article by Gordon Cox, Brent Lang via Variety.com
“Hamilton,” the Broadway smash that’s looked like an awards-season favorite from the moment it opened, has been awarded the 2016 Pulitzer Prize for Drama.
Although it’s rare for a musical to the win the drama prize over plays, “Hamilton” had nonetheless looked like a lock for the Pulitzer, given its link to American history and the fresh, contemporary resonances it finds in the nation’s foundational moments. (The most recent musicals to nab the Pulitzer were the 2010 show “Next to Normal” and 1996’s “Rent.”)
The Pulitzer win could be the first of many victories for “Hamilton.” Much of the theater industry considers the show’s sweep of the Tony Awards as a foregone conclusion. “The Humans,” Stephen Karam’s subtly drawn portrait of one American family’s anxieties, was one of the few obvious titles that seemed likely to give “Hamilton” a little competition; that play was named a 2016 finalist, as was Branden Jacobs-Jenkins’ “Gloria.” “Hamilton’s” victory came during the centennial year for the Pulitzers, which recognize excellence in the arts and in journalism.
The Associated Press won the gold medal in public service, considered by many to be the top Prize, for its probe into labor abuses in the seafood business.
“The Sympathizer,” debut novelist Viet Thanh Nguyen’s look at a Vietnamese spy, took the fiction prize, while “Black Flags: The Rise of ISIS,”
The New Yorker’s Emily Nussbaum captured the criticism prize, one of two awards for the magazine. The other came in the feature writing category, where Kathryn Schulz was honored for her look at how the Cascadia fault line could lead to environmental disaster. Magazines have only been eligible for Pulitzers for a year. New Yorker staff writer William Finnegan was also honored in biography for his surfing memoir “Barbarian Days.”
To read more, go to: http://variety.com/2016/legit/news/pulitzers-2016-hamilton-pulitzer-prize-drama-1201755578/
Posts tagged as “Pulitzer Prize”
“Digest” by Gregory Pardlo has won the Pulitzer Prize for poetry. The judges cited Pardlo’s “clear-voiced poems that bring readers the news from 21st Century America, rich with thought, ideas and histories public and private.”
Pardlo was born in Philadelphia and grew up in Willingboro, New Jersey. Currently, he is an associate editor for the literary journal Callaloo and a contributing editor for Painted Bride Quarterly. Pardlo’s poems, reviews, and translations have been widely published and are noted for “language simultaneously urban and highbrow… snapshots of a life that is so specific it becomes universal.” He lives in Brooklyn.
To learn more about Pardlo and his work, click here.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
In “Father Comes Home From the Wars (Parts 1, 2 & 3),” a new drama by the Pulitzer Prize-winning playwright Suzan-Lori Parks (“Topdog/Underdog”), Hero, a slave, is offered a deal by his master: Leave behind his family and fight for the Confederacy in exchange for his freedom. This decision and its implications are at the heart of this historical tale, whose first three parts open Tuesday at the Public Theater. If this work sounds too familiar to be a “world premiere,” as it is billed, that’s because it has been gestating for years, with workshop productions staged at the Public Lab in 2009 and this year. Sterling K. Brown (“The Brother/Sister Plays”) is Hero, and Jo Bonney directs. (425 Lafayette Street, at Astor Place, East Village, 212-967-7555, publictheater.org.)
article by Jason Zinoman via nytimes.com
Natasha Trethewey, the Robert W. Woodruff Professor of English and Creative Writing at Emory University in Atlanta, was reappointed to another term as Poet Laureate of the United States. She is also serving a four-year term as the poet laureate of the state of Mississippi.
James H. Billington, Librarian of Congress, stated, “The Library and the country are fortunate Natasha Trethewey will continue her work as Poet Laureate. Natasha’s first term was a resounding success, and we could not be more thrilled with her plans for the coming year.”
Professor Trethewey is the author of four collections of poetry. Her collection, Native Guard, won the 2006 Pulitzer Prize. Her fourth collection, Thrall, was published late last year by Houghton Mifflin Harcourt. She is also the author of Beyond Katrina: A Meditation on the Mississippi Gulf Coast (University of Georgia Press, 2010).
A native of Gulfport, Mississippi, Professor Trethewey is a graduate of the University of Georgia. She holds a master’s degree from Hollins University in Roanoke, Virginia, and a master of fine arts degree from the University of Massachusetts at Amherst.
article via jbhe.com
Alexandre Davy de la Pailleterie, aka Alexandre Dumas, aka “Black Devil” by some of the armies he fought against (let’s just say he was good at his job), aka The Black Count, is at the center of the recently published book from acclaimed author Tom Reiss. Its full title is The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo. Dumas’ son, likely the most popular Dumas, also named Alexandre Dumas, was author of literary classics like The Count of Monte Cristo and The Three Musketeers. In fact, Dumas, the father of the author, was the inspiration for The Count Of Monte Cristo.
Other 2013 Pulitzer Prize Winners of note include Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America by Gilbert King, in the General Nonfiction category.
Wesley Morris in 2012 (YouTube)
“I just didn’t have a reason to say no any longer,” Morris told Journal-isms by telephone on Friday. Morris had already been writing for Grantland, and this presented an opportunity to write about film for the site full-time, he said. Moreover, “I can do my job from anywhere. That’s very appealing.”
Eartha Kitt (left); Dizzy Gillespie (Ebony Collection)
You’ve heard the expression “a picture is worth a thousand words.” Photos have the ability to tell complex stories, convey important information and elicit emotional responses from viewers who may know nothing of the subject matter. One frame can change the world. Think of the iconic photographs that have come to symbolize a movement, a way of being or a slice of life.
Joe Rosenthal’s “Raising the Flag on Iwo Jima“; Moneta Sleet Jr.’s “Deep Sorrow,” featuring Coretta Scott King at the funeral of Martin Luther King Jr.; James Van Der Zee’s photo of black nationalist and pan-Africanist Marcus Garvey; Elizabeth “Tex” Williams’ war photographs; Art Kane’s “A Great Day in Harlem“; Gordon Parks’ “American Gothic“; Carrie Mae Weems’ “Kitchen Table Series“; and Jean Moutoussamy-Ashe’s photo book, Daddy and Me, featuring images of her late husband, tennis legend and civil rights activist Arthur Ashe, with their daughter, Camera.
Photos offer us a peek into unknown worlds and, in some cases, worlds we know all too well. Chronicling our lives and society, they capture history and the profound experiences of a complex world. The Johnson Publishing Co.’s Ebony Collection, now available to the public for the first time, does just that. This historic photo archive offers 2,000 photos taken over the last 70 years, documenting the rich and layered black experience in the United States.
Harvard Professor and author Annette Gordon-Reed, 51, whose book “The Hemingses of Monticello: An American Family” (W. W. Norton) won the 2009 Pulitzer Prize in History and the 2008 National Book Award for nonfiction, is among the 23 recipients of the $500,000 “genius awards” to be announced on Tuesday by the John D. and Catherine T. MacArthur Foundation. Ms. Gordon-Reed investigated the story of the slave family that included Sally Hemings, a slave owned by Jefferson who scholars widely believe bore his children. A New Yorker, Ms. Gordon-Reed teaches law and history at Harvard. Some of her grant will go toward travel expenses as she researches another book on the Hemings, she said.
Twelve men and 11 women, ranging in age from 30 to 72, were named MacArthur fellows this year. All will receive $100,000 a year for five years, no strings attached. Since the inception of the program in 1981 and including this year’s fellows, 828 people, ranging in age from 18 to 82 at the time of their selection, have been named.
article information via nytimes.com