by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest) Thanks to our Editor-In-Chief, Lori Lakin Hutcherson, for reminding me that it April is Jazz Appreciation…
by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest) I’m back with another batch of tracks. “AfroBowie” is a collection devoted to David Bowie, who,…
According to Forbes.com, statistics from a publicly-available U.S. Department of Education database reveal that six-year graduation rates (a commonly-used metric in higher education) for Black…
This week, Apple announced its Racial Equity and Justice Initiative (REJI), a long-term global effort to advance equity and expand opportunities for Black, Hispanic/Latinx, and Indigenous…
by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest) Happy Music Monday, you all. This collection celebrates another recently departed great, Wayne Shorter. He was a…
by Lori Lakin Hutcherson, GBN founder and Editor-in-Chief Well, here we are, once again. Forty seven years after February was officially recognized by the U.S.…
Immature/ImX singer and actor Marques Houston (You Got Served, House Party 3, Sister, Sister) just released the lead single “Cowgirl” from his forthcoming LP, The Best Worst Year Ever.
“Cowgirl” incorporates elements from Bobby Brown‘s 1988 hit “Rock Wit’cha” and touches of 1993 smash “Freak Me” by Silk from 1993 into a modern mid-tempo bop that’s already racked up close to 2 million YouTube views:
Jumping on the western wear trend and aesthetic Beyoncé reclaimed earlier this year via Cowboy Carter, in the Chris Stokes-directed video, Houston is dripped in a variety of swaggy boots, hats, vests and jeans, and lays out a line dance that is gaining momentum on TikTok via the #Cowgirldancechallenge.
Fans can look forward to the release of Houston’s new album, The Best Worst Year Ever, which debuts on August 30th.
The album is said to reflect a transformative year for Houston, filled with personal and professional highs and lows. It is set to be a landmark in his career.
Check out two of “Cowgirl”‘s throwback inspirations below:
Happy Music Monday, you all! Once again it’s your friend and selector, Marlon West, with another collection for listening and, this time, voting pleasure.
That is unless you are the kind of voter more inclined towards the guy that inspires a playlist featuring Kid Rock and Ted Nugent. Though if you were, I doubt you would be here on GOOD BLACK NEWS.
So, if you are like me, Vice President Kamala Harris’ and Minnesota Gov. Tim Walz’s campaign and the excitement around it is welcome good news.
While some dismiss these heady days as a “sugar rush” and “media honeymoon”, Senior Editor and Correspondent for NPR News, Ron Elving, likened it to what Wall Street brokers call a “relief rally”.
This is coming after months of democrats being in the throes of ill-ease after President Biden’s debate performance. Weeks of record-breaking fundraising and huge rallies, has made for a decidedly more hopeful mood. One that I hope is here to stay.
To that end, here is a collection of tracks inspired by these more heady days to take us through the election season. Some of these songs are taken from the playlist for Harris/Walz rallies, like Mary J. Blige’s “Work That”, Leon Bridges’ “Smooth Sailing’ and, of course, Beyoncé‘s “Freedom”.
While others just seem quite timely again, including Billy Paul’s “Am I Black Enough For You”, The Staple Singers “If You’re Ready (Come Go With Me)”, and Funkadelic’s “One Nation Under A Groove”.
With Governor Walz dedicating a highway to “The Purple One”, there are more than a few Prince tracks thrown in as well.
After President Joe Biden‘s graceful exit yesterday morning from the race for re-election as the Democratic Presidential nominee, he quickly endorsed Vice President Kamala Harris as his pick for the top of the ticket.
Yesterday evening, over 44,000 Black women and allies joined a Zoom hosted by winwithblackwomen.org founder and organizer Jotaka Eaddy and raised over $1.5 million for Harris’ newly-minted campaign to secure the nomination.
It took several tries for the majority of participants from all over the U.S. and overseas to join as the Zoom webinar was initially capped at 1,000. Eaddy and other #wwbw organizers made a point to thank Zoom COO Aparna Bawa for stepping in to increase the participant capacity from 1K to over 40K in real time as the overwhelming desire to join this word-of-mouth call to action quickly spread.
Speakers scheduled to appear were Rep. Joyce Beatty (OH), Rep. Jasmine Crockett (TX) and political strategist Donna Brazile. Others who spoke included former Spelman College President Dr. Johnnetta Cole, journalist and commentator Star Jones, author and influencer Luvvie Ajayi along with reps for HBCUS & the Divine Nine Black sororities and fraternities.
Appreciation for the accomplishments of President Biden during his term (e.g. the $35 price limit on insulin; Ketanji Jackson‘s appointment to the U.S. Supreme Court, protection and expansion of the Affordable Care Act) was voiced, along with forward-looking strategies for coalitions (Ana Navarro offered energetic support as a Latina ally), fundraising, and turning out the vote.
Within 3 hours #winwithblackwomen raised over $1.5M for the Presidential candidacy of @kamalaharris via a special link shared in the chat that tracked donations generated via this grassroots community.
Happy Music Monday, you all. It’s your friend and selector back again with another collection for listening, and this time rump shaking, pleasure.
While Detroit is known as “Hitsville U.S.A.” thanks to Motown, and Memphis is known as the epicenter of “Southern Soul” thanks to Stax Records. Dayton, however, is known as “The Funk Capital of the World.”
When Lakeside dubbed it “The Land of Funk” in its swashbuckling 1980 hit “Fantastic Voyage”, Dayton’s west side was already the birthplace of several of the funkiest groups on the planet.
My lifelong pal, Duane Myers, was the first to hip me to this fact a few years back. He pointed out that Ohio Players, Slave, Faze-O, Heatwave, Lakeside, Shirley Murdock, Zapp, Roger, and others are all from Dayton, Ohio.
This collection features a stable of funk bands whose influence can still be heard in hip-hop, house and other musical forms today.
The Ohio Players, who kicked open the door for them all, have had their tracks sampled or remade by Salt-N-Pepa, Soundgarden, Snoop Dogg, and the Red Hot Chili Peppers to name a few.
They are not alone. 1970s and ‘80s funk is being sampled and provides inspiration for many bands and artists. Please enjoy this playlist for classic funk music from the “Gem City”.
Happy Music Monday, y’all. If you haven’t already, please dig Jamila Wignot’s new documentary “Stax: Soulsville U.S.A.”, currently streaming on Max.
The four-part film tells the story of Stax Records, the iconic R&B label, from its late-1950s beginnings to its 1975 demise.
In its prime the label featured stars like Rufus Thomas and Carla Thomas, Sam and Dave, and Otis Redding, as well as the ace house band of Booker T. and the MGs.
Stax was a colorblind oasis of racial harmony in an otherwise fiercely segregated South. Stax has been eclipsed by Motown, with many of their hits mistakenly thought to be output from that Detroit Mecca, even though the comparative grittier Memphis studio had a sound all its own.
Look no further than Carla Thomas and Otis Redding’s “Tramp” to hear just how much their most popular artist was unapologetically “straight from the Georgia woods.”
Stax Records is critical to American music history as one of the most popular music record labels of all time.
In 15 years, Stax put more than 160 songs in the Top 100 on the pop charts and a staggering 243 hits in the Top 100 R&B charts. Please enjoy this 4 hours of essential Stax music featuring Redding, Isaac Hayes, The Bar-Kays,Johnnie Taylor, Shirley Brown, The Staple Singers and so many more.
Here at Good Black News, we’ve decided to have some fun and make up a new holiday.
With Patti LaBelle (born May 24th) and her good friend and Gemini sister Gladys Knight (born May 28th) both turning 80 over this long weekend, we’re thinking the perfect date is May 26th.
In much the same way that George Washington and Abraham Lincoln’s birthdays were lumped together to create President’s Day in February, we’re launching… Legendary Divas Day!
Certainly, Divas need their own day.
May 26th splits the difference between Patti’s and Gladys’ birthdates and gives us a perfect reason to share a great diva playlist every Memorial Day weekend (future Legendary Diva Days can be celebrated the Sunday of Memorial Day weekend).
LaBelle and Knight are two iconic singers who hold a special place in our collective hearts – they have provided the soundtracks to the lives of multiple generations of fans, with bodies of work to prove it.
But for our world today, they are more than just singers – they are an entire community’s beloved aunties and grandmas. They keep it fun and current by going on shows like “Dancing with the Stars” and “The Masked Singer” (Gladys was robbed on that first season, I tell you), and with cookbooks and Wal-Mart pies. They take care of us just through their being.
To honor their birthdays this weekend, GBN has put together a playlist comprising not 80 songs, but 180 songs that bounce back and forth between Gladys and Patti!
We journey through their 60+ year recording careers with the hits, the duets, the deep cuts, the standards and the spirit.
To be completely transparent, we took the bones of this playlist from a prior one we shared around the time of Gladys’ and Patti’s Verzuz song battle program during the pandemic – and we’ve dramatically expanded it to its new form.
While Reggae is a true import from Jamaica, it really gained a global footing in England. It and Punk both arose out of the economic depression and social inequality in the late 1960’s and 1970’s.
Many Reggae songs of the time like Bob Marley’s “Punky Reggae Party” and “Concrete Jungle” were overt commentary on life in London, while many Punk artists adopted some of these traits and spreading a message of rebellion against the Establishment.
He was not the only one to see that punks and Rastas shared a same idea of freedom and of rebellion against social norms and the setting of said norms.
Hope you enjoy this free-wheeling collection of songs celebrating the intersection of Reggae and Punk. As always, stay, safe, sane, and kind.
I’ve included tracks for the “Second Wave” of ska where bands like The Specials, English Beat, and Selector combined traditional ska song and grooves with a sped-up rhythms of punk music, introducing ska to new generations.
I’ve also included tracks from “Rocket To Kingston” credited to Bobby Ramone. It is a melding of the isolated vocal tracks from Bob Marley dropped over edited Ramones backing tracks. It shouldn’t work, but it does.
I’m starting off straight up corny by saying I’ve been a “transparent soul” with anyone who’d listen to me about my anticipation of WILLOW’s sixth and latest solo LP, which finally dropped May 3rd.
My owning of my corniness, turns out, totally vibes with the messages about the freedom to express & accept your feelings, warts and all, coursing throughout the #greatalbum “empathogen” (2024).
Not only do I absolutely love how WILLOW wrestles lyrically (and musically) with Big Ideas such as existence, ego, anxiety, pain, self-sabotage, fear and love, she does so in such soul-felt, sophisticated & surprising ways, I have to compliment the precise production by WILLOW and her fellow producers Chris Greatti, Eddie Benjamin and Jon Batiste.
There are myriad sounds, echo effects and vocal arrangements involved in each track, even the stripped down ones, but none ever feel overdone — just purposeful and fresh. It’s as if WILLOW threw her hands into the cosmic river of music, tapped into its source, and allowed it to flow freely through her.
There’s a lot going on technically in the music I can’t speak on with any authority (e.g. the multiple time signatures, turnarounds, uncommon verse/chorus structures) but what I can talk about is how it hits the ears and how it feels — free, unexpected, relatable, or, in one word — embracing.
WILLOW is clearly a student of music and draws on varied influences (her IG post of her working her voice out to Ella Fitzgerald’s legendary scat on “How High The Moon” blew my mind a few months ago and still lives rent free in what’s left of my head), but right now she’s reminding me most of the great Esperanza Spalding, particularly during her “Emily’s D+Evolution” (2016) jazz/pop/rock era.
WILLOW’s own pop/rock/punk/soul explorations from the past few years also inform her current jazz/funk/fusion present (and hopefully future).
The singles released from the LP, “symptom of life” and “bigfeelings”, are the best ambassadors for this tight 12-song offering which literally begins with what sounds like an off-mic Jon Batiste screeching, as if being born, “I love everything!”
(BTW, could Batiste be on more of a roll? He also co-produces and co-writes “Ameriican Requiem”, the opening track on COWBOY CARTER. If I’m an artist, I’m thinkin get this man to help kick off my LP, stat, cuz greatness will surely follow!)
After Batiste, we hear steady rimshots underneath WILLOW’s “ah oo ah ah” breaths until she sings “I live my life” — and I didn’t conjure my previous cosmic music river metaphor out of nowhere as WILLOW then sings “I trust this river to carry me / home” in this mystifyingly captivating LP opener titled “home”.
Thanks to our Editor-In-Chief, Lori Lakin Hutcherson, for reminding me that it April is Jazz Appreciation Month. So, to that end, I’ve assembled this collection of new and recent Jazz releases.
Most of these track have been released in 2024. None of them is older than five years old. These tracks encompass a wide range of styles and showcase the creativity and artistry of today’s jazz musicians.
This collection features rom compelling compositions to virtuosic performances, by the likes of Ulysses Owens Jr. and Generation Y, Marlon Simon, Lawrence Fields, Kandace Springs and so many others.
Jazz is a most truly American art form, its soulful and rich roots go back to the 1890s. Jazz Appreciation Month (fondly known as “JAM“) was created at Smithsonian National Museum of American History in 2001.
According to their website, “to recognize and celebrate the extraordinary heritage and history of jazz for the entire month of April. JAM is intended to stimulate and encourage people of all ages to participate in jazz – to study the music, attend concerts, listen to jazz on radio and recordings, read books about jazz, and more.” Works for me!!
The roots of jazz can be found in the blues and that is true of this playlist too. The journey of jazz started in the deep south along back roads, spread to nearly every city in America and eventually the world.
The variety and richness of jazz is on full display on with this collection. Enjoy JAM!
Deeronn Booker, 33, won the United States Bowling Congress Masters championship at Suncoast Bowling Center in Las Vegas on Sunday, defeating Patrick Dombrowski of Parma, Ohio, 217-177, to win the coveted Masters title and the tournament’s $100,000 first-place prize.
This was Albuquerque, New Mexico native Booker’s first major title on the Professional Bowlers Association Tour, and only the third time an African-American bowler has won a major event.
To quote from Donovan Grubaugh’s article on bowl.com:
Booker’s path to the winner’s circle certainly wasn’t an easy one as he was forced to take down the likes of two-time defending Masters champion Anthony Simonsen of Las Vegas, 2023 U.S. Open champion EJ Tackett of Ossian, Indiana, and two-time PBA titlist Sam Cooley of Australia during double-elimination bracket match play on Thursday and Friday…
Booker had enormous support from the crowd during the title match as several family members and friends were on hand to take in Booker’s TV finals debut…
“I can’t believe it,” Booker said after his win, during which he was surrounded by enthusiastic supporters. “This is perfect; I could not have painted a better picture of what’s going on right now.”
To learn more details about Booker and his championship match, click here.
For more information on the USBC Masters, visit BOWL.com/Masters.
