It’s no secret how much the Good Black News team loves and reveres Stevie Wonder, as we have been celebrating him throughout May with various tributes, posts and playlists on the main page and across our social media.
But today, on May 13, Stevie Wonder’s actual birthday, we want to offer you links to all things Stevie, like his official website, Instagram (which is playing Stevie music live all day!) and Twitter, the biography written about him, as well as the Wikipedia and Biography entries that encapsulate the his life and career in words and video.
But really, to know Stevie all you have to do is listen to his music, especially the songs that comprise the majority of his offerings to this world – album tracks never released as singles – aka Stevie Wonder’s Deep Cuts.
Our newest playlist is comprised solely of these songs, and arguably they are as moving and meaningful as his tunes that topped the charts.
In fact, many of these songs (“You and I,” “Too High,” “Bird of Beauty,” “Love’s In Need of Love Today,” “Rocket Love”) are more popular with Stevie stans than many of his global hits.
They are sequenced in chronological order (like our companion playlist of chart releases and hits “The Age of Wonder”) so the listener can hear the evolution of Stevie Wonder’s writing, production and sound. Enjoy – and Happy Birthday, Stevie! We love you!
Princeton Class of 2020 Valedictorian Nicholas Johnson (Photo by Lisa Festa, Princeton Center for Career Development)
Nicholas Johnson from Montreal, Canada, has been named valedictorian of Princeton’s Class of 2020, according to princeton.edu. becoming the first black person to earn that academic honor since Princeton was founded in 1746.
Princeton will hold a virtual commencement for the Class of 2020 on Sunday, May 31, 2020, in which Johnson will participate. An in-person ceremony will be held in May 2021.
Johnson said he appreciates the encouragement he has received at Princeton in developing his academic interests. The University’s support through opportunities including international internships and cultural immersion trips to Peru, Hong Kong and the United Kingdom were especially significant, Johnson said. But most of all, he treasures his relationships with his classmates.
“My favorite memories of my time at Princeton are memories of time spent with close friends and classmates engaging in stimulating discussions — often late at night — about our beliefs, the cultures and environments in which we were raised, the state of the world, and how we plan on contributing positively to it in our own unique way,” Johnson said.
Johnson plans to spend this summer interning as a hybrid quantitative researcher and software developer at the D. E. Shaw Group before beginning Ph.D. studies in operations research at the Massachusetts Institute of Technology in fall 2020.
His research has focused primarily on sequential decision-making under uncertainty, optimization, and the ethical considerations that must be made given the increasing role of algorithmic decision-making systems.
His senior thesis, “Sequential Stochastic Network Structure Optimization with Applications to Addressing Canada’s Obesity Epidemic,” focuses on developing high-performance, efficient algorithms to solve a network-based optimization problem that models a community-based preventative health intervention designed to curb the prevalence of obesity in Canada.
In addition to serving as a writing fellow at Princeton’s Writing Center, Johnson is editor of Tortoise: A Journal of Writing Pedagogy. He is also a member of the Princeton chapter of Engineers Without Borders and served as its co-president in 2018.
As a rising senior, Johnson worked as a software engineer in machine learning at Google’s California headquarters.
He previously interned at Oxford University’s Integrative Computational Biology and Machine Learning Group, developing and implementing a novel optimization technique. He presented the project at Princeton’s inaugural Day of Optimization in October 2018 and at the 25th Conference of African American Researchers in the Mathematical Sciences in June 2019, where his project was recognized with the Angela E. Grant Poster Award for Best Modeling.
So many generations have grown up listening to Stevie Wonder that people often refer to his music as “the soundtrack” to their lives.
Though his songs have appeared in countless movies over the decades, Stevie has also done literal soundtrack work during his career, contributing tracks and sometimes full albums worth of original music to over half a dozen movies.
Wonder even won an Original Song Academy Award for “I Just Called To Say I Love You,” his chart-topping hit from the 1984 movie “The Woman in Red.”
As Good Black News continues its month-long tribute to Stevie Wonder as he turns 70, Marlon West has compiled a new Spotify playlist celebrating Wonder’s unique contributions to cinema.
In Marlon’s words:
“STEVIE AT THE MOVIES is another playlist devoted to the talent and impact of Stevie Wonder his birthday month of May.
My love of moviemaking and Stevie Wonder’s music resulted in the playlist of his work for films. He’s written and contributed to songs for many movies including “The Outsiders,” “The Last Dragon,” “The Adventures Of Pinocchio” and “Rent.”
He has written and produced motion picture soundtracks for “The Secret Life of Plants,” (the full album title is “Stevie Wonder’s Journey Through The Secret Life of Plants”) “The Woman in Red” and “Jungle Fever.”
I have included a few Stevie Wonder “needle drops” from films like “Glory Road,” “Poetic Justice,” “The Thing,” “Dead Presidents,” “Almost Famous,” “High Fidelity,” and others.
I couldn’t resist including “Gangsta’s Paradise” from the Michelle Pfeiffer-starring film “Dangerous Minds,” which of course contains a sample of “Pastime Paradise” from 1976’s “Songs In The Key Of Life.”
As always, stay, sane, safe, and kind. Take care.”
Good Black News joins in the honoring and remembrance of the women who gave us life, nurtured and raised us, and also offered us solace, counsel and wisdom.
Many of us can’t be with the mothers or mother figures in our lives today in person due to the global COVID-19 crisis, but we are with you in voice, online and always – in spirit!
To all the mothers out there – be they Aunties, Grandmothers, Cousins or Friends – thank you for all you do!
Known by many as “The Architect of Rock and Roll,” Richard Wayne Penniman aka Little Richard, was a pioneer of the popular music that came to dominate in the 1950s and beyond.
With a fusion of blues, boogie woogie and gospel stylings, Little Richard helped create the sound that swept the United States and ultimately the world.
Songs like “Rip It Up,” “Long Tall Sally,” “Good Golly Miss Molly,” ‘Ready Teddy,”“Tutti Frutti” combined with his energetic, rousing performances helped Little Richard set the stage and the bar for any and all rock and R&B superstars that came after him. To quote a recent New York Times article, Little Richard offered “An Ecstasy You Couldn’t Refuse.”
In honor of his life’s work GBN Contributor Marlon West put together a Spotify playlist celebrating Little Richard.
In Marlon’s words:
“Vernon Reid Twittered this tribute to the late great, Little Richard:
“No Jimi, No Beatles No Bowie, No Bolan. NO GLAM, No Freddie, No Prince, No Elton, No Preston No Sly, No Stevie, WITHOUT Little Richard! They DON’T HAPPEN Without HIM BLAZING A TRAIL IN THE DARK.”
Little Richard’s talent and audaciousness was the springboard to so many. Here’s a collection of his music, and of a wide range of artists who he influenced greatly.
Little Richard was a standard-bearer for being whoever the eff you want.”
Stevie Wonder told us with his very first hit, ‘Fingertips,’ recorded when he was 12, that he was a harmonica master. Somehow, through all the genius songwriting, singing, production and keyboard innovation, we tend to forget about those harmonica skills.
But Stevie hasn’t.
His unmistakable harmonica blowing is right there, easy to find in such Stevie favorites throughout his career including ‘I Was Made to Love Her,’ ‘Isn’t She Lovely,’ ‘For Once In My Life,’ ‘That Girl,’ ‘We Can Work It Out,’ ‘Boogie On Reggae Woman,’ and even 1990s gems like ‘Treat Myself.’
Although he does play that Hohner Chromonica often on his own records, Wonder actually seems to utilize his harmonica skills most frequently as a means to collaborate with other artists.
From the 1960s to today, he’s played harmonica as a guest session man on over 150 songs from other artists. That’s more than 10 whole albums worth of additional Stevie-infused material!
To celebrate that part of Stevie’s career, today’s GBN Month of Stevie playlist is entitled “The Wonders of Stevie’s Harmonica,“ where we’ve amassed every Stevie Wonder harmonica guest appearance that we could find on Spotify into one huge list.
You’ll find a few famous hits – Chaka Khan’s ‘I Feel For You,’ Elton John’s ‘I Guess That’s Why They Call It The Blues,’ Sting’s ‘Brand New Day,’ R&B classics from DeBarge’s ‘Love Me In A Special Way’ to Jermaine Jackson’s smash ‘Let’s Get Serious’ (which Stevie also wrote and produced). And one of my personal favorites, the Eurythmics #1 UK hit ‘There Must Be An Angel (Playing With My Heart).’
And though he hasn’t released a full album of new work since 2005, Stevie Wonder has stayed relevant to the charts through these harmonica-based collabos. That’s Stevie’s harmonica on Drake’s ‘Take Care’ album – the #1 album of 2012.
He appears twice on the Mark Ronson 2015 album that contained the #1 song of that year, “Uptown Funk.” And just last year, that was Stevie’s harmonica again on rapper Travis Scott’s chart-topping album “AstroWorld.”
But going on Stevie Wonder’s harmonica journey through music takes you to more than just the top of the charts. One of the special things about being Stevie – a sonic force for nearly 60 years – is his wide-ranging love of music across all genres and generations, and his ability to play with all those people.
(photo via youtube.com)
While many associate the harmonica mostly with blues and folk sounds, Stevie takes the instrument to new places. To be expected, his harmonica is present in the work of his Motown compatriots from the Supremes to the Temptations to Smokey Robinson.
But he’s also played with the finest in rock music (Paul McCartney, James Taylor), popular standards (Barbra Streisand, Tony Bennett), world music (Sergio Mendes, Djavan), jazz (Robert Glasper, Herbie Hancock, Dizzy Gillespie), pop (NSync, 98 Degrees, Mariah Carey), hip hop (Drake, Snoop Dogg) and gospel (BeBe Winans, Andrae Crouch). (Stevie, of course, has also ventured into Broadway, but the version of Rent’s ‘Seasons of Love’ with his contributions isn’t available on Spotify. But you can hear it here.)
The list closes with another personal favorite, this one from Stevie’s own catalog – his harmonica infused take on the classical holiday piece ‘Ave Maria’ – written in 1825 and sung primarily by opera singers through the centuries.
The 45-second harmonica solo here is simple and majestic, and completely at home within a classical music space, something I think only Stevie Wonder could achieve with this instrument.
Come take a ride on Stevie’s harmonica highway – and listen out for that unmistakable sound. As with most musical adventures, we hope you will find something unexpectedly nice along with way.
Special thank you – assembling this playlist wouldn’t have been easily possible without the massive amounts of information on the fan website www.steviewonder.org.uk .
And, posthumously, the one and only Ida B. Wells was awarded a special citation for her reporting on lynchings in the late-19th and early 20th century.
The Pulitzer Prize awards were established in 1917 through money provided in the will of Joseph Pulitzer, who had made his fortune as a newspaper publisher. The Pulitzers are given yearly in twenty-one categories. In twenty of the categories, each winner receives a certificate and a US $15,000 cash award. The winner in the public service category is awarded a gold medal.
With his win for “The Nickel Boys,” Colson Whitehead becomes the fourth fiction writer to win the prize two times (Booth Tarkington, William Faulkner and John Updike are the other three) and the first African American writer to pull off that feat.
Nikole Hannah-Jones, a writer at The New York Times Magazine, (whose Twitter handle, btw, is Ida Bae Wells, an homage to the woman who serendipitously was also honored by Pulitzer this year), mixed U.S. history and personal anecdote in her essay for the “The 1619 Project,” which worked to re-center the contributions of African-Americans, including enslaved people, to American history.
Hip hop artist D-Nice has brought joy to hundreds of thousands of people by DJ’ing viral quarantine parties on Instagram Live since March. According to Revolt, D-Nice is now planning to do the same for high school seniors across the country who won’t be able to attend their physical prom this year due to COVID-19.
D-Nice is teaming up with the social app Houseparty to throw a virtual prom for the Class of 2020. The House Party Prom will take place from 8 to 10 pm ET on May 7.
According to AJC, the teens can choose their musical theme, take prom photos and dance all from the safety of their own homes.
Before starting “Club Quarantine,” D-Nice started his career as a member of Boogie Down Productions alongside KRS-One, Lee Smith and the late Scott La Rock. He soon went solo and dropped albums such as To Tha Rescue and Call Me D-Nice.
Back in March, he came up with the idea to play music on Instagram Live for some friends and a few hundred people. As he continued to host the parties, he noticed that his numbers on Live began to grow tremendously. Everyone from Diddy to Michelle Obama made appearances at “Club Quarantine.”
Once the pandemic ends, he wants to be able to take his parties across the country. He has cities such as New York, Miami, Los Angeles and Atlanta in mind.
“Once we’re able to be able to be together again, I want to pick three cities to actually do a ‘Club Quarantine’ party live,” he told Rolling Stone last month. “Play that same vibe and celebrate with the same people we’ve been celebrating with virtually. Just to be able to see them face-to-face, play that music and feel that bass, that’s the ultimate goal that I have.”
“I’m thrilled to take part in Good Black News’ monthlong celebration of Stevland Hardaway Morris aka Stevie Wonder’s 70th Birthday.
My first offering is this collection of him performing covers and standards. Stevie Wonder’s songs have provided the soundtrack to our lives. Though he has been able to make so many other songs “his own.”
Starting with his childhood idol, Ray Charles, here’s a collection of songs by a wide-ranging batch of artists including Marvin Gaye, The Beatles, Cher, B.B. King, GlennMiller, The Doors, The Supremes and so many others.
Do enjoy. Stay safe, you all and “see” ya next week! Take care!!”
Washington State Supreme Court Justice Grace Helen Whitener (photo via them.us)
Washington Governor Jay Inslee appointed Judge Grace Helen Whitener to the Washington State Supreme Court this April.
Whitener, who is originally from Trinidad, gay, and has a disability, also became Washington’s first black immigrant state justice. To quote her:
Being a black, gay, female, immigrant, disabled judge … my perspective is a little different.
According to Gov. Inslee’s Medium page, Whitener has been a judicial officer since 2013. From 2013 to 2015, she served as a judge on the Board of Industrial Insurance Appeals.
Inslee then appointed her to the Pierce County Superior Court in 2015, where she has worked as a judge for over five years, retaining her seat in a 2015 election and winning re-election to a full term in 2016. Before becoming a judge, Whitener litigated criminal cases for 14 years as both a prosecutor and defense attorney.
“I think my background is so diverse and so varied that I represent just about every type of individual that could possibly come before the court,” Whitener said in Washington’s Daily Record News upon her appointment to the bench.
“As far as equity and inclusion, it does not matter where you are, or who you’re dealing with. What we are to be concerned about is the impact our actions have on others and that has always been my focus and I hope I can continue doing that.”
Whitener is known for her commitment to justice and equity. She serves as co-chair of the Washington State Minority and Justice Commission and as a member of the Civil Legal Aid Oversight Committee.
Last year, Whitener was awarded the Washington State Bar Association’s C.Z. Smith Excellence in Diversity and Inclusion Award, the King County Washington Women Lawyers President Award, the Tacoma-Pierce County Bar Association’s Diversity Award and the Seattle University School of Law’s Woman of the Year Award.
“Judge Whitener inspires lawyers and non-lawyers alike with her relentless work to raise awareness for matters of race, justice and equity,” Inslee said. “She is tireless in her commitment to building a justice system that works for all, and as a Supreme Court justice, she will have an even greater platform to promote justice for everyone in Washington state. I am very pleased to appoint her to this bench and I look forward to her many contributions to our state for years to come.”
Whitener is originally from Trinidad and moved to the United States as a teenager to attend college. She earned her bachelor’s degree from Baruch College in New York and her law degree from Seattle University School of Law.
His unmistakable harmonica blowing is right there, easy to find in such Stevie favorites throughout his career including ‘I Was Made to Love Her,’ ‘Isn’t She Lovely,’ ‘For Once In My Life,’ ‘That Girl,’ ‘We Can Work It Out,’ ‘Boogie On Reggae Woman,’ and even 1990s gems like ‘Treat Myself.’
With his win for “The Nickel Boys,” Colson Whitehead becomes the fourth fiction writer to win the prize two times (Booth Tarkington, William Faulkner and John Updike are the other three) and the first African American writer to pull off that feat.
