Tag: Ryan Coogler

‘Black Panther’ Becomes 1st Film to Premiere in Saudi Arabia Since 35-Year Cinema Ban

by Camille Augustin via vibe.com

The cultural impact of Black Panther has continued to increase in magnitude since its Feb. 16 release. Shattering records with each tick of the clock, the Marvel film gained historic steam with praise from moviegoers and positive reviews. Now, while the superhero reel plans to surpass the Titanic, it aims to break yet another record, this time in Saudi Arabia.

According to Variety, Black Panther will premiere on April 18 in the Middle Eastern country, dissolving its 35-year ban on movie theaters. The debut will be accompanied by a gala and take place in the newly-constructed AMC theater, based in Riyadh.

A plan to cease the cinema ban occurred in Dec. 2017, CNN reports. The Saudi Ministry of Culture gave AMC the green light to begin rolling out 30 theaters across the country, possibly projecting a $1 billion revenue stream for Saudi Arabia’s economy.

The billion-dollar movie currently holds the title as the highest-grossing superhero motion picture. Upon its release, director Ryan Coogler wrote an open letter thanking fans for their insurmountable support. “For the people who bought out theaters, who posted on social about how lit the film would be, bragged about our awesome cast, picked out outfits to wear, and who stood in line in theaters all over the world,” he wrote, “all before even seeing the film.”

Source: https://www.vibe.com/2018/04/black-panther-becomes-first-film-to-premiere-in-saudi-arabia-since-35-year-movie-theater-ban/

‘Black Panther’ Becomes Top-Grossing Superhero Film of All Time in U.S. with $630.9 Million in Domestic Box Office

The Disney and Marvel tentpole wrests the crown from 'The Avengers.'
‘Black Panther’ (Courtesy of Marvel Studios)

by Lori Lakin Hutcherson (@lakinhutcherson)

Director/writer Ryan Coogler‘s Black Panther, as of this weekend, has officially become the highest-grossing superhero film in North America, taking the title from another Disney/Marvel tentpole, The Avengers.

According to hollywoodreporter.com, the Chadwick Boseman/Lupita Nyong’o/Michael B. Jordan starrer achieved the milestone on Saturday after passingThe Avengers, $623.4 million gross from 2012. Black Panther is also only one of seven films to ever earn $600 million or more domestically, finishing Sunday with $630.9 million, putting it at No. 5 on the all-time list.Black Panther finished the weekend with $1.237 billion in ticket sales internationally, surpassing Iron Man 3 ($1.214 billion) to rank as the No. 3 superhero title of all time at the worldwide box office, just behind Avengers ($1.518 billion) and Avengers: Age of Ultron ($1.405 billion).

Black Panther finished in second-place overall in its sixth weekend with $17 million in sales, behind the newly-released Pacific Rim: Uprising, which earned approximately $28 million in its debut weekend.

“Black Panther” Crosses $1 Billion in Global Box Office; “A Wrinkle In Time” Debuts in 2nd with $33.5 Million

Danai Gurira, Florence Kasumba “Black Panther”(Photo by Marvel/Disney/Kobal/REX/Shutterstock)

by Lori Lakin Hutcherson (@lakinhutcherson)

“Black Panther” continues to dominate the North-American box office for the fourth weekend in a row, earning $41.1 million , according to Variety.com. In second place is the Ava DuVernay‘s family-friendly fantasy adventure “A Wrinkle in Time” with $33.5 million, not only giving Disney the two top movies for the weekend, but the first weekend in box office history where the top two movies are directed by African-Americans.

With $562 million in 24 days, “Black Panther” is now the seventh-highest domestic grosser of all time. It’s the first film since “Star Wars: The Force Awakens” to lead the North American box office for four straight weekends and it’s grossed $1.08 billion worldwide, 21st highest of all time. The Ryan Coogler tentpole is the 33rd movie to gross $1 billion. It’s the 16th Disney film to reach this milestone, and the fifth Marvel film to do so — joining the ranks of “The Avengers,” “Avengers: Age of Ultron,” “Iron Man 3,” and “Captain America: Civil War.”

‘Black Panther’ Tops Box Office for 3rd Week, Now 10th Highest Domestic Grosser of All-Time with $501.1 Million

Disney-Marvel’s “Black Panther” is continuing its super-heroic run, grossing a stunning $501.1 million in North America in only 17 days and becoming the 10th highest grosser of all time.

“Black Panther,” starring Chadwick Boseman, dominated domestic moviegoing in its third weekend with $65.7 million at 4,084 locations — the third-highest weekend of all time after “Star Wars: The Force Awakens” at $90.2 million and “Avatar” at $68.5 million.

“Black Panther” is now the second-highest grossing Marvel movie of all time at the domestic box office, surpassing  “Avengers: Age of Ultron” this weekend at $459 million and trailing only “The Avengers” at $623.4 million. “Black Panther” has a realistic shot at reaching that level in the coming weeks and may eventually top “Jurassic World” at $652 million and “Titanic” at $659 million for the third highest domestic total of all time.

Two new titles opened with moderate results that might have been higher without a must-see title like “Black Panther” in multiplexes. Jennifer Lawrence’s spy thriller “Red Sparrow” launched with $17 million at 3,056 sites for Fox and Bruce Willis’ “Death Wish” debuted with $13 million at 2,847 venues for MGM.

Warner Bros.’ second weekend of comedy thriller “Game Night” followed in fourth with $10.7 million from 3,502 sites, edging Sony’s fourth weekend of CGI-live action “Peter Rabbit” with $10 million at 3,607 locations. “Peter Rabbit” has connected with family audiences for $84 million in its first 24 days.

Paramount’s second weekend of “Annihilation” finished in sixth with $5.7 million at 2,112 venues, followed by Sony’s 11th weekend of its sturdy action comedy “Jumanji: Welcome to the Jungle” with $4.5 million at 2,313 sites. “Jumanji” has now grossed $393.2 million in 75 days.

Source: http://variety.com/2018/film/box-office/black-panther-box-office-dominates-red-sparrow-death-wish-1202716966/

“Black Panther” Tops U.S. Box Office Again with $108 Million in Second Weekend

(Image Courtesy Disney/Marvel)

by Dave McNary via Variety.com

Disney-Marvel’s Black Panther is dominating the box office with an astounding $108 million at 4,020 North American locations — the second-highest second weekend ever behind “Star Wars: The Force Awakens.”

Black Panther, starring Chadwick Boseman, has now grossed $400 million domestically in its first 10 days. Only “The Force Awakens” has reached that milestone faster. It’s also grossed $304 million internationally.

The superhero film, the 18th in the Marvel Cinematic Universe, declined only 46% from its opening Friday-Sunday — underlining the film’s massive appeal among moviegoers. “Star Wars: The Force Awakens” set the second weekend record with $149 million in 2015, and Black Panther topped the second weekends of 2015’s “Jurassic World” at $106.6 million, and 2012’s “The Avengers” with $103 million.

Black Panther, directed by Ryan Coogler, has caught on with moviegoers this month in a way that few other titles have in Hollywood’s recent history — blowing past last month’s tracking that showed it would open in the $100 million to $120 million range. It’s notched an A+ Cinemascore — becoming only the second Marvel film to do so — and has dazzled critics with a 97% “fresh” score on Rotten Tomatoes. The film also stars Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya and Letitia Wright.

ComScore’s PostTrack-Screen Engine scores of the audience for the second  weekend show support among moviegoers far above average with 69% rating the film as “excellent” and another 23% as “very good.” And it’s done so outside the traditional summer and holiday season corridors for blockbusters, noted Paul Dergarabedian, senior media analyst with comScore.

Black Panther continues to elevate the month of February to summer-style blockbuster status with a second weekend that represents only the third time that a film has posted a $100 million plus weekend performance during the month (behind only its $202 million debut and ‘Deadpool’s’ $132 million opening in 2016),” he said. “And with a North American cume through Sunday of $400 million, it is the highest grossing film ever released in the month after just 10 days in theaters beating the long-standing $370.3 million record held by 2004’s ‘The Passion of The Christ.’”

Demographics of the second-weekend audience were 33% African-American, 37% Caucasian, 18% Hispanic, 7% Asian and 5% others, according to comScore. The opening weekend was 37% African-American, 35% Caucasian, 18% Hispanic, 5% Asian and 5% other.

To read more, go to: http://variety.com/2018/film/box-office/black-panther-box-office-game-night-1202709952/

It’s Official: ‘Black Panther’ Tops ‘Star Wars: The Last Jedi’ in Historic $242 Million 4-Day Opening

Disney-Marvel’s Black Panther” is re-writing the record books, topping “Star Wars: The Last Jedi” for the second-highest four-day domestic opening of all time, with $242 million at 4,020 North American locations.The superhero pic set a record for top Monday domestic gross ever, with $40.2 million, edging the previous high set by “Star Wars: The Force Awakens” at $40.1 million. The Monday total came in $7 million above the studio’s projections and lifted the four-day haul to $242 million.

Black Panther” has grossed the second-highest four-day total of all time, behind only “Star Wars: The Force Awakens” at $288.1 million and $400,000 ahead of “Star Wars: The Last Jedi.”

Disney also reported Tuesday that the international total has reached $184.6 million to lift the worldwide take to $426.6 million, led by South Korea at $27.1 million and the U.K. at $26.7 million.

The tentpole, starring Chadwick Boseman and directed by Ryan Coogler, has blown past its original tracking. The film, which carries an estimated $200 million production budget, had been tracking to bring in between an impressive $100 and $120 million when first projections emerged on Jan. 25.

Since then, “Black Panther” has become a must-see event as it’s veered into record-setting territory and has continued to shatter all projections since then. It has the highest three-day debut ever for a February film and the fifth-biggest of all time behind only “Star Wars: The Force Awakens” at $248 million, “Star Wars: The Last Jedi” at $220 million, “Jurassic World” at $208.8 million, and “The Avengers” at $207.4 million.

“Black Panther” has demolished the record for the largest Presidents Day weekend, blowing past “Deadpool’s” 2016 mark of $152 million.

Source: http://variety.com/2018/film/news/black-panther-box-office-tops-star-wars-last-jedi-1202704917/

Weekend Box Office: ‘Black Panther’ Bounds to Record-Shattering $218 Million-Plus Opening

The movie scores one of the top openings of all time in North America; overseas, it amasses $169 million for a $387 million global debut.
“Black Panther” (Courtesy of Marvel Studios)
In a defining moment for Hollywood, Disney and Marvel StudiosBlack Panther exploded at the Presidents Day box office, bounding to a record-shattering estimate of $192 million for the three-day weekend and a projected $218 million-plus for the four-day holiday frame.

The Ryan Coogler-directed movie — unprecedented in being a big-budget studio tentpole featuring a virtually all-black cast — secured the fifth-biggest domestic opening of all time after blasting past all expectations. It’s also the best launch of any superhero film behind fellow Marvel title The Avengers (2012), which earned $207.4 million in its first three days, not accounting for inflation.

The weekend isn’t over, however, and Black Panther could climb even higher. Many rival studios show a four-day total of $222 million to $225 million, as well as a higher three-day total in the $195 million range.

Other records broken include that of the biggest opening for an African-American director, the top-scoring superhero film on Rotten Tomatoes (97 percent) and the biggest February bow, supplanting previous champ Deadpool, which took in $152.2 million over the four-day Presidents Day weekend in 2016.

Playing in 4,020 theaters, Black Panther was fueled by a diverse audience. According to comScore, 37 percent of ticket buyers were African-American. Caucasians made up the next largest group (35 percent), followed by Hispanics (18 percent). That sort of demographic breakdown is unheard of for a marquee superhero tentpole. On average, African-Americans make up about 15 percent of the audience for such fare.

“There are seven billion people on this planet and they come from all walks of life. Audiences deserve to see themselves reflected on the big screen. Beyond being the right thing to do, it makes for richer storytelling,” says Disney distribution chief Dave Hollis.

Adds Imax Entertainment CEO Greg Foster, “Representation matters. Get Out, Wonder Woman, Coco and now Black Panther show Hollywood that authenticity and inclusiveness wins.”

Black Panther, which cost $200 million to make before marketing, was a bold move on the part of Disney and Marvel’s Kevin Feige.

In the film, Chadwick Boseman stars as T’Challa/Black Panther alongside Lupita Nyong’o, Michael B. Jordan, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker and Andy Serkis. The story, described as a tale of black power and black pride in addition to its superhero themes, follows T’Challa as he is sworn in as king of Wakanda, a cloaked, technologically advanced nation in Africa that is home to the exotic metal vibranium, the source of Black Panther’s powers.

Audiences bestowed Black Panther with an A+ CinemaScore (the only other Marvel title to earn the mark was Avengers).

Black Panther hits theaters almost a year after Jordan Peele‘s maverick horror film Get Out transformed into a box-office sensation, although that was a genre pic. And in summer 2017, filmmaker Patty Jenkins’ Wonder Woman, featuring a female protagonist, became the highest-grossing live-action film from a female director.

Overseas — where American films with a black cast can face challenges — Black Panther opened in virtually every major market save for Russia (Feb. 22), Japan (March 1) and China (March 9). The movie earned a mighty $169 million for an estimated global bow of $387 million through Monday, including a hefty $52 million from Imax locations around the world.

Black Panther came in ahead of expectations overseas, but certainly not to the extent it did in North America. Still, it secured the fifteenth-biggest international opening of all time, opening No. 1 in almost every territory. South Korea led with $25.3 million, the fifth-biggest start ever for a Western title. The U.K./Ireland followed with a $24.8 million launch, the best showing of any Marvel title behind Avengers: Age of Ultron and eclipsing the entire runs of Justice League, Ant-Man and the first installments in the Captain America and Thor franchises.

In North America, the only movies that dared to open nationwide opposite Black Panther were Lionsgate and Aardman Animation’s family film Early Man and PureFlix’s faith-based pic Samson. Early Man placed No. 7 with an estimated four-day gross of $4.2 million from 2,492 theaters, while Samson came in No. 11 with an estimated $2.4 million from 1,249 cinemas.

Source: https://www.hollywoodreporter.com/heat-vision/weekend-box-office-black-panther-bounds-record-shattering-218m-debut-1085932

Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety

Black Panther Variety Cover
CREDIT: ART STREIBER FOR VARIETY

by Ramin Satoodeh via Variety.com

Chadwick Boseman struggled to catch his breath after he was cast as Black Panther. When he first tried on his spandex suit for 2016’s “Captain America: Civil War,” it felt too restricting. “It was suffocating,” recalls Boseman. “Literally, it closed off every possibility of air getting to you. I was in it, put the mask on. I said, ‘Hey, you got to get me out of this!’” By the time he headlined his own movie, as the first black Marvel superhero with his name on the poster, Boseman was more comfortable in his re-engineered costume. “I think it begins to feel like skin after a while,” says the 41-year-old actor. “But it takes time to get to that place.”

The same can be said for Disney’s long-awaited tentpole “Black Panther,” which opens in theaters on Feb. 16. For decades, actors, directors, producers and fans have wondered why Hollywood was so slow to bring black superheroes to the big screen. It’s not that there weren’t attempts along the way. In the ’90s, Warner Bros. had originally tapped Marlon Wayans to portray Robin in a “Batman” movie, before Chris O’Donnell landed the sidekick role. Wesley Snipes starred in the vampire superhero franchise “Blade,” which spawned two sequels. In 2004, Halle Berry headlined “Catwoman,” which was ridiculed by critics and tanked at the box office. And 12 years later, Will Smith, the co-star of the juggernaut “Men in Black,” popped up in “Suicide Squad” as the under-seen assassin Deadshot.

“Black Panther,” directed by Ryan Coogler, is a movie that doubles as a movement, or at least a moment that feels groundbreaking in the same way that last year’s runaway hit “Wonder Woman” inspired millions of women. “Panther” marks the first time that a major studio has greenlit a black superhero movie with an African-American director and a primarily black cast, including Forest Whitaker, Angela Bassett, Michael B. Jordan, Lupita Nyong’o, Danai Gurira and Letitia Wright as Shuri, the princess of the fictional African country Wakanda.

The reality of this milestone isn’t lost on Coogler, the 31-year-old director of the Sundance darling “Fruitvale Station” and the “Rocky” sequel “Creed.” “I think progress comes in ebbs and flows,” Coogler says. “I hope things continue to open up. As more content gets made, more opportunities like ours can come about for folks. But you’ve got to put your foot on the gas when it comes to that or things can go back to where they were.”

“Black Panther” chronicles an origin story for a Marvel character who first made his debut in the comic books in 1966. On the big screen, he’s a warrior named T’Challa, who returns home to an Afro-futuristic country to inherit the throne as king. The release of the movie coincides with a crossroads in America. Racial tensions are heightened as a result of a president who continually makes reprehensible remarks about immigrants from nonwhite countries. “Black Panther” also arrives on the heels of #OscarsSoWhite, the two consecutive years (2015 and 2016) that the Motion Picture Academy failed to nominate any actors of color for awards.

Anticipation for the release of “Black Panther” is much higher than for the last outings from Batman and Thor. In May 2016, the hashtag #BlackPantherSoLIT started trending on Twitter as casting details around the movie emerged. “Panther” is poised to break box office records for February, a typically quieter time as audiences catch up on romantic comedies around Valentine’s Day. Marvel’s latest crown jewel is tracking to gross an estimated $150 million on its opening weekend. Strong business for “Black Panther,” which cost nearly $200 million to produce and roughly $150 million more to market, would send a clear message to the movie industry that certain communities are still widely underserved. While domestic ticket sales plummeted last year, the number of frequent African-American moviegoers nearly doubled to 5.6 million in 2016, according to a survey by the Motion Picture Assn. of America.

Some are paying attention. “Representation matters,” says Alan Horn, chairman of Walt Disney Studios, which owns Marvel. “It’s a powerful and important thing for people to know they are seen and to see themselves reflected in our films and the stories we tell.” Horn believes that “Black Panther” is part of a wave of change. “In terms of gender diversity, we’ve done very well,” he says, pointing to his studio’s own roster that includes “Beauty and the Beast,” “Coco” and the upcoming live-action “Mulan.” “When it comes to diversity reflecting color and ethnicity, I’d say yes, you will see more.” Continue reading “Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety”

Michael B. Jordan to Star as Equal Justice Lawyer Bryan Stevenson in Drama ‘Just Mercy’ at Warner Bros.

by Justin Kroll via Variety.com

Michael B. Jordan has set legal drama “Just Mercy” as the next feature he will shoot, as Warner Bros. picks up the rights for the story.

The film was originally set up at Broad Green Pictures, but after the studio shuttered earlier this year, producers began looking for a new home, and Warner Bros. was eager to work with Jordan.

Sources say that Jordan would shoot “Just Mercy” at the beginning of 2018, and would follow that up with “Creed 2,” where he would reprise his role as Adonis Creed. “Creed 2” is slated to bow on Nov. 21, 2018. It’s currently unknown if it will stick to that date, but as of now, there’s no plan to move the release.

“Short Term 12” director Destin Cretton is helming and co-wrote the script with Andrew Lanham. Jordan will produce with Gil Netter. Niija Kuykendall will oversee for the studio.

Based on the book “Just Mercy: A Story of Justice and Redemption,” it follows the true story of Bryan Stevenson, a gifted young lawyer’s defense of the most vulnerable in our country and his fight for equal justice in a flawed legal system.

Along with “Just Mercy,” Jordan also recently set up his directing debut with “Stars Beneath Our Feet.” The actor is also gaining traction as a producer, as he is on board to produce a reboot of “The Thomas Crown Affair,” “Raising Dion,” and and untitled project with Tarell Alvin McCraney for OWN.

To read more, go to: http://variety.com/2017/film/news/michael-b-jordan-just-mercy-warner-bros-1202627412/

WATCH: Marvel’s “Black Panther” Teaser Trailer is Here!

Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o starring, Ryan Coogler directing. Out in theaters on Feb. 16, 2018.  Mark the date – we can’t wait!