article by Andrew R. Chow via nytimes.com
John Coltrane’s “A Love Supreme” and The Supremes’ “Where Did Our Love Go,” are part of the incoming class added to the National Recording Registry of the Library of Congress this year. The diverse crop of new inductees also includes the Vienna Philharmonic’s 1938 recording of Mahler’s Ninth Symphony, Metallica’s “Master of Puppets” and live coverage from Wilt Chamberlain’s 100-point game.
The registry adds 25 recordings — deemed significant to American history and culture — each year. The field this year includes pop, (Billy Joel’s “Piano Man”), classic R&B (“Where Did Our Love Go,” The Impressions’ “People Get Ready”), field recordings (W.H. Stepp’s “Bonaparte’s Retreat,” captured by Alan and Elizabeth Lomax in 1937) and comedy (George Carlin’s “Class Clown”). Joining these performers is Secretary of State George C. Marshall proposing what became known as the Marshall Plan to aid Europe after World War II.
The National Recording Registry now totals 450 recordings, the library said. A full list can be found at www.loc.gov.
To read original article, go to: http://artsbeat.blogs.nytimes.com/2016/03/23/john-coltranes-a-love-supreme-and-billy-joels-piano-man-join-national-recording-registry/?partner=rss&emc=rss&_r=0
Reblogged this on The Militant Negro™.
THANK YOU for including Curtis Mayfield & the Impressions in your report. It seems everyone was ignoring them yesterday when the list was first made public, when his music was the soundtrack of multiple generations! God Bless.