Tag: NMAAHC

The National Museum of African American History and Culture Launches Inaugural Smithsonian African American Film Festival Oct. 24-27

Producer Quincy Jones, the subject of Netflix’s new documentary “Quincy,” will attend a screening of the film the festival. (Photo: Chris Pizzello/AP/Invision)

by Mikaela Lefrak via wamu.org

More than 80 movies by and about African Americans will be screened in D.C. next week as part of the inaugural Smithsonian’s African American Film Festival.

The four-day festival, which runs from Oct. 24 – 27, includes films ranging from Hollywood hits to experimental shorts. The event is organized by the National Museum of African American History and Culture.

The festival’s goal is to introduce the breadth and depth of African American film to a wider audience, according to Kinshasha Holman Conwill, the museum’s deputy director.

“There’s something for the cinephile who knows film like that back of her or his hand, and there’s something for the person who’s just learning about African American film,” she said. “From the most popular to the most provocative, it is all here.”

Most of the screenings will take place in the museum’s Oprah Winfrey Theater, though the Freer|Sackler and National Gallery of Art will also host some screenings.

The festival kicks off on Wednesday night with Widows, a new film starring Viola Davis that doesn’t hit theaters until mid-November. The director, Steve McQueen, became the first black filmmaker to win an Academy Award for Best Picture for his 2013 film 12 Years A Slave. If you’re interested in attending the Widows screening, you’re unfortunately out of luck – it’s already sold out.

The festival will also give audiences the chance to see films from the museum’s extensive collection. These range from Garden, a five-minute experimental short from 2017, to Black Panthersa 1968 documentary about the Black Panther Party and its members’ fight to free their imprisoned co-founder Huey P. Newton.

And while the 2017 Marvel superhero movie Black Panther isn’t part of the lineup, attendees of the festival’s “Night at the Museum” celebration on Oct. 25 will be able to see the costume worn by actor Chadwick Boseman in the blockbuster film on display for the first time. The museum acquired the costume and other objects from the film earlier this year.

Netflix will stream its new documentary Quincy on Friday, Oct. 26. The film tells the story of the iconic music producer and singer Quincy Jones; it was co-produced by his daughter, the actress Rashida Jones. The titular Jones will speak on a panel following the screening.

If you’d rather talk than watch, you can attend one of the festival’s free Exchanges forums at the Freer|Sackler. Discussion topics include stop-motion animation and the museum’s home movie digitization project, Great Migration. Under that program, visitors can bring in home videos made on obsolete media (we’re talking eight-millimeter film and cassettes) and get them digitized and preserved.

“What it allows us to do,” said Rhea Combs, the museum’s film and photographer curator, “is tell the American story through the African American lens. Literally.”

The festival also builds upon work started by the D.C. Black Film Festival to highlight lesser-known black filmmakers and actors for the Washington audience. “We don’t ever want to be the all-consuming Smithsonian that comes into a community and takes over,” Conwill said of its role in the broader film festival ecosystem. The D.C. Black Film Festival celebrated its second event this year.

The African American Film Festival’s closing day features an awards ceremony for the juried film competition. Fifteen finalist films are competing in six different categories: Best Documentary Short, Best Narrative Short, Best Documentary Feature, Best Narrative Feature, Best Experimental & Animation, and the Audience Award.

The festival closes Saturday night with a screening of a film adaptation of James Baldwin’s 1974 novel, If Beale Street Could Talk.

You can buy tickets for specific films or events here, and see the full slate of screenings here. The festival is scheduled to recur every other year at the museum.

Source: https://wamu.org/story/18/10/18/expect-inaugural-african-american-film-festival/

Oprah Winfrey to be Honored by The National Museum of African American History and Culture With Exclusive Exhibit Opening Friday

Oprah Winfrey at the National Museum of African American History and Culture (photo via cbsnews.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

Come Friday, we can all watch the seeds of the future, stand-alone Oprah Winfrey Museum be sown.

Opening June 8 and running through June 2019, the “Watching Oprah: The Oprah Winfrey Show and American Culture” exclusive exhibit at the Smithsonian’s National Museum of African American History and Culture will, according to The Washington Post, feature video clips, interview segments, movie costumes, and personal photographs and journals to explore what has influenced Winfrey and how her work has shaped America.

“What’s interesting is the same way America thought about Walter Cronkite — you could trust Walter Cronkite and his opinion — they trust Oprah,” said museum director Lonnie G. Bunch III. “An African American woman becomes the person America turns to.”

Winfrey donated $12 million to the $540 million museum as it was being built, making her its largest individual benefactor (its theater is named in her honor). But her role as benefactor did not influence the exhibition, Bunch said. “We made sure there was a bright line, that this was done by the museum and museum scholars,” he said. “The fundraising was not through Oprah’s people.”

Curators Rhea L. Combs and Kathleen Kendrick worked with Winfrey and her staff on arranging loans for the exhibition and on fact-checking and background information. “In terms of content and narrative and the way the story is told, it’s the museum’s product,” Kendrick said. “The way we approached it was the way we approach all of our exhibitions.”

The exhibit balances Winfrey’s humble personal story with her achievements. “We’re providing a context for understanding not only who she is, but how she became a global figure, and how she is connected to broader stories and themes,” Kendrick said.

The first section of the show, which is in the Special Exhibitions gallery, explores Winfrey’s childhood and early career and how the cultural shifts of the 1950s and 1960s informed her worldview.

“Civil rights, the women’s movement, the media and television landscape, she’s at this distinct intersection of all of these dynamic moments,” Combs said. “She becomes someone at the forefront of dealing with ideas, of discussing hot-button topics like racism and sexual orientation.”

The middle section looks at the 25-year run of the “Oprah Winfrey Show,” the highest-rated talk show in U.S. television history. Using artifacts from Winfrey’s Harpo Studios in Chicago, where the show was filmed, this section focuses on its evolution, its variety of subject matter and guests, and its reach into social issues such as racism and equality.

“She used television as a social medium, convening conversations and creating these interactive experiences with people,” Kendrick said. “She’s offering lessons for living, social guidance in a way.”

The third section looks at Winfrey’s role as cultural influencer and tastemaker in the movies she has made (“The Color Purple,” “Beloved,” “The Butler”) the books she promoted in her television book club and her philanthropic work.

The timing of the high-profile exhibition was planned to coincide with the last quarter of the African American Museum’s second year, when officials expected a drop in attendance. Instead crowds are regularly at capacity and timed passes to enter are still required. Since opening Sept. 24, 2016, the museum has welcomed 3.8 million visitors, making it one of the most popular Washington D.C. attractions.

“I really thought after the first year it’d be business as usual, so at the end of the second year I’d do something to give it visibility,” Bunch said. “I didn’t anticipate we’d have the same crush of crowds.”

Bunch said he hopes the exhibition will encourage visitors to think about what Winfrey has represented over the years.

“There are so many issues, about women, power, media, body image,” he said. “This should be a popular show because of the impact of this person, but it is also a show that allows us to think about what it means that a woman who doesn’t fit the TV look could build a media empire and become an entrepreneur.”

Walk-Up Wednesdays: No Timed Passes Needed for National Museum of African American History and Culture on Wednesdays in May

The National Museum of African American History and Culture will relax its admission policy for five Wednesdays in May. (Jahi Chikwendiu/The Washington Post)

via washingtonpost.com

The National Museum of African American History and Culture will continue its Walk-Up Wednesdays program and allow visitors without passes on the five Wednesdays in May.

Thousands more visitors gained entry to the popular Smithsonian museum on four Wednesdays last month, pushing officials to extend the program into May. April’s Walk-Up Wednesday crowds were larger than its Saturday crowds, typically the museum’s busiest day, according to Smithsonian spokeswoman Linda St. Thomas.

“Clearly it was successful,” St. Thomas said. “It allowed more visitors to enjoy the museum.”

There were 9,500 visitors on April 4, the middle of the busy Easter week, and about 8,900 the second Wednesday, April 11, St. Thomas said. The last two Wednesdays attracted 8,000 and 7,800 visitors, respectively. Those numbers exceeded visitor tallies on all four Saturdays in April, which averaged 6,825.

Visitor numbers also eclipsed Tuesday totals last month, which ranged from 4,500 and 7,000, St. Thomas said.

Since its opening Sept. 24, 2016, the newest Smithsonian museum has welcomed more than 3.5 million visitors. It has used timed passes to control crowd size and reduce lines. St. Thomas said officials were not yet considering eliminating all passes.

The museum has distributed thousands of free passes on the first Wednesday of each month — on May 2 it will distribute passes for August — but many are not used. About 3,000 visitors on each Wednesday in April had advance passes and were given priority entry, according to St. Thomas. No visitors were turned away.

In addition to advance passes, the museum distributes same-day passes online daily at 6:30 a.m. Walk-up admission is available after 1 p.m. weekdays, if capacity allows.

Source: https://www.washingtonpost.com/news/arts-and-entertainment/wp/2018/05/01/no-passes-needed-for-african-american-museum-on-wednesdays-in-may/?noredirect=on&utm_term=.532ebf68f753

GBN Celebrates Martin Luther King Jr. Day 2018 With Closer Look at Memorial in D.C.

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by Lori Lakin Hutcherson, GBN Editor-in-Chief

In April of 2017, I had the good fortune to visit the National Museum of African American History and Culture as part of a business trip. Once in Washington D.C. and at the National Mall, I was thrilled to learn that the Martin Luther King Jr. Memorial was only a ten-minute walk away, so after my work was done, I headed over. Photos don’t do it justice, but it is an awesome space, and one I’d encourage every American to visit it if ever in our nation’s capital.  It’s the quotes that strike you first – the aesthetic beauty of the words coming out of the granite, then the meaning, then the context of each one of them. Like the MLK we know publicly, it is equal parts solemn, potent, righteous and wise.

I’ve since read that the grounds of the Memorial, which opened to to the public on August 22, 2011, cover four acres and includes the Stone of Hope, a granite statue of Dr. King carved by sculptor Lei Yixin. The inspiration for the memorial design is a line from King’s “I Have A Dream” speech: “Out of the mountain of despair, a stone of hope.”  In a word, it is formidable. MLK stands as a beacon of strength, hope and possibility, despite seemingly insurmountable challenges and inequity and injustice. Reflecting upon the man, his journey and his words is of course doable from anywhere in any space, but there is something incredibly special about being to do it where he is honored in the same area as other lauded architects of this country such as Abraham Lincoln, Thomas Jefferson and George Washington.

There are fourteen quotes around the memorial – above are photos of the ones that I was able to get clear photos of before it started getting dark on my day. Enjoy and Happy Martin Luther King Jr. Day!

National Museum of African American History and Culture Digitizes Vintage Photos For Black Families

The National Museum of African American History and Culture (NMAAHC) in Washington D.C. harbors pieces of history that illustrate the story of the Black experience in America, and now the institution is giving African American families the opportunity to preserve memories of their own, The Baltimore Sun reported.

The museum launched a free program—dubbed the Community Curation Program—which provides Black families with the tools and equipment needed to preserve old photographs and footage by converting them into digital records, the news outlet writes. The program is supported by the Robert Frederick Smith Fund and travels to different cities across the country. The museum also provides the same equipment at the institution in Washington. One of the project’s latest stops was at the Impact Hub Baltimore in Station North, Maryland.

“In a very radical way, we recognize the importance of these vernacular, homemade images, this folk cinema, as an alternate history to the kinds of history that the mass media tells,” museum media archivist Walter Forsberg told The Baltimore Sun. “We wanted to render a public service free of charge because we knew there was a lot of material out there trapped on obsolete formats.”

Krewasky A. Salter, another museum curator, told the news outlet that the museum hopes to include some of the images, footage, and objects in their upcoming exhibitions; stating that the content provided by families will help fill in missing gaps in history. Several families have already taken advantage of the resource. Individuals who have digitized their family mementos say that the Community Curation Program has allowed them to weave their personal family stories into the larger fabric of Black history in a significant way. “These are stories in my family, and now I can share them with others,” said Pia Jordan, assistant professor at the School of Global Journalism and Communication at Morgan State University, according to the source.

The National Museum of African American History has been dedicated to capturing the essence of all facets of Black culture. The institution is currently working on crowd fundraising for a hip-hop anthology that will delve into the influence of Black music and African American culture on the world.

Source: https://newsone.com/3759889/smithsonian-digitizes-black-family-photos/

U.S. Postal Service Honors National Museum of African American History and Culture with Forever Stamp

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by Lori Lakin Hutcherson (@lakinhutcherson)

Opened just a year ago on Sept. 24, 2016, the National Museum of African American History and Culture (NMAAHC) became the 19th Smithsonian museum and the only national museum devoted exclusively to African American life, art, history and culture. The museum’s collections, which include art, artifacts, photographs, films, documents, data, books, manuscripts and audio recordings, represent all regions of the United States and acknowledge the cultural links of African Americans to the black experience around the world as well.

To commemorate NMAAHC, the United States Postal Service is issuing a Forever Stamp in its honor. The stamp art is based on a photograph of the museum showing a view of the northwest corner of the building. Text in the upper-left corner of the stamp reads “National Museum of African American History and Culture.”

The First-Day-of-Issue dedication ceremony will be held on Friday, October 13 in Washington DC at the NMAAHC, and the stamp will be available for purchase nationwide that same day.

The U.S. Postal Service will post a video of the event at facebook.com/USPS. Share the news on Twitter and Instagram using the hashtags #NMAAHC and #APeoplesJourney.

As the National Museum of African American History and Culture Turns One, Director Lonnie Bunch Looks Back

NMAAHC Reflection Pool (Photo by anokarina)

by Rachel Sadon via dcist.com

Since Ruth Odom Bonner joined President Barack Obama in ringing the bell to open the Smithsonian’s National Museum of African American History and Culture last year, more than 2.5 million people have visited the site.”What’s been so moving is that it’s clear after a year, the museum has already become a pilgrimage site,” says Director Lonnie Bunch, who began the “great adventure” of opening the museum in 2005. What followed was more than a decade of building a collection and a building from scratch. It culminated on September 24, 2016 when the daughter of a slave and the nation’s first black president tolled the 500-pound bell that had been lent by the historically black First Baptist Church in Williamsburg, Va. and ushered people in.

Visitors to the African American History and Culture Museum tend to stay more than triple the typical amount of time they spend at most museums. Even a year later, a pass system remains in place to prevent overcrowding, and the free tickets remain difficult to come by (they are released monthly, and a limited number of same-day tickets are available online starting at 6:30 a.m.). The cafe serves up over 1,500 meals a day. Bunch attributes the success in part to a pent up demand—generations worked to get the museum built, and the long-held dream was only fulfilled after more than a century of effort. But he also believes that the way the museum presents its subject matter has a lot to do with it.”It tells the unvarnished truth,” Bunch says. “I think there are people who were stunned that a federal institution could tell the story with complexity, with truth, with tragedy, and sometimes resilience. So I think the kind of honesty of it appeals to people.”

Museum officials know that even many Washingtonians still haven’t managed to get through its doors. So as they celebrate the year anniversary, much of the programming and performances they’ve planned are taking place outdoors. Music and tours of the grounds will take place on both Saturday and Sunday, and the museum’s hours have been extended for those who have passes to go inside.Ahead of the celebration, we spoke with Bunch about what it’s been like to shepherd the museum through its first year. Our conversation has been edited for length and clarity.

Lonnie G. Bunch accepts The President’s Award onstage at the 48th NAACP Image Awards on February 11, 2017. (Photo by Frederick M. Brown/Getty Images )

Congratulations! You’ve made it to a year.

Thank you. That’s the easy part. The hard part was getting it open.

You worked on this for more than a decade before it opened. What was it like to finally see it open after all that work, gathering all those artifacts, building this up from the ground (really a giant hole in the ground) up?

In many ways, it was probably one of the most emotional moments of my life, both professional and personal. To actually not only fulfill a dream of all the staff, but a dream of generations who wanted this, it was really very humbling. But quite honestly it was also very motivating. Whenever you hit a bump or you worry about how you’re going to pull it off, recognizing that I didn’t want to let down all these other generations who had tried, that was a great motivating factor.

You had this moment celebrating the opening, you had the president and all these people who had traveled to D.C., and then it was day one on the grounds. What’s been your experience like shepherding it through this first year?

It’s been wonderful in that it’s become, within the first year already, part of the American lexicon. There’s almost no one that doesn’t know about the museum, doesn’t know about how hard it is to get in, or how much they enjoyed it. But also I think that what’s been so moving is that it’s clear after a year, the museum has already become a pilgrimage site—that there are thousands of people who come to share their story with their grandchildren or to connect over an object with people who shared maybe a comparable experience in the Civil Rights movement. I think it’s really become what we wanted, which was to be a place that was as much about today and tomorrow as it is about yesterday.

You’ve had a long museum career. How has this particular museum been different from previous places you’ve worked at?

It’s different in that you had to start from scratch—you didn’t have a collection, you didn’t have a building. What it allowed us to do is say “what should a 21st century museum that explores race, what should it do?” So it helped us put the way that museums interpret race on its end. Instead of saying “this is a story about the African American community,” we’re saying “this is a story about America through the lens of the African American community.” And so that’s very different.Being able to start from scratch allowed us to think innovatively about how do you actually collect by working with communities and going into peoples homes, in their trunks and attics. In essence, because we had nothing, it forced us to be different than most museums. We have to be more creative, more nimble.

I’ve heard you say this a number of times, that this is an “American story told through an African American experience.” That story is obviously still happening; what is the museum’s role in responding to that story as it occurs, as we’re seeing things like Charlottesville happen in real time.

First of all, part of the museum’s job is to collect today for tomorrow, so that there are things—like we’ve collected Black Lives Matter artifacts, we’ve collected things in Ferguson, things in Baltimore—and some of those are on display in the museum. Some maybe won’t be in display until a curator 30, 40, or 50 years from now wants to use it. Our goal is to make sure that it never happens, like it used to happen early in my career—there were exhibits I wanted to do, stories I wanted to tell, and museums didn’t have those collections. I wanted to make sure that future curators wouldn’t have that problem.  Continue reading “As the National Museum of African American History and Culture Turns One, Director Lonnie Bunch Looks Back”

NFL QB and Activist Colin Kaepernick to have Memorabilia Featured at National Museum of African American History and Culture

Colin Kaepernick (photo via Getty Images)

by thegrio.com

The National Museum of African American History and Culture (NMAAHC) is already looking to include Colin Kaepernick in it halls. Director Lonnie Bunch reached out to sociologist Harry Edwards as the museum was being developed, and Edwards was part of the game-changers exhibit featuring famous black sports stars and their impact on the world. To that end, Edwards recently donated a collection of Kaepernick’s memorabilia to the museum, suggesting that they should put up an exhibit featuring Kaepernick sooner than later.

“I said, ‘Don’t wait 50 years to try to get some memorabilia and so forth on Kaepernick,’ ” Edwards told USA TODAY Sports. “ ‘Let me give you a game jersey, some shoes, a picture … And it should be put right there alongside Muhammad Ali. He’s this generation’s Ali.’ ”

Kaepernick was rocketed to nationwide attention when he decided to take a knee during he national anthem in protest of the state of race relations in the United States, a decision that prompted a wave of similar protests across the country.

To read more, go to: Colin Kaepernick memorabilia to be featured at the Smithsonian | theGrio

LeBron James Donates $2.5 Million for Muhammad Ali Exhibit at National Museum of African American History & Culture

Cleveland Cavaliers star LeBron James (DAVID LIAM KYLE VIA GETTY IMAGES)

 article via huffingtonpost.com

LeBron James is donating $2.5 million to support a Muhammad Ali exhibit at the Smithsonian’s new National Museum of African American History and Culture in Washington, D.C., the basketball star and the museum announced on Thursday.

The Cleveland Cavaliers forward said he was a longtime fan of Ali, one of the most beloved sports figures in history, who died on June 3 after a lengthy battle with Parkinson’s syndrome.  “Every professional athlete, regardless of race and gender, owes a huge debt of gratitude to Muhammad Ali,” James said in a statement. “His legacy deserves to be studied and revered by every generation.”

The “Muhammad Ali: A Force for Change” exhibit features items from the late boxer, including a training robe worn at Dundee’s Fifth Street Gym in Miami. While the exhibit details Ali’s sports journey, it also highlights his community activism, spirituality and politics.

“We are extremely grateful to LeBron James,” said Damion Thomas, curator of the museum’s Sports Gallery. “As the most socially active superstar in sports today, LeBron James is a testament to the influence of Muhammad Ali (who) embodied the racial and social tumult of his times, blurring lines between politics and sports, activism and entertainment.”

James’ business partner, Maverick Carter, is also contributing to the exhibit, which has been on display since the museum opened on Sept. 24.

The funds will also support the museum itself, which is located on the National Mall.

To read more, go to: http://www.huffingtonpost.com/entry/lebron-james-donates-25-million-muhammad-ali-exhibit_us_582dd99ae4b058ce7aa98273?

National Museum of African-American History and Culture is Sold Out Through March 2017!

Smithsonian National Museum of African-American History and Culture (NMAAHC)

article via eurweb.com

To say the new Smithsonian National Museum of African American History and Culture (NMAAHC) is on everybody’s bucket list is an understatement. Put it like this. If you were planning to visit the new museum, unfortunately you’re going to have to wait until 2017.

Yep, it’s that popular. The museum has sold out tickets through March of 2017. Admission is free, but date-specific tickets are required for entry.

The museum opened in Washington, D.C. in September, and officials initially expected around 7,000 visitors per day.  Nearly 30,000 people visit the museum daily.

There are only two ways you can gain entry:  Go to the museum website and try to obtain a 2017 pass or line up outside the museum to try for a “day of” pass.

To read full article, go to: New African-American Museum is Sold Out Thru March, 2017!

The Good Things Black People Do, Give and Receive All Over The World
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