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BHM 100*: Meet Robert Smalls, who Escaped Slavery by Commandeering a Confederate Boat, Captained That Same Boat for the Union Navy, and Became the 1st African-American Elected to U.S. Congress

[*This year marks the 100th anniversary since Dr. Carter G. Woodson, the “Father of Black History” founded Negro History Week in February 1926. Fifty years after that, President Gerald Ford officially recognized Black History Month. In 1986, Congress passed a law designating February as Black History Month across the U.S.]

Robert Smalls was the first Black man elected to U.S. Congress during Reconstruction, but of course his incredible story and accomplishments did not begin there. Smalls was born into slavey in 1839 in Beaufort, South Carolina and started his journey to national prominence by daring to escape slavery during the Civil War.

Smalls, like many other enslaved people, was made to work for the Confederate forces. Menial labor such as grave digging, cooking, digging trenches, etc. were the most common jobs, but some enslaved people were used in skilled labor positions. Smalls, who could navigate the waters in and around Charleston, was used to guide transport ships for the Confederate Navy.

On May 13, 1862, Smalls convinced several other enslaved people to help him commandeer a Confederate transport ship, the CSS Planter, in Charleston Harbor. Smalls, in a captain hat and using Confederate hand signals, sailed from Confederate-controlled waters to the U.S. Naval blockade. By doing so, Smalls gained freedom for himself, several other enslaved people and also for his family.

Illus. in: Harper’s Weekly, v. 6, 1862 June 14, p. 372. (via PICRYL Public Domain)

Smalls’ example of cunning and bravery helped convince President Abraham Lincoln to accept Black soldiers into the U.S. Army and Navy. Smalls became Captain of the same boat for the Union Navy and helped free enslaved peoples as he fought and outwitted the Confederate Navy several more times during the duration of the War.

Check out the PBS NewsHour video about this event:

After the South surrendered, Smalls returned to Beaufort, S.C. and purchased his enslaver’s house, which was seized by the Union in 1863. His enslaver sued to get it back, but lost in court to Smalls.

Smalls learned to read and write during this time, and after going into business to service the needs of freedmen, Smalls was elected to the State House of South Carolina. While there, Smalls authored state legislation to provide South Carolina with the first free and compulsory public school system in the United States. He also founded the Republican Party of South Carolina.

In 1874, Smalls was elected the first Black member of U.S. Congress. In backlash to his election, his opposers began gerrymandering across South Carolina to start tilting seats back to white men.

Conservative Southern Bourbon Democrats, who called themselves the Redeemers, also resorted to violence and election fraud to regain control of the South Carolina state legislature. As part of wide-ranging white efforts to reduce African-American political power, Smalls was charged and convicted of taking a bribe five years prior in connection with the awarding of a printing contract.

Smalls was pardoned as part of an agreement by which charges were also dropped against Democrats accused of election fraud. But the scandal took a political toll, and Smalls was defeated by Democrat George D. Tillman in the senate election in 1878, and again, narrowly, in 1880. Smalls successfully contested the 1880 result and regained the seat in 1882.

In 1884 he was elected to fill a seat in a different district. He was nominated for Senate but defeated by Wade Hampton in 1886. Smalls died of malaria and diabetes in 1915 at the age of 75 and was buried in his family’s plot in the churchyard of the Tabernacle Baptist Church in downtown Beaufort.

According to curators at the National Museum of African American History and Culture, Smalls’ family went on to be very successful, and there is a Robert Smalls lecture at the University of South Carolina every year.

The monument to Smalls in the churchyard is inscribed with a statement he made to the South Carolina legislature in 1895:

My race needs no special defense, for the past history of them in this country proves them to be the equal of any people anywhere. All they need is an equal chance in the battle of life.

To learn more about Robert Smalls, check out Be Free or Die by Cate Lineberry or Gullah Statesman: Robert Smalls, From Slavery to Congress 1839 to 1915 by Edward A. Miller, Jr.

BHM100*: Remembering Fannie Lou Hamer, the Mississippi Plantation Worker Jailed and Beaten for Trying to Vote; She Fought Back as a Civil Rights Activist, Organizer and Powerful Speaker

[*This year marks the 100th anniversary since Carter G. Woodson, the “Father of Black History” founded Negro History Week in February 1926. Fifty years after that, President Gerald Ford officially recognized Black History Month. In 1986, Congress passed a law officially designating February as Black History Month.]

“Sick and tired of being sick and tired” in the 1960s, Mississippi plantation worker Fannie Lou Hamer was fired, threatened by white supremacists, and beaten in police custody when she tried to vote and register others to do the same.

Fannie Lou Hamer (photo via PICRYL Creative Commons)

But Hamer would not be silenced. She worked with other activists in her church and volunteers from the Student Nonviolent Coordinating Committee (SNCC) to travel county to county to register other Black people to vote.

Hamer then formed the Mississippi Freedom Democratic Party and demanded to represent her state at the 1964 Democratic Convention. Hamer fought for voting rights, education rights, and economic rights (she formed the Freedom Farm Collective to fight for redistribution of wealth from usurious sharecropping) and even ran for Senate.

Although she wasn’t rich, traditionally educated or well-connected, Hamer was a grassroots leader who got involved – and stayed involved – because she believed to her core “Nobody’s free until everybody’s free.”

Hamer passed in 1977 after years of dealing with serious health issues, but her legacy as an outspoken and effective champion for equal rights will never be forgotten.

The documentary Fannie Lou Hamer’s America debuted on PBS in 2022 and can now be seen in full via WORLD Channel on YouTube.

To learn more about Fannie Lou Hamer, you can read her autobiography on snccdigital.org, read 2013’s The Speeches of Fannie Lou Hamer: To Tell It Like it Is, check out 2021’s Until I Am Free: Fannie Lou Hamer’s Enduring Message to America by Keisha N. Blain, This Little Light of Mine: The Life of Fannie Lou Hamer by Kay Mills or Walk With Me: A Biography of Fannie Lou Hamer by Kate Clifford Larson.

You can also watch clips of Hamer’s speeches on YouTube.

Sources:

MUSIC MONDAY: “Music Is The Weapon: The Essential Fela Kuti” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Bluesky: @marlonweststl.bsky.social Spotify: marlonwest)

Happy Music Monday! It’s your monthly Groove Agent back with another playlist on this Reverend Martin Luther King Holiday. Today we are celebrating the life and music of the legendary Fela Kuti.

He famously asserted “Music is the weapon. Music is the weapon of the future.” and some nearly 30 years after his death in 1997, his music is still inspiring generations.

Fela Kuti has been described as Malcolm X, James Brown, Bob Marley, Muhammad Ali, and Dr. King all rolled into one defiant package. All contemporary forms of Black music, from funk to hiphop, owe debt to the driving grooves of the Afrobeat genre that he created.

Fela recorded more than 60 albums and spent a lifetime fighting against political corruption in his homeland of Nigeria. He was in a decades-long cycle of recording music, being arrested and beaten for it, making a song  about that – REPEAT. In his homeland and around the world he was affectionately called “Black President.”

This collection was inspired by Jad Abumrad’s “Fela Kuti: Fear No Man” podcast. It’s a twelve- episode exploration of Fela Anikulapo-Kuti and an amazing deep dive into the life and legacy of the multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat.

Kuti endures as one of  the most important musical figures of the 20th century.

Please enjoy 9 hours of the essential works of the man often simply called: Fela!

Marlon West (photo courtesy Marlon West)

HOLIDAY MUSIC: “Groove Christmas 2025” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Bluesky: @marlonweststl.bsky.social Spotify: marlonwest)

Hello and Happy Holidays,

It’s your friend and selector, Marlon West, with another collection for GOOD BLACK NEWS. GROOVE CHRISTMAS 2025 is an eclectic mix of Christmas music, much of which was released this year.

This collection features favorites from Donny Hathaway, Nina Simone, Lou Rawls and John Legend, alongside recent releases by artists like Rebel Rae, Aloe Blacc, Alex Harris and CoCo Jones. I’ve also included selections from Duke Ellington’s classic 1960 “Nutcracker Suite” as a unifying thread.

I hope this seasonal collection introduces you to new classics and favorites to enjoy this year and beyond.

Please also feel free to dig into my earlier offerings, including “Soulful Christmas,” “Cool Yule: A Jazzy Christmas Playlist,” and “Christmas Around The World,” all of which are still available.

Have a wonderful Holiday Season. I will be back with another offering in January 2026.

Until then, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “The Crossroads: A Blues Halloween Playlist” (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Bluesky: @marlonweststl.bsky.social Spotify: marlonwest)

It’s Music Monday and Halloween here at Good Black News! It’s your friend and selector, the groove conductor, Marlon West. I’ve returned once more during this Season of the Witch with another collection.

I am just back from a screening and discussion with Ryan Coogler and part of his creative team behind SINNERS. It was the fifth viewing for me, in whole or in part.

I saw it opening day laser projected, two weeks later on 70mm IMAX, streamed it twice, once with a sista in the lower right corner offering Black ASL, and today a 70mm print projected at the Directors Guild of America‘s theater with a very diverse and reactive crowd early on a Sunday morning. I was delighted to run into our GBN Editor-In-Chief Lori Lakin Hutcherson and her mother at the same screening.

I came right home and started pecking a few words on this season’s music collection, The Crossroads: A Blues Halloween Playlist.

As any of you that enjoy my Music Monday playlist knows, I love me some Halloween. This is at least the fifth All-Hallows Eve collection I’ve done for Good Black News.

The cinematic juggernaut that is SINNERS is a good reminder of just how much the blues has dealt with scares both supernatural and real-world based.

From Robert Johnson’s mythic trip the the crossroads to Blind Willie Johnson’s “Dark Was The Night, Cold Was The Ground,” the blues has provided its share of eerie moments. Bo Diddley’s iconic ‘Who Do You Love” opens with following boasts:

I walked forty-seven miles of barbed wire
Used a cobra snake for a necktie
Got a brand new house on the roadside
Made from rattlesnake hide
Got a brand new chimney made on top
Made out of a human skull

Oh, that’s a Halloween song, all right! Howlin’ Wolf, Koko Taylor, RL Burnside, Norma Tanega, Gary Clark Jr., and so many more purveyors of the blues are present for this Halloween collection.

Whether your plans include handing out candy to hobgoblins of all ages, chillin’ with friends,  or kickin’ at home with that porch light out, here is another autumnal offer to enjoy during this Halloween Season.

Please enjoy this collection, and poke around for my others too:
(https://open.spotify.com/user/marlonwest)

See ya next month!

And as always, stay safe, sane, and kind!

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Dance Jazz” (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Bluesky: @marlonweststl.bsky.social Spotify: marlonwest)

Happy Music Monday, you all. I hope this missive finds you smiling and well. It’s your friend and selector, Marlon West, back again with a new collection of tasty tracks to enjoy today and all week long.

Not long ago I was chatting with a pal who doesn’t like jazz, because she can’t dance to it. While of course there was and is big band jazz created for dancing. What they were talking about was the kind of grooves that lovers of R&B, Soul, and Funk enjoy so much.

Being always up for a challenge I created this collection of Dance Jazz.

It features New Orleans brass bands, remixes of jazz standards, and collaborations with jazz musicians and hip hop artists.

You’ll find genre-bending musicians like Roy Ayers, Stanley Clarke, George Duke, and Herbie Hancock.

There are offerings of “Jukebox Jazz” created by Art Blakey, Lou Donaldson, Dorothy Ashby and others as a response to the more accessible and popular Rhythm and Blues of the 1960s.

Like all these GOOD BLACK NEWS collections, this one has have been fun to make.

Hope you will enjoy these shimmy-inducing jazz tracks. Stay tuned for some Halloween candy-slinging next month.

As always, stay safe, sane, and kind!

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Soulful Duets” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Bluesky: @marlonweststl.bsky.social Spotify: marlonwest)

Happy Music Monday! I hope this missive finds you smiling and well. It’s your musical motorist back again with a new collection to enjoy today and all week long.

Here’s over ten hours of duets and collaborations between artists of many styles.  From the rock and soul collabs of Mary J. Blige and U2 “One” and Jack White and Beyoncé’s “Don’t Hurt Yourself” to love ballads of Marvin Gaye & Tammi Terrell’s “Ain’t No Mountain High Enough” and Rick James and Teena Marie’s “Fire and Desire”, there are duets of all ilk.

There’s new tracks from Burna Boy and Shaboozey’s “Change Your Mind”, Alice Smith and Miles Caton’s “Last Time I Seen The Sun” and many more.

There are songs included like “Stand Back” by Stevie Nicks and “Why Should I Love You” by Kate Bush that have shadow arrangements and backing vocals by Prince.

The Roots have longstanding collaborators like Jill Scott and Bilal and they are represented on this playlist too.

There are so many wonderful duets out there I didn’t even get around to Jazz duets. So stay tuned for another playlist of Jazz collaborators coming to another Music Monday near you.

For now, please enjoy this collection of soul and rockin’ duets.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Fresh Reggae Tracks” Summer Playlist (LISTEN)

Happy Music Monday, you all. It’s your pal and selector, Marlon, back once more with a collection to brighten your month.

We are into July and for my money, a particularly good time to enjoy some sweet reggae music.

This “Fresh Reggae Tracks” playlist is devoted to new reggae. Many of these tracks were released this year, while others are from recent years. Reggae has always been infused with social change, love, and unity.

Today the genre is as vibrant and diverse than ever. This collection gathers roots, dancehall, dub, and hip hop to showcase range of artists and styles.

Aza Lineage, Lila Iké and Burna Boy are but a few of the artists featured in this collection. There are members of the Marley Family and emerging acts gathered here for your listening and dancing pleasure.

Do enjoy.

And always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Great Moments in Funk” aka Funk 101 (LISTEN)

Marlon West (photo courtesy Marlon West)

Born On This Day 100 Years Ago in 1925: Minister and Human Rights Activist El-Hajj Malik El-Shabazz (aka Malcolm X)

Born 100 years ago today as Malcolm Little on May 19, 1925 in Omaha, Nebraska and known primarily as Malcolm X,  El-Hajj Malik El-Shabazz‎ was an African-American minister for the Nation of Islam and a human rights activist who rose to national and international prominence in the 1960s.

He was a courageous advocate for the rights of Black Americans and Black people around the world, a man who indicted white America in the harshest terms for its crimes against Black Americans, and was one of the greatest and most influential African American activists and intelletuals in U.S. history.

The Autobiography of Malcolm X as told to Alex Haley and published in 1965, remains an important, seminal read/book/memoir/text to this day, and the Spike Lee-directed feature film Malcolm X  (1992) garnered critical acclaim as well as an Academy Award nomination for Denzel Washington.

To more fully appreciate the genius of this man, it pays to hear him speak for himself. Even if you just watch the first two minutes of the video below, you will have done yourself an immeasurable favor: