NEW YORK (AP) — Michelle Obama will visit 10 cities to promote her memoir “Becoming,” a tour featuring arenas and other performing centers to accommodate crowds far too big for any bookstore.
The former first lady will begin at the United Center in her native Chicago on Nov. 13, the book’s release date. She will finish at the American Airlines Center in Dallas on Dec. 17, Live Nation and the Crown Publishing Group announced Wednesday. In between, appearances will include Barclays Center in New York City, the Pepsi Center Arena in Denver and The Forum in Los Angeles.
Obama and former President Barack Obama each have been working on memoirs, for which they negotiated a multimillion dollar deal with Crown. No date has been set for his book, although it’s expected in 2019.
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The former first lady is teaming up with several celebrities to launch a new voter registration initiative ahead of this year’s midterm elections. The new nonprofit, “When We All Vote,” is a nonpartisan organization with the goal to get more voters registered.
“Voting is the only way to ensure that our values and priorities are represented in the halls of power,” Obama said in a statement “And it’s not enough to just vote for president every four years. We all have to vote in every single election: for mayor, governor, school board, state legislature and Congress. The leaders we elect to these offices help determine just about every aspect of our lives and our democracy.”
According to Politico, the initiative is scheduled to be launched on Thursday and will also involve several other high-profile names, including actor Tom Hanks, singer Janelle Monae, “Hamilton” creator Lin-Manuel Miranda and singers Faith Hill and Tim McGraw.
Also, former Obama advisor Valerie Jarrett will serve as president of the board. The initiative is its own non-profit entity and will operate independently of the Obama Foundation, the personal offices of Barack and Michelle Obama, and Citizen 44.
The jurors were looking at her when they filed into court. That, Dovey Johnson Roundtree knew, could have immense significance for her client, a feebleminded day laborer accused of one of the most sensational murders of the mid-20th century.
Little had augured well for that client, Raymond Crump Jr., during his eight-day trial in United States District Court in Washington: Mr. Crump, who had been found near the crime scene, was black and poor. The victim was white, glamorous and supremely well connected. The country, in the summer of 1965, seethed with racial tension amid the surging civil rights movement.
Federal prosecutors had amassed a welter of circumstantial evidence — including 27 witnesses and more than 50 exhibits — to argue that on Oct. 12, 1964, Mr. Crump had carried out the execution-style shooting of Mary Pinchot Meyer, a Washington socialite said to have been a former lover of President John F. Kennedy.
By contrast, Ms. Roundtree, who died on Monday at 104, had chosen to present just three witnesses and a single exhibit to the jury, which comprised men and women, blacks and whites. Her closing argument was only 20 minutes long.
Now, on July 30, 1965, the jury, having deliberated, was back. The court clerk handed the verdict slip to the judge, Howard F. Corcoran. For most observers, inside the courtroom and out, conviction — and an accompanying death sentence — was a foregone conclusion.
“Members of the jury,” Judge Corcoran said. “We have your verdict, which states that you find the defendant, Ray Crump Jr., not guilty.”
Ms. Roundtree’s defense, which hinged partly on two forensic masterstrokes, made her reputation as a litigator of acuity, concision and steel who could win even the most hopeless trials. And this in a case for which she had received a fee of one dollar.
“As a woman, and as a woman of color in an age when black lawyers had to leave the courthouse to use the bathrooms, she dared to practice before the bar of justice and was unflinching,” Katie McCabe, the co-author of Ms. Roundtree’s memoir, “Justice Older Than the Law,” said in an interview for this obituary in 2016. “She was a one-woman Legal Aid Society before people used that term.”
Officer, Lawyer, Minister
Ms. Roundtree’s victory in the Crump case was not her first noteworthy accomplishment, and it was by no means her last. Born to a family of slender means in the Jim Crow South, Ms. Roundtree — or the Rev. Dovey Johnson Roundtree, as she was long formally known — was instrumental in winning a spate of advances for blacks and women in midcentury America, blazing trails in the military, the legal profession and the ministry.
As an inaugural member of the Women’s Army Auxiliary Corps (later the Women’s Army Corps), she became, in 1942, one of the first women of any race to be commissioned an Army officer. Attaining the rank of captain, she personally recruited scores of African-American women for wartime Army service.
As a Washington lawyer, she helped secure a landmark ban on racial segregation in interstate bus travel in a case that originated in 1952 — three years before Rosa Parks refused to yield her seat in Montgomery, Ala.
As a cleric, Ms. Roundtree was one of the first women to be ordained a minister in the African Methodist Episcopal Church.
In 2009, in a statement honoring the publication of “Justice Older Than the Law,” the first lady, Michelle Obama, said, “As an Army veteran, lawyer and minister, Ms. Roundtree set a new path for the many women who have followed her and proved once again that the vision and perseverance of a single individual can help to turn the tides of history.”
Yet for all her perseverance, and all her prowess, Ms. Roundtree remained, by temperament, choice and political circumstance, comparatively unknown.
“One has to start with the fact — and I think it’s an acknowledged fact — that the civil rights movement was notoriously sexist,” Ms. McCabe said in 2016. “There were many men who did not appreciate being ground up into hamburger meat by Dovey Roundtree. There are many, many white lawyers — male — in Washington who were humiliated by having been beaten by a black woman. And I think that played out in a number of ways. And one of those ways has been a diminution in the recognition that I think her accomplishments merit.”
Netflix has secured a deal with former President Barack Obama and First Lady Michelle Obama to produce series and movies for the streaming service. The former first couple will, according to an announcement Monday from the company, potentially work on scripted and unscripted series as well as docu-series, documentary films, and features under the multi-year deal.
“One of the simple joys of our time in public service was getting to meet so many fascinating people from all walks of life, and to help them share their experiences with a wider audience,” said Barack Obama. “That’s why Michelle and I are so excited to partner with Netflix — we hope to cultivate and curate the talented, inspiring, creative voices who are able to promote greater empathy and understanding between peoples, and help them share their stories with the entire world.”
“Barack and I have always believed in the power of storytelling to inspire us, to make us think differently about the world around us, and to help us open our minds and hearts to others,” said Michelle Obama. “Netflix’s unparalleled service is a natural fit for the kinds of stories we want to share, and we look forward to starting this exciting new partnership.”
Signing the Obamas is the latest, and by far the biggest, in a string of moves by Netflix to lock up the entertainment industry’s highest-profile producers in exclusive production and development pacts. Last year, Netflix poached “Grey’s Anatomy” creator Shonda Rhimes from ABC Studios with a deal valued at more than $100 million. “Glee” creator Ryan Murphy jumped from his longtime home at 20th Century Fox Television earlier this year to also join Netflix. Murphy’s deal was reported at the time to be worth as much as $300 million. However, sources tell Variety that tally includes money that Murphy is expected to make from his current and former Fox series over the life of his Netflix contract, and that the true value of the deal is in line with that of Rhimes’.
It is unknown how much the Obamas’ Netflix agreement is worth. In March, Penguin Random Housesigned the couple to a joint book deal that pays them a reported $65 million for their respective memoirs.
“Barack and Michelle Obama are among the world’s most respected and highly-recognized public figures and are uniquely positioned to discover and highlight stories of people who make a difference in their communities and strive to change the world for the better,” said Netflix Chief Content Officer Ted Sarandos. “We are incredibly proud they have chosen to make Netflix the home for their formidable storytelling abilities.”
Among President Obama’s most visible public appearances since leaving office was on David Letterman’s new Netflix series, “My Next Guest Needs No Introduction.” Obama was the first guest in the former “Late Show” host’s new long-form interview program.
Word of a possible pact between the former U.S. president and first lady surfaced in March, when the New York Times first reported that the couple was in talks with the streaming service on a deal to produce several high-profile projects.
Sarandos has a close relationship with the Obamas. His wife, Nicole Avant, served as U.S. ambassador to the Bahamas in President Obama’s first term in office.
With the unveiling Monday at the National Portrait Gallery in Washington D.C. of the official presidential likenesses of Barack Obama and the former first lady, Michelle Obama, this city of myriad monuments gets a couple of new ones, each radiating, in its different way, gravitas (his) and glam (hers).
Ordinarily, the event would pass barely noticed in the worlds of politics and art. Yes, the Portrait Gallery, part of the Smithsonian Institution, owns the only readily accessible complete collection of presidential likenesses. But recently commissioned additions to the collection have been so undistinguished that the tradition of installing a new portrait after a leader has left office is now little more than ceremonial routine.
The present debut is strikingly different. Not only are the Obamas the first presidential couple claiming African descent to be enshrined in the collection. The painters they’ve picked to portray them — Kehinde Wiley, for Mr. Obama’s portrait; Amy Sherald, for Mrs. Obama — are African-American as well. Both artists have addressed the politics of race consistently in their past work, and both have done so in subtly savvy ways in these new commissions. Mr. Wiley depicts Mr. Obama not as a self-assured, standard-issue bureaucrat, but as an alert and troubled thinker. Ms. Sherald’s image of Mrs. Obama overemphasizes an element of couturial spectacle, but also projects a rock-solid cool.
It doesn’t take #BlackLivesMatter consciousness to see the significance of this racial lineup within the national story as told by the Portrait Gallery. Some of the earliest presidents represented — George Washington, Thomas Jefferson — were slaveholders; Mrs. Obama’s great-great grandparents were slaves. And today we’re seeing more and more evidence that the social gains of the civil rights, and Black Power, and Obama eras are, with a vengeance, being rolled back.
On several levels, then, the Obama portraits stand out in this institutional context, though given the tone of bland propriety that prevails in the museum’s long-term “America’s Presidents” display — where Mr. Obama’s (though not Mrs. Obama’s) portrait hangs — standing out is not all that hard to do.
Mr. Wiley, born in Los Angeles in 1977, gained a following in the early 2000s with his crisp, glossy, life-size paintings of young African-American men dressed in hip-hop styles, but depicted in the old-master manner of European royal portraits. More recently he has expanded his repertoire to include female subjects, as well as models from Brazil, India, Nigeria and Senegal, creating the collective image of a global black aristocracy.
In an imposingly scaled painting — just over seven feet tall — the artist presents Mr. Obama dressed in the regulation black suit and an open-necked white shirt, and seated on a vaguely thronelike chair not so different from the one seen in Stuart’s Washington portrait. But art historical references stop there. So do tonal echoes of past portraits. Whereas Mr. Obama’s predecessors are, to the man, shown expressionless and composed, Mr. Obama sits tensely forward, frowning, elbows on his knees, arms crossed, as if listening hard. No smiles, no Mr. Nice Guy. He’s still troubleshooting, still in the game.
His engaged and assertive demeanor contradicts — and cosmetically corrects — the impression he often made in office of being philosophically detached from what was going on around him. At some level, all portraits are propaganda, political or personal. And what makes this one distinctive is the personal part. Mr. Wiley has set Mr. Obama against — really embedded him in — a bower of what looks like ground cover. From the greenery sprout flowers that have symbolic meaning for the sitter. African blue lilies represent Kenya, his father’s birthplace; jasmine stands for Hawaii, where Mr. Obama himself was born; chrysanthemums, the official flower of Chicago, reference the city where his political career began, and where he met his wife.
Mrs. Obama’s choice of Ms. Sherald as an artist was an enterprising one. Ms. Sherald, who was born in Columbus, Ga., in 1973 and lives in Baltimore, is just beginning to move into the national spotlight after putting her career on hold for some years to deal with a family health crisis, and one of her own. (She had a heart transplant at 39.) Production-wise, she and Mr. Wiley operate quite differently. He runs the equivalent of a multinational art factory, with assistants churning out work. Ms. Sherald, who until a few years ago made her living waiting tables, oversees a studio staff of one, herself.
At the same time, they have much in common. Both focused early on African-American portraiture precisely because it is so little represented in Western art history. And both tend to blend fact and fiction. Mr. Wiley, with photo-realistic precision, casts actual people in fantastically heroic roles. (He modifies his heroizing in the case of Mr. Obama, but it’s still there.) Ms. Sherald also starts with realism, but softens and abstracts it. She gives all her figures gray-toned skin — a color with ambiguous racial associations — and reduces bodies to geometric forms silhouetted against single-color fields.
According to vibe.com, although Barack Obama is nearly a year out from his two-term Presidency, Gallup reports he’s still the country’s “Most Admired” man.
The numerical proof of Obama’s popularity came Wednesday (Dec. 27) when Gallup released the results of their yearly “Most Admired Man and Woman” poll. In the survey, the publication, known for statistics, asked Americans who is the public figure they admire the most, and for the fifth time since 2013, Obama topped the list.
Obama edged out the current president – gaining 17 percent of the votes to Donald Trump’s 14 – making this year one of the few times in the poll’s history where the sitting president did not acquire the title.
That paired with Obama’s status as the most admired man and the former First Lady, Michelle Obama, being named Gallup’s second most admired woman (behind Hillary Clinton by 2 percent), makes them the nation’s most admired couple.
The National Portrait Gallery in Washington, D.C. has commissioned Kehinde Wiley and Amy Sherald to paint Barack and Michelle Obama’s portraits, respectively, the Wall Street Journal reports. Both portraits will be unveiled next year when they are added to the museum’s collection.
Wiley is known for Old Masters–style portraits of contemporary black sitters. He has occasionally discussed the positive impact Barack Obama’s presidency had on artists creating images of non-white sitters. “The reality of Barack Obama being the president of the United States—quite possibly the most powerful nation in the world—means that the image of power is completely new for an entire generation of not only black American kids, but every population group in this nation,” he told BBC News in 2012.
The Baltimore-based Amy Sherald, who paints minimalist pictures of black Americans is less well-known than Wiley. She has had two shows with Monique Meloche Gallery, and next year will have a solo exhibition at the Contemporary Art Museum St. Louis.
Two of the nearly 300 Nigerian schoolgirls kidnapped by Boko Haram in 2014 are telling their story. Joy Bishara, 20, and Lydia Pogu, 19, are among the 57 girls who were able to escape from the terrorist group. The duo gave People Magazine a detailed account of horrors they faced when the gunmen invaded their school in Chibok, Nigeria, and the events that followed.
The girls were sleeping when the invasion occurred. They woke to the sounds of gunshots and bombs. Pogu told People that men in uniforms stormed into their dorm and told them they were officers who were there to protect them. But the girls said they knew they weren’t real officers based on the way they described themselves.
“We were all crying and screaming. They told us to keep quiet or they’re going to kill us. So they start to shoot their guns up on top of us, making us quiet. All of us were scared. We were just holding each other,” Bishara said. “They asked us to follow them, we should go with them. When we tried going with them, some of us start running … then they went and put us all back together and said, ‘OK, you all have to cooperate or else we are going to just shoot any girl who just followed a different direction that we didn’t point.”
She said they gave the girls an ultimatum: run away and die or get on a truck and leave with them. Once the truck drove away with the girls on it, it created clouds of dust, making it difficult to see behind the truck. Girls began jumping from the truck and running away in different directions. Bishara and two other girls found each other in the bush and were able to stop a motorcyclist, who brought them back to Chibok.
Bishara and Pogu were able to return back to their families. In August of the same year, the duo and several other girls who escaped moved to the United States to complete school. With the help of a Christian nonprofit and a Nigerian activist group, they were able to attend boarding school in Virginia. Bishara and Pogu transferred their senior year and recently graduated from Canyonville Christian Academy. Both gave speeches at the ceremony. They will be attending Southeastern University in Florida in the fall and have started a GoFundMe to help with their expenses.
In April 2014, Boko Haram abducted as many as 276 schoolgirls from Chibok. The girls were subjected to rape, torture, starvation and forced marriages. They were also forced to join the group’s army. This sparked the #BringBackOurGirls campaign online and caught the attention of notable figures, including former first lady Michelle Obama.
A fiery Michelle Obama vigorously defended the healthy eating initiative that was her biggest legacy as First Lady on Friday, telling a public health summit in Washington D.C. that something was “wrong” with an administration that did not want to give consumers nutrition information or teach children to eat healthily.
“We gotta make sure we don’t let anybody take us back,” Obama said. “This is where you really have to look at motives, you know. You have to stop and think, why don’t you want our kids to have good food at school? What is wrong with you? And why is that a partisan issue? Why would that be political? What is going on?”
In a 43-minute conversation, peppered with sarcastic remarks and veiled references to the Trump administration, Michele Obama discussed topics from life since her husband left the presidency to her Let’s Move! initiative.“Take me out of the equation — like me or don’t like me,” Obama added. “But think about why someone is okay with your kids eating crap. Why would you celebrate that? Why would you sit idly and be okay with that? Because here’s the secret: If someone is doing that, they don’t care about your kid.”
The comments were Obama’s first public remarks on the Trump administration’s assault on nutrition policy, which has already seen the delay of rules meant to reduce sodium and refined grains in school lunches and provide calorie counts on restaurant menus. The former First Lady championed many of those programs.
The First Lady was speaking at the annual summit of the Partnership for a Healthier America, an organization she helped found to extend her nutrition policies to the private sector. Her remarks were made during a conversation with Sam Kass, a longtime friend and the first executive director of her Let’s Move! program. Kass and Obama discussed a range of topics, including the Obamas’ move to a new D.C. residence and the sorts of meals Obama ate as a child. (Of life since her husband’s presidency, Mrs. Obama said: “Being former is alright.”) But by far her most pointed comments were about the recent delays to the menu-labeling rules and the changes to the school lunch program.
The former First Lady appeared to take issue with Agriculture Secretary Sonny Perdue‘s defense of the school lunch rollbacks, which he justified in part, in his May 1 announcement, by saying many kids didn’t like the foods.“That to me is one of the most ridiculous things that we talk about in this movement — ‘the kids aren’t happy,’” Obama said. “Well you know what? Kids don’t like math either. What are we gonna do, stop teaching math?”
A spokesperson for the Department of Agriculture declined to comment on Mrs. Obama’s remarks, and said that “Sec. Perdue has nothing but the utmost respect for Michelle Obama.”Obama also objected to the proposed delay of new nutrition labels that were scheduled to go into effect in 2018. The new labels would feature information about calories and added sugars more prominently, but the packaged food industry has requested the compliance deadline be pushed back until at least 2020.
“Keep families ignorant. That’s all I’m hearing,” Obama said. “You don’t need to know what’s in your food. You can’t handle that, mom. Just buy this, be quiet, spend your money — don’t ask us about what’s in your food.” The sharpness of Obama’s remarks are unusual for a former First Lady: There is an unwritten rule that they do not criticize their successors, said Kati Marton, the author of a best-selling book on presidential marriages. It’s also a shift for Obama, who tended to tread cautiously during her husband’s tenure. But Marton said the rules, such as they are, were made for different times.
“It’s impossible to compare her to any prior first ladies, because it’s impossible to compare the Trump administration to any prior one,” she said. “I think it would be a mistake for the Obamas to play by rules that Trump doesn’t play by, himself.” The past four months have seen the food industry seize onto President Trump’s anti-regulatory agenda, arguing for the delay or suspension of rules that Mrs. Obama encouraged. In recent weeks, the National Association of Convenience Stores, the National Grocers Association and the American Bakers Association have all cited the Trump administration’s regulatory rollback as reason to delay the menu-labelling rules and new nutrition labels.
Barack and Michelle Obama are donating $2 million toward two Chicago programs that provide summer jobs and apprenticeships, setting the stage for the coming Obama Presidential Center‘s mission to help employ and train South Side youth.
One Summer Chicago, which is the city’s summer jobs program, and the Chicagoland Workforce Funder Alliance, a collaboration of foundations and corporate funders focused on employment equity, each will receive $1 million from the Obamas. The former president made the donation announcement Wednesday when unveiling early design plans for the Obama Presidential Center, a complex with a museum, library and public park to be built over the next four years in South Shore’s Jackson Park.
While the center itself aims to boost employment in the community — through jobs, during construction, and once open, through youth-focused employment programming — “we can’t afford to wait four years to start working together,” Barack Obama told the audience at the South Shore Cultural Center.
He cited the city’s violence and the need to “reach young people who might be at risk if they don’t have something to do during the summers.””We want to make sure that some of those young people can get trained so people don’t say, ‘Why didn’t you hire anybody from the neighborhood?’ And the contractor says, ‘We didn’t have anybody who was trained.’ Well … let’s start the pipeline now, so that we can start getting some of those folks trained,” Obama said, according to excerpts of his remarks provided by his office.