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After a vociferous public outcry over the death of Freddie Gray,who suffered a fatal spinal cord injury in police custody this spring, Baltimore officials announced plans Wednesday to equip transport vans with video recording cameras, according to Reuters.
Baltimore Mayor Stephanie Rawlings-Blake said the change comes in the wake of protests after the death of 25-year-old Gray, who was fatally injured while being transported to lockup in a police van in April on an unspecified charge. Gray’s death sparked days of fiery protests over police brutality in the Black community. From Reuters:
We’re working through a process that will place cameras with recording capabilities in the backs of all our police vans, to ensure that we have a more complete record of what occurs there,” Rawlings-Blake told reporters.
The van in which Gray was transported had a non-recording camera that the driver could use to monitor the passengers, but it was not working at the time.
Rawlings-Blake also announced plans to review riot gear used by police during the unrest, as some of it failed to work, the report says. She said the city needs working equipment so that police can respond if trouble breaks out following trial verdicts in the Gray case. article by Lynette Holloway via newsone.com
The American economy, this month entering its seventh year of recovery from the Great Recession, still has some legs: Employers in June added a solid 223,000 jobs across a broad spectrum of service industries.
But Thursday’s Labor Department report, released a day earlier than usual because of the Fourth of July holiday, showed that those legs are a bit wobbly. Workers’ earnings, after a promising increase in May, were flat last month.
In fact, many experts had been looking for an uptick in the labor force — those who are working or looking for work — as the unemployment rate has dropped and private-sector employers have added a decent batch of new jobs month after month. But instead, the so-called labor participation rate fell sharply last month to the lowest level since October 1977.
That drop, along with stagnant average wages, points to softness in the economy — and is likely to give Federal Reserve officials pause in raising interest rates this September, as many analysts had forecast.
“The 223,000 payroll numbers were nice, but outside of that, it was pretty flat,” said Harry Holzer, professor of public policy at Georgetown University. “Labor markets remain too weak to put consistent pressure on wages.”
The overall job growth in June was in line with analysts’ expectations and provided a reassuring sign that hiring had bounced back from the winter slowdown and remained steady at a time of rising global turmoil. The eurozone is in the throes of the Greek debt crisis, and China and other emerging economies are weakening.
Encouragingly, the hiring in June was broad-based. It was led by business and professional services, a group that includes high-paying engineers and computer designers as well as lower-wage temporary-help workers.
Retail, healthcare and finance businesses also added a healthy batch of jobs. But the energy industry continued to downsize; employment in manufacturing slowed, and construction and government were flat.
Screenwriters Kenya Barris and Tracy Oliver are re-teaming with Malcolm D. Lee for the “Untitled Girls’ Trip Project” at Universal. This project marks the second time the trio have worked together after Barbershop3, which is currently in production.
Barris is the creator of the ABC comedy series Black-ishand is also writing a feature adaptation of the 1970s TV show Good Times. Will Packer will be producing Girls Trip through his Will Packer Productions banner.
Lee’s highest-grossing film stateside was The Best Man Holidaywhich made $71 million. Barbershop 3 will be released on February 19 next year.
Packer’s next two titles at Universal are Straight Outta Comptonas Executive Producer, bowing August 14, and Ride Along 2, which opens on January 15 in 2016.
Lauryn Hill, The Roots, A$AP Rocky, Wale, Janelle Monae& Wondaland, Raekwon, Ghostface, The Internet, Raury, SZA, Scarface, and many more will take center stage at ONE Musicfestfestival in Atlanta on Saturday, September 12, 2015.
Over the last 6 years ONE Musicfest has pulled together the best of urban alternative legends and contemporaries for a unique experience through music and visual. And this year it gets even better, with ONE Musicfest in partnership with Live Nation, “pulling out all the stops with an outdoor music festival that the media says, can’t be missed, and attracting a generationally and culturally diverse audience. “
Beyond festival-goers having a good old-fashion time at the ONE Musicfest, Jason Carter, the founder of ONE Musicfest, told Black Enterprise.com exclusively, “I want people to walk away knowing that it’s possible for us all to share the same space. ONE Musicfest is a generational festival. It’s nothing to see a 17-year-old enjoying music along with someone in his or her late 40’s partying just as hard. So many times I think that’s overlooked with festivals. Some people will say, “That’s a young persons festival or that’s old school.” But the way we set up ONE Musicfest is so different—people jump up and dance when they hear a classic New Edition song and in the same breath once they hear the first drop on Kendrick Lamar, they’re bopping their head just as hard.
“The other WIN for One Musicfest is how we’ve brought progressive urban music to the stage. You never see Lauryn Hill on the same bill as Big Krit, but interestingly enough they’re fans of each other, but never get a chance to celebrate each other’s music together. So when they get backstage, they’re snapping pictures together and sharing them on Facebook and Instagram.”
According to a statement released by One Musicfest, the festival will take place on multiple stages and will serve as the ultimate mashup of innovative urban alternative acts with over eleven hours of non-stop music. The festival will feature over 25 of the hottest global DJs whose music crosses over to all spectrums, local vendors, games, and interactive activities. One Musicfest is the only place to see this roster of incredible acts join together for One purpose – which is to witness a wide variety of sounds, from rock to hip-hop, electro, reggae, funk, disco, house, alternative and soul while having your musical senses stimulated.
Founded by Jason Carter, ONE Musicfest has been one of Southeast’s largest home-grown, musical arts festivals to date including over 10,000 plus attendees. Carter has brought Atlanta music lovers the best and the brightest urban alternative acts performing in a welcoming, hospitable setting, creating an atmosphere where everyone can enjoy and discover music.
Previous artists include Kendrick Lamar, Nas, Jhene Aiko, Erykah Badu, Snoop Dogg, CeeLo Green & Goodie Mob, Santigold, Common, Method Man, Redman, Chrisette Michele, Amel Larriueux, Daley, Goapele, Joey Bada$$, De La Soul, Bilal, Quadron and more.
For more information, please visit www.onemusicfest.com and follow @ONEMusicfest | #OMF2015 | #ONLYOMF. article by Kandia Johnson via blackenterprise.com
Prima Ballerina Misty Copeland (Photo via livetalksla.org)
One of today’s most famous ballerinas just made history by becoming the first African-American woman to hold the position of principal dancer at the American Ballet Theater. Misty Copeland was promoted Tuesday after more than 14 years with the company, the New York Times reports. She spent eight of those years as a soloist, the Times points out.
Copeland, known for being vocal about the lack of representation and diversity in the company and in the realm of dancing in general, made the cover of TIME magazine just this year. She is also the subject of a documentary screened at the Tribeca Film Festival, the Times writes. In addition to being known for a popular Under Armour ad, she has a base of followers on social media larger than some of Hollywood’s finest.
But it’s Copeland’s precision and elegant fluidity while she dances that compound her popularity. That and her tendency to make history — her new post as principal dancer isn’t the first time her name will be written in books. Just this month, Copeland became the first African-American woman to star in “Swan Lake” with the Ballet Theater, a performance so well-attended that cheers from the crowd reportedly stopped parts of the show. From the NYT:
Ms. Copeland, who declined to be interviewed for this article, was unusually outspoken about her ambition of becoming the first black woman named a principal dancer by Ballet Theater, one of the nation’s most prestigious companies, which is known for its international roster of stars and for staging full-length classical story ballets.
“My fears are that it could be another two decades before another black woman is in the position that I hold with an elite ballet company,” she wrote in her memoir, “Life in Motion: An Unlikely Ballerina,” published last year. “That if I don’t rise to principal, people will feel I have failed them.”
This put an unusual public spotlight on Ballet Theater as it weighed the kind of personnel decision that, in the rarified world of ballet, is rarely discussed openly. If the company had not promoted Ms. Copeland, it risked being seen as perpetuating the inequalities that have left African-American dancers, particularly women, woefully underrepresented at top ballet companies.
Stella Abrera, Alban Lendorf, and Maria Kochetkova were all named principal dancers along with Copeland. article by Christina Coleman via newsone.com
Laurence Fishburne at NAACP Awards (photo via Variety.com)
Laurence Fishburne has been cast as Alex Haley in A+E Networks’ “Roots” remake, the History Channel announced Wednesday.
Haley is the author of the novel “Roots: The Saga of an American Family,” an American family origin story based around the life of Kunta Kinte. The “Roots” remake will be an original, contemporary production, incorporating material from Haley’s novel, as well as carefully researched new scholarship of the time.
“Roots” will be simulcast on A&E, History and Lifetime in 2016.
The Emmy-winning actor currently appears on NBC’s drama “Hannibal” and ABC’s half-hour comedy “Black-ish,” on which he also serves as executive producer. On the big screen, Fishburne will next be seen in Warner Bros. Pictures’ “Batman v Superman: Dawn of Justice.”
“Roots” is described as a historical portrait of American slavery recounting the journey of one family’s will to survive, endure and ultimately carry on their legacy despite enormous hardship and inhumanity. Spanning multiple generations, the lineage begins with young Kunta Kinte who is captured in his homeland in Gambia and transported in brutal conditions to colonial America where he’s sold into slavery. Throughout the series, the family continues to face adversity while bearing witness and contributing to notable events in U.S. history — including the Revolutionary and Civil Wars, slave uprisings and eventual emancipation. Will Packer, Marc Toberoff, Marc Wolper, Lawrence Konner and Mark Rosenthal serve as executive producers. LeVar Burton and Korin Huggins are co-executive producers. Konner, Rosenthal, Alison McDonald, and Charles Murray are writing. article by Laura Prudom via Variety.com
Screenwriters Kenya Barris and Tracy Oliver are re-teaming with Malcolm D. Lee for the “Untitled Girls’ Trip Project” at Universal. This project marks the second time the trio have worked together after Barbershop 3, which is currently in production. 
