by Angela Helm via theroot.com
Samaria Rice, mother of Tamir Rice, the 12-year-old who was gunned down on a playground by an erratic “officer of the law” in 2014, is mending her heartbreak by opening a cultural center in the name of her son.
The Tamir Rice Afrocentric Cultural Center will honor Tamir’s legacy by operating as a place of refuge for black children in Cleveland, a space where they can participate in visual art, drama, music, as well as teaching them civics as well. “Nobody is talking about Tamir anymore in Cleveland,” said Samaria. “And that’s sad.”
Through the Tamir Rice Foundation, Samaria has already purchased a building for the center, and, in addition to serving the children’s artistic ambitions (Tamir, she said, loved to draw cartoons and make pottery), the young people who come through its doors will be mentored on how to “dissect and participate in political systems,” something the 41-year-old mother of three says she had to learn, after her son was killed as he played.
Rice has already faced opposition to opening the center, a baffling notion, given what she has been through, but according to a recent profile by the Cleveland Plain Dealer, someone recently put superglue in all of the locks on the 3,500-square-foot former newspaper building.
“I don’t pay no attention to them,” she said. “They can’t beat me for the simple fact that their child wasn’t killed by the state. I’m going to do it through the grace of God and I’m going to do it because the city of Cleveland gave me no choice but to do it as far as building my son’s legacy and keeping his legacy alive.”
Next month, Rice is throwing a “Sweet Sixteen” party for the birthday Tamir will never see. She seeks to raise $21,000 to help renovate the space, including new windows, and a stage for performances. She purchased the building in March for $162,680, using part of the $6 million settlement of the wrongful death suit she’d filed against the city and the two officers involved (none of whom faced a day in jail). The Plain Dealer reports that after lawyer’s fees and costs and payments to other relatives, Tamir’s estate was left with about $1.8 million.
Samaria Rice hopes to complete work and open the center in 2019.
Tickets for June 14 fundraiser at the Cleveland Museum of Art are $55 and contributions to the renovation are also being collected online.
To read full article, go to: https://www.theroot.com/samaria-rice-to-open-tamir-rice-cultural-center-for-cle-1826177821
Posts published by “goodblacknews”
by Lori Lakin Hutcherson (@lakinhutcherson)
According to the Chicago Sun Times, Starbucks Coffee announced a new policy yesterday that allows anyone to sit in its cafes or use its restrooms, even without buying anything. The new policy comes five weeks after two black men who hadn’t bought anything were arrested at a Philadelphia Starbucks. Company executives have said its previous policies were ambiguous, leaving decisions on whether people could sit in its stores or use the restroom up to store managers. Starbucks now says it has instructed workers to consider anyone who enters its stores a customer, “regardless of whether they make a purchase.”
The company said anyone can use its cafes, patios or restrooms, but noted workers should still call the police if someone is a safety threat. “We are committed to creating a culture of warmth and belonging where everyone is welcome,” Starbucks said in a statement.
The two men who were arrested April 12 in Philadelphia were awaiting a third person for a meeting. One of them was denied use of a restroom because he hadn’t bought anything. A worker called police, and the men, Rashon Nelson and Donte Robinson, were arrested. They spent hours in jail before they were released. The incident, video of which was posted on social media, was a major embarrassment for the coffee chain.
In response to the arrests, Starbucks plans to close more than 8,000 of its U.S. stores on May 29 for racial-bias training for its employees.The men who were arrested settled with Starbucks earlier this month for an undisclosed sum and an offer of a free college education. They also reached a deal with Philadelphia for a symbolic $1 each and a promise from city officials to set up a $200,000 program for young entrepreneurs.
by Lori Lakin Hutcherson (@lakinhutcherson)
Lorraine Vivian Hansberry, born May 19, 1930, was an award-winning playwright and activist. Her best known work, A Raisin in the Sun, was inspired by her family’s battle against racial and housing segregation in Chicago. She would have been 88 today.
Hansberry was the youngest of four children of Carl Hansberry, a successful real-estate broker, and Nannie Louise Perry, a school teacher. In 1938, her father bought a house in the Washington Park Subdivision of the South Side of Chicago, violating a restrictive covenant and incurring the wrath of many neighbors. The latter’s legal efforts to force the Hansberrys out culminated in the U.S. Supreme Court’s 1940 decision in Hansberry v. Lee, holding the restrictive covenant in the case contestable, though not inherently invalid.
Hansberry attended the University of Wisconsin–Madison, but left in 1950 to pursue her career as a writer in New York City, where she attended The New School. In 1951, she joined the staff of the black newspaper Freedom under the auspices of Paul Robeson, and worked with W. E. B. DuBois, whose office was in the same building. In 1953, she married Robert Nemiroff, a Jewish publisher, songwriter and political activist. She later joined the Daughters of Bilitis and contributed two letters to their magazine, The Ladder, in 1957 under her initials “LHN” that addressed feminism and homophobia. She separated from her husband at this time, but they continued to work together.
In 1959, Raisin In The Sun debuted, becoming the first play written by an African-American woman to be produced on Broadway. The 29-year-old author became the youngest American playwright and only the fifth woman to receive the New York Drama Critics Circle Award for Best Play. A Raisin in the Sun was revived on Broadway in 2004 and received a Tony Award nomination for Best Revival of a Play. The cast included Sean “P Diddy” Combs as Walter Lee Younger Jr., Phylicia Rashad (Tony Award-winner for Best Actress) and Audra McDonald (Tony Award-winner for Best Featured Actress). It was produced for television in 2008 with the same cast, garnering two NAACP Image Awards.
While many of her other writings were published in her lifetime – essays, articles, and the text for the Student Nonviolent Coordinating Committee (SNCC) book The Movement, the only other play of Hansberry’s given a contemporary production was The Sign in Sidney Brustein’s Window. The Sign in Sidney Brustein’s Window ran for 101 performances on Broadway and closed on January 12, 1965, the night she died after a battle with pancreatic cancer. Hansberry’s funeral was held in Harlem on January 15, 1965. Paul Robeson gave her eulogy. The presiding reverend, Eugene Callender, recited messages from James Baldwin and the Reverend Martin Luther King, Jr. which read: “Her creative ability and her profound grasp of the deep social issues confronting the world today will remain an inspiration to generations yet unborn.”
In January of this year, PBS aired an American Masters Documentary on Hansberry called “Sighted Eyes/Feeling Heart.” Check out the trailer below and check your local listings for upcoming showings.
Source: wikipedia.org
by Princess Gabbara via thegrio.com
To celebrate what would have been the 93rd birthday of black nationalist and leader ElHajj Malik El-Shabazz – better known as Malcolm X – activists, comrades and relatives are coming together to salute the Civil Rights leader’s contributions to the Black community on a global level. Malcolm X’s birthday still isn’t recognized as a national holiday in the U.S., but that hasn’t stopped New York City grassroots activists from recognizing May 19 as Malcolm X Day for the past 53 years.
This morning, a caravan of vehicles gathered at the corner of 126thStreet and Adam Clayton Powell Jr. Boulevard, and then made their way to Ferncliff Cemetery in Hartsdale, New York, where Malcolm X and his beloved wife, Betty Shabazz, are buried. Malcolm X’s sister and Organization of Afro-American Unity President Ella Collins started the 53-year-old tradition.
Later in the evening, Malcolm X’s daughters Ilyasah and Malaak Shabazz are expected to take the stage and reflect on the legacy of their parents at the Malcolm X & Dr. Betty Shabazz Educational and Memorial Center on Broadway, according to the Amsterdam News. Malcolm X was assassinated at age 39 on February 21, 1965, having been struck 16 times by a hail of bullets.
The King Center, the official living memorial dedicated to Martin Luther King Jr., commemorated Malcolm X’s birthday in a heartfelt tweet imploring revelers to celebrate the real icon, who, it says, was so much more than the villain the media and government tried to portray.
Today would have been #MalcolmX’s 93rd birthday. Media and government painted the picture they wanted you to see of this brilliant man. Read ‘The Autobiography of Malcolm X’ to know his true story. pic.twitter.com/W5Wbi1VRM3
— The Martin Luther King, Jr. Center (@TheKingCenter) May 19, 2018
Source: Happy Birthday, Malcolm X: our shining Black prince would have been 93
Ever since the sale at Sotheby’s on Wednesday night of “Past Times,” a monumental painting by Kerry James Marshall with a narrative centered on black experiences, many people have been speculating about which collector or museum might have placed the winning $21.1 million bid. The sale was an auction high for Mr. Marshall, and it was widely reported to be the most ever paid for the work of a living African-American artist.
On Thursday night, Jack Shainman, Mr. Marshall’s gallerist and dealer in New York, told The Times that the buyer was Sean Combs, the entrepreneur, fashionista, Grammy Award-winning record producer and subject of the documentary “Can’t Stop, Won’t Stop: A Bad Boy Story.”
“I know that this work has found a home in a collection with purpose and an eye toward preserving legacy — that of Sean Combs, and that means a lot,” said Mr. Shainman, who has represented Mr. Marshall since his first show at the gallery in 1993.
The dealer said Mr. Combs was introduced to the painter’s work by a friend and sometime musical collaborator, the hip-hop recording artist and record producer Swizz Beatz. Swizz Beatz is also an avid art collector with his wife, Alicia Keys. Mr. Combs viewed the painting at Sotheby’s before the sale.
To read more: https://www.nytimes.com/2018/05/18/arts/sean-combs-kerry-james-marshall.html
via ktva.com
Alaska Airlines marked a milestone on Mother’s Day, as one of its West Coast flights became the first to be flown by two black women.
Tara Wright, the captain of Flight 361 from San Francisco to Portland, stepped out of the cockpit to introduce herself and first officer Mallory Cave to passengers before their Boeing 737’s Sunday takeoff.
After mentioning that Sunday was Mother’s Day, as well as her father’s 80th birthday, Wright sprung her surprise in a Facebook video.
“Finally, you’re sharing a pretty interesting piece of Alaska Airlines history this morning,” she told passengers, who began bursting into applause. “You’ll be piloted by two female African-American pilots for the first time in the airline’s history.”
https://twitter.com/kimblackproud/status/996861581165285377?tfw_creator=newsone&tfw_site=newsone&ref_src=twsrc%5Etfw&ref_url=https%3A%2F%2Fnewsone.com%2F3800189%2Fblack-women-pilots-make-alaska-airlines-history%2F
Alaska Airlines – which was formed in a 1932 merger and took its current name in 1944 – subsequently shared Wright’s video to its Facebook page. Its post called the moment “history in the flying,” adding that Wright and Cave were following in the footsteps of Bessie Coleman — America’s first black woman to make a public flight in 1922.
Sunday’s flight has special relevance in the airline industry, where more than 72 percent of employees are white and 60 percent are male according to the federal Bureau of Labor Statistics. A 2015 breakdown of airline data from the bureaushowed even greater diversity issues among flight crews, in which 91 percent of airline pilots and 73 percent of flight attendants were white; just 9 percent of pilots were female, versus nearly 75 percent of flight attendants.
Airline officials declined to discuss details Thursday on the racial or gender diversity of its pilot corps, which includes nearly 2,000 pilots with Alaska and almost 840 more flying with Virgin America after it was acquired by Alaska in 2016.
by Cree B. McClellan via afropunk.com
Imagine if all the themes of an era were compacted in a sensory journey of rhythm, lyrical controversy, props, symbolism, and movement…. well Donald Glover has done it. His latest hit “This is America” is the whole package as it dissects the current state of a mixed nation under the tyrannical boots of discrimination, capitalism, and internalized stratification- and almost all his projects are collaborative, his work reaches volumes as it lets others shine.
One shinning contributor to the projects energy is the video’s choreographer: 23 year-old Sherrie Silver. Having danced for years, the Rwanda-born, England-bred creative initially gained traction for her “Afro-Dance” videos on Youtube, but after Glovers team reached out, her career took on a different weight.
She tells Interview: “The video is full of madness and reflects what’s going on in America and around the world right now. The kids and the choir are supposed to be the happy part of that, so there are two different worlds at the same time. Multiple parts of the video are meant to catch the viewer off-guard, with people smiling and enjoying themselves before it goes dark.”
The themes of this video, are the video- so for Silver it was important to speak to all aspects of Glovers message. By incorporating African dance like the South African ‘Gwara Gwara’, alongside Hip-Hop phenomenons like ‘Shoot’ or ‘Nae Nae’, she succeeds in illuminating the dichotomy of joy and pain- as it related to Pop Culture and its hidden state of affairs.
To read more: Meet the choreographer behind Childish Gambino’s ‘This Is America’ video | AFROPUNK
by Ramin Setoodeh via variety.com
Director Spike Lee received a six-minute standing ovation at the Cannes Film Festival after the Monday night premiere of his new drama “BlacKkKlansman.” The movie, which tells the true story of an undercover African-American detective (John David Washington) and his Jewish partner (Adam Driver) who team up to infiltrate Klu Klux Klan in 1979, is incredibly timely. It even ends with footage of Donald Trump refusing to condemn the actions of white nationalists during the deadly 2017 Charlottesville riot.
There are a lot of digs at the current president throughout ““BlacKkKlansman” — one KKK member talks about embracing an “America first” policy and the film makes parallels between the rise of Trump and the political ambitions of former Grand Wizard David Duke.
Lee walked the red carpet wearing brass knuckles from “Do the Right Thing,” which said “love” on one hand and “hate” on the other. He was joined by cast members Washington, Driver, Damaris Lewis, Jasper Paakkonen, Laura Harrier, Topher Grace, and Corey Hawkins.
To read more: ‘BlacKkKlansman’ Gets Standing Ovation at Cannes for Spike Lee – Variety
via newsone.com
Stevie Wonder’s birthday was Sunday, but it seems like the celebration has been under way since at least last week. And if he has his way, it won’t stop anytime soon.
The legendary soul singer who has a history of social activism recently offered up his opinions, and solutions, surrounding several contentious topics, including but definitely not limited to the sad state of affairs in the world.
To counter the widespread “confusion” and surge of hate around the globe, Wonder’s first order of business, he said, was to perform a series of “positive” shows, according to the Associated Press, which attended the Hollywood performance.
Donald Glover singing "Superstition" with Stevie Wonder last night at The Peppermint Club in L.A. Kelly Rowland, Jessie J on backup vocals. Wow. pic.twitter.com/ZhjF6O5a1w
— Marlow Stern (@MarlowNYC) May 10, 2018
“So much is going on in the world. And there is too much confusion,” Wonder said during the performance last Thursday. “The one thing we know for sure that we can celebrate is our life, our love and our music… The positive will win in the end.”
He also had an impromptu jam session with Donald Glover, the actor who also sings and raps as Childish Gambino. Wonder said he wanted to work with Glover for an upcoming album.
Source: Stevie Wonder Announces ‘Positive’ Concerts To Counter ‘Confusion,’ Like Kanye’s ‘Foolishness’
