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Posts published in July 2015

David Walker Creates Solo Series for DC Comics' Powerful Black Superhero Cyborg

By goodblacknews on July 25, 2015

Cyborg, the techno-powered teenage superhero, is rising to the ranks of peers like Superman and Batman by headlining his own comic book series. But what makes him different from other mainstream superheroes? For starters, he’s black.
A freak accident turns Victor Stone into the half-human, half-robot hybrid hero with Herculean strength and mechanical telepathy. In spite of his of abilities, Cyborg has a complex life dealing with the challenges of being different both as a black male and as a superhero.
David F. Walker, the award-winning journalist and author who penned the series of black private-eye and vigilante Shaft, is the writer bringing Cyborg’s story to life. We caught up with Walker to get the scoop on the cultural impact of the prolific comic book publisher DC Comics and spearheading a leading storyline for one of the greatest black superheroes ever to exist.
The Huffington Post: Who is Cyborg, and how did he gain his powers? 
David F. Walker: Cyborg is Victor Stone, who first appeared in the pages of a series called The New Teen Titans, back in 1980. Vic is a young African American man who was nearly killed in a laboratory explosion, only to have his life saved, and his body restored through the use of advanced cybernetics. Vic is somewhat unique, in that he doesn’t have an alter-ego, and Cyborg isn’t so much of persona as it merely is his state of being — the result of this devastating accident that almost took his life. The technology that is used to keep him alive makes him look more like a robot, gives him incredible strength, and allows him total access to the Internet by way of the computer implanted in his brain.
What sort of significance do you think it means for Cyborg, a black superhero, to officially have his own series? 
There simply aren’t that many black superheroes with their own series, which leaves a rather large cross section of the comic-reading audience under-represented. I go to conventions, and I see incredible numbers of women and people of color in attendance — in some case making up the majority of convention attendees — and yet that is not reflected in the mainstream comics on the shelves. Cyborg having his own series is a step in the direction of greater representation, which is significant for quite a few reasons. Perhaps the most significant reason is that it helps to activate the dreams of young black people. Lack of representation becomes a form of oppression, sending a message that there is no place for black people or women or the LGBT community in these fantasy worlds that serve as a metaphor for the lives we live, and an escape for the horrors of everyday life.
What traits make Cyborg an interesting hero?
I could say that it is the fact that he is more machine than man — that he can fly, and possesses superhuman strength, and that his brain has the most advanced computer in existence plugged right into it — but that’s not what makes him interesting. What makes him interesting — what makes all heroes interesting — are the flaws and weaknesses that remind us of their humanity.
What things can we look forward to in the Cyborg solo series?
Obviously, there will be action. This is, after all, a comic book, and action drives a large part of the American superhero comic genre. So, we will see Vic facing various threats, from cybernetic-aliens looking to hijack his tech, to super villains we love to hate. But the thing that I think many people are looking for, and that I hope to deliver, is the development of Vic Stone as a character. Cyborg has been around for 35 years, and we’ve seen bits and pieces of his life, but he has always been a co-star in team books like Teen Titans or Justice League, which means there is only so much of his story that can be told.
What elements do you think make for a great superhero comic?
I may get in trouble for saying this, but superheroes are the modern equivalent to the gods of ancient mythology. These are power fantasies and morality tales that are meant to help us better understand the way we live our lives, and give us an escape from both the mundane and horrific that we face on a daily basis. A great superhero comic is brimming with the same things we deal with, only exaggerated to the most wild of extremes.

David Walker Creates Solo Series for DC Comics' Powerful Black Superhero Cyborg

By goodblacknews on July 25, 2015

Cyborg, the techno-powered teenage superhero, is rising to the ranks of peers like Superman and Batman by headlining his own comic book series. But what makes him different from other mainstream superheroes? For starters, he’s black.
A freak accident turns Victor Stone into the half-human, half-robot hybrid hero with Herculean strength and mechanical telepathy. In spite of his of abilities, Cyborg has a complex life dealing with the challenges of being different both as a black male and as a superhero.
David F. Walker, the award-winning journalist and author who penned the series of black private-eye and vigilante Shaft, is the writer bringing Cyborg’s story to life. We caught up with Walker to get the scoop on the cultural impact of the prolific comic book publisher DC Comics and spearheading a leading storyline for one of the greatest black superheroes ever to exist.
The Huffington Post: Who is Cyborg, and how did he gain his powers? 
David F. Walker: Cyborg is Victor Stone, who first appeared in the pages of a series called The New Teen Titans, back in 1980. Vic is a young African American man who was nearly killed in a laboratory explosion, only to have his life saved, and his body restored through the use of advanced cybernetics. Vic is somewhat unique, in that he doesn’t have an alter-ego, and Cyborg isn’t so much of persona as it merely is his state of being — the result of this devastating accident that almost took his life. The technology that is used to keep him alive makes him look more like a robot, gives him incredible strength, and allows him total access to the Internet by way of the computer implanted in his brain.
What sort of significance do you think it means for Cyborg, a black superhero, to officially have his own series? 
There simply aren’t that many black superheroes with their own series, which leaves a rather large cross section of the comic-reading audience under-represented. I go to conventions, and I see incredible numbers of women and people of color in attendance — in some case making up the majority of convention attendees — and yet that is not reflected in the mainstream comics on the shelves. Cyborg having his own series is a step in the direction of greater representation, which is significant for quite a few reasons. Perhaps the most significant reason is that it helps to activate the dreams of young black people. Lack of representation becomes a form of oppression, sending a message that there is no place for black people or women or the LGBT community in these fantasy worlds that serve as a metaphor for the lives we live, and an escape for the horrors of everyday life.
What traits make Cyborg an interesting hero?
I could say that it is the fact that he is more machine than man — that he can fly, and possesses superhuman strength, and that his brain has the most advanced computer in existence plugged right into it — but that’s not what makes him interesting. What makes him interesting — what makes all heroes interesting — are the flaws and weaknesses that remind us of their humanity.
What things can we look forward to in the Cyborg solo series?
Obviously, there will be action. This is, after all, a comic book, and action drives a large part of the American superhero comic genre. So, we will see Vic facing various threats, from cybernetic-aliens looking to hijack his tech, to super villains we love to hate. But the thing that I think many people are looking for, and that I hope to deliver, is the development of Vic Stone as a character. Cyborg has been around for 35 years, and we’ve seen bits and pieces of his life, but he has always been a co-star in team books like Teen Titans or Justice League, which means there is only so much of his story that can be told.
What elements do you think make for a great superhero comic?
I may get in trouble for saying this, but superheroes are the modern equivalent to the gods of ancient mythology. These are power fantasies and morality tales that are meant to help us better understand the way we live our lives, and give us an escape from both the mundane and horrific that we face on a daily basis. A great superhero comic is brimming with the same things we deal with, only exaggerated to the most wild of extremes.

The World's 1st Modeling Agency for People of Color Celebrates and Promotes Diversity in Fashion

By goodblacknews on July 25, 2015
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Looking at the models on Lorde Inc’s website, the first thing that strikes you is that these people are, to put it in Zoolander’s words, really, really good looking. Ornello has long plaits and a gap between her teeth. Mohammed is all chocolate eyes and wavy locks. And Urjii is cheekbones and expressive stare. The second thing? None of the models – about 60 in all – are white.

Nafisa Kaptownwala, founder of Lorde. (Photograph: Carly Bangs/Lorde)
Nafisa Kaptownwala, founder of Lorde. (Photograph: Carly Bangs/Lorde)

Lorde was set up in May 2014 as the first of its kind – an agency made up entirely of models of colour. It is the brainchild of Nafisa Kaptownwala, a 26-year-old Canadian art history graduate, who began to work on the fringes of fashion and noticed the lack of non-white models. Despite no experience in the modeling industry, she set up Lorde in London with a friend and “the next thing, people were contacting us”. A year on, and Lorde has worked with magazines including Dazed & Confused and i-D, and collaborated with London streetwear brand Cassette Playa. Despite these relative triumphs, Kaptownwala is pessimistic about diversity in modelling in 2015. “There’s still not a massive demand because this is still a radical idea and people in fashion are not really ready for it,” she says. “How does that make me feel? In general I think, as a person of colour, you internalize. Creating this agency is a way to channel those feelings.” If diversity – across age, race and size – is always a swirl of debate in fashion, there seems to be the signs of change, with Balmain’s Olivier Roustein (himself mixed race) championing a catwalk of all sorts of ethnicities, Rihanna becoming the first black woman in a Dior campaign and Lineisy Montero walking the Prada catwalk with a visible afro. “Things are changing but in a minimal way,” acknowledges Kaptownwala. “But there were more models of color on the catwalk in the 90s than there are now. It kind of goes in cycles.” She praises former model Bethan Hardison’s campaign to increase diversity on the catwalk at major brands but says “two models in a show of 30 models is not enough”.

One of Lorde’s male models. (Photograph: JM Stasiuk)
One of Lorde’s male models. (Photograph: JM Stasiuk)

The dominance of white faces in fashion means her job, compared to that of a model booker at a larger agency, is a lot harder. “They work with everyone and we are fulfilling a niche,” she says. “The beauty standards are that the European is the epitome of what’s marketable, and not just to European consumers. I have spoken to magazines in Japan who only use Japanese and European models.” Kaptownwala believes the internet – and the culture of selfies – has a role to play in broadening what we think beautiful is, and has made an entire generation comfortable in front of the camera. “People are posing in their own ways, creating their own photo shoots,” she says. “It redefines beauty, opens things up and allows people to say ‘I want to be part of this.’”
article by Lauren Cochrane via theguardian.com

Homecoming: Obama Brings $1 Billion in Investments To Kenya, Reunites With Half-Sister Auma Obama

By goodblacknews on July 25, 2015

KENYA-US-DIPLOMACY
(Source: SAUL LOEB / Getty)

In his first visit to his father’s country since he became president, Barack Obama made his rounds with extended family, addressed economic development and announced more than $1 billion in investments to promote entrepreneurship at Nairobi’s Global Entrepreneurship Summit.
He kicked off the two-day visit with the latter, making a point to announce that half of the $1 billion from government and private companies would benefit both young children and women entrepreneurs.

“If half of your team is not playing, you’ve got a problem,” he said. “This continent needs to be a future hub of global growth and not just African growth. Kenya is leading the way. Go out there and start something. We’re excited about it — we are expecting great things out of you,” Obama added.

The visit is not only historical for President Obama; the move is an important one that officially forges a relationship between America and the African nation.

“We have waited for Obama to visit the country since he became president — we want to thank God that he has finally arrived,” said Grace Wangeci, a vegetable seller in Nairobi told USA Today. “We thank him for fulfilling his promise to the country before he leaves the presidency.”

It’s also a special visit for the president, who remarked that the long-awaited journey was “personal” for him. Upon arriving to Kenya, Obama was greeted by his half-sister, Auma Obama, at Jomo Kenyatta Airport.
KENYA-US-OBAMA
The president, who was also greeted by Kenyan President Uhuru Kenyatta, met with other top officials during the reunion, dined with his extended family — including a step-grandmother — and celebrated with the locals.

“I am proud to be the first U.S. president to visit Kenya,” he said. “Obviously, it is personal for me. It’s the reason why my name is Barack Hussein Obama. My father came from these parts, I have family and relatives here.”

During his trip, Obama is also expected to discuss human rights with civil society groups — this despite a warning from Kenyan leaders who have threatened to disrupt the president’s visit if he discusses gay marriage.
“We want to warn Obama to steer clear of any comments on same sex marriages during his visit,” Bishop Mark Kariuki in Nairobi told USA Today. “Any attempts will lead to a call for mass demonstrations across the country and disrupt his meeting.”
Other topics the president plans to tackle include the regions security threats.
article by Christina Coleman via newsone.com

Will Smith and Jay Z To Produce HBO Mini-Series About Emmett Till

By goodblacknews on July 25, 2015
(Photo: Getty Images)
Will Smith and Jay Z found success when they signed on as producers for the Broadway musical Fela, and now the two will team up again to produce an HBO mini series about Emmett Till.
Entertainment Weekly reports the two, along with Jay Brown, James Lassiter, and Aaron Kaplan are executive producing the untitled mini series. Till was a 14 year-old from Chicago sent to spend the summer in Mississippi. One evening, Till was kidnapped from his bedroom and savagely beaten by white men because he whistled at a white woman. At Till’s funeral, his mother Mamie had an open casket to showcase the brutality of her son’s death.
Roy Bryant and J.W. Milam, the men responsible for Till murder, were found not guilty of their crimes, but later publicly admitted their involvment. Currently there are no writers for the mini series or an expected release date.
Earlier this year, famed film critic Roger Ebert‘s widow, Chaz Ebert, announced her own Emmett Till project.  We are not sure if both these Till projects will see the light of day, but we certainly hope so.  The more the history of African Americans is explored, and this particular turning point in the early struggle for racial justice and civil rights, the better.

original article by Shenequa Golding via vibe.com; additions by Lori Lakin Hutcherson

Actor Jay Ellis and Artist Shantell Martin Team with AmfAR to Raise Awareness For “Countdown to a Cure for AIDS"

By goodblacknews on July 24, 2015
Jay Ellis and Visual Artist Shanell Martin with AmfAR Towel
Jay Ellis and Visual Artist Shanell Martin with “Be Epic, Cure AIDS,” Limited Edition AmfAR towel

My first memory of being directly affected by the death of someone who lost their life to AIDS was when tennis legend Arthur Ashe died. My father broke the news to me. It was one of those unshakeable things — nearly impossible to process and even harder to understand. In a lot of ways it hit my Dad pretty hard.  My parents had gone to college at UCLA with Arthur and growing up in our household, they made sure we knew he was way more than an incredible tennis player… he was an activist that paved the way for so many.  He was “a great kind guy,” their classmate and hero.
Arthur had certainly had his health challenges… but athletic superheroes weren’t supposed to succumb to an incurable disease at 49.  It was unfathomable.  The news of his death hit over twenty-two years ago… and sadly we still do not have a cure for a disease that affects the black community (Africans & African- Americans) the most.  Statistically, we make up more than forty percent of all new cases… and Jay Ellis (“The Game”) and famed British visual artist, Shantell Martin, know its time to do something about that. Their collaboration with amfAR (the Foundation for AIDS Research) and its “Countdown to A Cure for AIDS” initiative is something I can really get behind.
Out of this amfAR collaboration comes a limited edition beach towel. Designed exclusively for amfAR to help raise awareness and find a cure for HIV/AIDS, the towel’s design features Martin’s black & white illustrations and the inscription, “Be Epic, Cure AIDS,” a nod to amfAR’s “Countdown to a Cure for AIDS” initiative, aimed at developing the scientific basis of a cure by 2020.
amfar-towel-whiter-1

This summer, I can’t think of a better accessory. This towel is exclusively sold at Scoop NYC locations and on amfAR’s website: http://shop.amfar.org/shantell-martin-amfar-towel.html for $40 with 100% of the proceeds supporting research to find a cure for HIV/AIDS. Let’s all do what we can.

Did you know:

  • Nearly 37 million people are now living with HIV. 2.6 million are under the age of 15.
  • In 2014, an estimated 2 million people were newly infected with HIV.
  • 220,000 were under the age of 15.
  • Every day about 5,600 people contract HIV—more than 230 every hour.
  • In 2014, 1.2 million people died from AIDS.
  • Since the beginning of the pandemic, nearly 78 million people have contracted HIV and close to 39 million have died of AIDS- related causes.
  • As of March 2015, around 15 million people living with HIV (41% of the total) had access to antiretroviral therapy.

Learn more about amfAR here: http://www.amfar.org/about.html.  If you don’t know her work already, find out more about Shantell Martin and her amazing art: http://www.shantellmartin.com/about/.
And Jay Ellis and his fascinating transition into the acting world: http://www.jay-ellis.com

Lesa Lakin GBN Lifestyle Editor
article by Lesa Lakin
GBN Lifestyle Editor

Chris Rock Takes Time to Speak at Chicago Youth Detention Center

By goodblacknews on July 23, 2015
Chris Rock Detention Center
Chris Rock, Sam Jones, JTDC Superintendent Leonard Dixon, and staff members of the JTDC. (Photo/JTDC staff)

Having garnered more than 16 million weekly viewers, and multiple Television Critics Association, Critics Choice, and Emmy award nominations, nearly everyone is eagerly anticipating the second season of the mega hit TV series, Empire.
But as we clamor to grasp its standing in pop culture, lost in the mist of the growing body of Empire lore has been scant consideration of the significant contributions some of its star performers are making in the lives of many Americans.
For instance, Empire’s Chris Rock departed from an exceptionally rigorous day of production to address youth at Chicago’s Juvenile Temporary Detention Center.
The facility is the largest youth detention facility in the nation, reportedly housing between 250 to 350 youth a day and employing more than 600 employees. Situated under the auspices of the Circuit Court of Cook County, the largest circuit court system in the nation, it is quite arguably the epicenter for juvenile detention in the United States. And Mr. Rock’s visit with the youth was symbolic of a perfect hybrid of pop culture and social justice consciousness.
Mr. Rock spoke candidly about the need for the youth to accept responsibility for their behavior and to resist the temptation to blame others for their current circumstances. In so doing, he specifically warned against a seemingly popular inclination to blame black fathers. Exceptionally genuine and compelling in nature, Mr. Rock lamented that too often black fathers are denounced for the perilous conditions facing many black youth, without being afforded deserving credit for their favorable contributions.

Chris Rock Takes Time to Speak at Chicago Youth Detention Center

By goodblacknews on July 23, 2015
Chris Rock Detention Center
Chris Rock, Sam Jones, JTDC Superintendent Leonard Dixon, and staff members of the JTDC. (Photo/JTDC staff)

Having garnered more than 16 million weekly viewers, and multiple Television Critics Association, Critics Choice, and Emmy award nominations, nearly everyone is eagerly anticipating the second season of the mega hit TV series, Empire.
But as we clamor to grasp its standing in pop culture, lost in the mist of the growing body of Empire lore has been scant consideration of the significant contributions some of its star performers are making in the lives of many Americans.
For instance, Empire’s Chris Rock departed from an exceptionally rigorous day of production to address youth at Chicago’s Juvenile Temporary Detention Center.
The facility is the largest youth detention facility in the nation, reportedly housing between 250 to 350 youth a day and employing more than 600 employees. Situated under the auspices of the Circuit Court of Cook County, the largest circuit court system in the nation, it is quite arguably the epicenter for juvenile detention in the United States. And Mr. Rock’s visit with the youth was symbolic of a perfect hybrid of pop culture and social justice consciousness.
Mr. Rock spoke candidly about the need for the youth to accept responsibility for their behavior and to resist the temptation to blame others for their current circumstances. In so doing, he specifically warned against a seemingly popular inclination to blame black fathers. Exceptionally genuine and compelling in nature, Mr. Rock lamented that too often black fathers are denounced for the perilous conditions facing many black youth, without being afforded deserving credit for their favorable contributions.

LeBron James' Production Company SpringHill Entertainment Makes Overall Deal with Warner Bros.

By goodblacknews on July 23, 2015

Lebron James GQ

After a scene stealing turn in the Universal comedy Trainwreck, Cleveland Cavaliers superstar LeBron James is taking his talents to Burbank. He has partnered in a content creation deal with Warner Bros. Entertainment that will put his SpringHill Entertainment banner on the studio track to generate content in TV, movies and digital. Kevin Tsujihara, Chairman and CEO, Warner Bros, James and his SpringHill cofounder Maverick Carter are calling the arrangement unprecedented.

“LeBron James has one of the most powerful, well-known brands in the world and we are excited to be in business with him and his partner, Maverick Carter, and SpringHill Entertainment,” said Tsujihara. “The combination of LeBron’s global media presence and Warner Bros.’ unmatched production and distribution expertise is a big win for fans everywhere. We’re excited to welcome LeBron and Maverick to the Warner Bros. family and look forward to partnering on incredible projects that will connect with consumers across a variety of platforms.” Said James: “Connecting with my fans and telling meaningful stories have always been my passion. In everything I’ve done, from Nike commercials to Uninterrupted and Survivor’s Remorse, it’s always about connecting with people of all ages and providing unique content they can all enjoy. And I’ve always loved movies, which makes Warner Bros. the ultimate partner to help us continue to push the envelope. I can’t wait to see what we come up with.”

James had been courted by several studios before he made his splashy acting turn in the Judd Apatow-directed Trainwreck, opposite Amy Schumer and Bill Hader. Among those projects that had heat at one time or another was Ballers, a film that had Kevin Hart poised to play the brother of an NBA superstar (James), who after living in his sibling’s shadow gets a chance to prove himself at a basketball camp operated by his bro.

There is a long record of basketball stars who’ve tried to transition to movies and TV. Most of it has ended in futility. Michael Jordan made a splash in “Space Jam,” and while he certainly had the poise and good looks to go further, he seemed to lose interest. Shaquille O’Neal had a few forgettable onscreen turns that included “Steel” and “Kazaam”, Julius Erving had “The Fish That Saved Pittsburgh.”  Ray Allen got strong notices starring opposite Denzel Washington in Spike Lee’s “He Got Game.”  Magic Johnson had a short lived late night talk show. Then there is Kareem Abdul-Jabbar, who made two of the most noteworthy acting turns by a hoops star, shining as an airline pilot in the Zucker Brothers spoof “Airplane!,” and squaring off against Bruce Lee in that actor’s final film, “Game of Death.”  Jabbar also developed projects as a producer, and that is where James can make a mark. SpringHill’s output so far includes Disney XD’s inspirational series Becoming, the Starz’ scripted comedy Survivor’s Remorse; Uninterrupted, the multimedia platform for unfiltered athlete content hosted on Turner digital platform Bleacher Report, and an upcoming primetime game show for NBC.

article by Mike Fleming via deadline.com

Don Cheadle's Directorial Debut "Miles Ahead" to Close New York Film Festival

By goodblacknews on July 23, 2015
Miles Ahead
The Film Society of Lincoln Center announced today that Don Cheadle’s directorial debut Miles Ahead will make its World Premiere as the Closing Night selection of the upcoming 53rd New York Film Festival (September 25 – October 11). Cheadle, who co-wrote the script, stars as the legendary musician opposite Emayatzy Corinealdi and Ewan McGregor.

New York Film Festival Director andMiles Ahead Poster NYFF Selection Committee Chair Kent Jones said: “I admire Don’s film because of all the intelligent decisions he’s made about how to deal with Miles, but I was moved—deeply moved—by Miles Ahead for other reasons. Don knows, as an actor, a writer, a director, and a lover of Miles’ music, that intelligent decisions and well-planned strategies only get you so far, that finally it’s your own commitment and attention to every moment and every detail that brings a movie to life. ‘There is no longer much else but ourselves, in the place given us,’ wrote the poet Robert Creeley. ‘To make that present, and actual … is not an embarrassment, but love.’ That’s the core of art. Miles Davis knew it, and Don Cheadle knows it.”
“I am happy that the selection committee saw fit to invite us to the dance,” added Cheadle. It’s very gratifying that all the hard work that went into the making of this film, from every person on the team, has brought us here. Miles’ music is all-encompassing, forward-leaning, and expansive. He changed the game time after time, and New York is really where it all took off for him. Alice Tully Hall, Lincoln Center… feels very ‘right place, right time.’ Very exciting.”
The film chronicles Davis, one of the greatest artists of the 20th century, through his crazy days in the late  ’70s. Holed up in his Manhattan apartment, wracked with pain from a variety of ailments and fiending for the next check from his record company, dodging sycophants and industry executives, he is haunted by memories of old glories and humiliations and of his years with his great love Frances Taylor (Emayatzy Corinealdi).
Ewan MacGregor plays Dave Brill, the “reporter” who cons his way into Miles’ apartment. The film was produced by Don Cheadle, Pamela Hirsch, Lenore Zerman. Along with Daniel Wagner, Robert Barnum, Vince Willburn and Daryl Porter.
article by Denise Petski via deadline.com