Wednesday evening protests inspired by those who marched for answers in the death of Freddie Gray spread from Baltimore to other cities. Some highlights:
-In New York City, protesters starting at Union Square in Manhattan marched throughout the city, at one point shutting down the West Side highway and Holland Tunnel., according to CBS-2. At least one dozen arrests were made, according to USA Today, and Michael Skolnik of Interactive One, who was out with the marchers, and sent out a photo of Instagram of one of them. His caption: “Lots of arrests in NYC tonight. This could be a very long night…”
-In Washington, DC, NBC-4 reported that “a large group of protesters,” rallied peacefully after gathering at Gallery Place and DuPont Circle.
-In Denver, a rally that started at the county jail ended with several arrests and police pepper-spraying protesters, reported ABC-7.
-In Minneapolis, about 1,500 people marched throughout the downtown area, reported the Star Tribune. There were no arrests.
-In Boston, the Boston Globe reported that more than 500 protesters marched after gathering behind police headquarters in the Roxbury section of the city.
Meanwhile, back in Baltimore, the epicenter of protests in reaction to the death of Freddie Gray after suffering a severed spine in police custody, USA Today reported that thousands gathered outside of City Hall. Eighteen people had been arrested in Baltimore by 8 p.m., including two juveniles, the paper reported. Just after a citywide 10 p.m.-5 a.m. curfew took effect, conditions were reportedly calm.
article via newsone.com
Posts tagged as “Minneapolis”
There in the front pew was singer, songwriter and musician Stevie Wonder who happened to be in town for a performance at the Target Center.
The Rev. Jerry McAfee knows Wonder and extended an invitation to the Sunday service. Church members cheered when Wonder rose to sing a favorite hymn, “I Won’t Complain.”
Minneapolis’ WCCO-TV says Wonder is known for speaking out against violence during stops on his concert tours, specifically in the African-American community.
Toward the end of the service there was another surprise. Wonder said he would donate $10,000 to the church.
article by Associated Press via blackamericaweb.com
The Walker Art Center in Minneapolis is set to present the groundbreaking survey “Radical Presence: Black Performance in Contemporary Art.”
“Radical Presence” chronicles the development of Black performance in contemporary art beginning with fluxus and conceptual art in the 1960s and extending to the present. While this tradition has previously been contextualized from the perspective of theater and popular culture, its prevalence in visual art has gone largely unexamined until recently. Organized and first presented by the Contemporary Arts Museum Houston, “Radical Presence” was co-presented in New York City by The Studio Museum in Harlem and New York University’s Grey Art Gallery. The final opportunity to view the exhibition will be at the Walker. The showing opens July 24 and runs through Jan. 4, 2015 in the Target and Friedman galleries.
The July 24 launch, a Target Free Thursday Night, with live performances at the Walker by contributing artists Senga Nengudi, Pope.L and Jacolby Satterwhite. Performances continue on Saturday, July 26 with Maren Hassinger and Jamal Cyrus, in addition to a panel discussion hosted by organizing curator Valerie Cassel Oliver from the Contemporary Arts Museum Houston and contributing artists Adam Pendleton, Satterwhite, and Xaviera Simmons that addresses the role of performance in their larger artistic practice.
A range of performances and events continue beyond the opening weekend and throughout the run of the exhibition. Beginning in September, the Walker and The Bindery Projects will host Theaster Gates’ “See, Sit, Sup, Sip, Sing: Holding Court” (2012), while additional performances include Benjamin Patterson’s “Activation of Pond” (1962), a performance lecture by Coco Fusco, and Trenton Doyle Hancock’s “Devotion” (2013).
‘”Radical Presence’ is a risk-taking exhibition that looks at the vitality of performance-based works by Black artists from the United States and the Caribbean over several decades and across generations,” said Olga Viso, executive director of the Walker. “Engaging works where the performer is often the medium and subject, the exhibition is both provocative and captivating, as it addresses the limits of representation of the Black body and elicits timely reflection on American culture and identity.”
“From seminal works by such highly influential artists as Coco Fusco, Lorraine O’Grady, Pope.L and David Hammons to essential new voices like Theaster Gates, Jacolby Satterwhite, and Xaviera Simmons, ‘Radical Presence’ brings together artists from across generations that push the boundaries of performance,” said Fionn Meade, the Walker’s senior curator of cross-disciplinary platforms. “Ranging from intimate acts done solely for the camera to participatory installations and the tracing of overtly public gestures of celebration and resistance, the Walker is thrilled to welcome such a dynamic and far-ranging exploration.”
Works on view in “Radical Presence” include “Hopes and Dreams: Gestures of Demonstration” (2006-2007), a photographic series by Carrie Mae Weems, “Pond” (1962), a performance score conceived and activated by Benjamin Patterson, documentation of Lorraine O’Grady’s performance, “Mlle, Bourgeoise Noire” (1980-1983), “Eating the Wall Street Journal” (2000) by Pope.L, a sculpture and video installation, “Say It Loud” (2004) by Satch Hoyt, a participatory sculpture meant to be activated by gallery visitors and documentation of Jamal Cyrus’ performance “Texas Fried Tenor” from the series “Learning to Work the Saxophone” (2012).
article via insightnews.com
[youtube http://www.youtube.com/watch?v=rQDN9j_kKV0&w=560&h=315]
From the group that brought you last summer’s hit “Hot Cheetos & Takis” comes another song on a subject hip-hop has heretofore seldom considered: school uniform swag. The song, “Khaki Pants,” which dropped earlier this month, is an ode to school uniform bottom wear, and it comes complete with its own accompanying dance. According to the video, the song, presented by Y.N.Rich Kids, is performed by the NSJ crew (although, as Grantland points out, it’s unclear what the relationship between the two groups is).
“Walking through the school in my khaki pants, when they see how I be fresh, they do the khaki dance,” raps one member the group. “Yeah, we got ‘Hot Cheetos & Taki’ fans, but after this, you gon’ wanna do the khaki dance,” raps another member.
The video, which has more than 134,240 views on YouTube as of this writing follows last summer’s release of Y.N. Rich Kids’ video “Hot Cheetos & Takis,” which has over 6 million views on YouTube. The young group is a product of the North Community YMCA’s Beats and Rhymes program in Minneapolis. The program is “designed to provide challenging, positive youth and career development opportunities for low income, culturally-diverse youth,” according to its website.
original article by Rebecca Klein via huffingtonpost.com; additions and updates by Lori Lakin Hutcherson