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Posts tagged as “Misty Copeland”

It's Official: Misty Copeland Becomes 1st Black Principal Dancer at American Ballet Theater

By goodblacknews on July 1, 2015

Prima Ballerina Misty Copeland (Photo via livetalksla.com)
Prima Ballerina Misty Copeland (Photo via livetalksla.org)

One of today’s most famous ballerinas just made history by becoming the first African-American woman to hold the position of principal dancer at the American Ballet Theater. Misty Copeland was promoted Tuesday after more than 14 years with the company, the New York Times reports. She spent eight of those years as a soloist, the Times points out.
Copeland, known for being vocal about the lack of representation and diversity in the company and in the realm of dancing in general, made the cover of TIME magazine just this year. She is also the subject of a documentary screened at the Tribeca Film Festival, the Times writes.  In addition to being known for a popular Under Armour ad, she has a base of followers on social media larger than some of Hollywood’s finest.
But it’s Copeland’s precision and elegant fluidity while she dances that compound her popularity. That and her tendency to make history — her new post as principal dancer isn’t the first time her name will be written in books. Just this month, Copeland became the first African-American woman to star in “Swan Lake” with the Ballet Theater, a performance so well-attended that cheers from the crowd reportedly stopped parts of the show.
From the NYT:

Ms. Copeland, who declined to be interviewed for this article, was unusually outspoken about her ambition of becoming the first black woman named a principal dancer by Ballet Theater, one of the nation’s most prestigious companies, which is known for its international roster of stars and for staging full-length classical story ballets.

“My fears are that it could be another two decades before another black woman is in the position that I hold with an elite ballet company,” she wrote in her memoir, “Life in Motion: An Unlikely Ballerina,” published last year. “That if I don’t rise to principal, people will feel I have failed them.”

This put an unusual public spotlight on Ballet Theater as it weighed the kind of personnel decision that, in the rarified world of ballet, is rarely discussed openly. If the company had not promoted Ms. Copeland, it risked being seen as perpetuating the inequalities that have left African-American dancers, particularly women, woefully underrepresented at top ballet companies.

Stella Abrera, Alban Lendorf, and Maria Kochetkova were all named principal dancers along with Copeland.
article by Christina Coleman via newsone.com

Misty Copeland Debuts as Odette/Odile in "Swan Lake" at Metropolitan Opera House

By goodblacknews on June 26, 2015
This photo provided by American Ballet Theater, Misty Copeland and James Whiteside appear in "Swan Lake" at the Metropolitan Opera House on June 24, 2015. It was Copeland's New York debut in the lead role, a key moment for her fans who hope she'll soon be named American Ballet Theater's first black principal dancer. (Gene Schiavone/American Ballet Theater via AP)
This photo provided by American Ballet Theater, Misty Copeland and James Whiteside appear in “Swan Lake” at the Metropolitan Opera House on June 24, 2015. It was Copeland’s New York debut in the lead role, a key moment for her fans who hope she’ll soon be named American Ballet Theater’s first black principal dancer. (Gene Schiavone/American Ballet Theater via AP)

NEW YORK (AP) — “Swan Lake” is always one of the most popular ballets for dance fans. But the whoops and cheers from a packed crowd at the Metropolitan Opera House signaled something more this time.
There was palpable emotion and a clear sense of history in the air as Misty Copeland made her New York debut Wednesday in the lead role, a key moment for the popular ballerina who many hope will soon become American Ballet Theater‘s first black principal dancer.
Copeland, 32, currently a soloist at the company, earned loud ovations after her every solo in the dual role of Odette/Odile — one of the most challenging roles in ballet and one considered an essential part of a star ballerina’s repertoire.
The dancer, who has become a leading voice for diversity in her art form and amassed a following inside the dance world and out, had performed the role with ABT on tour in Australia, and as a guest with the Washington Ballet. But Wednesday’s performance was considered huge because it was at ABT’s home, and signaled a clear step on the path to her stated goal: making history as a principal dancer.
This photo provided by American Ballet Theater, Misty Copeland and James Whiteside acknowledge the audience after appearing in "Swan Lake" at the Metropolitan Opera House on June 24, 2015. It was Copeland's New York debut in the lead role, a key moment for her fans who hope she'll soon be named American Ballet Theater's first black principal dancer. (Gene Schiavone/American Ballet Theater via AP)
 Misty Copeland and James Whiteside acknowledge the audience after appearing in “Swan Lake” at the Metropolitan Opera House on June 24, 2015. (Gene Schiavone/American Ballet Theater via AP)

The fact that this was no simple “Swan Lake” was clear at the curtain calls, with Copeland greeted onstage by two fellow black dancers who’ve made their own history.
First came Lauren Anderson, a retired dancer with Houston Ballet, who became the first black principal there in 1990.  After Anderson, 50, had lifted Copeland off her feet in a hug, out came Raven Wilkinson, who danced with the famed touring company Ballets Russes de Monte Carlo in the 1950s and later joined the Dutch National Ballet. Wilkinson, 80, curtseyed to Copeland, who returned the gesture.

Wendy Perron, author and former editor of Dance Magazine, said she felt Copeland more than delivered under great pressure.  “I was especially impressed by her Odette,” Perron said, referring to the delicate, frightened swan dressed in white who entrances the prince in the first act. “She completely inhabited the role. She was able to show that vulnerability.”

Damian Woetzel, director of the Vail International Dance Festival, called the performance “a long overdue milestone in ballet.”

“With elegance and seriousness, Misty made a historic breakthrough,” said Woetzel, a former principal at New York City Ballet. “It was an honor to be there.”

The Missouri-born Copeland’s recent rise to fame includes being named one of Time magazine’s 100 Most Influential People this year. The magazine put her on the cover and called her “ballet’s breakout star.”  She also came out last year with a best-selling memoir, “Life in Motion: An Unlikely Ballerina,” in which she recounted the challenges she faced on the road to her hard-won perch in ballet, and which has been optioned for a movie. She also was the subject of a documentary at this year’s Tribeca Film Festival.

She’s been featured in a popular ad for Under Armour sportswear that shows her leaping and spinning in a studio, while a narrator recounts some of the negative feedback she received as a youngster, when she was told she had the wrong body for ballet and had started too late (she was 13).

Copeland also has appeared as a guest host on the Fox show “So You Think You Can Dance” and was a presenter at this year’s Tony awards.

article by Jocelyn Noveck via news.yahoo.com

Mom Chauncia Rogers Teaches 5 Year-Old Daughter Ava About Women in Black History Through Innovative Dress-Up Photo Project

By goodblacknews on May 12, 2015
Ava as Attorney General Loretta Lynch

According to the U.S. Department of Education, we learn most rapidly during the early years of childhood. More importantly, a child’s first five years are most critical to the development of security and self-confidence. To the black community, this simply suggests that we began teaching our children to take pride in who they are, our culture and our history at an early age.

It can be quite a challenge to find creative and effective methods when teaching young children about their ancestry. However, in February freelance journalist and copy editor Chauncia Boyd Rogers came up with a unique idea. She decided it was time to teach her 5-year-old daughter, Ava Noelle Rogers, about eminent woman in black history.

To ensure Ava retained the information, Chauncia decided to create a photo project implementing what Ava likes best…playing dress up. Chauncia dressed her daughter as several prominent black women and took pictures so that Ava would never forget the experience and she put them on Facebook.

NBCBLK contributor Alicia Hadley recently spoke with Chauncia and Ava about the details of their creative project.

AH: How did you come up with the idea?

Chauncia: I had a Timehop photo and it showed me and Ava in 2011 at our church’s Black History program. During that program, every week in February, one of the teens at church dressed as an historical [black] figure and did some sort of presentation as that figure. So I just wanted to borrow from that.

Ava as Josephine Baker
Ava as Josephine Baker

And Ava, she just really likes to repurpose things around the house. So I said, “I’m just going to use Ava’s simplicity-take things around the house and make them work for the pictures. And it will be a way for her to enjoy it.”

I wanted Ava to learn about black history. She didn’t participate in my church’s celebration in February 2011 because she had just turned one. But she turned five in December 2014 and I felt that at this age, she would be more receptive to the information.

Ava as poet Phillis Wheatley
Ava as poet Phillis Wheatley

I’m also from St. Louis. We just moved to Orlando about a year ago and Michael Brown was my niece’s cousin. He’s on her dad’s side of the family and so the entire situation is very close to home. My cousin and my aunt live on the street he was killed on. I grew up in Ferguson. I lived in Ferguson from age three to nine. I see what’s going on in St. Louis and right now a part of me is glad that I’m away in Orlando because it’s just traumatic and dramatic. But then a part of me wants to be out there doing what I can to help. I guess the situation in my hometown is another thing that inspired me. I just want Ava to know that she can be better, and that she can do better.

AH: There have been so many significant black women who have helped shape our society. How did you decide which women made the cut?

Misty Copeland and Brooklyn Mack to Dance "Swan Lake" at DC’s Kennedy Center on April 9

By goodblacknews on April 6, 2015
Prima Ballerina Misty Copeland (Photo: hellogiggles.com)
Prima Ballerina Misty Copeland (Photo: hellogiggles.com)

History will be made at the Kennedy Center’s Eisenhower Theater on the evening of Thursday, April 9, when Misty Copeland, a soloist with the American Ballet Theatre, joins Brooklyn Mack of the Washington Ballet in a performance of Swan Lake. Copeland and Mack, both African American, will go where no dancers of color have gone before. They will become the first African Americans to dance the leading roles of Odette/Odile and Prince Siegfried respectively in the traditional ballet.
Ballet dancer Brooklyn Mack (Photo:
Ballet dancer Brooklyn Mack (Photo: ballet.co.uk)

There should be little doubt that Copeland—a rising star at the American Ballet Theater who gained notoriety after appearing in a widely noticed Under Armour advertising campaign—and Mack—trained at Washington’s Kirov Academy of Ballet and Chicago’s Joffrey Ballet—have demonstrated ample talent on ballet stages around the world. Their appearance as leads in Swan Lake would be seen merely as appropriate next steps in their expanding careers if they were white.
Their success should remind all Washingtonians of the pioneering role that D.C. has played in promoting African-American dance. As dance historian Tamara Brown has noted, the juxtaposition of academic training at Howard University and the numerous popular theaters along U Street nurtured a creative center for African-American dance during much of the 20th century. Howard University’s Maryrose Reeves Allen stood at the heart of this energetic scene.
Allen, who was born in Louisville, Ky., in 1899, earned her college degree at the Sargent School in Massachusetts before teaching summer school at the Hampton Institute in Virginia, then the country’s leading center for the study of African dance. She joined the Howard faculty in 1925 as the director of a new physical education program for women.
Allen’s arrival coincided with the heyday of the Howard University Players under the leadership of T. Montgomery Gregory and Alain Locke. Two years after coming to the Howard campus, Allen established a group that would grow to become the Howard University Dance Ensemble, one of the era’s most inspired African-American companies.
Allen’s dancers penetrated the world of white concert dance by the 1950s, performing with the National Symphony Orchestra in Washington and on many integrated stages in New York City. Her students—including Debbie Allen, Chuck Davis, Melvin Deal, Ulysses Dove and George Faison—populated major classical and modern dance companies throughout the U.S., from Broadway stages to Hollywood studios. They nurtured a lively dance scene in Washington that spawned the Capitol Ballet and professional companies associated with the Black Arts Movement during the 1960s and 1970s.
Maryrose Reeves Allen remained active in the Howard University and dance communities after her retirement in 1967. In 1991, one year before Allen’s death, Howard became the first historically black university to offer a degree in dance through its Department of Theatre Arts. Her spirit will be very much present at the Kennedy Center as Copeland and Mack step center stage.
article by Blair Ruble via theroot.com

Ballerina Misty Copeland Lands Reality Series at Oxygen

By goodblacknews on November 18, 2014

misty copeland
Cable channel Oxygen has put into development a docuseries following renowned ballerina Misty Copeland.
The show, tentatively titled “The Misty Copeland Project,” follows talented hopefuls from diverse backgrounds as they descend upon New York to take on the next major step in their ballet careers. Who better to train and mentor them than Copeland — the celebrated ballerina who herself has defied all odds and shattered boundaries by overcoming the cultural pressures of professional ballet.
968full-misty-copeland
Copeland, who began taking ballet lessons on the basketball court of a Boys & Girls Club at age 13 and was considered a prodigy, made history by becoming the second African-American female soloist in the prestigious American Ballet Theatre. With the opportunity of a lifetime and chance to catapult to the top of the ballet world, these aspiring dancers’ passion, commitment and hard work will be center stage in Misty’s Master Class.
The show is one of four new reality programs added at the NBCUniversal-owned network as part of its rebranded push for young, multicultural women ages 18-34, The Hollywood Reporter has learned. Other new shows follow young Americans teaching English abroad, aspiring celebrity vloggers and groups of friends dishing about current events during cocktail hour.
“From the unbelievably inspirational and talented Misty Copeland, to the bold young women experiencing life abroad, the new development slate appeals to a multitude of female viewers,” said Cori Abraham, senior vp development and international at Oxygen Media. “These projects embrace the new Oxygen programming filter, which focuses on real characters who are on a journey to seek out new experiences and follow their true passions in life.”
article via eurweb.com

Patti LaBelle, Venus Williams and Queen Latifah are Among 2013 Honorees for Black Girls Rock!

By goodblacknews on October 15, 2013

Patti LaBelle accepts the lifetime achievement award at the BET Awards in Los Angeles. The R&B diva has agreed to pay $100,000 to a Manhattan woman who accused her of hurling curses and water at her and her 18-month-old daughter during a dust-up over parenting in an apartment building lobby. (AP Photo/Matt Sayles, File)
ATLANTA (AP) — Patti Labelle and Queen Latifah both will be among those honored as part of the Black Girls Rock! awards show on BET in November.  Black Girls Rock! founder Beverly Bond announced the show’s honorees in a statement Monday. Other honorees include tennis champion Venus Williams, screenwriter-producer Mara Brock Akil, ballet dancer Misty Copeland, community organizer Ameena Matthews and children’s rights advocate Marian Wright Edelman.
Actresses Tracee Ellis Ross and Regina King return as hosts of the ceremony, which will air Nov. 3. It will be taped later this month at the New Jersey Performing Arts Center in Newark, N.J.  Black Girls Rock! is a nonprofit organization that mentors young black girls and works to fight negative images of black women in the media.
Copyright 2013 The Associated Press via thegrio.com

Ballerina Misty Copeland Becomes First African American to Perform Solo in New York for 20 Years

By goodblacknews on June 13, 2013

Star turn: Copeland stars in 'Le Corsaire,' a pirate-themed comedic ballet, at New York City's Metropolitan Opera June 4-8

The prestigious American Ballet Theatre’s first black soloist in twenty years took the stage last week, but that’s only the tip of the iceberg in the unlikely, groundbreaking life of ballerina Misty Copeland. The 30-year-old beauty starred in ‘Le Corsaire’ at the Metropolitan Opera House from June 4-8, but her star turn is just one of a string of firsts and a fascinating life story she brings along with her.

For starters, Copeland, a native of San Pedro, California, grew up in extreme poverty. She didn’t even know what ballet was when she was spotted by an instructor at her local Boys and Girls Club at 13. Which brings up another unlikely fact in Copeland’s life—she didn’t even begin training in ballet until her early teen years.

‘I had no introduction to the arts in any way definitely not the fine arts,’ Copeland told the New York Post of her childhood, part of which was spent living out of a motel room with her mother. ‘Survival was our Number 1 priority, not extracurriculars, or a career,’ she said. ‘These were not things we thought about.’ She was destined, however, to think a lot about those things. In fact, she would soon be thinking of nothing but.

Racy: Copeland danced atop Prince's piano as part of one of his signature sexy performances, this one in his 2010-2011 'Welcome 2 America' tour
Copeland danced atop Prince’s piano as part of one of his signature sexy performances, this one in his 2010-2011 ‘Welcome 2 America’ tour

A ballet instructor named Cynthia Bradley spotted Copeland’s potential and told her she was ‘You are the most gifted dancer I’ve ever seen, and this could be a path to have a career.’ And that’s what it became. But at 13, Copeland was at a major disadvantage. Whereas most ballerinas start at the age of 5, with money and eager parents backing them. Copeland was not so lucky.

Ballerina Misty Copeland Dances into Two-Book Deal

By goodblacknews on January 31, 2013
misty-copeland-hb

(Misty Copeland/Photo: Hello Beautiful) 

Ballet dancer Misty Copeland has a two-book deal.  Copeland, 30, is working on a memoir for Simon & Schuster‘s Touchstone imprint and picture book for G.P. Putnam’s Sons Books for Young Readers, part of Penguin Group (USA). Copeland helped break ground as an African-American female soloist for the American Ballet Theatre. According to a release Wednesday by the two publishers, both of her books are scheduled for 2014.
In her memoir, Copeland is expected to describe the battles between her mother and her dance instructors while she was a teen over whether she should be allowed to pursue her career and who was her legal guardian.
article via blackamericaweb.com