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Documentary Film "Grabbing Back" Aims to Chronicle the Journeys of Black Women Running for U.S. Congress in 2018

By goodblacknews on May 26, 2018

Candidates Tamara Harris, Stephany Rose Spaulding and Tanzie Youngblood (photo via kickstarter.com)

by Lesa Lakin (@lesalakin)
Black women wanting to enact positive change is nothing new. But “Grabbing Back” is a particularly inspiring project given the recent uptick in African-American women’s political ambitions. Black women are showing up — exemplified when the nation witnessed the astounding turnout and overwhelming support of 98 percent of black female voters for Democrat Doug Jones, turning Alabama’s senate seat blue for the first time in twenty five years. Inspired by this historic move, filmmakers Pamela French, Shareen Anderson and Wendy Missan have turned their lens toward the powerful movement of African American women across the nation wanting to make a difference and a run for office.
This documentary is timely given the recently reported record number of black women running for office in Alabama and Stacey Abrams‘ historic Georgia Democratic Primary win for governor.
According to the Washington Post, nineteen black women hold seats in Congress, including one in the Senate. An additional two black women are non-voting delegates in the House. Three black women hold statewide offices, including lieutenant governors in Kentucky and New Jersey. And in 2017, voters in New Orleans and Charlotte made history by electing black women as mayor. A film chronicling the journey of African American women seeking office is certain to inspire.

“Grabbing Back” shadows Tanzie Youngblood, Tamara Harris and Rev. Dr. Stephany Rose Spaulding, three determined first-time congressional candidates from New Jersey and Colorado. Youngblood, a retired schoolteacher and widow, was motivated, like many women running today, by the present-day political climate and Hillary Clinton’s defeat. “With what’s going on now, I have to get involved,” Youngblood said. “People say things need to be done. I’m actually doing something.” Since she got off the sidelines and announced her congressional bid for New Jersey’s 2nd District, Youngblood has gained some serious recognition both from her constituents and the media; Tanzie was one of the “Avengers” on the Time Magazine’s January 2018 cover story. And in a recent Newsweek article, Youngblood explains one of her biggest challenges is getting her own party’s support, “I’ve been very loyal to this party, but I don’t feel the loyalty back. They don’t see the value in a candidate like me,” Youngblood said.
Like Youngblood, Tamara Harris who is running in New Jersey’s 11th district, says she “became severely concerned for our democracy. What I realized was that if I didn’t step up…the foundations that underpin the advocacy that I care about so much would be under attack and greatly at risk.” Harris brings a tremendous wealth of attributes to her candidacy as a children’s and family advocate and former businesswoman with international finance experience.
Rev. Dr. Stephany Rose Spaulding sees her run for office as yet another call to service. As an educator, a person of faith, and an active member of the community, Spaulding hopes to genuinely represent and serve her constituency to bring inclusion, innovation, and a voice to each person in Colorado’s Congressional District 5. The electrifying International Women’s March drew huge numbers of people and convinced her CO5 deserves a new, fresh representative who will be responsive to the unique needs and concerns of the people.
In addition to the three main candidates, “Grabbing Back” will season the film series with three other formidable women also seeking a seat at the table: Navy Veteran Pam Keith from Florida’s 18th District; Councilor Ayanna Pressley (who was first elected to the Boston City Council in 2009 and is the first woman of color ever elected to the Council) and Shion Fenty, a Republican from Virginia’s 4th District. The filmmakers feel that the story wouldn’t be fairly told without crossing the aisle to include a Republican candidate. Shion believes, “The 4th District deserves a representative in Washington who will fight to empower our communities and our families to chart their own path in achieving the lives they’ve envisioned for their families. That is why I am running for Congress.”

You don’t make progress by standing on the sidelines, whimpering and complaining. You make progress by implementing ideas. – Shirley Chisholm

It is fitting and not lost on the filmmakers that this year marks the 50th anniversary of Shirley Chisholm’s election to the House in 1968 as an “Unbought and Unbossed” reformer from Brooklyn. She was the first black woman elected to the United States Congress and she represented New York’s 12th Congressional District for seven terms from 1968 to 1983. In 1972, she announced her groundbreaking campaign for the Democratic presidential nomination. As the first black woman to run for president for a major political party, Chisholm was making history. While her bid for the top job at the White House was short-lived, the symbolism of her run is as powerful today as it was then. She was a pioneer for her generation, a woman of many firsts: the first African American Congresswoman, the first African American to run for President, and the first woman to run for the Democratic Party’s presidential nomination.
For more information about the project (and to see a great trailer for “Grabbing Back”) click here:
https://www.kickstarter.com/projects/grabbingback/grabbing-back-a-feature-documentary-film
This is a meaningful and inspiring project. We are looking forward to seeing it.

Meghan Markle, The Duchess of Sussex, Receives Her Own Coat of Arms

By goodblacknews on May 25, 2018
Coat of Arms
(Image copyright: KENSINGTON PALACE)

via bbc.com

A coat of arms created for the Duchess of Sussex that reflects her Californian background has been unveiled. It includes a shield containing the color blue, representing the Pacific Ocean, and rays, symbolising sunshine. The duchess worked closely with the College of Arms in London to create the design, Kensington Palace said. The lion supporting the shield relates to her husband, the Duke of Sussex, and dates back to the House of Stuart’s ascent to the throne in 1603.

The songbird supporting the shield on the right relates to the Duchess of Sussex. Traditionally wives of members of the Royal Family have two – one of their husband’s supporters on the shield and one relating to themselves. Beneath the shield is California’s state flower – the golden poppy – and Wintersweet, a flower that grows at Kensington Palace and was also depicted on the duchess’ wedding veil. The three quills illustrate the power of words and communication.
The duchess has also been assigned a coronet bearing fleurs-de-lys and strawberry leaves.

Meghan Markle arrives for the wedding ceremony to marry Prince Harry at St George's Chapel, Windsor Castle
Wintersweet also featured on the Duchess of Sussex’s wedding veil (Image copyright: PA)

Garter King of Arms Thomas Woodcock, who is based at the College of Arms said: “The Duchess of Sussex took a great interest in the design. Good heraldic design is nearly always simple and the Arms of The Duchess of Sussex stand well beside the historic beauty of the quartered British Royal Arms.”
“Heraldry as a means of identification has flourished in Europe for almost nine hundred years and is associated with both individual people and great corporate bodies such as cities, universities and, for instance, the livery companies in the City of London.”
Coats of arms date back to 12th Century and were traditionally worn over armour in tournaments so participants could identify their opponents.

Harvard Business School Senior Lecturer Paula A. Price to Join Macy’s, Inc. as Chief Financial Officer

By goodblacknews on May 25, 2018

New Macy’s Chief Financial Officer Paula A. Price (photo via theshelbyreport.com)

by Lori Lakin Hutcherson (@lakinhutcherson)
According to businesswire.com, Macy’s, Inc. (NYSE:M) recently announced that Paula A. Price will be appointed the national department store’s Chief Financial Officer, effective July 9, 2018.
Price will be responsible for leading the company’s finance, accounting, investor relations and internal audit functions. She will report to Jeff Gennette, Macy’s, Inc. chairman and chief executive officer, and will be based in New York. Price will succeed Karen Hoguet, who plans to retire at the end of the 2018 fiscal year. Ms. Hoguet will remain with Macy’s, Inc. in an advisory role to support the company during a transition period until February 2, 2019.
“I’m excited to have Paula join Macy’s, Inc. at such an important time for our business. She is an accomplished financial executive with an impressive breadth and depth of retail experience and will be a great addition to the team. Having led finance in a variety of complex and dynamic retail organizations, Paula’s insights and experience will serve Macy’s, Inc. well,” said Gennette.
Price joins Macy’s, Inc. with 30 years of finance experience primarily in retail and consumer-facing businesses. She is currently a full-time senior lecturer in the accounting and management unit at Harvard Business School, a role she has held since 2014.
According to the Wall Street Journal, Price also serves as a director on the board of consulting firm Accenture PLC, where she chairs the audit committee and is a member of the compensation committee. She is a director on the boards of Western Digital Corp., Blue Cross Blue Shield of Massachusetts and the Financial Guaranty Insurance Company. Ms. Price resigned from the board of Dollar General Corp. on May 17.  Before her stint at Ahold U.S.A. as CFO, Ms. Price was controller and chief accounting officer at CVS Caremark Corp.

Entertainers Tyrese, Da Brat and Ricky Smiley Vow to Buy Car for Corey Patrick, Alabama Teen Who Took Bus to His Graduation

By goodblacknews on May 25, 2018

Alabama Teen Corey Patrick (photo via ebony.com)

by Jessica Bennett via ebony.com
An Alabama teen was determined to obtain his high school diploma, despite the fact that his family doesn’t have a car. Images of Birmingham, AL teen Corey Patrick walking and taking the bus to his graduation have gone viral, with a few stars promising to buy the determined student new wheels for all of his hard work and dedication to his education.
Speaking to WBRC, Patrick revealed that his mom suggested he take the bus to his commencement since she had no way to get him there. “I told Corey, well the best thing to do is just get on the bus and we will work from there,” said Felicia White, Corey’s mother.
Patrick proceeded to pound the pavement and caught the bus in his graduation cap and gown, with the bus driver snapping photos of the young man that eventually spread all over the internet. His family eventually found a ride and met him at the school. “I had to do what was necessary for me to walk this year,” Patrick said.
His mother revealed that Corey was determined to graduate with his friends after moving to a new neighborhood. “Corey was getting up at 4:30 in the morning and had to be at the bus stop at 5:41 in the morning for the last year. Even when he would get out of school he couldn’t get from that side of town until 5:19 when the bus runs back over there. So he doesn’t make it back this way until about 6:30 or 7 o’clock.”
The Shade Room is now reporting Da Brat, Tyrese and Rickey Smiley have committed to buying the young man a new ride so he’ll never have to worry about making it to an important event again.

Meet 18 Candidates Leading the Historic Rise of Black Women Running for Office in Alabama

By goodblacknews on May 24, 2018
(Photo by Shaniqua Jarvis via glamour.com)

by Jamia Wilson (with reporting by Samantha Leach) via glamour.com

Before Black Panther celebrated the all-­female freedom fighters of Wakanda, real-life black women formed their own type of special-forces unit in Alabama. When a whopping 98 percent of African American women voters united behind Doug Jones, they were able to elect him as the first Democrat to represent Alabama in the U.S. Senate in more than 20 years. They didn’t just defeat Roy Moore; they rocked the political status quo.

They have no intention of stopping there.

An unprecedented groundswell of at least 70 black women have launched electoral campaigns across Alabama for local, state, and national offices in 2018, according to the nonprofit Emerge America, which trains women to run for office. While this echoes a national trend (the Black Women in Politics database lists 590 black female candidates across the country, 97 of them for federal seats), experts say the numbers in Alabama are particularly striking. From first-time hopefuls to seasoned veterans, twenty-somethings to sixty-somethings, women are lining up to disrupt the mostly white, mostly Republican old boys’ club in the state. (Only two black women are running as Republicans in Alabama this year, both for local seats, according to the state’s GOP office.) “African Americans are a quarter of the population here, yet they aren’t seeing their issues front and center,” says Rhonda Briggins, a co-founder of VoteRunLead and an Alabama native, “so they’ve decided to run themselves.”

Representative Terri Sewell, 53, who’s up for re-election this year, was the first black woman to represent Alabama in Congress when she was elected in 2011. “As a congressional intern during the late eighties, I remember walking the halls of the Capitol and not seeing many black women in any role, let alone as elected officials,” she says. “When I was first elected, making my voice heard as a black woman surrounded by older white men was a challenge. This year we’re proving the strength of our voice at the ballot box.”

Ironically, it was the election of a white guy—thanks to the record-breaking mobilization of black women—that motivated many of these candidates to jump into the race. “After so many black women carried Doug Jones over the threshold, I think more women across the state began to see our political power,” says Ashley Smith, 34, a Montgomery native running for district judge in Lowndes County.

Wendy Smooth, Ph.D., a political scientist at Ohio State University, agrees the high voter turnout in last December’s special election inspired black women candidates to tap into the political momentum. “There was this robust energy, and once energy like that has been released, it doesn’t go away,” she says. “And once women learn [how to] get a candidate elected into office, a lightbulb comes on and they say, ‘This isn’t that hard after all. I too can do this.’ ” But, she’s quick to point out, the uptick of black candidates in Alabama and beyond is not just reactionary. These candidates are building on a tradition of activism among black women that’s resulted in major social progress. They’ve done the work, using their coalition-based organizing methods, to fight voter suppression, help Barack Obama win the presidency, and change the game in the special elections. Running for political office is a key part of their strategy.

Briggins emphasizes that these women are making deliberate next steps in a larger blueprint for change, in both their communities and the country, noting how past seeds laid the groundwork for growth. “Women are primarily the workers behind the Alabama New South Coalition and Alabama Democratic Conference, organizations that, since the civil rights movement, have become the foundation of black political power in Alabama,” she says.

Obama Presidential Center Gets Green Light from Chicago City Council

By goodblacknews on May 24, 2018
The design for the Obama Presidential Center in Jackson Park was unveiled May 3, 2017 (photo via chicagotribune.com)

by Lolly Bowean via chicagotribune.com

Culminating a three-year campaign by the Obama Foundation, the Chicago City Council on Wednesday approved measures to allow construction of the Obama Presidential Center. The approval, which came on a 47-1 vote, means the foundation can move forward into federal reviews of the project with city support as a badge of endorsement.
No public comment was allowed during the council meeting, and aldermen discussed the matter for just over an hour — a contrast to the extended and heated debate last week during a Plan Commission hearing. Hundreds of residents, activists and leaders of cultural institutions testified both in favor of the presidential center and against it. The commission voted overwhelmingly in support, as did the Zoning Committee on Tuesday, which paved the way for Wednesday’s City Council vote.
The City Council decision was just another step in a long process. Besides the federal review — which is required because Jackson Park, the site of the center, is on the National Register of Historic Places — the foundation still must secure a formal long-term contract to lease Jackson Park from the city. The foundation already has hired a collective of construction firms to build the center, but they have to develop and hire a workforce.

Idris Elba to Direct, Produce, and Star in "Hunchback of Notre Dame" Adaptation for Netflix

By goodblacknews on May 23, 2018

Idris Elba

by Lori Lakin Hutcherson (@lakinhutcherson)
Get ready to suspend all disbelief and witness true acting talent, for, according to hollywoodreporter.com, Idris Elba has signed on to star as the Hunchback of Notre Dame for Netflix.
Golden Globe winner Elba will also direct and produce Hunchback under his Green Door production company, and will also be producing original music for the feature, which is being described as a “sonic and musical experience.”
The Hunchback of Notre Dame, a 19th century gothic romance novel originally written by Victor Hugo in 1831, follows Quasimodo, a hunchback, who tragically falls in love with the gypsy Esmeralda. Hunchback has been adapted to film more than seven times over the years, most notably the 1956 version starring Anthony Quinn and Gina Lollabrigida, and the 1996 Disney animated adaptation voiced by Tom Hulce and Demi Moore.
The Hunchback of Notre Dame is Elba’s latest foray into directing, having made his directorial debut this year with Sundance drama Yardie. He also created and will star and executive produce comedy Turn Up Charlie that was ordered straight-to-series by Netflix.
Michael Mitnick, the screenwriter of The Current War and The Giver, will write the modern day re-telling of the Victor Hugo classic. Fred Berger (La La Land) and Brian Kavanaugh-Jones (Midnight Special) will produce for Automatik, along with Elba and Green Door’s Ana Garanito.

‘Black-ish’ Creator Donates $1 Million to Clark Atlanta University for Kenya and Rainbow Barris Annual Scholarship Fund

By goodblacknews on May 23, 2018

Kenya Barris and Dr. Rainbow Barris (photo via @tharealrainbow Instagram)

via blackamericaweb.com
It is always nice to see celebrities reach back once they have “made it”.
This time around it is super producer and writer, Black-ish creator Kenya Barris, and his wife Dr. Rainbow Barris, who have awarded Clark Atlanta University (CAU) $1 million dollars.
The gift, which has been named the Kenya and Rainbow Barris Annual Scholarship Award, will go towards supporting students with a biology major and $500k dedicated to supporting mass media arts majors.
In addition to awarding this amazing gift, Barris received an honorary Doctorate of Humane Letters during CAU’s Commencement on May 21, 2018.

Stacey Abrams Wins Georgia Democratic Primary for Governor, Makes History

By goodblacknews on May 22, 2018

GA Democratic gubernatorial nominees Stacey Abrams (AP Photo/John Bazemore)

by Alice Truong via qz.com
Stacey Abrams made American history on Tuesday (May 22) when she won the Democratic primary for governor in Georgia, making her the first black female gubernatorial candidate nominated by a major party.
If she pulls off a victory in November against the Republican nominee, who will be decided in a runoff in July, the former state House minority leader will have a number of firsts to her name: the first female governor in Georgia, the first black governor of the state, and the first black woman elected governor in the US.
(Though she was not elected, Barbara Jordan in 1972 briefly served as the first female and first black governor of Texas when governor Preston Smith and lieutenant governor Ben Barnes were both out of the state on the same day.)
Abrams, of course, still faces an uphill battle in the deep South, which hasn’t elected an African-American governor since reconstruction. As the New York Times points out, she’ll need strong turnout from black voters to stand a chance in November. In Georgia, non-Hispanic white voters comprise 53% of the population and have traditionally voted in strong numbers.
“Tonight’s victory was only the beginning,” said Abrams in a Facebook post. “The road to November will be long and tough, but the next step is one we take together.”

Source: https://qz.com/1285911/stacey-abramss-georgia-victory-puts-the-us-closer-to-its-first-black-female-governor/

"Betty: They Say I’m Different" Documentary About Funk Music Pioneer Betty Davis to Premiere at Red Bull Music Festival in NY

By goodblacknews on May 22, 2018
The trailblazing funk singer, bandleader and producer Betty Davis dropped out of public for decades. A new documentary, “Betty: They Say I’m Different,” tells her story. (Credit: Robert Brenner)

by Jon Pareles via nytimes.com

For a few short years in the 1970s, no one made funk as raw as Betty Davis did. She sang bluntly about sex on her own terms, demanding satisfaction with feral yowls and rasps, her voice slicing across the grooves that she wrote and honed as her own bandleader and producer. Her stage clothes were shiny, skimpy, futuristic fantasies; her Afro was formidable.

A major label, Island, geared up a big national push for her third album, “Nasty Gal,” in 1975. But mainstream radio didn’t embrace her, and Island rejected her follow-up recordings. Not long afterward, she completely dropped out of public view for decades.

Ms. Davis’s voice now — speaking, not singing — resurfaces in “Betty: They Say I’m Different,” an impressionistic documentary that will have its United States theatrical premiere on Wednesday at the Billie Holiday Theater in Bedford-Stuyvesant, Brooklyn, as part of the Red Bull Music Festival. The film includes glimpses of virtually the only known concert footage of Ms. Davis in her lascivious, head-turning prime, performing at a 1976 French rock festival. The present-day Ms. Davis is shown mostly from behind and heard in voice-over, though there is one poignant close-up of her face.

This month Ms. Davis, 72, gave a rare interview by telephone from her home near Pittsburgh to talk about the film and her music. After years of entreaties from and conversations with its director, Phil Cox, and producer, Damon Smith, she agreed to cooperate on “Betty: They Say I’m Different” because, she said, “I figured it would be better to have them cover me when I was alive than when I was dead.”

Mr. Cox said, via Skype from England, “Betty doesn’t want sympathy, and she’s found her own space now. To me, that is just as interesting as that woman she was in the 1970s. It’s the antithesis of the age we live in, where everybody wants to be on social media all the time.”

Ms. Davis has longtime fans from the ’70s and newer ones who have discovered her in reissues and through hip-hop samples. They have clung to a catalog and a persona that were musically bold, verbally shocking and entirely self-created. Long before the current era of explicit lyrics, Ms. Davis was cackling through songs like “Nasty Gal” — “You said I love you every way but your way/And my way was too dirty for you” — and “He Was a Big Freak,” which boasts, “I used to whip him/I used to beat him/Oh, he used to dig it.” She still won’t reveal who was, or whether there was, a real-life model for songs like those.

https://youtu.be/EtInpDRchM0

“I wrote about love, really, and all the levels of love,” she said. That emphatically included sexuality. “When I was writing about it, nobody was writing about it. But now everybody’s writing about it. It’s like a cliché.”

Ms. Davis was born Betty Mabry in Durham, North Carolina, in 1945, and she grew up there and in Pittsburgh. She headed to New York City in the early 1960s, when she was 17, and enrolled at the Fashion Institute of Technology. She supported herself as a model and a club manager; she reveled in the city’s night life, meeting figures like Andy Warhol, Sly Stone, Eric Clapton and Jimi Hendrix.