Alvin Ailey American Dance Theater: Linda Celeste Sims and Glenn Allen Sims, with Jessye Norman, at right, at City Center. (Photo: Andrea Mohin/The New York Times)
On Wednesday evening Alvin Ailey American Dance Theater settled into City Center for its annual season with a nod to the past and a look to the future. Amid the din of shrill greetings — this was a gala, after all — Samuel Lee Roberts worked his way across the stage, jabbing the tips of his toes into the floor until his knees buckled and his spine contorted inelegantly. It was an arresting and, for Ailey, an unusual sight, yet few grasped that “Minus 16,” by the Israeli choreographer Ohad Naharin, had even begun.
This introduction requires a dancer to perform an improvised solo rooted in Gaga, a method of training that focuses more on sensation than technique. In “Minus 16,” based on excerpts from Mr. Naharin’s past works and a welcome addition to last season’s repertory, dancers trade their customary expressions of joy or sorrow for impassive stares.