Mai Sennaar Opens Tonight at Historic Andrew Freedman Home in the Bronx

By goodblacknews on September 5, 2015

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Bronx, NY – Designated as a New York City Historic Landmark, the Andrew Freedman Home, a vibrant location for arts and culture, is revitalizing the artistic landscape of the Bronx, New York.  On September 5, New York University alumni and producer Walter E. Puryear will mount “The Fall of the Kings,” a new American drama set in the 1940s.
The play tells the story of an African-American heiress and her Caribbean (Cuban) husband fighting to sustain their family in the midst of an economic disaster.
Described by the New York Times as “exactly the sort of place…that contemporary arts dreams are made of” the venue carries an undeniable palatial air and encompasses over 100,000 square feet. Freedman, a millionaire, former owner of the New York Giants and financier of the city’s first subway lines, bequeathed funding to construct the Home in the 1920s as a luxurious residence for once-wealthy senior citizens.

Playwright Mai Sennaar (photo via baltimoresun.com)
Playwright Mai Sennaar (photo via baltimoresun.com)

The playwright, Mai Sennaar, is an alumna of the Tisch School of the Arts. She is a mentee of noted playwright and screenwriter Richard Wesley (The Mighty Gents, Broadway) and Broadway and film actress Novella Nelson. At the age of 19, Sennaar’s first play, “The Broken Window Theory,” was produced at the famed Nuyorican Poets’ Cafe starring Tony Award-winner Tonya Pinkins and directed by Tony Award-nominee Michele Shay.
“The Fall of the Kings” production crew includes choreographer, Dyane Harvey-Salaam, whose Broadway, film and television credits include: The Wiz (original stage and film versions) and the Spike Lee film “School Daze.”  Set designer, Christopher Cumberbatch’s work has appeared both in theatre and in the Spike Lee films, “Crooklyn” and “Malcolm X.” Composer Dianaruthe Wharton Sennaar is a founding member of Sweet Honey in the Rock and composer for Ntozake Shange’s Broadway hit “For Colored Girls…”  The award-winning, Grammy-nominated composer and trumpeter Christian Scott is a featured guest soloist on the play’s main theme.
“The Fall of the Kings” is an immersive theatre experience where the fourth wall crumbles and the story moves the audience through intimate rooms and enthralling portrayals, welcoming the audience right into the home and lives of the Kings.
“Kings” opens today, September 5 at 8pm, with performances running through November 1st.  Tickets range from $30-$45. Discounts are available for groups, Bronx residents, seniors, and students. Exclusive Bed & Breakfast and Bus trip packages are also available.
For tickets and information: www.thefallofthekings.com
article by Lori Lakin Hutcherson (follow @lakinhutcherson)