Diana Ross will be given a Lifetime Achievement honor at the 45th annual American Music Awards, and also perform during the broadcast, which airs Nov. 19 on ABC from Los Angeles’ Microsoft Theater. Ross has history with the AMAs, having attended her first ceremony in 1974 and serving as host in 1986 and 1987. She has seven AMA wins under her belt and has performed many times on the show, which is produced by Dick Clark Productions.
“I have endless memories of all the years that I have appeared on the American Music Awards,” Ross said in a Wednesday release about honor. “It started with Dick Clark and The Caravan of Stars and American Bandstand. It was Dick Clark who said, ‘Music is the soundtrack of our lives.’ So true. I am so excited to be receiving this honorable award.”
The American Music Award for Lifetime Achievement, given to those who’ve had significant contributions to the music industry, has previously honored Sting, Whitney Houston, Michael Jackson, Gloria Estefan and Prince. Nominations for the 2017 AMAs were announced last week, with BrunoMars leading with eight and followed by Ed Sheeran, The Chainsmokers, Drake, Kendrick Lamar and The Weeknd, each with five.
There’s an avalanche of thoughts that tumble through one’s mind when you are left to ponder the extraordinary (yet criminally underrated) career of George Michael following his shocking death on Christmas Day at the age of 53. But for this writer, the date of January 30, 1989, remains a moment that underlines the sheer gift, curse and deeply complex appeal of the ultimate white rhythm and blues vocalist. It was at Los Angeles’s Shrine Auditorium during the American Music Awards where Michael stepped on a debate-igniting, cultural land mine.
The former member of the monstrous pop duo Wham! was coming off the unfathomable commercial triumph of his critically-acclaimed solo debut Faith, which would go on to sell 25 million copies worldwide (10 million in the U.S. alone). Michael was now being viewed as a worthy addition to the ‘80s holy pop trinity of Michael Jackson, Prince and Madonna. When you headline your own sold-out world tour (The 1988 Faith trek became the second-highest-grossing tour of that year, pulling in nearly $20 million), fire off six consecutive top five singles on the Billboard charts (fueled by the one-two punch of the No. 1 rockabilly-dipped-in-soul title track and the dark, controlling church-infused ballad “Father Figure”) and win Album of the Year at the Grammys, you can pretty much write your own check.
But before that coronation solidified his place as a legit music industry behemoth, Michael found himself at the center of a racial tsunami when he won two AMAs for Favorite Album (Soul/R&B) and Favorite Male Artist (Soul/R&B). This was the era of the “Crossover Negro,” especially in the recording biz, as the aforementioned King of Pop and The Purple One — alongside the likes of Whitney Houston, Janet Jackson, Tina Turner, and Lionel Richie — all took turns ruling the top of the charts. Teddy Riley was leading the multi-platinum New Jack Swing wave. And hip-hop’s golden age was just kicking off, forcing MTV to create Yo! MTV Raps just to keep up with the street-infused genre’s groundbreaking stars like N.W.A., Public Enemy, Eric B & Rakim, Salt-N-Pepa and De La Soul. Black culture was cool and was only going to get cooler in the next decade.
For many African-American followers, their first introduction to the East Finchley, London native was Wham!’s 1982 cheeky, disco-rap rave-up “Young Guns (Go For It).” Michael and his conspicuously silent partner Andrew Ridgeley were pushed as cutesy teen idols that indulged in the funk.
But while Wham!’s No. 1 commercial breakthrough, 1984’s overtly day-glow single “Wake Me Up Before You Go-Go,” made them global stars, it was a heaven-sent slow jam that forever gave Michael his ‘hood pass. At just 17 years old, the gifted singer/songwriter wrote and produced the mournful torch song “Careless Whisper,” a mammoth hit that not only reached No. 1 on the Billboard Hot 100, but also became a top 10 hit on the U.S. Hot Black Singles, earning its place as a quiet storm staple on R&B radio. “I’m never going to dance again/Guilty feet have got no rhythm,” remains one of that era’s most heartbreaking lines ever recorded. This was a different cat.
Kevin Macdonald, who won an Oscar for “One Day in September,” is to direct a theatrical feature documentary about the life of Whitney Houston. It is the first documentary to be officially authorized by her estate.
The film will be produced by Simon Chinn, who won Oscars for “Man on Wire” and “Searching for Sugar Man,” his Lightbox Media partner Jonathan Chinn (“Fantastic Lies,” “American High”) and Lisa Erspamer (“Running From Crazy”). Altitude Film Sales is introducing the project to buyers at the Cannes Film Festival, with U.K. rights acquired by Altitude Film Distribution. Will Clarke, Andy Mayson and Mike Runagall will executive produce.
The film will include an interview with Clive Davis, founder and president of Arista Records, currently chief creative officer of Sony Music Entertainment, who is acknowledged for bringing Houston to prominence.
Houston broke more records than any other female singer in the history of popular music, with over 200 million album sales worldwide, and inspired a generation of singers from Mariah Carey and Lady Gaga to Beyoncé.
Even in death, Michael Jackson continues to break records. His duet with Justin Timberlake, “Love Never Felt So Good,” will make the late King of Pop the only artist to score a top ten Hot 100 hit in five different decades. The musicians he surpassed include Whitney Houston, Madonna, Aerosmith, Barbara Streisand and Cher.
Angela Bassettwill make her directorial debut with a Lifetime Original Movie based on the life of Whitney Houston, Lifetime announced Thursday.
Scheduled for a 2015 world premiere under the working title of “Whitney Houston,” the film chronicles the headline-making relationship between the iconic singer, actress, producer and model, and singer-songwriter Bobby Brown — from the time they first met at the very height of their celebrity, to their courtship and tumultuous marriage.
“I have such regard for both Whitney’s and Bobby’s amazing talents and accomplishments; and I feel a responsibility in the telling of their story,” said Bassett in a statement. “Their humanity and bond fascinates us all. I’m beyond excited to have this opportunity to go behind the camera and into their world.”
Produced by The Sanitsky Company, “Whitney Houston” will be executive produced by Larry Sanitsky. Shem Bitterman wrote the film’s script.
Bassett and Lifetime previously collaborated on last year’s original movie “Betty & Coretta.” Starring Bassett and Mary J. Blige, the Humanitas Prize finalist told the dual real-life stories of Coretta Scott King (Bassett) and Dr. Betty Shabazz (Blige), wives of Dr. Martin Luther King (Malik Yoba) and Malcolm X (Lindsay Owen Pierre), who formed an unbreakable life-long bond after their husbands’ tragic assassinations.
Madame Tussauds has turned its attention to Whitney Houston, remembering the legendary singer who died last year with not one, but four separate wax figures. “We were extremely honored when Madame Tussauds approached us about doing four figures of Whitney from different points in her 30-year career,” Houston’s manager and sister-in-law Pat Houston said in a statement on behalf of the family. “This is something we are excited to do for the fans.”
The unveiling marks the first time in 200 years that the museum has simultaneously created so many different figures of the same subject. While each took shape at the Tussauds studio in London, they will be displayed in separate cities.
Robinson Global Sports & Entertainment Group LLC has announced it plans to develop the Official R&B Music Hall of Fame Museum that will be a state-of-the-art, highly interactive, virtual reality experience for individuals of all ages and cultures. It will memorialize rhythm artists, promoters and others that have contributed to this music genre. Its educational and preservation values alone are needed and have been welcomed and by many U.S. cities: Cleveland, Ohio Mayor Frank G. Jackson; East Cleveland, Ohio Mayor Gary Norton; Detroit, Michigan’s The New Detroit Entertainment Inc and the Motown Alumni Association; Memphis, Tennessee Mayor A.C. Wharton, Jr. Continue reading “Michael Jackson and Whitney Houston Lead Inaugural Class for Induction to R&B Music Hall of Fame”→
Nearly six months after Whitney Houston’s untimely death, fans will have the opportunity to view the legendary singer’s vast collection of memorabilia at a special exhibit at the Grammy Museum in Los Angeles. The exhibit dubbed “Whitney! Celebrating the Musical Legacy of Whitney Houston,” will display items such as Houston’s bible, photographs and her famous white gown worn during the 1994 Grammy Awards will be among the many things. Continue reading “Whitney Houston’s Memorabilia Set To Be Displayed At The Grammy Museum”→