According to Variety.com, it was Wakanda for the Win at the 2018 MTV Movie & TV Awards, with Disney Marvel’s “Black Panther” winning the most film awards, including Best Movie, Best Performance and Best Hero for Chadwick Boseman and Best Villain for Michael B. Jordan.
Tiffany Haddish hosted the show, which aired Monday night on Viacom networks and was taped Saturday at the Barker Hangar in Santa Monica, CA. Haddish took home the popcorn herself for best comedic performance in “Girls Trip.”
Netflix’s “Stranger Things” dominated the television field with three awards, including best show. Millie Bobby Brown also won for show performance, while Noah Schnapp was recognized for frightened performance.
NEW YORK — “Girls Trip” changed the game for Tiffany Haddish, and now she’s being honored as one of Essence Magazine’s “game-changers” at its annual “Black Women in Hollywood” awards.
“Girls Trip” was one of last year’s big hits and made Haddish a breakout star. The comedian is one of four women being honored at the March 1 event in Beverly Hills, California.
“The Chi” creator and “Master of None” star Lena Waithe will also be celebrated; she became the first black woman to win an Emmy for comedy writing last year.
Danai Gurira of “The Walking Dead” stars in the upcoming “Black Panther.” Gurira also created the Tony-nominated “Eclipsed,” among other works. Tessa Thompson broke new ground in her role in last fall’s superhero hit “Thor.”
Essence magazine editor Vanessa De Luca says the honorees are “raising their voices to benefit all women.”
Tiffany Haddish has signed a first-look deal with HBO.
The two-year pact with Haddish and her She Ready production company comes on the heels of a breakout year for the comic, who won a New York Film Critics Circle best supporting actress award for her performance in 2017’s “Girls Trip.” Her book “The Last Black Unicorn,” released last month by Gallery Books, was named a New York Times best seller. Her new stand-up special “Tiffany Haddish: She Ready!” premiered on Showtime last year, and Haddish recently announced 2018 dates for her new stand-up tour.
Haddish will next star opposite Tracy Morgan in TBS’ “The Last OG,” which premieres in April on TBS. She will also star alongside Kevin Hart in Universal’s feature film “Night School,” set to premiere in September.
Among her other upcoming projects are starring roles in New Line’s “The Kitchen” and Universal’s “The Temp,” with Haddish set to serve as executive producer on the latter film. The comic also has “Limited Partners” in development at Paramount, and is set to star in and serve as an exec producer on the project. She recently wrapped production on “The Oath” alongside Ike Barinholtz.
The nominees for the 90th Academy Awards were announced Monday morning by Girls Tripstar Tiffany Haddish and Black Pantherstar Andy Serkis.
Get Outpicked up several big nods, including Best Picture, Best Original Screenplay and Best Director for Jordan Peele and Best Actor for Daniel Kaluuya.
Mary J. Blige (Mudbound) and Octavia Spencer (The Shape of Water) were both nominated for Best Supporting Actress, Mudbound scored a Best Adapted Screenplay nomination for writer/director Dee Rees and co-writer Virgil Williams, and Denzel Washington was also nominated for Best Actor for Roman J. Israel, Esq.
Jimmy Kimmel will host the awards at the Dolby Theatre at Hollywood & Highland Center in Hollywood on March 4, and it will be broadcast on ABC.
View the list of nominees below:
Call Me By Your Name
The Shape of Water
Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Torro, The Shape of Water
Tiffany Haddish’s love for Groupon is sending her to the Super Bowl. The Girls Tripactress went viral last summer, when she told Jimmy Kimmel a story about taking co-star Jada Pinkett-Smith and husband Will Smith on a Groupon swamp tour while filming in New Orleans (watch below).
The hilarious re-telling, which included the revelation that the Smiths had no idea what Groupon was, apparently spread quickly through the ranks of the discount e-commerce site. The company decided that they wanted to work with the actress and offered her a role as spokesperson. Now, she’ll be featured in a series of ads for the company, including its first Super Bowl commercial in seven years, which will air during the fourth quarter of the game.
According to Groupon’s head of marketing for North America, Jon Wild, when the company looked into Haddish, they not only found that the actress is a bonafide fan of its service, but that she is actually in the top 1% of most frequent purchasers. “She knows our product better than a lot of Groupon employees,” Wild said. “She could name what she’d done, the experience she had and how much she’d saved.”
That expertise not only landed Haddish the spokesperson gig, but also effectively made her an honorary employee. Groupon has also given Haddish her own section of the site, given her access to the employee app, and “put some Groupon bucks in her account.”
Haddish is in talks to join the ensemble of “The Kitchen,” which is the directorial debut for “Straight Outta Compton” screenwriter Andrea Berloff, who is also writing the script. The film is based on the comic book series by Ollie Masters and Ming Doyle for Vertigo from DC Entertainment. The series has gained a cult following since debuting in 2014 to critical acclaim. The Irish mafia story is set in Hell’s Kitchen, N.Y., in the 1970s. When the FBI comes in and does a sweep of the mob, several men are arrested. Their wives end up taking over and running the business much more viciously than the men ever did.
“The Temp,” which is set to be produced by Will Packer, who also produced the hit comedy “Girls Trip” featuring Haddish’s breakout performance.
Universal acquired the original pitch for “The Temp” from Dana Fox, who will also write the female-driven comedy. Fox will produce alongside Packer who will produce through his Universal-based Will Packer Productions. Will Packer Productions’ James Lopez will also produce and Haddish will serve as executive producer.
Haddish’s other upcoming projects include starring alongside Tracy Morgan in TBS’ “The Last OG,” which will be released in 2018; she recently wrapped production on Universal’s “Night School” opposite Kevin Hart. She also has “Limited Partners” in development with Paramount, which she will star in and serve as an executive producer on the project as well.
Outside of her film and TV projects, she is also set to release her book “The Last Black Unicorn,” which comes out Dec. 5, and just announced 2018 dates for her new stand-up tour “She Ready.”
When comedian Tiffany Haddish was 9, her stepfather tampered with the brakes on her mother’s car, hoping to kill his partner and her four children. Rather than going out with her mom that day, Haddish asked to stay home and look after her younger siblings—sparing her from the horrific accident that left her mother mentally impaired. As the oldest child, Haddish did what she could to help for three years, from tying her mother’s shoes to paying bills, but eventually Haddish and her siblings were placed in foster care.
Haddish used the trauma and tragedy of her upbringing to ignite what is now a blazing comedy career. As a child, the Girls Trip star was teased for being a foster kid, but Haddish has also talked about maintaining a strong sense of self worth in her recent Showtime standup special, She Ready!: From the Hood to Hollywood. “The state of California paid so much money to make sure I don’t die ‘cause they knew I was gonna be special,” Haddish tells her audience. “They knew it. They was like, ‘This one right here, she gonna be a unicorn.’ And they was right. I’m the last black unicorn, bitch!”
Haddish’s ascent in recent years—debuting on NBC’s The Carmichael Show in 2015 and appearing in the 2016 action comedy Keanu and the summer hit Girls Trip—is a testament to her talent and resilience. But her story also offers insight into what it takes for a black woman in comedy to become successful today. Haddish’s rise points to where systemic roadblocks still lie for performers of color, particularly women, when they first enter the business—and how some barriers to entry may be falling as comedy enters a new golden age, with fewer gatekeepers and more platforms for artists to reach their fans.
Even though Girls Trip has a black director and writers, Haddish faced questions about her low profile. Her agent initially told her that studio executives were looking for someone with a bigger name to play her character, Dina. Haddish told her agent to tell them, “I’ve had a name since 1979. Okay? I was born with a name.” In the end, her rare comedic gifts won out, and reviews of Girls Trip regularly singled Haddish out for praise. Continue reading “FEATURE: ‘Girls Trip’ Star Tiffany Haddish’s Remarkable Rise”→
Netflix announced on Thursday that it will produce “Def Comedy Jam 25” to mark the 25th anniversary of the comedy show, to air this fall. “Def Comedy Jam” originally ran from 1992 to 1996 before being revived in 2006. The show, which was produced by Russell Simmons, helped to launch the careers of the likes of Martin Lawrence, Cedric the Entertainer and Sheryl Underwood.
The lineup of performers for the special thus far include: Lawrence, Underwood, Bill Bellamy, Cedric the Entertainer, Dave Chappelle, Mike Epps, Adele Givens, Eddie Griffin, Tiffany Haddish, Kevin Hart, Steve Harvey, D.L. Hughley, Kid Capri, Tracy Morgan, Craig Robinson, JB Smoove, Sommore, Joe Torry and Katt Williams.
According to Deadline.com, Universal’sGirls Trip has earned director Malcolm D. Lee not only his second A+ CinemaScore following 2013’s The Best Man Holiday, but also the best opening of his career at the domestic B.O. with $30.4M, beating Holiday‘s $30.1M. This is an incredible start for a movie that cost under $20M, is getting across-the-board positive reviews (plus, Tiffany Haddish‘s viral Will-and-Jada swamp story on “Jimmy Kimmel” exists because of this movie, so even more reason to give it up to “Girls Trip”) and it’s great for comedies in a marketplace. On Friday, the film made $11.7M and eased 5% on Saturday for $11.1M.
RelishMix sees Girls Trip‘s momentum fueled by its cast’s passion to promote on social media. “It’s encouraging to see an entire cast get behind a film — every cast member is social and activated, which is a true rarity. So, many of the YouTube views are surely driven by the super-social cast, led by Queen Latifah’s 18M followers,” reported the social media firm. Jada Pinkett Smith counts 8.9M followers across Facebook and Twitter.
“Girls Trip is a break-through comedy that is providing audiences with big entertainment, big laughs,” said Universal domestic distribution chief Nick Carpou, “Malcolm D. Lee is a master at creating characters and telling stories that resonate, and in conjunction with producers Will Packer and James Lopez, has brought us a fresh, raunchy, empowering comedy.”
In other box office news, World War II drama “Dunkirk” came in at number one this weekend, earning $50.5 million, but sci-fi spectacle “Valerian” crashed hard, collecting only $17M in its fifth-place debut. The top 5 were rounded out by holdovers “Spider-Man: Homecoming,” which earned $22M in its third week, and “War for the Planet of the Apes,” scoring $20.4M in its second.
Making it in Hollywood is no easy feat, and doing so as a woman is even more difficult. If that woman is black — or Latina or Asian or otherwise nonwhite — the odds just aren’t in her favor. But with the release of “Girls Trip,” four black women — Queen Latifah, Jada Pinkett Smith, Regina Hall and Tiffany Haddish — attempt a takeover of the buddy comedy, possibly the first time black women have led such a picture.
One reason as to why? The number of black women thought to be able to carry a studio-backed film is slim, and there hasn’t been a bona-fide black female comedic superstar since Whoopi Goldberg. We spoke to 18 funny black women about their industry experiences. Below are their thoughts:
Tracee Ellis Ross
While most probably know Tracee Ellis Ross as Rainbow on the hit “black-ish,” others see Joan Clayton of “Girlfriends,” the early 2000s show almost no one would argue about rebooting.
While most probably know Tracee Ellis Ross as Rainbow on the hit “Black-ish,” others see Joan Clayton of “Girlfriends” — the early 2000s show fans would love to see earn the revival or reunion treatment.
Regardless of her career experiences, Ross is just beginning to get her due recognition. In addition to nabbing a Golden Globe earlier this year, she’s earned her second consecutive Emmy nomination. Some might say she has all the makings of a comedic superstar.
But when she takes a moment to ponder other black women who fit the bill she’s forced to think hard.
“Regina Hall … Issa Rae … Jessica Williams,” she said after a moment, “but I shouldn’t have to search to come up with those names. The difficulty is, and I think what happens is, you might see somebody in a role and you’re like, ‘Holy …! She is so funny.’ Then she doesn’t get another opportunity, but she needs those roles because they help you build a career so everybody knows your name and knows what you’re capable of.
“And it’s not just black comedic women. There are, I’m sure, a lot of very funny Asian women and Latina women, and we know some of them, but it’s not because the talent doesn’t exist. The other thing is, the talent exists, but [performers] need the experience to keep getting better and have more depth.”
Ross is encouraged, however, by the likes of Rae.
“I think Issa is a beautiful example of ‘You’re not going to give me any real estate? Fine. I’m going to make it,’” she said. “There is revolution going on.”
How did you settle into comedic acting?
I loved making people laugh when I was younger. It was frowned upon during dinner time but I thought it was hilarious to make my sister laugh. It was often the thing that got me kicked out of class because I was always silly. It was one of the ways my shyness manifested and the way I protected myself and kept people at bay. And I’ve always been a very physical person so when I experience a feeling, I experience it in my entire body.
As I look back, it was a natural progression into the physical comedy and the ways I use my body. In terms of my career, I don’t know that it was a conscious choice that I moved into comedy, but it was an authentic choice. I don’t consider myself funny. I consider myself silly. I just tell the truth and my truth comes out in a way that makes people laugh. My goal isn’t to make people laugh, but I enjoy that exchange.
I think the difficulty for actors of any kind is when you get stuck with what other people assume is who you are. We’re actors and we can do anything.
— Tracee Ellis Ross
Who are some of your comedic inspirations?
I was a Carol Burnett, Lucy [Ball], Lily Tomlin type of girl. They were the three women that etched it in for me. I remember looking back and seeing Goldie Hawn in “Private Benjamin.” I was drawn to all of that growing up. Those were the women that defined freedom and courage [for me]. From there so many funny women like Julia Louis-Dreyfus — I don’t even understand [how she does it].
And then Whoopi Goldberg did the Moms Mabley documentary, and I was so grateful that she did that because it really showed me that Moms Mabley is specifically one of the reasons I can do what I do. She carved something out and did something so consciously that allows me to be a black woman in comedy.
Tiffany Haddish is legitimately having a moment. As a star of “Girls Trip,” opposite industry vets Queen Latifah, Jada Pinkett Smith and Regina Hall. Based on her performance, and with an upcoming Showtime comedy special, she’s on her way to household-name status.
But what else would you expect from “the last black unicorn?”
How did you get into comedy?
My social worker. [laughs] I was living in South Central L.A. and was being bused to Woodland Hills. I was getting in trouble because I was not sure how to make friends. So I made this imaginary friend up because I thought I was at the Nickelodeon Awards — I had never been around this many white people. I thought I was at the Nickelodeon Awards every day so I thought I needed to be all creative and entertaining because I thought white people lived in TV — my concept of people was really messed up.
I remember going to court and seeing the judge. I thought he was the judge from “People’s Court.” [laughs] By the time I got to 10th grade, it was bothering my social worker that she was getting called to the school every week. I was getting sent to the dean’s office for being racist because I had this bird named Cracker. It was this imaginary bird, and I would be like, “Cracker want a Polly?” And I would take actual crackers and break them up on my shoulder. Kids would laugh and stuff. We’d be taking a test and I would be like, “What’s the answer to number seven Cracker?” And they’d be like, “Go to the dean’s office!”
So my social worker was like, “You have two choices this time. You can go to Laugh Factory Academy Camp or you can go to psychiatric therapy. Which one you want to do this summer?” I was like, “Which one got drugs?” and I went to comedy camp. It was the first time a man ever told me I was beautiful and I didn’t feel like I was going to be hurt in some kind of way. They taught me confidence, communication skills, how to write, how to have stage presence.