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Posts published in May 2024

MUSIC: Happy Birthdays, Patti LaBelle and Gladys Knight! GBN Celebrates Two Soul Legends On Their 80th

MUSIC: Happy Birthdays, Patti LaBelle and Gladys Knight! GBN Celebrates Two Soul Legends On Their 80th

By goodblacknews on May 26, 2024

by Jeff Meier (FB: Jeff.Meier.90)

Here at Good Black News, we’ve decided to have some fun and make up a new holiday.

With Patti LaBelle (born May 24th) and her good friend and Gemini sister Gladys Knight (born May 28th) both turning 80 over this long weekend, we’re thinking the perfect date is May 26th.

In much the same way that George Washington and Abraham Lincoln’s birthdays were lumped together to create President’s Day in February, we’re launching… Legendary Divas Day!

Certainly, Divas need their own day.

May 26th splits the difference between Patti’s and Gladys’ birthdates and gives us a perfect reason to share a great diva playlist every Memorial Day weekend (future Legendary Diva Days can be celebrated the Sunday of Memorial Day weekend).

LaBelle and Knight are two iconic singers who hold a special place in our collective hearts – they have provided the soundtracks to the lives of multiple generations of fans, with bodies of work to prove it.

But for our world today, they are more than just singers – they are an entire community’s beloved aunties and grandmas. They keep it fun and current by going on shows like “Dancing with the Stars” and “The Masked Singer” (Gladys was robbed on that first season, I tell you), and with cookbooks and Wal-Mart pies. They take care of us just through their being.

To honor their birthdays this weekend, GBN has put together a playlist comprising not 80 songs, but 180 songs that bounce back and forth between Gladys and Patti!

We journey through their 60+ year recording careers with the hits, the duets, the deep cuts, the standards and the spirit.

To be completely transparent, we took the bones of this playlist from a prior one we shared around the time of Gladys’ and Patti’s Verzuz song battle program during the pandemic – and we’ve dramatically expanded it to its new form.

MUSIC MONDAY: “AfroPunk: Reggae Meets Punk” Playlist (LISTEN)

MUSIC MONDAY: “AfroPunk: Reggae Meets Punk” Playlist (LISTEN)

By goodblacknews on May 13, 2024

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

While Reggae is a true import from Jamaica, it really gained a global footing in England. It and Punk both arose out of the economic depression and social inequality in the late 1960’s and 1970’s.

Many Reggae songs of the time like Bob Marley’s “Punky Reggae Party” and “Concrete Jungle” were overt commentary on life in London, while many Punk artists adopted some of these traits and spreading a message of rebellion against the Establishment.

The Clash, The Police, and others used reggae beats in the early tracks. “(White Man) In Hammersmith Palais” tells he story of The Clash’s Joe Strummer, Don Letts and others attending an all-night reggae showcase that was headlined by Dillinger, Leroy Smart and Delroy Wilson.

He was not the only one to see that punks and Rastas shared a same idea of freedom and of rebellion against social norms and the setting of said norms.

Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.

I’ve included tracks for the “Second Wave” of ska where bands like The Specials, English Beat, and Selector combined traditional ska song and grooves with a sped-up rhythms of punk music, introducing ska to new generations.

I’ve also included tracks from “Rocket To Kingston” credited to Bobby Ramone. It is a melding of the isolated vocal tracks from Bob Marley dropped over edited Ramones backing tracks. It shouldn’t work, but it does.

Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.

Marlon West
REVIEW: I’ve Got Such Big Feelings for WILLOW’s Emotive, Exploratory and Excellent New LP “empathogen”

REVIEW: I’ve Got Such Big Feelings for WILLOW’s Emotive, Exploratory and Excellent New LP “empathogen”

By goodblacknews on May 10, 2024

by Lori Lakin Hutcherson, GBN Editor-in-Chief

I’m starting off straight up corny by saying I’ve been a “transparent soul” with anyone who’d listen to me about my anticipation of WILLOW’s sixth and latest solo LP, which finally dropped May 3rd.

My owning of my corniness, turns out, totally vibes with the messages about the freedom to express & accept your feelings, warts and all, coursing throughout the #greatalbum “empathogen” (2024).

Not only do I absolutely love how WILLOW wrestles lyrically (and musically) with Big Ideas such as existence, ego, anxiety, pain, self-sabotage, fear and love, she does so in such soul-felt, sophisticated & surprising ways, I have to compliment the precise production by WILLOW and her fellow producers Chris Greatti, Eddie Benjamin and Jon Batiste.

There are myriad sounds, echo effects and vocal arrangements involved in each track, even the stripped down ones, but none ever feel overdone — just purposeful and fresh. It’s as if WILLOW threw her hands into the cosmic river of music, tapped into its source, and allowed it to flow freely through her.

There’s a lot going on technically in the music I can’t speak on with any authority (e.g. the multiple time signatures, turnarounds, uncommon verse/chorus structures) but what I can talk about is how it hits the ears and how it feels — free, unexpected, relatable, or, in one word — embracing.

WILLOW is clearly a student of music and draws on varied influences (her IG post of her working her voice out to Ella Fitzgerald’s legendary scat on “How High The Moon” blew my mind a few months ago and still lives rent free in what’s left of my head), but right now she’s reminding me most of the great Esperanza Spalding, particularly during her “Emily’s D+Evolution” (2016) jazz/pop/rock era.

WILLOW’s own pop/rock/punk/soul explorations from the past few years also inform her current jazz/funk/fusion present (and hopefully future).

The singles released from the LP, “symptom of life” and “bigfeelings”, are the best ambassadors for this tight 12-song offering which literally begins with what sounds like an off-mic Jon Batiste screeching, as if being born, “I love everything!”

(BTW, could Batiste be on more of a roll? He also co-produces and co-writes “Ameriican Requiem”, the opening track on COWBOY CARTER. If I’m an artist, I’m thinkin get this man to help kick off my LP, stat, cuz greatness will surely follow!)

After Batiste, we hear steady rimshots underneath WILLOW’s “ah oo ah ah” breaths until she sings “I live my life” — and I didn’t conjure my previous cosmic music river metaphor out of nowhere as WILLOW then sings “I trust this river to carry me / home” in this mystifyingly captivating LP opener titled “home”.