Tag: Marlon Wayans

Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety

Black Panther Variety Cover
CREDIT: ART STREIBER FOR VARIETY

by Ramin Satoodeh via Variety.com

Chadwick Boseman struggled to catch his breath after he was cast as Black Panther. When he first tried on his spandex suit for 2016’s “Captain America: Civil War,” it felt too restricting. “It was suffocating,” recalls Boseman. “Literally, it closed off every possibility of air getting to you. I was in it, put the mask on. I said, ‘Hey, you got to get me out of this!’” By the time he headlined his own movie, as the first black Marvel superhero with his name on the poster, Boseman was more comfortable in his re-engineered costume. “I think it begins to feel like skin after a while,” says the 41-year-old actor. “But it takes time to get to that place.”

The same can be said for Disney’s long-awaited tentpole “Black Panther,” which opens in theaters on Feb. 16. For decades, actors, directors, producers and fans have wondered why Hollywood was so slow to bring black superheroes to the big screen. It’s not that there weren’t attempts along the way. In the ’90s, Warner Bros. had originally tapped Marlon Wayans to portray Robin in a “Batman” movie, before Chris O’Donnell landed the sidekick role. Wesley Snipes starred in the vampire superhero franchise “Blade,” which spawned two sequels. In 2004, Halle Berry headlined “Catwoman,” which was ridiculed by critics and tanked at the box office. And 12 years later, Will Smith, the co-star of the juggernaut “Men in Black,” popped up in “Suicide Squad” as the under-seen assassin Deadshot.

“Black Panther,” directed by Ryan Coogler, is a movie that doubles as a movement, or at least a moment that feels groundbreaking in the same way that last year’s runaway hit “Wonder Woman” inspired millions of women. “Panther” marks the first time that a major studio has greenlit a black superhero movie with an African-American director and a primarily black cast, including Forest Whitaker, Angela Bassett, Michael B. Jordan, Lupita Nyong’o, Danai Gurira and Letitia Wright as Shuri, the princess of the fictional African country Wakanda.

The reality of this milestone isn’t lost on Coogler, the 31-year-old director of the Sundance darling “Fruitvale Station” and the “Rocky” sequel “Creed.” “I think progress comes in ebbs and flows,” Coogler says. “I hope things continue to open up. As more content gets made, more opportunities like ours can come about for folks. But you’ve got to put your foot on the gas when it comes to that or things can go back to where they were.”

“Black Panther” chronicles an origin story for a Marvel character who first made his debut in the comic books in 1966. On the big screen, he’s a warrior named T’Challa, who returns home to an Afro-futuristic country to inherit the throne as king. The release of the movie coincides with a crossroads in America. Racial tensions are heightened as a result of a president who continually makes reprehensible remarks about immigrants from nonwhite countries. “Black Panther” also arrives on the heels of #OscarsSoWhite, the two consecutive years (2015 and 2016) that the Motion Picture Academy failed to nominate any actors of color for awards.

Anticipation for the release of “Black Panther” is much higher than for the last outings from Batman and Thor. In May 2016, the hashtag #BlackPantherSoLIT started trending on Twitter as casting details around the movie emerged. “Panther” is poised to break box office records for February, a typically quieter time as audiences catch up on romantic comedies around Valentine’s Day. Marvel’s latest crown jewel is tracking to gross an estimated $150 million on its opening weekend. Strong business for “Black Panther,” which cost nearly $200 million to produce and roughly $150 million more to market, would send a clear message to the movie industry that certain communities are still widely underserved. While domestic ticket sales plummeted last year, the number of frequent African-American moviegoers nearly doubled to 5.6 million in 2016, according to a survey by the Motion Picture Assn. of America.

Some are paying attention. “Representation matters,” says Alan Horn, chairman of Walt Disney Studios, which owns Marvel. “It’s a powerful and important thing for people to know they are seen and to see themselves reflected in our films and the stories we tell.” Horn believes that “Black Panther” is part of a wave of change. “In terms of gender diversity, we’ve done very well,” he says, pointing to his studio’s own roster that includes “Beauty and the Beast,” “Coco” and the upcoming live-action “Mulan.” “When it comes to diversity reflecting color and ethnicity, I’d say yes, you will see more.” Continue reading “Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety”

Forest Whitaker To Direct Long-Stalled Richard Pryor Biopic

Forest Whitaker takes his daughters shopping at Urban Outfitters in Studio City, California on March 17, 2013

The long-gestating Richard Pryor biopic is starting over from scratch with Forest Whitaker now in charge.

Fresh from producing the Sundance Grand Jury Prize and Audience Award winner “Fruitvale,” Whitaker has taken over the nearly two-decade effort to bring the legendary comic’s life of the big screen, reports Deadline.com.

Whitaker is teaming with the late comic’s widow, Jennifer Pryor, to produce the film through his Significant Productions shingle. Whitaker will develop a new script with input from Jennifer Pryor, and Significant Productions’ Nina Yang-Bongiovi, will also produce.

The Pryor biopic has been attempted numerous times, and the most recent version had Bill Condon poised to direct Marlon Wayans in the starring role for Sony Pictures, where Adam Sandler’s Happy Madison had set the project. Condon was certainly passionate about Pryor, but everything took a back seat when he signed on to helm the final two “Twilight Saga” installments. The project languished.

The first Pryor project was a Martin Scorsese-directed drama to star Damon Wayans, this well before Pryor died in 2005. Later, there was a Showtime pic that was to star Eddie Griffin and another attempt at a feature that was to star Mike Epps with Kasi Lemmons directing.

Condon’s first flirtation had Eddie Murphy briefly interested, and then Chris Rock was briefly in the conversation.

The question now is, who will be Whitaker’s Richard Pryor?  Deadline.com’s Mike Fleming Jr. thinks he should look no further than his “Fruitvale” star, Michael B. Jordan, “who by all accounts crushed it in that film.”

Fleming writes: “Jordan, who grew up playing roles in ‘The Wire’ and ‘Friday Night Lights’ before starring in ‘Chronicle,’ certainly has the charisma and should be established enough as the lead on a modestly budgeted film after The Weinstein Company releases ‘Fruitvale’ later this year.”

article via eurweb.com

BET Tops Cable Ratings with Debut of ‘Real Husbands’ and ‘Second Generation Wayans’

'Second Generation Wayans'

‘Second Generation Wayans’

Tuesday night BET premiered two new scripted series, the Real Husbands of Hollywood starring Kevin Hart, Boris Kodjoe, Nick Cannon, Robin Thicke, Duane Martin and J.B. Smoove, and Second Generation Wayans featuring Damien Dante Wayans, Craig Wayans, and Tatyana Ali.

The two news shows beat out all the competition.

According to the Hollywood Reporter the new shows topped “all of cable and rivaling most broadcast efforts during the 10 p.m. hour.”

The Real Husbands of Hollywood, a comedic spoof of the Real Housewives franchise, pulled in 4.1 million viewers during its 10:00 p.m. premiere. When combined with its 11:00 p.m. encore, the premiere episode attracted 6.5 million total viewers.

Second Generation Wayans debuted at 10:30 p.m., pulling in 3.4 million total viewers. When combined with its 11:30 p.m. encore, the premiere episode attracted 4.7 million total viewers. In total, BET’s entire Tuesday night scripted block drew over 11 million total viewers.

According to a press release from BETReal Husbands of Hollywood and Second Generation Wayans “are now this season’s top 2 sitcom premiere telecasts on cable (not just on BET).”

Tuesday night the Real Husbands of Hollywood hashtag #RHOH was the number one trending topic worldwide on Twitter.

article by Chris Witherspoon via thegrio.com