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Posts tagged as “Marlon West”

MUSIC MONDAY: “Birth of the Cool” – a Tribute to Miles Davis (LISTEN)

MUSIC MONDAY: “Birth of the Cool” – a Tribute to Miles Davis (LISTEN)

By goodblacknews on May 31, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Memorial Day, you all. I also need to acknowledge the 100th anniversary of the Black Massacre in Tulsa, Oklahoma.

Last week included the 95th anniversary of the birth of Miles Davis. His hometown of East St. Louis, Missouri was the site of another race massacre in 1917.

So much has been written about Miles Davis. Including is his own autobiography. There have been documentaries long and short about him, so I won’t go on.

At over 10 hours this collection is still the tip of the proverbial iceberg when it comes his creative output. Miles was a giant in American music, and one of this nation’s most iconic and influential figures in music and culture.

In a career that spanned five decades, he kept at the forefront of many major stylistic developments in jazz. From being of the vanguards of bebop and blazing the trail of electric jazz.

The list of his collaborators is far too long, but here are just a few: Dizzy Gillespie, John Coltrane, Charlie Parker, Cannonball Adderley, Max Roach, Gil Evans, Red Garland, Paul Chambers, Philly Joe Jones, Sonny Rollins, Bill Evans, Ron Carter, Herbie Hancock, Tony Williams, Wayne Shorter, John McLaughlin, and Joe Zawinul.

Miles Davis gave many of these now-legendary artists, who all appear on this playlist, their first break. Davis was tough as nails from all reports, though he seemed more than willing to imbue great vulnerability and tenderness in his playing.

Do enjoy.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Money Is King” – A Classic Calypso Collection (LISTEN)

MUSIC MONDAY: “Money Is King” – A Classic Calypso Collection (LISTEN)

By goodblacknews on May 24, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday from your friend and selector, Marlon. This collection features Calypso classics from the late 1930s to the 1960s, where this musical style reached many through the internationally popular recordings of Harry Belafonte.

I have included many of his predecessors: Attila the Hun, Roaring Lion, The Mighty Sparrow and Lord Invader to name but a few. Lord Invader’s “Rum and Coca-Cola” was covered with great success by the Andrews Sisters.

Another “Lord,” Lord Kitchener, was one of the longest-lasting calypso stars in history. He continued to release hit records until his death in 2000.

The roots of Calypso music started in 17th century Trinidad. The Africans brought to toil on sugar plantations, were stripped of all connections to their homeland and family, and not allowed to talk to each other.

They used calypso to mock the slave masters and to communicate with each other. It is characterized by highly rhythmic and harmonic vocals and is usually sung in a French creole and led by a griot.

While Calypso is most often danceable, there often much social commentary, and innuendo laced in the lyrics.

Hope you enjoy this collection of music that would go on to influence Ska, Rocksteady, and Reggae.

Have a great week! And as always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Pressure Drop” – A Ska and Reggae Collection (LISTEN)

MUSIC MONDAY: “Pressure Drop” – A Ska and Reggae Collection (LISTEN)

By goodblacknews on May 17, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday! I’ll keep it brief this week. This collection gathers decades of ska and reggae.

From pioneers like The Skatalites to new artists including Jaz Elise. Here is hours of roots, rock steady, dancehall, and dub reggae.

I have endeavored to include classics and releases from 2021 in the playlist that will move you all day long. Please enjoy!

And even as we emerge from lock, stay safe, sane, and kind!

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Get Down On It” – an Old School and New Funk Mix – (LISTEN)

MUSIC MONDAY: “Get Down On It” – an Old School and New Funk Mix – (LISTEN)

By goodblacknews on May 3, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Sorry, not sorry for this more than a workday’s worth of rump-shaking tunes. Perhaps some of you are at stand-up desks and can get that groove on.

This week’s offering is devoted to Funk music. In the words of Parliament/Funkadelic, “Uncut funk, the bomb.” This mixture of soul, gospel, jazz, and rhythm, and blues was started in the mid-1960s by the “Godfather of Soul” James Brown.

Funk had its hey in the 1970s and ‘80s, though its impact is still felt around the world. Funk grooves have been sampled by hip-hop artists and rock bands alike.

If you’re like me, you’ll be thrilled to know there’s plenty of new funk music being created today. Lady Wray, Yola, Anderson.Paak, and others will make you a believer.

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This collection is devoted to funk masters like James Brown, Sly Stone, George Clinton and Lyn Collins, and new practitioners like Tank & The Bangas, Emily Wright, Thundercat, Los Coast and others.

Have a great week. And as ways stay safe, sane and kind. More soon.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “A Song For You” – The Best of St. Louis Musical Artists (LISTEN)

MUSIC MONDAY: “A Song For You” – The Best of St. Louis Musical Artists (LISTEN)

By goodblacknews on April 26, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

I have done a few playlists, so far devoted to specific cities. Chicago, New Orleans, and DC are among them.

My own hometown, St. Louis, doesn’t get the same props as many other musical towns. Though from Josephine Baker to Chuck Berry to Donny Hathaway to Nelly, descendants of The Gateway City have made their mark.

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This collection brings together artists across several genres that are from, based, or got their start in St. Louis. Though Ike Turner was from Mississippi and Tina Turner was from Tennessee, it was during a gig at St. Louis’ Club Manhattan where Tina, then Anna Mae Bullock, first grabbed Ike’s microphone on stage and their tumultuous path to fame began.

From the advent of ragtime at the turn of the 20th century to hip-hop at the turn of the 21st, though, St. Louis has always profoundly impacted the direction of American music.

As always, stay sane, safe, and kind. “See” ya next week.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Now’s The Time” – a Collection of Live Jazz (LISTEN)

MUSIC MONDAY: “Now’s The Time” – a Collection of Live Jazz (LISTEN)

By goodblacknews on April 19, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday, you all. As promised a couple of weeks ago, this collection is devoted to live jazz performances.

April is also Jazz Appreciation Month, so this playlist is arriving not a moment too soon. For many of us, live jazz is the best way to enjoy jazz. The unbridled spontaneity of top-notch musicians at the very top of the game, improvising and spurring each other on to greater creative heights is the essence of the art form.

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I’ve gathered performances from nearly 100 years of jazz music. Big band, Be-Bop, Avant Garde, Soul Jazz, and so many other styles are present. There are recordings from Massey Hall, the Village Vanguard, the Newport Jazz Festival, Birdland, and many other iconic venues.

Nina Simone, Miles Davis, Eric Dolphy, Duke Ellington, Art Blakey, Geri Allen, and dozens of other greats are included in this over 13-hour collection of stunning performances. While the sound quality in some venues isn’t as good as that of a state-of-the-art recording studio, and post-production is not on the table, the improvisatory nature of jazz makes live performance the quintessential way to experience the music. Do enjoy!

And as always, stay sane, safe, and kind. “See” ya next week.

PS: This is another one to set that crossfade, on Spotify, at 12 seconds if you are listening on a computer.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “All Day Music” – a War Collection (LISTEN)

MUSIC MONDAY: “All Day Music” – a War Collection (LISTEN)

By goodblacknews on April 12, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Along with the passing of hip-hop artist and actor DMX, whose distinctively gruff voice and raw and thoughtful messages made him an icon, last week also marked the passing of bassist B.B. Dickerson, one of the co-founders of War.

Few bass lines can be said to define an entire West Coast vibe, though on tracks like “Low Rider,” “Cisco Kid,” “Why Can’t We Be Friends,” “Slippin’ Into Darkness”, and so many others. he did just that.

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Arguably my favorite band, War freely melded soul, Latin, jazz, blues, reggae, and rock influences into a funky whole. War’s lyrics were often political in their music almost always had a sunny, laid-back vibe emblematic of their Southern California roots.

Starting as cover-band, this racially integrated collective scored their first hit, “Spill the Wine,” backing The Animals former frontman, Eric Burton. They would go on to become one of the most popular funk bands of all time.

Hope you enjoy this collection of their hits and deep cuts as well. Next week, I’ll celebrate “Jazz Appreciation Month” with a playlist of live jazz that I promised last week.

Until such time. Stay safe, sane, and kind.

-m-

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “I’ll Take You There” – A Collection of Live Concert Recordings (LISTEN)

MUSIC MONDAY: “I’ll Take You There” – A Collection of Live Concert Recordings (LISTEN)

By goodblacknews on April 5, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday from your friend and selector, Marlon. Hope this playlist and missive finds you safe and well.

For most of this lockdown, I have not been able to listen to crowds enjoying great music. While I’m still months away from attending a live show myself, the vaccine rollout has me seeing light at the end of the proverbial tunnel.

To that end, I have made this collection to celebrate great live music performances. Live records aren’t nearly as plentiful as they once were. Though to many old-school music lovers, live albums were ubiquitous especially in the 1970s and ’80s, where live-recorded albums seemed to come out every week.

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That being said, there are recent offerings by The Black Pumas, Beyoncé, and Gary Clark Jr. Along with B.B. King at Cook County Jail, Jimi Hendrix at Woodstock, and Sam Cooke at The Harlem Square Club, there are “Unplugged” performances by Jill Scott, The Roots, Jay-Z, Erykah Badu, Maxwell, and Lauryn Hill.

At upwards of 12 hours, I am still sure to have missed some gems. Feel free to make suggestions in the comments so I may add them. This is another eclectic journey through hip-hop, R&B, reggae, and rock ‘n roll. I didn’t even touch on jazz.

Next week’s offering will be devoted to live jazz recordings.

Until then, stay safe, sane, and kind.*

Marlon West (photo courtesy Marlon West)

*A note to those listening to Spotify on a desktop or laptop. This is a good one to put your crossfade settings at the 12-second maximum. It will carry the crowd reactions across the tracks, making it feel like one long show. Kinda.

MUSIC MONDAY: “Twilight Time” – A Doo-Wop Collection (LISTEN)

MUSIC MONDAY: “Twilight Time” – A Doo-Wop Collection (LISTEN)

By goodblacknews on March 29, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Doo-Wop is a style of rhythm-and-blues and rock-and-roll vocal music most popular in the 1950s and ’60s. The term “doo-wop” is derived from the sounds made by the group as they provided the harmonic background for the lead singer.

Doo-Wop music is before “the time” me and most followers of Good Black News and these weekly playlists. Though there isn’t a genre called “musically transportive to that time period,” Doo-Wop tracks have been used on many film and television scores for that very reason.

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It started in African-American neighborhoods all around the United States including New York, Los Angeles, Philadelphia, Chicago, Baltimore, Newark, Detroit, and Washington, DC.

Though its roots can be found as early as the records of the Mills Brothers and the Ink Spots in the 1930s and ’40s, Motown’s premier groups like The Shirelles and Temptations of the 1960s and ’70s were based in this classic doo-wop style.

Berry Gordy’s songwriting powerhouse, Smokey Robinson, had early hits with The Miracles that were straight Doo-Wop songs. Its influence has been felt on punk, alternative rock, and modern R&B artists.

I’ve gathered classics by The Platters, The Flamingos, Little Anthony and The Imperials, The Orions, The Moonglows, and many others for this playlist. Do enjoy.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Everyday People” – A Sly and the Family Stone Collection (LISTEN)

MUSIC MONDAY: “Everyday People” – A Sly and the Family Stone Collection (LISTEN)

By goodblacknews on March 22, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Sly Stone turned 78 years old on the 15th of this month. I thought it was a good time to spotlight him and The Family Stone with a playlist.

His work has had a potent effect on the course of modern music. Sly and The Family Stone served a dazzling fusion of psychedelic rock, soul, gospel, jazz, and Latin flavors.

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The trailblazing classic “Dance To the Music” has the distinction of being chosen for the Grammy Hall Of Fame, the Rock And Roll Hall Of Fame’s “500 Songs That Shaped Rock,” and Rolling Stone magazine’s “500 Greatest Songs Of All Time.”

This collection gathers many of his hits including “Everyday People,” “Thank You (Falletinme Be Mice Elf Again)” and “Family Affair,” “Stand!,” “Hot Fun in the Summertime,” “Runnin’ Away,” “If You Want Me To Stay,” “Time For Livin’,” and more.

From Miles Davis and Herbie Hancock to the halls of Motown and George Clinton’s P-Funk, from Michael Jackson and Curtis Mayfield, down the line to Bob Marley, the Isley Brothers, Prince, Public Enemy, Red Hot Chili Peppers, The Black Eyed Peas, Beastie Boys, The Roots, OutKast and on and on, Sly’s influence can be felt throughout popular music.

This is another one that comes with Rumpshaker Warning. Have a great week.

And always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)