NEW ORLEANS (AP) — A white Steinway grand piano salvaged from musician Fats Domino’s home after Hurricane Katrina has been restored and will be the centerpiece of an exhibit in New Orleans’ French Quarter. The piano was damaged after water poured through a broken levee during the August 2005 storm, flooding Domino’s home in the Lower 9th Ward. Its restoration came through $30,000 donated to the Louisiana Museum Foundation.
The largest gift of $18,000 came from Allan Slaight, a retired music producer in Miami. Other donations came from Sir Paul McCartney, the Rock & Roll Hall of Fame and the Tipitina’s Foundation. The piano was to be unveiled Thursday at the Old U.S. Mint, now a museum in the French Quarter. It will be part of the Louisiana State Museum’s music exhibition opening in 2014 but separately will go on display at the Mint in June. A second Steinway piano belonging to Domino is on permanent display at the Presbytere Museum in the exhibition “Living with Hurricanes: Katrina and Beyond.”
“Fats Domino is a seminal figure in American music, and he will have a prominent place in the coming Louisiana music exhibit,” said Lt. Gov. Jay Dardenne, who oversees the Louisiana State Museum. “His beautiful grand piano, fully restored, will serve as the perfect symbol for Louisiana’s resilient nature and ever-evolving musical heritage.”
Born in New Orleans in 1928, the pianist, singer and songwriter sold more than 65 million records between 1950 and 1963, made Billboard’s pop chart 77 times and its rhythm and blues chart 61 times. Katrina tore into Louisiana and Mississippi on Aug. 29, 2005. Flooding from storm surge and broken levees washed over an estimated 80 percent of New Orleans.
Copyright 2013 The Associated Press; article by Stacey Plaisance via thegrio.com
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African-Americans have little-to-no representation in the technology sector, especially when it comes to dot-com businesses. Fortunately, William Michael Cunningham has created a platform specifically for African-Americans and women of all races.BlackCrowdFunding.net allows is a new crowdfunding platform that allows people to contribute to ventures created by African-Americans and/or women of all races.
In a recent interview with the Washington Post, Cunningham discussed the nature of his business. “Most people start a business by taking out loans on their houses or going to friends and family and raising money that way,” Cunningham said. “If you’re in a demographic where your housing wealth has been impacted significantly negatively, then that’s less of an option with respect to raising capital.”
Crowdfunding has been known to launch very successful projects, including the YouTube series “The Mis-Adventures of Awkward Black Girl.” Cunningham said that crowdfunding presents a more promising option. Incase you’re unfamiliar with the term crowdfunding, it’s a method by which an entrepreneur can raise money for his or her start-up online by collecting small investments or donations from a large number of people. “The idea is that crowdfunding is a tool that can be used to get resources to low to moderate income communities in way that we haven’t seen before,” Cunningham said.
The site already has a number of ventures seeking funding, including an education on identity theft, a boutique, a garden, and a pride t-shirt, and more.
article by Maria Lloyd via techyville.com
Attention tech entrepreneurs: If you’ve never heard of Kathryn Finney before, then pay attention; she is someone you should know. In fact, more importantly, if she knows you, she can be the best friend you’ve never had.
Known across the blogosphere as The Budget Fashionista, Finney is famous for teaching the fashion-conscious, but financially-challenged among us, how to look runway-ready for a fifth of the cost. The Yale epidemiology graduate started the blog in 2003, before the invention of WordPress, and after her husband, a web-developer at Victoria’s Secret, pointed out that her shopping was putting a crimp in their pocketbooks.
“When I started doing the Budget Fashionista I was newly married, living in Philadelphia. Knew no one, but my husband [who] worked a lot. I was shopping. I was bored. I was spending a lot of money,” says Finney, who previously worked as a research scientist, specializing in HIV/AIDS in women. “I’ve always been the flyest scientist. I went to India and didn’t bring any clothes in my suitcase so I could bring back fabrics.”
Budget Fashionista’s popularity grew tremendously. Finney scored a position as editor-at-large for BlogHer, was tapped as a regular fashion contributor for NBC’s Today show; became the first fashion blogger to receive a book deal from Random House, penning How To Be A Budget Fashionista: The Ultimate Guide to Looking Fabulous for Less; and even moved to Los Angeles to begin working on a television show.
Right now, you might be wondering what fashion blogging has to do with the innovation economy. Well, the television show never came to fruition. After everything had been negotiated, the title cards were complete, and only the word Action! was left, Finney’s decided not to pursue a career in entertainment. She felt a deeper calling was still ahead for her in technology.
Now, Natalie and Derrica Wilson (pictured from left), co-founders of the Black and Missing Foundation, need your help. In an effort to continue raising money to continue their important work, the Black and Missing Foundation is hosting its first 5k run/walk fund-raiser on May 25th in Ft. Washington, Md.
The Hope Without Boundaries 5k, presented by the National Child Identification Program, will allow Natalie and Derrica to continue to help African Americans find their missing loved ones safe and sound. And even in cases where the news is not good, they still are able to provide families with some sense of closure so they aren’t left forever wondering what happened to their loved one.
The work they do is invaluable to those whose loved one has just gone missing, especially since the statistics are discouraging.
While Blacks only make up 13 percent of the country’s population, they make up more than 33 percent of those reported missing in the FBI’s database. According to the National Crime Information Center, there were almost 30,000 active missing persons cases in the country.
Blacks make up almost 12,000 of those cases or about 40 percent. Of the 173 Amber alerts in 2010, 30 percent were for African-American children.
After seeing the lack of attention that some missing African Americans receive in the media, Natalie and Derrica have set out to make change. Using Derrica’s law enforcement background and Natalie’s public relations and marketing background, the two women, along with countless volunteers, have been able to put African-American missing cases front and center.
“Through our personal funding and donations we maintain an online clearinghouse. In addition, we provide support to the families of the missing with flyer distribution, financial support, victim recovery, and burial service assistance,” said Natalie Wilson.
They’ve also been able to bring attention to the cases of missing African Americans by serving as spokespeople on news programs such as CNN.
But they need our support to keep on going.
“Black and Missing Foundation Inc. is hosting its first annual ‘Hope Without Boundaries’ 5K Run to bring awareness to missing persons of color and honor National Missing Children’s Day. We believe that awareness is vital in finding our missing or providing much needed closure for their families.,” said Derrica Wilson.
Testimonials, like this one from Goldia Coldon, whose daughter, Phoenix, went missing in 2011, show the important work the Black and Missing Foundation is accomplishing:
When my daughter, Phoenix Coldon, did not come home and had not called on Monday, December 19, 2011, after leaving our driveway on the previous afternoon (Sunday, December 18, 2011), I called several local television stations to get her face and missing situation before the local population. I had absolutely no success. I then designed my own flyer with pictures of Phoenix as well as her physical description and description of her vehicle that she was driving. I put that flyer on my personal Facebook page and sent it to everyone on my e-mail list.
Someone down the line gave Phoenix’s information to the Black and Missing Foundation that I had never heard about. Derrica Wilson called me, offered her assistance, and changed the entire process. She and Natalie designed a more professional flyer, listed Phoenix on their website, contacted not only local television stations but national stations and newspapers, and talked with me for hours while I talked about my beautiful Phoenix. They even just held the phone while I cried, sobbed, blew my nose, and cried some more.
I love both of them and am grateful beyond words for their help. I hope to meet them one day and give them a warm hug and kiss on the cheek. We have not found Phoenix yet, but I am more confident that we will find her soon as a result of the exposure that was afforded to Phoenix by the Black and Missing Foundation.
So if you want to be a part of the solution, visit the Hope Without Boundaries 5K site for more information.
article by Jeff Mays via newsone.com
Virginia Johnson, the artistic director of Dance Theater of Harlem, with her dancers, at an open rehearsal. (Andrea Mohin/The New York Times)
In the early days of Dance Theater of Harlem its members, charged with proving to the world that black dancers could master ballet, needed a certain pluck. “It was a group of young dancers that went out and carried their own lights and did lecture-demonstrations and started performing,” said Laveen Naidu, 45, the organization’s executive director.
That scrappy image has served Virginia Johnson well. The elegant artistic director of Dance Theater of Harlem — and its star ballerina for 28 years — Ms. Johnson, 63, was reminded of such humble beginnings last spring, when she held auditions for the rebirth of the company. (It had been forced to go on hiatus in 2004 when it announced its $2.3 million debt.) As Ms. Johnson put it, she had stars in her eyes. But she was in for a surprise.
“I was really shocked at how few African-Americans auditioned,” she said. “And that was the moment when we were looking in this room, and it was like, ‘No, but where are the black people?’ ”
She laughed, as she often does when describing a seemingly hopeless situation. “I thought about Arthur Mitchell with all the hodgepodge of dancers that came to him back in 1969 that he had to make into a company. I said, ‘O.K., it’s the same thing again, and this is great.’ It was actually more exciting than taking top-level dancers and making them into a company. It meant that we had to have that inner-grit thing going again.”
Dance Theater, formed by Mr. Mitchell and Karel Shook, took on the barrier-breaking mission of training and presenting black classical ballet dancers to the world. For years the company was more than a thriving, internationally touring troupe. It showed that ballet was no longer just a white domain. But then the company disappeared, leaving a gaping hole. One year off turned into nine; disillusionment set in. Now Dance Theater is making a comeback. Beginning Wednesday the company, lean at just 18 members from 44 in 2004, will perform at the Rose Theater at Jazz at Lincoln Center.