Hey, it’s Lori, GBN’s Editor-in-Chief, with this week’s Music Monday share. Although it’s one day early, I offer a list to set the vibe for what February signifies to many in these United States: Black History Month!
Today’s playlist, “Black and Proud: Songs About Being Black” features songs that examine, express, critique and celebrate differing iterations of what it means to be Black in America.
The gamut of human emotions are present in this collection, as African Americans have been creating genres like Jazz, Blues, Soul and Hip Hop and transforming others from the 1600s on.
Artists such as Louis Armstrong, Chuck Berry, James Brown, Stevie Wonder, Beyonce, Esperanza Spalding, india.arie, Prince, Janet Jackson, Mickey Guyton, Nas, Jay Z, Common and Kendrick Lamar all have their takes on Blackness and the perceptions of it by themselves, lovers, strangers, authorities and oppressors.
I’ve also included several versions of “Young, Gifted and Black” by Nina Simone, Aretha Franklin, Donny Hathaway and Big Daddy Kane who each in their own way interpret the phrase popularized by playwright Lorraine Hansberry to great effect.
I hope you enjoy this compilation and that it gets you into the mood, groove and spirit of Black History Month.
Music superstar and cosmetics entrepreneur Rihanna‘s Clara Lionel Foundation (CLF) recently committed $15 million to eighteen organizations working on climate change justice across the U.S. and Caribbean in partnership with #StartSmall, Twitter founder Jack Dorsey‘s philanthropic initiative.
The grants from the Barbados native’s foundation will support entities focused on and led by women, youth, Black, Indigenous, people of color and LGBTQIA+ communities.
Climate disasters, which are growing in frequency and intensity, do not impact all communities equally. Under-resourced countries, communities of color, and island nations are facing the brunt. To combat this inequity, funders like CLF are building partnerships with organizations, acknowledging their deep understanding of what is necessary to achieve climate justice in their own communities.
We are proud to commit $15 million to 18 organizations working intersectionality on climate justice across the U.S. and Caribbean in collaboration with @Jack’s #StartSmall. Meet our #climatejustice partners: pic.twitter.com/DH9li0kOra
The announcement of this multi-million dollar donation comes barely two months after Rihanna was named a National Hero in Barbados. In the recent past, Ms. Fenty has donated $11 million to social justice organizations and gifted 4,000 tablets to youth in her native country to address the digital divide during the pandemic.
The entities supported by CLF’s latest philanthropic outlay are listed below:
Serving as the first global hub for Black feminist philanthropy and led by activists from across the African and Caribbean diaspora, the Black Feminist Fund (BFF) significantly increases the resources available to Black feminist movements globally, contributing to strengthening their sustainability and resilience and supporting Black women’s claim and access to resources, including land, food, water, shelter, work and income.
Black Visions Collective is a Black-led, Queer and Trans centering organization whose mission is to organize powerful, connected, Black communities and dismantle systems of violence. Black Visions Collective is led by the guiding belief that all Black people deserve autonomy, that safety is community-led, and we are in the right relationship within our ecosystems.
CYEN is dedicated to improving the quality of life of Caribbean young people by facilitating their personal development and full involvement in environment and sustainable development. CYEN’s work spans addressing youth unemployment, enriching climate resiliency, water resource management, notably their “Stay Alive and Thrive” Climate Action campaign to raise public awareness about the urgent need to mitigate and adapt to climate change across the Caribbean and around the globe.
American Cinema Editors (ACE) announced today that film editor Lillian E. Benson, ACE the first woman of color invited to join ACE, will receive the institution’s Career Achievement Award for her outstanding contributions to film editing at the 72nd Annual ACE Eddie Awards on March 5.
Benson has been an integral part of the organization and its growth. She has served on its Board of Directors for over two decades and has been instrumental in helping ACE expand and diversify its reach.
An Emmy® nominee for the Peabody, Dupont and Emmy® Award-winning PBS documentary series “Eyes on the Prize,” which chronicled the civil rights movement from 1952-1985, Benson is currently editing the highly successful procedural “Chicago Med,” which she has been working on for six seasons.
Other notable documentary projects Benson has edited include “Beyond the Steps: Alvin Ailey American Dance Theater,” “Motown 40: The Music is Forever,” “A Century of Living,” “Conscience and the Constitution,” “Smothered: The Censorship Struggles of the Smothers Brothers Comedy Hour,” “Craft in America” and “All Our Sons: Fallen Heroes of 9/11.”
In 2016 Benson edited “Maya Angelou: And Still I Rise” about the American poet’s resiliency in life and her impact on America.
Other credits include “Greenleaf” for OWN, Debbie Allen’s “Old Settler,” and “Life is Not a Fairytale: The Fantasia Barrino Story,” the Showtime series “Soul Food” and the feature film “All About You.”
Benson’s personal favorite in her rich career was editing “John Lewis: Get in the Way.” Benson said, “This documentary is the thing I love the most of anything I’ve ever done. I feel I was born to cut it. It was released a couple of years before he died and was the first documentary done about his life. I love Lewis because he was a warrior his entire life. He never wavered. He did what he could. He forgave people; people I couldn’t forgive. He always had the bigger picture in mind.”
Richard Chew, ACE (photo courtesy ACE)
Richard Chew, ACE will also be receiving the Career Achievement Award at the 2022 ceremony. Chew’s body of work includes“One Flew Over the Cuckoo’s Nest,” “Star Wars” (for which he won the Oscar® for Best Film Editing with his co-editors Marcia Lucas and Paul Hirsch, ACE), “Risky Business, “Mi Vida Loca, “Waiting to Exhale,” “Hope Floats,” “That Thing You Do!” and “Shanghai Noon.”
“Lillian and Richard are rock star editors and represent the very best of our craft and profession,” stated ACE president Kevin Tent, ACE. “Just look at those credits! Not only have they had incredibly prolific careers, but they’ve given back to our community in many ways, not the least of which by mentoring the next generation of editors. We are thrilled to honor these two special editors and look back at their amazing careers.”
About American Cinema Editors American Cinema Editors (ACE) is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.
The objectives and purposes of the AMERICAN CINEMA EDITORS are to advance the art and science of the editing profession; to increase the entertainment value of motion pictures by attaining artistic preeminence and scientific achievement in the creative art of editing; to bring into close alliance those editors who desire to advance the prestige and dignity of the editing profession.
Hey, it’s Lori, GBN’s Editor-in-Chief, stepping in with this week’s Music Monday share. As this past Saturday was what would have been Sam Cooke’s 91st birthday, and since Marlon Westcrafted such a lovely tribute playlist to the “King of Soul” in honor of his 90th last year, I thought it fitting to share it once again in case anyone missed it:
What I’d like to add this time around — you can read Marlon’s words about Cooke and his indelible contributions to music and the genre of Soul here — is a couple of great podcasts I heard about Cooke’s musical journey in the past year.
The first is the “Don’t Know Much About History” episode of Chris Molanphy‘s Hit Parade podcast, which covers the chart history and influence of Sam Cooke’s singing and songwriting on American popular music:
The second is an in-depth look at “You Send Me” as one of the pivotal songs in the long term development and metamorphosis of the genre called Rock music (which has its roots in jazz, blues, R&B, country and soul) in Andrew Hickey‘s A History of Rock Music in 500 Songs:
There may be even more in depth looks at Cooke and his music in the podcast verse, but these are two that I’ve heard and can assure you are worth your time.
The two documentaries available on Amazon Prime, I gotta admit, not as much. Worth it if you want to know more about the parts of Cooke’s life and his untimely death that sometimes overshadow his contributions to music. I’ve watched them both, and the archival footage of Cooke’s performances in Legend makes it the superior choice.
Lastly, as one of the inaugural members of the Rock and Roll Hall of Fame in 1986, it should be no surprise that Cooke’s music has been sampled and covered for decades by artists as diverse as Beyoncé, The Game, Amy Winehouse, Terence Trent D’Arby, Bruce Springsteen and Beenie Man. To check out the entire list, go here: https://www.whosampled.com/Sam-Cooke/
I hope you enjoy all the Sam Cooke options available, and that you, as Marlon says, stay safe, sane and kind!
Academy Award-winning filmmaker Spike Lee will be honored with the lifetime achievement award for his contributions to motion picture direction from the Directors Guild of America (DGA), according to Variety.com. The award is the organization’s top hono\.
“Icon. Trailblazer. Visionary. Spike Lee has changed the face of cinema, and there is no single word that encapsulates his significance to the craft of directing,” said Lesli Linka Glatter, president of the DGA. “From his groundbreaking Do the Right Thing, BlacKkKlansman and everything in between — to his signature ‘double dolly’ shot, Spike is an innovator on so many levels. His bold and passionate storytelling over the past three decades has masterfully entertained, as it held a stark mirror to our society and culture.”
New York University film school alum Lee began his motion picture directing career by helming the independently produced She’s Gotta Have It, released in 1986, which in 2017 was adapted into a series for Netflix and in n 2019, was selected for preservation in the United States National Film Registry by the Library of Congress.
Some of Lee’s other notable films are School Daze, Mo Better Blues, Malcolm X, Jungle Fever, He Got Game, Clockers, Inside Man, Girl 6, Get on The Busand his most recent release, Da 5 Bloods on Netflix.
Lee has also directed several award-winning documentaries, including 1997’s 4 Little Girlsabout the Alabama church bombings in 1963, and 2006’s When the Levees Broke, about Hurricane Katrina and the injustices and devastation it wrought on New Orleans and its Black and low-income communities.
Only 35 directors have been honored with the DGA lifetime achievement award since it started in 1953 (Cecil B. DeMille was the first recipient).
Lee is the first Black director to receive the award which will be given at the DGA’s 74th annual awards ceremony on March 12.
According to jbhe.com, Professor Anita L. Allen, the Henry R. Silverman Professor of Law and Professor of Philosophy at the University of Pennsylvania, has been selected by The American Philosophical Association as the 2021 winner of the Philip L. Quinn Prize, the highest honor the association has to offer in recognition of service to philosophy and philosophers.
“This award means the world to me,” says Professor Allen. “It reflects the unexpected success of my interdisciplinary commitments as a scholar, teacher, and mentor. It was remarkable to have been the first Black woman APA president in 2018-19 and it’s a special achievement, as a Black woman, to be receiving the highest award for service to the discipline.”
Professor Allen is an internationally renowned expert on philosophical dimensions of privacy and data protection law, ethics, bioethics, legal philosophy, women’s rights, and diversity in higher education. She was vice provost for faculty at the University of Pennsylvania from 2013-2020.Professor Allen is the author of several books on privacy issues including Unpopular Privacy: What Must We Hide (Oxford University Press, 2011) and Why Privacy Isn’t Everything: Feminist Reflections on Personal Accountability (Rowman & Littlefield, 2003).
Professor Allen holds a master’s degree and a Ph.D. in philosophy from the University of Michigan. She is also a graduate of Harvard Law School.
Hello on this MLK Day Monday! Hope this missive finds you all well. I put together this collection of tracks to celebrate this day. I’ve included songs that speak directly to the struggle for Civil Rights.
Some of these tracks were favorite songs of Dr. King’s and other leaders of the movement. While other tracks both classic and new are inspired by their efforts and sacrifice.
I have also included a few excerpts for the great man’s speeches as well. Mahalia Jackson, Sam Cooke, Gil Scott-Heron, and Nina Simone are all present. Though so are Common, Steel Pulse, Killer Mike, and others that came in their wake.
Hope you enjoy the collection of soul, jazz, gospel, reggae, and hip-hop track to celebrate the King Holiday.
As always, stay safe sane, and kind. “See” ya soon!
by Lori Lakin Hutcherson, Good Black News Editor-in-Chief
Thank you to everyone who so far has purchased, gifted and supported GBN’s A Year of Good Black News, the Page-A-Day Calendar for 2022 we’ve done with Workman Publishing. Your appreciation has made it more than worth it.
Even though 2022 has officially started, if you or someone you know is still looking to get A Year of Good Black News, it is now available for 35% off at workman.comwith Code: CAL35 until January 31st!
I’m also excited to share that we’ve broadened the calendar’s accessibility recently by launching Good Black News: The Daily Drop.
Good Black News: The Daily Drop is a podcast based on the calendar that offers an audio version of each entry that is posted daily, in addition to one new bonus episode every weekend (Saturdays and Sundays of the physical calendar share an entry). Check out the trailer here:
James Mtume, recording artist, musician and one of the most innovative producers of R&B in the 1970s and 1980s, passed away on January 9. He was 76.
Philadelphia native Mtume is perhaps best known for his 1983 hit single “Juicy Fruit” which became even more well known when sampled in 1994 in Notorious B.I.G.’s signature hip hop single “Juicy.”
Mtume began his professional career playing percussion with Miles Davis’ electric band in the 1970s. Multi-instrumentalist Mtume brought his jazz chops to R&B when he later wrote and produced songs for Roberta Flack, Donny Hathaway, Stephanie Mills and others.
Described in the artist’s words as “sophistifunk,” Mtume’s sleek yet finely detailed music layered lush, jazz-inspired chord arrangements over uncluttered post-disco grooves that could make slow jams feel like club tracks and make club tracks feel like slow jams.
“Juicy Fruit,” with a stuttering drum-machine beat and a risqué lyric suggesting the pleasures of oral sex, spent eight weeks atop Billboard’s R&B chart (and led, Mtume said, to a legal inquiry from the Wrigley gum company).
Mtume’s survivors include his wife, Kamili; his brother, Jeffrey Forman; two sons, four daughters and six grandchildren.
Hey, it’s Lori, GBN’s Editor-in-Chief, stepping in with this week’s Music Monday share. It’s a list I created for myself at the beginning of 2021 called “VIBES: Cuts for the ‘Chill’ Room” to help me keep it together after almost a full year of lockdown.
The vaccines were being rolled out, and the pandemic’s end seemed to be in sight. We all just had to chill a little bit longer.
Whelp. Here we are again, another year gone and still struggling with this beast of a global health challenge. So it seems appropriate to turn to my “chill music” playlist once again, and to share it this time, as we collectively grapple with the latest surge:
When I say “chill music,” I’m talking about the kinds of songs you’d hear in the “chill room” of a rave. Back in the 1990s when raves were at their zenith, they were often held in spaces with multiple floors or rooms.
A “chill room” gave partygoers an option to briefly escape the pounding “thumpa thumpa” and the steamy sweat generated on the main dance floor. The music played in there was on the low-key side, but still kept the vibe and pulse of the night going.
Chill room music allowed you to cool down, chillax, maybe even have a conversation with friends or fellow club lovers before going back into the space where the pounding sounds practically replaced the pounding of your own heartbeats.
This playlist features artists from those days such as Soul II Soul, Sade, Jamiroquai, Dimitri in Paris, Blue Six, Supreme Beings of Leisure, Air, Massive Attack and Mr. Fingers, plus artists like Roy Ayers whose earlier 1970s cuts (e.g. “Everybody Loves The Sunshine”) inspired much “chill room”-style music to come.
Contemporary artists Solange, Lucky Daye, Chloe X Halle, Moon Boots, Yasmin Lacey, Drake, Trackademiks, Mr. Day, Esperanza Spalding, Janelle Monae, The Internet, H.E.R., Amber Mark and Thundercat are also represented in this mix.
I personally listen to this one whenever I need to grab a moment of mellow, yet still be focused. I find it a great list to write to, pay bills… to let it be my steady, toned down pulse as I relax, refresh and reset before re-entering the “main floor.”
