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"Straight Outta Compton" Debuts to Scorching $56.1 Million to Top Weekend's Box Office

Straight Outta Compton
PHOTO COURTESY OF UNIVERSAL

Straight Outta Compton” may take place more than two decades ago, but its themes of racial tension, poverty and police brutality still speak to moviegoers living in a post-Ferguson world.
The biopic about rap group N.W.A. debuted to a blistering $56.1 million this weekend in 2,757 theaters, surpassing “American Pie 2” to become the biggest-ever August debut for an R-rated movie. It’s the kind of opening usually reserved for so-called tentpole movies that trade in costumed heroes and special effects, not urban violence.
“The movie tapped into something in our culture and that made it more of a must-see,” said Phil Contrino, vice president and chief analyst at BoxOffice.com.
Its debut nearly doubles “Straight Outta Compton’s” budget of $29 million in a single weekend, meaning the film could be among the most profitable releases of the summer. N.W.A members Ice Cube and Dr. Dre helped produce the film about the early days of gansta rap and were integral to its marketing campaign.
Universal, the studio behind the music biopic, has been having a year for the ages, as a steady stream of hits such as “Jurassic World,” “Fifty Shades of Grey,” “Pitch Perfect 2,”  “Furious 7” and “Minions” have pushed its grosses to record heights. Legendary Pictures co-financed “Straight Outta Compton.”
“Straight Outta Compton’s” success overshadowed the weekend’s other new release, Warner Bros.’ “The Man From U.N.C.L.E.” The stylish action-adventure wilted at the megaplexes, bringing in an etiolated $13.5 million from 3,638 theaters. That’s a particularly rough start considering that “The Man From U.N.C.L.E.” cost a sizable $75 million to produce.
Universal domestic distribution chief Nick Carpou labeled “Straight Outta Compton” as a “labor of love” that benefited from being dramatically different from the kind of films flooding cinemas in recent months.
“The public was ready for something with a bit more substance that they could identify with,” he said.
The film’s opening weekend crowd was 52% female, 51% under the age of 30, 46% African-American, 23% Caucasian, 21% Hispanic and 4% Asian. It did not play in Imax or 3D, but did score in premium large format locations, where it grossed $5.1 million, representing 9% of the film’s weekend receipts.
In second place, Paramount’s “Mission: Impossible – Rogue Nation” continued to get a lift from strong word-of-mouth, picking up $17 million in its third weekend. That brings the fifth film in the spy franchise’s North American haul to $138.1 million.
Fox’s “Fantastic Four” dropped steeply in its second weekend, falling nearly 70% from its debut and mustering a paltry $8 million. The film ranks as one of the biggest comicbook movie flops in history, having earned a meagre $42 million Stateside.
STX Entertainment’s “The Gift” rounded out the top five, earning $6.5 million this weekend and pushing its domestic total to $23.6 million.
Final numbers are still being tallied, but it looks as though “Straight Outta Compton” will bolster ticket sales over the year-ago period when “Teenage Mutant Ninja Turtles” and “Guardians of the Galaxy” were drawing the biggest crowds.
article by Brett Lang via Variety.com

R.I.P. Civil Rights Movement Activist, SNCC Leader and former NAACP Chairman Julian Bond

Julian Bond at the N.A.A.C.P.’s annual convention in 2007. CreditPaul Sancya/Associated Press 

Julian Bond, a former chairman of the National Association for the Advancement of Colored People, a charismatic figure of the 1960s civil rights movement, a lightning rod of the anti-Vietnam War campaign and a lifelong champion of equal rights for minorities, died on Saturday night, according to the Southern Poverty Law Center. He was 75.

Mr. Bond died in Fort Walton Beach, Fla., after a brief illness, the center said in a statement Sunday morning.

He was one of the original leaders of the Student Nonviolent Coordinating Committee (SNCC) while he was a student at Morehouse College in Atlanta.

He moved from the militancy of the student group to the top leadership of the establishmentarian N.A.A.C.P. Along the way, he was a writer, poet, television commentator, lecturer, college teacher, and persistent opponent of the stubborn remnants of white supremacy.

He also served for 20 years in the Georgia Legislature, mostly in conspicuous isolation from white colleagues who saw him as an interloper and a rabble-rouser.

Mr. Bond’s wit, cool personality and youthful face became familiar to millions of television viewers during the 1960s and 1970s. He attracted adjectives — dashing, handsome, urbane — the way some people attract money.

On the strength of his personality and quick intellect, he moved to the center of the civil rights action in Atlanta, the unofficial capital of the movement, at the height of the struggle for racial equality in the early 1960s.

Moving beyond demonstrations, he became a founder, with Morris Dees, of the Southern Poverty Law Center, a legal advocacy organization in Montgomery, Ala. Mr. Bond was its president from 1971 to 1979 and remained on its board for the rest of his life.

When he was elected to the Georgia House of Representatives in 1965 — along with seven other black members — furious white members of the House refused to let him take his seat, accusing him of disloyalty. He was already well known because of the Student Nonviolent Coordinating Committee’s stand against the United States’ involvement in the Vietnam War.

That touched off a national drama that ended in 1966, when the Supreme Court in a unanimous decision ordered the legislature to seat him, saying it had denied him freedom of speech.

He went on to serve 20 years in the two houses of the legislature. As a lawmaker, he sponsored bills to establish a sickle cell anemia testing program and to provide low-interest home loans to low-income Georgians. He also helped create a majority-black congressional district in Atlanta.

He left the State Senate in 1986 after six terms to run for that seat in the United States House. He lost a bitter contest to his old friend John Lewis, a fellow founder of S.N.C.C. and its longtime chairman. The two men, for all their earlier closeness in the rights movement, represented opposite poles of African-American life in the South: Mr. Lewis was the son of an sharecropper; Mr. Bond was the son of a college president.

In a statement Sunday, President Obama called Mr. Bond “a hero and, I’m privileged to say, a friend.”

Tyrese Paying For Compton Student Lorenzo Murphy’s Morehouse Tuition

Rev Run, Zo the Motivator and Tyrese (photo via Instagram)
Rev Run, Zo the Motivator and Tyrese (photo via Instagram)

Singer and actor Tyrese Gibson recently made headlines when he offered to pay a young man’s Morehouse College tuition; an act that was graciously accepted by 21-year-old Lorenzo Murphy, also known as the popular Instagram personality “Zo the Motivator.”
Gibson, who is coming off the heels of his own good news (his newest album is steadily climbing the charts) took to Instagram to explain the good deed, citing inspiration from famous radio host Tom Joyner’s foundation, which supports HBCU scholarships.

Comedy Series "The Things We Do For Love" Starring Alfonso Ribeiro and Tamera Mowry-Housely Debuts Today on UrbanMovieChannel.com

THINGS WE DO FOR LOVE


On Friday, August 14, 2015, Urban Movie Channel debuts its first streaming sitcom.
Directed by and starring Alfonso RibeiroThe Things We Do For Love also stars Tamera Mowry-Housley and the late James Avery, who won our hearts as Uncle Phil on “The Fresh Prince of Bel-Air.”  The show centers on a recently married couple, Darren (Ribeiro) and Lourdes (Mowry-Housley) as they embark on life as newlyweds while sustaining a family-owned business. Once their zany in-laws (Avery and Maria Conchita Alonso), move in, their lives are forever changed.
The comedy is an exclusive release for the UMC Fall Out Fridays weekly programming, and you can watch The Things We Do For Love at UrbanMovieChannel.com free for 14 days to new subscribers.

Official Trailer:  https://youtu.be/e8spZLEIvWA 

“Be My Baby Daddy” Trailer:  https://youtu.be/dsC0RMzIgC0

“You’re Cut From The Team” Trailer:  https://youtu.be/Y3GjjR0AQK4
Urban Movie Channel is the first urban focused digital streaming channel devoted to the acquisition of feature films, comedy specials, stage plays, documentaries, music, and entertainment for the African American and urban audiences.  Access to the impressive on-demand streaming library is available with online from mobile devices, and on the Roku platform.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Marvel Announces New African-American Superhero "Moon Girl"

moon-girl-and-devil-dinosaur-cover

Black girl magic has just been further actualized with the new Marvel superhero Lunella Lafayette, who goes by Moon Girl.  Lafayette is a new take on a 1978 Marvel comic Devil Dinosaur that involved the adventures of a red Tyrannosaurus Rex and a young caveman-like boy known as Moon Boy. Today, Lafayatte may take over the Moon-child role but there’s nothing cave-ish about her. The new Moon Girl is an African American pre-teen genius.
Entertainment Weekly reports Moon Girl will be similar to an inspector gadget, but even more clever due to her “unpredictable alien DNA.”
Moon Girl and Devil Dinosaur were brought to life when Marvel’s team of creatives realized they did not have many books and characters that appealed to all age groups. The unlikely duo of dinosaur and girl genius will seek adventures across the concrete jungle of New York City.
“Generally, we’re skewing a little bit older with a lot of our titles and we wanted to create something that adults and kids could really love, like a Pixar feel. That’s where the tone jumped off for us,” said Emily Shaw, Marvel’s assistant editor.
However, it isn’t the age group we’re thrilled about – it’s the representation of a black girl superhero that has excitement over the new comic growing. Nancy Bustos, the artist behind the new superhero, spoke on her excitement of seeing the representation come to life.
moon-girl-and-devil-dinosaur
“It’s great to be a part of the creation of something which can mean something special to so many people,” said Bustos who is Afro-Brazilian, Chilean, and Spanish.
Bustos can relate to growing up with a lack of characters that looked like her, “I myself have come up against this dilemma of finding few or no cultural references, especially in Spain,” she noted.

OWN Promotes Jill Dickerson to Senior Vice President of Programming and Development

Jill Dickerson OWN
OWN Senior Vice President Jill Dickerson (Photo: COURTESY OF OWN)

OWN has promoted Jill Dickerson to senior vice president of programming and development, the cable channel announced Friday.
Dickerson has been serving as vice president of programming and marketing since 2009 and has worked on the OWN series “Welcome to Sweetie Pie’s,” “Flex & Shanice,” Deion’s Family Playbook” as well as Holly Robinson Peete and Rodney Peete’s upcoming “For Peete’s Sake” and the new primetime show featuring Rev Run and Tyrese Gibson. In her new role, she will continue to collaborate with producers in the development of nonfiction programming for OWN and supervise editorial management of outside production.
“We are thrilled to announce Jill Dickerson’s move up to the next level in her career as she has been integral to OWN’s success,” said OWN prexy Sheri Salata. “Jill is an exceptional team player and a seasoned pro who brings a wealth of experience in non-scripted television to our programming efforts.”
Dickerson has a strong background in the reality TV world and her previous credits include serving as consulting producer and head writer for the Sydney, Hollywood and Brooklyn seasons of MTV’s “The Real World.” She also was a series producer for TLC’s “Miami Ink,” supervising producer for the VH1 series “My Fair Brady,” and co-executive producer on “Venus & Serena: For Real.”
article by Whitney Frielander via variety.com

LeBron James Promises Full Scholarships to University of Akron for Local Kids Who Finish "I Promise" Program

Screen Shot 2015-08-14 at 10.08.49 AM
According to usatoday.com, NBA sensation LeBron James continued to give back to the city that raised him by announcing Thursday that he’d partnered with the University of Akron to provide guaranteed four-year scholarships for any children who complete his “I Promise” program via The LeBron James Family Foundation.
That’s currently a $38,000 value.


As of now, Akron and James’ foundation are still hammering out the exact criteria of the scholarships; for instance, students will have to graduate from a high school within Akron’s public school system, achieve certain standardized test scores, and fulfill a community service requirement.
For more information, go to: http://lebronjamesfamilyfoundation.org/page/akronipromise
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Bill from CA Senator Holly Mitchell to Bar Secret Grand Juries in Police Deadly Force Cases Signed into Law by Governor Jerry Brown

Both measures were part of a spate of proposals introduced by lawmakers earlier this year on police accountability; some of the more controversial bills dealing with body-worn cameras or reporting on use-of-force incidents have stalled in the Legislature.
Sen. Holly Mitchell (D-Los Angeles) offered the grand juries measure in response to high-profile incidents in Ferguson, Mo., and New York City, where grand juries declined to indict police officers for the deaths of Michael Brown and Eric Garner, respectively.
Mitchell said her bill, SB 227, would help make judicial proceedings more transparent and accountable. Los Angeles and Santa Clara counties already have opted not to use grand juries when an officer’s actions may have caused someone’s death.
“One doesn’t have to be a lawyer to understand why SB 227 makes sense,” Mitchell said in a statement.  “The use of the criminal grand jury process, and the refusal to indict as occurred in Ferguson and other communities of color, has fostered an atmosphere of suspicion that threatens to compromise our justice system.”
The measure was opposed by law enforcement groups, including the California Assn. of District Attorneys, which argued the grand jury system was a useful prosecutorial tool.

#GirlsCan: Soledad O’Brien Teams Up With Covergirl To Empower Young Women To Break Barriers (VIDEO)

Soledad O'Brien Partners with #GirlsCan for Cover Girl (photo via hollywoodreporter.com)
Soledad O’Brien Partners with #GirlsCan for Covergirl (photo via hollywoodreporter.com)

Covergirl has recently launched the second year of their #GirlsCan movement and celebrated it with a video series, produced by journalist and documentarian, Soledad O’Brien. This Covergirl program is a movement with a mission to empower young women to overcome barriers, break boundaries and be the next generation to rock the world!
“Women today are out there breaking barriers and setting records in all sectors of their lives but are still facing challenges that many people wouldn’t expect in the new millennium,” said Soledad O’ Brien. “We are so excited to work with Covergirl and share our series on how these courageous women are changing society. Their struggles are all real and relatable while their stories are inspiring.”
At a time when girls are preparing to go back to school and they, along with their mothers and fathers, are thinking about the future, Covergirl aims to inspire more women and girls to strive to make strides in areas where women are currently underrepresented, from technology and engineering, to media and sports, to entrepreneurship and beyond.
In the first year of #GirlsCan, as part of the $5 million-over-five-years donation, Covergirl collaborated with two non-profit partners to help impact change including Girls Who Code and Soledad O’Brien + Brad Raymond Starfish Foundation.
https://youtu.be/KhxwRpOuSls
O’Brien’s Covergirl video series features powerful stories of four women who have faced challenges, forged ahead and defied the odds to achieve their dreams, setting an example for many other women to follow. The pioneering women featured in the series include:
Covergirl Becky G, an inspiring young Latina rap star, who has broken through on the charts in a male-dominated industry.
Geena Rocero, a transgender woman who has not only graced the cover of top magazines and ads for fashion brands, but is also an entrepreneur with her own production company.
Tina Garnanez, a former female military veteran coping with PTSD, who fought for years in the military, where women make up just 15 percent of the population.
Rochelle Ballantyne, college student, and currently the closest female in the United States to achieving the chess title of “Master” —there are only 50 female masters out of 846 in the US!
The series is available to view on the COVERGIRL YouTube channel.
article by Danielle Young via hellobeautiful.com

Antoine Fuqua and Jerry Bruckheimer Team to Bring "Training Day" TV Series to CBS

Training Day TV Show CBS
Denzel Washington and Ethan Hawke in original “Training Day” (Photo: COURTESY OF WARNER BROS.)

According to Variety.com, CBS is producing a pilot based on the 2001 movie “Training Day,” which starred Denzel Washington and Ethan Hawke, and for which Washington won an Academy Award for Best Actor.  The television adaptation is set in the present-day Los Angeles Police Department, with the series picking up 15 years after the events of the Warner Bros. Pictures and Village Roadshow Pictures film.
The original “Training Day” movie director Antoine Fuqua is attached as director and executive producer for the series, and has teamed up with producer Jerry Bruckheimer  for the reboot.  Will Beall (“Gangster Squad,” “Castle”), a former LAPD detective, will write the pilot script, also serving as an executive producer.
“Training Day” followed a rookie cop (played by Hawke) who was paired with a rogue detective (Washington) on his first day on the job as a Los Angeles narcotics officer.
The television project will be produced by Jerry Bruckheimer Television, Fuqua Films and Warner Bros. TV for CBS.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)