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Posts tagged as “The Impressions”

MUSIC MONDAY: “Move on Up” – The Best of Curtis Mayfield (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

This June 3rd was the 81st anniversary of Curtis Mayfield’s birth. Today, on Juneteenth, we offer Move On Up: The Best of Curtis Mayfield playlist to celebrate the Chicago native who made an indelible mark on popular music through his protest songs and on the movie soundtrack album in particular.

[spotifyplaybutton play=”https://open.spotify.com/playlist/0CutRP38OfPOv3ojI39Cpa?si=98026abc77084c71″]

As a singer, songwriter, and producer, Mayfield is widely regarded as one of the most influential figures in soul and R&B music. His early days with The Impressions showcased his distinctive falsetto vocals and he penned hits like “I’m So Proud” “It’s All Right,” and “Woman’s Got Soul,” among others.

However, it was his solo career that solidified his place as a musical pioneer and visionary. Beyond his musical contributions, Mayfield was a vocal advocate for civil rights and social equality.

His songs, including “Move On Up,” “People Get Ready,” “Keep On Pushing,” “Choice of Colors” and “We’re a Winner” became anthems for the Civil Rights Movement. They have empowered marginalized communities and inspired change for decades.

The soundtrack of Superfly was a smash by any measure. The record’s first single, “Freddie’s Dead” came out in July 1972, before the full album and the movie, and hit No. 4 on the Billboard Hot 100 chart.

Mayfield also crafted and composed the 1976 soundtrack to Sparkle, on which Aretha Franklin recorded the now classic #1 R&B hit “Something He Can Feel.” En Vogue remade the song in 1992 and repeated that feat, along with taking their cover to No. 6 on the Hot 100 chart.

This collection features his many hits, collaborations, remixes of his work and covers made in tribute to his impact. Enjoy.

Happy Juneteenth!! Stay sane, safe, and kind. See ya next month, y’all.

Marlon West (photo courtesy Marlon West)

John Coltrane’s ‘A Love Supreme’ and The Supremes' ‘Where Did Our Love Go?' Join National Recording Registry

The Supremes (l) and John Coltrane (r)
The Supremes (l) and John Coltrane (r)

article by Andrew R. Chow via nytimes.com
John Coltrane’s “A Love Supreme” and The Supremes’ “Where Did Our Love Go,” are part of the incoming class added to the National Recording Registry of the Library of Congress this year. The diverse crop of new inductees also includes the Vienna Philharmonic’s 1938 recording of Mahler’s Ninth Symphony, Metallica’s “Master of Puppets” and live coverage from Wilt Chamberlain’s 100-point game.
The registry adds 25 recordings — deemed significant to American history and culture — each year. The field this year includes pop, (Billy Joel’s “Piano Man”), classic R&B (“Where Did Our Love Go,” The Impressions’ “People Get Ready”), field recordings (W.H. Stepp’s “Bonaparte’s Retreat,” captured by Alan and Elizabeth Lomax in 1937) and comedy (George Carlin’s “Class Clown”). Joining these performers is Secretary of State George C. Marshall proposing what became known as the Marshall Plan to aid Europe after World War II.

The National Recording Registry now totals 450 recordings, the library said. A full list can be found at www.loc.gov.

To read original article, go to: http://artsbeat.blogs.nytimes.com/2016/03/23/john-coltranes-a-love-supreme-and-billy-joels-piano-man-join-national-recording-registry/?partner=rss&emc=rss&_r=0