The prognosis is good for Fox’s “Rosewood.” The medical drama starring Morris Chestnut as a charismatic Miami pathologist has been given a full season order.
The series has been the standout among Fox’s freshman series this fall, averaging a 2.4 rating in adults 18-49 and 7.8 million viewers overall in Nielsen’s “live plus-3” estimates for its first three episodes. Fox has paired the show with “Empire” in the 8 p.m. Wednesday berth, which has benefitted “Rosewood” as its audience has consistently grown in its second half-hour as viewers await “Empire” at 9 p.m.
Todd Harthan is creator and executive producer of “Rosewood” for 20th Century Fox TV. Other cast members include Jaina Lee Ortiz as Beaumont Rosewood’s potential love connection, Detective Annalise Villa, and Lorraine Toussaint as his mother. It was recently announced that Taye Diggs would guest star on the series.
“’Rosewood’ has proven to be a real self-starter for us, which is a tremendous feat on this highly competitive night. Todd Harthan, Morris, Jaina, Lorraine and the entire cast and crew have done a fantastic job creating a gorgeous, sexy world that is the perfect complement to ‘Empire’,” said Fox entertainment president David Madden. “The upcoming episodes are so compelling as we build out the family dynamics, and with today’s order, we’re excited to explore the world of ‘Rosewood’ even further this season.”
The back-nine order brings the show to 22 episodes for its first season. At a time when many network dramas are opting for shorter episode orders, Fox is hoping “Rosewood” will hold up as a reliable procedural drama in the vein of “Bones.”
article by Whitney Friedlander w/reporting by Rick Kissell via Variety.com
‘The Great White Way’ is seeing a serious dose of color these days.
In 2014, Black actors broke ground on Broadway when Norm Lewis became the first Black male to play the Phantom in Phantom of the Opera, and Keke Palmer played Rodger and Hammerstein’s first Black Cinderella on the stage. This year, Brandy scored another career milestone as the third notable Black actress to play femme fatale Roxie Hart in Chicago.And just last week, photos of Taye Diggs as Hedwig & The Angry Inch’s first Black male superstarhit the web to tons of excitement.
These inspiring moves are not only monumental for the actors, but also for the world of Broadway. While television and film are often called out for their extreme lack of diversity, Broadway has a long history of incorporating actors of color, as well as from the LGBT and disabled communities. And yet, despite impressive attempts at inclusivity, most people remain unaware of the strides made in the theater world.
To put it mildly, Hollywood could learn a lot from the Great White Way’s moves to culturally harmonize the stage.
Black actors first began standing under those bright white lights in 1920 when Charles Giplin became the first Black actor on Broadway to play the lead role in The Emperor Jones. Seven years later, Ethel Waters became the first Black actress in a lead role in Africana. Meanwhile, Show Boat was the first production to feature an integrated cast and even an interracial marriage.
The Roaring Twenties gave us our “Black firsts” on Broadway, but racism and segregation marred an otherwise elegant art scene, due much in part to the terrible effects of minstrelsty. Minstrels shows may not have been “Broadway” productions, but the racist shows garnered popularity nonetheless. Sometimes performed through the vaudeville platform (think baby Broadway), the productions continued through the 1960s, when fight for civil rights decreased their popularity.
Still, amid all of the setbacks, Black actors persevered by singing, dancing and acting their way into our hearts. More importantly, they did so not for the amusement of the White man, but out of their talent and genuine passion for the field.
In 1950, Juanita Hill was the first Black woman to win a Tony Award for a Supporting Role as Bloody Mary in South Pacific. Another Rodgers and Hammerstein production, the story was far from the famed duo’s most famous shows, but was notable for its tackling of the harmful affects of racism head-on.
The next 30 years would see a number of other noteworthy moments, including Diahann Carroll’s Tony Award for Best Actress in a Musical for No Strings. Vinnette Justine Carroll‘s achievement as the first Black female director of Don’t Bother Me, I Can’t Cope, the production of Ntozake Shange’s emotional For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, powerhouse actress Audra McDonald winning and of course Jennifer Holliday’s portrayal of Effie White in Dreamgirls:
But the last two years have been extremely notable for their high-profile and consistent opportunities for Black stage actors.Not only did Broadway darling Audra McDonald make history by winning her sixth Tony in 2014 (also becoming the only actress to win in all four acting categories), but Phyllicia Rashad won a Tony for the revival of A Raisin In The Sun and Denzel Washington shone in his much-praised role in August Wilson’s Pulitzer Prize-winning play Fences.
Although Thor: The Dark World hung on to the No. 1 spot at the box office this weekend, the big story was a stellar opening for The Best Man Holiday, which trounced all expectations to debut with a studio-estimated $30.6-million. Disney’s 3-D sequel Thor: the Dark World took in a solid $38.5-million, which represented an expected 55% drop from its opening weekend when it grossed $86 million.
The Best Man Holiday received a coveted average grade of A+ from moviegoers, according to market research firm CinemaScore. That means it joins an elite club of films that have enjoyed long and fruitful box office runs, including Argo, 42, The Help, The King’s Speech, The Blind Side and Titanic. Going into the weekend, the distributor Universal Pictures projected that The Best Man Holiday would take in a modest $17 million, while prerelease audience surveys indicated the film would start off with around $23 million.
“There’s no crystal ball in guessing this stuff,” said Nikki Rocco, Universal’s president of distribution. “It was fair to think this film— where 87% of the audience was African American—would open in the high teens.” That it nearly doubled that estimate is “a phenomenal result,” said Rocco. “I would never have thought in my most non-lucid moment to expect this — the picture only cost $17-million.” Thanks to the A+ CinemaScore, Rocco says she believes the film will eventually reach a broader audience.
The Best Man Holiday, which is about a group of friends gathering for Christmas, is a sequel to 1999’s The Best Man which grossed $34 million. Both films were directed by Malcolm D. Lee and star a number of the same actors, including Taye Diggs, Terrence Howard and Nia Long.
This week, Universal Pictures released the official trailer to The Best Man Holiday, the upcoming sequel to the 1999 film, The Best Man. Writer/director Malcolm D. Lee is at the helm again, and he has reunited his all-star cast of Taye Diggs, Nia Long, Morris Chestnut, Terrence Howard, Sanaa Lathan, Monica Calhoun, Harold Perrineau, Melissa De Sousa and Regina Hall for a story set fifteen years later during the Christmas holidays. The movie is scheduled for wide release on November 15.
The Best Man is returning to the big screen this fall. The gang is back and the star-studded cast reunites to film Best Man Holiday. In it, Taye Diggs, Morris Chestnut, Nia Long, Harold Perrineau, Terrence Howard, Sanaa Lathan, Monica Calhoun, Melissa De Sousa and Regina Hall come together fifteen years later.
Universal Pictures has released the teaser trailer to the sequel of the 1999 film, which are both directed and written by Malcolm D. Lee.
The film picks up when the group of friends reunite over the Christmas holidays where rivalries are ignited and romances spark. The movie is scheduled to hit theaters on November 15.