Tag: Michelle Williams

Review: Beyoncé is Bigger Than Coachella | New York Times

(photo via instagram.com)

by Jon Caramanica via nytimes.com

INDIO, Calif. — Let’s just cut to the chase: There’s not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year, or any year soon, than Beyoncé’s headlining set at the Coachella Valley Music and Arts Festival Saturday night.

It was rich with history, potently political and visually grand. By turns uproarious, rowdy, and lush. A gobsmacking marvel of choreography and musical direction.

And not unimportantly, it obliterated the ideology of the relaxed festival, the idea that musicians exist to perform in service of a greater vibe. That is one of the more tragic side effects of the spread of festival culture over the last two decades. Beyoncé was having none of it. The Coachella main stage, on the grounds of the Empire Polo Club here, was her platform, yes, but her show was in countless ways a rebuke.

It started with the horns: trumpets, trombones, sousaphones. For most of the night, the 36-year-old star was backed by an ecstatic marching band, in the manner of historically black college football halftime shows. The choice instantly reoriented her music, sidelining its connections to pop and framing it squarely in a lineage of Southern black musical traditions from New Orleans second line marches to Houston’s chopped-and-screwed hip-hop.

Her arrangements were alive with shifts between styles and oodles of small details, quick musical quotations of songs (Pastor Troy’s “No Mo’ Play in G.A.,” anyone?) that favored alertness and engagement. As always, one of the key thrills of a Beyoncé performance is her willingness to dismantle and rearrange her most familiar hits. “Drunk in Love” began as bass-thick molasses, then erupted into trumpet confetti. “Bow Down” reverberated with nervy techno. “Formation,” already a rapturous march, was a savage low-end stomp here. And during a brief trip through the Caribbean part of her catalog, she remade “Baby Boy” as startling Jamaican big band jazz.

She does macro, too — she was joined onstage by approximately 100 dancers, singers and musicians, a stunning tableau that included fraternity pledges and drumlines and rows of female violinists in addition to the usual crackerjack backup dancers (which here included bone breakers and also dancers performing elaborate routines with cymbals).

Rock and Roll Hall of Fame Honors Smokey Robinson at 20th Annual Music Masters Series

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R&B and soul legend William “Smokey” Robinson will be honored by The Rock and Roll Hall of Fame and Case Western Reserve University during the 20thAnnual Music Masters™ series, presented by Klipsch Audio. Robinson was inducted into the Rock and Roll Hall of Fame as a part of the sophomore class of inductees in 1987. The weeklong celebration, Nov. 2-7, 2015, will culminate with the Annual Music Masters concert on Sat., Nov. 7 at 7:30 p.m. EST at Playhouse Square’s State Theatre.

The tribute concert, presented by Klipsch Audio, on Nov. 7 will feature previously announced Inductees Dennis Edwards, Martha Reeves, and Mary Wilson, as well as the Robert Glasper Experiment.  New guests scheduled to perform include Avant, Avery*Sunshine, Bilal, JoJo, Eric Roberson, and Michelle Williams. Adam Blackstone (who has worked with artists such as Rihanna, Janet Jackson and Justin Timberlake) will serve as the tribute concert’s Musical Director.  Robinson will attend the tribute concert to accept the award but is not scheduled to perform.

Tickets to the Nov. 7 concert range from $30 – $100 and are available now at the Playhouse Square box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org. A limited number of premium seating and VIP packages beginning at $300 are available by contacting the Rock Hall’s development office at (216) 515-1201 or development@rockhall.org by Fri., Oct. 30.

To open the tribute concert, Case Western Reserve will bestow an honorary Doctor of Humane Letters degree to Smokey Robinson, recognizing his many musical and cultural contributions, which extend from enduring songs to his leadership in the music industry. The university awards honorary degrees to recognize those who exemplify in their work the highest ideals and standards of excellence in any valued aspect of human endeavor, including scholarship, public service and the performing arts.

Additional events include:

JUST ANNOUNCED!  FREE with RSVP – Mon., Nov. 2 at 7 p.m. – “Smokey Robinson and the Sensual Black Avant-Garde” / Author Series with Jason King at the Rock Hall’s Library and Archives (2809 Woodland Avenue, Cleveland).  Reservations can be made through the Rock Hall website at https://tickets.rockhall.com or at the Rock Hall Box Office.

FREE with RSVP – Wed., Nov. 4 at 8 p.m. – An Evening with Members of the Music Masters tribute band in the Rock Hall’s Foster Theater.  This event will be streamed live at http://rockhall.com.

FREE – Thurs., Nov. 5 at 7 p.m. – Keynote Lecture “You Really Got a Hold On Me” by Dave Marsh at Case Western Reserve University’s Tinkham Veale University Center (11038 Bellflower Road, Cleveland OH).   Marsh, rock critic, historian, anti-censorship activist, talk show host, and “Louie Louie” expert, has written more than 20 books about rock and popular music, and edited that many more.  In this talk, Marsh will explore more than 50 years of listening to Smokey and why, in his opinion, Smokey Robinson is the best singer-songwriter ever.  This event is free and reservations are not required.  Seats are available on a first-come, first-served basis. This event will be streamed live at http://rockhall.com.

Sat., Nov. 7 from 10:30 a.m. until 3:30 p.m. – Annual Music Masters Conference in the Rock and Roll Hall of Fame’s Foster Theater

The conference will celebrate Smokey Robinson’s impact on popular music, including a panel discussion on Smokey moderated by renowned author and Smokey Robinson autobiography co-author, David Ritz. Ritz will be joined by Harry Weinger, Vice President, A&R at Universal Music Enterprises; Jason King, Director of Writing, History & Emergent Media Studies at New York University’s Clive Davis Institute of Recorded Music; and Andy Flory, Assistant Professor of Music at Carleton College. There will be a special Motown-inspired performance and master class with the youth of the Boys and Girls Clubs of Cleveland as well as interviews with special guests. Tickets are $25 ($10 lunch voucher included) and are available through the Rock Hall website at https://tickets.rockhall.com or at the Rock Hall Box Office.  Admission to the Museum is free with the purchase of a conference ticket. 

Sat., Nov. 7 at 7:30 p.m. – Annual Music Masters Tribute Concert at Playhouse Square’s State Theatre.  Tickets to the November 7 tribute concert range from $30 – $100 and are at the Playhouse Square box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org.  A limited number of premium seating and VIP packages beginning at $300 are available by contacting the Rock Hall’s development office at (216) 515-1201 or development@rockhall.org by Friday, October 30.  

Special programming for teachers and students:

Tues., Nov. 3 – Digital Classroom: Launch of Smokey Robinson and the Miracles Education Unit

The Rock Hall’s award-winning education team will launch a special Smokey Robinson and the Miracles teaching unit as part of their Digital Classroom online curriculum on Tuesday, November 3. The Digital Classroom allows teachers and students to learn more about rock and roll history with lesson plans, listening guides, and exclusive content that can be used in classroom. To learn more, visit http://www.rockhall.com/digitalclassroom.

About Smokey Robinson:

Save for founder Berry Gordy, no single figure has been more closely allied with the Detroit-based recording empire known as Motown than William “Smokey” Robinson. In addition to leading the Miracles, Robinson served as a Motown producer, songwriter, talent scout and Gordy’s most trusted confidant and right-hand man.

Smokey Robinson and the Miracles scored twenty-seven pop-soul hits at Motown between 1960 and 1971, including the classics “You’ve Really Got a Hold on Me,” “Shop Around,” “Going to a Go-Go” and “I Second That Emotion.” The Miracles’ brightest moments on record – “Ooo Baby Baby,” “The Tracks of My Tears” and “The Tears of a Clown” foremost among them – still kindle memories for those who came of age in the Sixties. Continue reading “Rock and Roll Hall of Fame Honors Smokey Robinson at 20th Annual Music Masters Series”