by Sameer Rao via colorlines.com
Ellis Haizlip broke the talk show and public television color barrier when he introduced “SOUL!,” the weekly program he hosted during the late ’60s and early ’70s, to PBS. Now, a half decade after the show debuted, his niece Melissa Haizlip (“Crossing Jordan”) revisits his legacy with the documentary “Mr. SOUL!” Deadline anticipated the world premiere at the Tribeca Film Festival by unveiling the trailer (above) on April 4.
“There exists, as far as I know, no TV program that deals with my culture so completely, so freely, so beautifully,” the senior Haizlip remarked in archival footage from the trailer. To drive that point home, the trailer incorporates clips of performances from now-renowned Black artists as varied as Maya Angelou, Donny Hathaway and Alvin Ailey. Haizlip also conducted interviews on the show with Stokely Carmichael, James Baldwin and other activists and thought leaders.
Interviewees like Kathleen Cleaver, Sonia Sanchez and Harry Belafonte spoke to the importance of this show, which centered Black culture at a time when the U.S. was waging full-scale war on Black activism. “This is serious business, our lives were at stake!” Cleaver emphasized in the trailer.
PBS/Thirteen noted that Ellis Haizlip fought both on and off camera. He intentionally staffed his production team with Black crew members and publicly criticized the government-created Corporation for Public Broadcasting for pulling funding. “Worse than racism, I see this as the beginning of a systematic plan to remove Black programs from public television,” he told Jet magazine after the show’s cancellation in 1973.
“Mr. SOUL!” debuts at the Tribeca Film Festival on April 22.
Source: https://www.colorlines.com/articles/new-doc-explores-how-mr-soul-brought-black-culture-talk-show-tv
Posts tagged as “Stokely Carmichael”
by Lori Lakin Hutcherson (@lakinhutcherson)
Dr. Charles V. Hamilton, a political scientist, activist and Professor Emeritus at Columbia University best known for his 1967 book co-written with Kwame Ture (Stokely Carmichael), Black Power: The Politics of Liberation in America, has established The Drs. Charles V. and Dona C. Hamilton Institute for Research and Civic Involvement at the DuSable Museum of African American History. The DuSable is scheduled to open the Hamilton Institute’s Reading Room on Monday, February 19, 2018 with a special dedication event.
The Hamilton Institute will provide a range of opportunities for visitors to peruse its non-circulating reference collection, including a special collection of rare books, to research the DuSable Museum archives and to attend scholarly lectures and history & policy discussions, many of which will be directed toward youth audiences to inspire their interest and encourage their involvement in topics that affect the African American community. Visitors to the Hamilton Institute’s Reading Room will include educators, authors, photo researchers, independent scholars, journalists, students, historians, community members and others. Visitors will be allowed access to the DuSable Museum Archives, one of the oldest and richest African American archival collections in the nation, which includes manuscripts, books and journals, photographs, slides, and other printed materials.
“I was interested in combining academic studies with political action. My concern was not only to profess but to participate. I see the DuSable Museum as a repository of study of those efforts; and people will come look at them with those eyes; that people will see someone who not just wrote books but participated,” said Dr. Charles V. Hamilton.
Although Dr. Charles V. Hamilton was born in Muskogee, Oklahoma, raised on the South Side of Chicago, and educated at Roosevelt University, Loyola University and the University of Chicago. The contribution to establish the Hamilton Research Institute and Reading Room is one that supports the continuation of progressive development for the city of Chicago—a place near and dear to Dr. Hamilton. His donation represents one of the largest individual gifts in the DuSable Museum’s history.
When President Truman integrated the military (1948), Hamilton served for a year. A chronicler of the Civil Rights Movement, he was a young adult at the time of Brown v. Board of Education (1954) and the Montgomery Bus Boycott (1955-56). He lived through the Jim Crow era and witnessed the political transformation that made possible the election of Black officials in the South. Watching the unfolding of civil rights history informed and enriched his scholarship as he created a role for himself as an intellectual amongst activists.
In 1969, Hamilton arrived at Columbia University as a Ford Foundation funded professor in urban political science and became one of the first African Americans to hold an academic chair at an Ivy League university. It was the height of the turbulent 1960s and the nation was reeling from assassinations, demonstrations and riots. Hamilton was at the peak of his fame as the intellectual half of the “Black Power Duo.”
The activist half was Stokely Carmichael (later known as Kwame Ture), a former leader of the Student Nonviolent Coordinating Committee, self-professed Black Nationalist and nascent Pan-Africanist. In a brilliant stroke, Hamilton had teamed up with Carmichael, a folk hero and icon for his generation to write what would be Hamilton’s most famous book, Black Power: The Politics of Liberation in America (1967).
“This is a game changer for the DuSable Museum,” said Perri Irmer, President and CEO. “The over-arching mission of this institution is the education of all people through African American history, art and culture. The creation of the Hamilton Institute gives concrete form to this education mission, allowing us to present a commitment to a superior level of scholarly activity and engagement. Now, thanks to Dr. Hamilton, we will have the infrastructure and a vehicle for the engagement of young audiences and visitors of all ages, from around the world, in what I believe will become a center for black thought leadership and intellectual exploration. What better place to do this but Chicago, and in what finer institution than the DuSable Museum of African American History?”
About The Hamilton Research Institute and Reading Room
The Drs. Charles V. and Dona C. Hamilton Institute for Research and Civic Involvement’s Reading Room will be open by appointment only, Tuesday through Saturday to anyone who is at least 14 years of age or in the ninth grade (younger visitors must be accompanied by an adult). The Hamilton Institute staff will provide a range of services to visitors interested in conducting research in the Museum. Reading Room Procedures and Policies will be made available on DuSable’s website, and visitors will be able to make follow-up appointments as related to research needs during the time of their visit.
About The DuSable Museum of African American History
The DuSable Museum of African American History is one of the oldest institutions of its kind in the country. Their mission is to promote understanding and inspire appreciation of the achievements, contributions and experiences of African Americans through exhibits, programs and activities that illustrate African and African American history, culture and art. The DuSable Museum is a Smithsonian Institution Affiliate. For more information on the Museum and its programs, call 773-947-0600 or visit at www.dusablemuseum.
Public television’s WORLD Channel will present the complete Emmy-Award winning Eyes on the Prize I and II starting tonight, January 17, 2016. A 30-minute special feature, Eyes on the Prize: Then and Now, will launch the encore presentation of this historic two-part series and explore its impressive relevance today.
Eyes on the Prize, created by Executive Producer Henry Hampton, is a critically-acclaimed and in-depth documentary series on civil rights in America. With the current national spotlight on issues of race and inequality—as well as the marking of the 50th anniversary of the Voting Rights Act, and the 60th anniversary of the Montgomery Bus Boycott—the time is right for this series about the nation’s civil rights history to be front and center as part of an essential dialogue.
America continues to struggle with the recurring crisis of race-related violence; Eyes on the Prize I and II can provide perspective for a new generation and be a touchstone for citizens who lived through the decades that the films depict. Journalist and writer Al Letson hosts new introductions to each episode.
“We are elated that this landmark series will once again be broadcast across the country, reaching millions of viewers—many of whom may never have seen the original airing. The series focuses on solutions to the conflicts that we face today. Eyes on the Prize shows leadership, grass roots organization and personal sacrifice as the recipe that can create lasting change. It is our hope the television programs together with our comprehensive outreach campaign will spark a national dialogue about this critical topic,” says Judi Hampton, president of Blackside, and sister of the late Henry Hampton (1940-1998).
The WORLD Channel presentation, made possible with support from the Corporation for Public Broadcasting and the Ford Foundation, includes Eyes on the Prize: Then and Now, a new, original 30-minute special, which will lead into the premiere January 17 of Eyes on the Prize, setting the groundbreaking documentary series in the context of today. Narrated by music artist Aloe Blacc, Eyes on the Prize: Then and Now features Eyes on the Prize filmmakers, present-day activists, human rights leaders, and scholars. The special revisits key historical moments and explores commonalities with current national events.
“The WORLD Channel is honored to be presenting this signature series,” says Chris Hastings, Executive Producer of the WORLD Channel. “It’s a history that must be understood. With Eyes on the Prize: Then and Now, we ask questions and draw comparisons about the struggle to achieve equality today. As conflicts and challenges continue, Eyes on the Prize remains essential viewing for all Americans.”
As part of the initiative, WGBH Education is developing a digital resource collection supporting Eyes on the Prize and civil rights themes in history and social studies curricula, to help the civil rights movement come alive for students today. This collection will be available on PBS LearningMedia in January.
Based at WGBH Boston, the national public media producer, WORLD Channel delivers the best of public television’s original documentary films and news to US audiences through local public television stations, including America ReFramed, AfroPop, POV and Local, USA. The special Eyes on the Prize presentation also will be made available to all public television stations for local broadcasts (check listings) after the WORLD premiere.
EYES ON THE PRIZE I and II
Almost three decades since its premiere, the groundbreaking series Eyes on the Prize I and II will return to PBS this January. Eyes on the Prize I will premiere on The WORLD Channel six consecutive Sundays – January 17, 24, 31 and February 7, 14, 21 at 9:00 p.m. (EST). Eyes on the Prize II will air eight consecutive Sundays—February 28, March 6, 13, 20, 27, and April 3, 10, 17 at 9:00 p.m. (EST).
Produced by Blackside, Eyes on the Prize tells the definitive story of the Civil Rights era from the point of view of the ordinary men and women whose extraordinary actions launched a movement that changed the fabric of American life and embodied a struggle whose reverberations continue to be felt today. This multi-part Academy Award nominated documentary is the winner of numerous Emmy Awards, a George Foster Peabody Award, an International Documentary Association Award, and a Television Critics Association Award.
Through contemporary interviews and historical footage, Eyes on the Prize I and II, traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions. The late Julian Bond, political leader and civil rights activist, narrates. Descriptions of each episode follow below: