Tag: Lupita Nyong’o

‘Black Panther’ Becomes Top-Grossing Superhero Film of All Time in U.S. with $630.9 Million in Domestic Box Office

The Disney and Marvel tentpole wrests the crown from 'The Avengers.'
‘Black Panther’ (Courtesy of Marvel Studios)

by Lori Lakin Hutcherson (@lakinhutcherson)

Director/writer Ryan Coogler‘s Black Panther, as of this weekend, has officially become the highest-grossing superhero film in North America, taking the title from another Disney/Marvel tentpole, The Avengers.

According to hollywoodreporter.com, the Chadwick Boseman/Lupita Nyong’o/Michael B. Jordan starrer achieved the milestone on Saturday after passingThe Avengers, $623.4 million gross from 2012. Black Panther is also only one of seven films to ever earn $600 million or more domestically, finishing Sunday with $630.9 million, putting it at No. 5 on the all-time list.Black Panther finished the weekend with $1.237 billion in ticket sales internationally, surpassing Iron Man 3 ($1.214 billion) to rank as the No. 3 superhero title of all time at the worldwide box office, just behind Avengers ($1.518 billion) and Avengers: Age of Ultron ($1.405 billion).

Black Panther finished in second-place overall in its sixth weekend with $17 million in sales, behind the newly-released Pacific Rim: Uprising, which earned approximately $28 million in its debut weekend.

Viola Davis and Lupita Nyong’o to Play Mother and Daughter in ‘The Woman King’ at TriStar

(photo via deadline.com)

by Patrick Hipes via deadline.com

TriStar Pictures has acquired worldwide rights to The Woman King, a film inspired by true events that will star Oscar winners Viola Davis and Lupita Nyong’o. The original story is from Maria Bello, and Cathy Schulman’s Welle Entertainment will produce with Davis and Julius Tennon of JuVee Productions, and Bello of Jack Blue Productions.

Based on the true events that took place in The Kingdom of Dahomey, one of the most powerful West African states in the 18th and 19th centuries, The Woman King tells the story of Nanisca (Davis), general of the all-female military unit known as the Amazons, and her daughter Nawi (Nyong’o), who together fought the French and neighboring tribes who violated their honor, enslaved their people, and threatened to destroy everything they’ve lived for.

The Woman King is the powerful true story of an extraordinary mother-daughter relationship,” TriStar Pictures president Hannah Minghella said. “And there’s no-one more extraordinary than Viola Davis and Lupita Nyong’o to bring them to life.”

Added Schulman: “Black Panther just showed us how the power of imagination and lore could reveal a world without gender and racial stereotypes. The Woman King will tell one of history’s greatest forgotten stories from the real world in which we live, where an army of African warrior women staved off slavery, colonialism and inter-tribal warfare to unify a nation.”

Source: http://deadline.com/2018/03/the-woman-king-movie-viola-davis-lupita-nyongo-tristar-1202307588/

“Black Panther” Tops U.S. Box Office Again with $108 Million in Second Weekend

(Image Courtesy Disney/Marvel)

by Dave McNary via Variety.com

Disney-Marvel’s Black Panther is dominating the box office with an astounding $108 million at 4,020 North American locations — the second-highest second weekend ever behind “Star Wars: The Force Awakens.”

Black Panther, starring Chadwick Boseman, has now grossed $400 million domestically in its first 10 days. Only “The Force Awakens” has reached that milestone faster. It’s also grossed $304 million internationally.

The superhero film, the 18th in the Marvel Cinematic Universe, declined only 46% from its opening Friday-Sunday — underlining the film’s massive appeal among moviegoers. “Star Wars: The Force Awakens” set the second weekend record with $149 million in 2015, and Black Panther topped the second weekends of 2015’s “Jurassic World” at $106.6 million, and 2012’s “The Avengers” with $103 million.

Black Panther, directed by Ryan Coogler, has caught on with moviegoers this month in a way that few other titles have in Hollywood’s recent history — blowing past last month’s tracking that showed it would open in the $100 million to $120 million range. It’s notched an A+ Cinemascore — becoming only the second Marvel film to do so — and has dazzled critics with a 97% “fresh” score on Rotten Tomatoes. The film also stars Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya and Letitia Wright.

ComScore’s PostTrack-Screen Engine scores of the audience for the second  weekend show support among moviegoers far above average with 69% rating the film as “excellent” and another 23% as “very good.” And it’s done so outside the traditional summer and holiday season corridors for blockbusters, noted Paul Dergarabedian, senior media analyst with comScore.

Black Panther continues to elevate the month of February to summer-style blockbuster status with a second weekend that represents only the third time that a film has posted a $100 million plus weekend performance during the month (behind only its $202 million debut and ‘Deadpool’s’ $132 million opening in 2016),” he said. “And with a North American cume through Sunday of $400 million, it is the highest grossing film ever released in the month after just 10 days in theaters beating the long-standing $370.3 million record held by 2004’s ‘The Passion of The Christ.’”

Demographics of the second-weekend audience were 33% African-American, 37% Caucasian, 18% Hispanic, 7% Asian and 5% others, according to comScore. The opening weekend was 37% African-American, 35% Caucasian, 18% Hispanic, 5% Asian and 5% other.

To read more, go to: http://variety.com/2018/film/box-office/black-panther-box-office-game-night-1202709952/

It’s Official: ‘Black Panther’ Tops ‘Star Wars: The Last Jedi’ in Historic $242 Million 4-Day Opening

Disney-Marvel’s Black Panther” is re-writing the record books, topping “Star Wars: The Last Jedi” for the second-highest four-day domestic opening of all time, with $242 million at 4,020 North American locations.The superhero pic set a record for top Monday domestic gross ever, with $40.2 million, edging the previous high set by “Star Wars: The Force Awakens” at $40.1 million. The Monday total came in $7 million above the studio’s projections and lifted the four-day haul to $242 million.

Black Panther” has grossed the second-highest four-day total of all time, behind only “Star Wars: The Force Awakens” at $288.1 million and $400,000 ahead of “Star Wars: The Last Jedi.”

Disney also reported Tuesday that the international total has reached $184.6 million to lift the worldwide take to $426.6 million, led by South Korea at $27.1 million and the U.K. at $26.7 million.

The tentpole, starring Chadwick Boseman and directed by Ryan Coogler, has blown past its original tracking. The film, which carries an estimated $200 million production budget, had been tracking to bring in between an impressive $100 and $120 million when first projections emerged on Jan. 25.

Since then, “Black Panther” has become a must-see event as it’s veered into record-setting territory and has continued to shatter all projections since then. It has the highest three-day debut ever for a February film and the fifth-biggest of all time behind only “Star Wars: The Force Awakens” at $248 million, “Star Wars: The Last Jedi” at $220 million, “Jurassic World” at $208.8 million, and “The Avengers” at $207.4 million.

“Black Panther” has demolished the record for the largest Presidents Day weekend, blowing past “Deadpool’s” 2016 mark of $152 million.

Source: http://variety.com/2018/film/news/black-panther-box-office-tops-star-wars-last-jedi-1202704917/

Weekend Box Office: ‘Black Panther’ Bounds to Record-Shattering $218 Million-Plus Opening

The movie scores one of the top openings of all time in North America; overseas, it amasses $169 million for a $387 million global debut.
“Black Panther” (Courtesy of Marvel Studios)
In a defining moment for Hollywood, Disney and Marvel StudiosBlack Panther exploded at the Presidents Day box office, bounding to a record-shattering estimate of $192 million for the three-day weekend and a projected $218 million-plus for the four-day holiday frame.

The Ryan Coogler-directed movie — unprecedented in being a big-budget studio tentpole featuring a virtually all-black cast — secured the fifth-biggest domestic opening of all time after blasting past all expectations. It’s also the best launch of any superhero film behind fellow Marvel title The Avengers (2012), which earned $207.4 million in its first three days, not accounting for inflation.

The weekend isn’t over, however, and Black Panther could climb even higher. Many rival studios show a four-day total of $222 million to $225 million, as well as a higher three-day total in the $195 million range.

Other records broken include that of the biggest opening for an African-American director, the top-scoring superhero film on Rotten Tomatoes (97 percent) and the biggest February bow, supplanting previous champ Deadpool, which took in $152.2 million over the four-day Presidents Day weekend in 2016.

Playing in 4,020 theaters, Black Panther was fueled by a diverse audience. According to comScore, 37 percent of ticket buyers were African-American. Caucasians made up the next largest group (35 percent), followed by Hispanics (18 percent). That sort of demographic breakdown is unheard of for a marquee superhero tentpole. On average, African-Americans make up about 15 percent of the audience for such fare.

“There are seven billion people on this planet and they come from all walks of life. Audiences deserve to see themselves reflected on the big screen. Beyond being the right thing to do, it makes for richer storytelling,” says Disney distribution chief Dave Hollis.

Adds Imax Entertainment CEO Greg Foster, “Representation matters. Get Out, Wonder Woman, Coco and now Black Panther show Hollywood that authenticity and inclusiveness wins.”

Black Panther, which cost $200 million to make before marketing, was a bold move on the part of Disney and Marvel’s Kevin Feige.

In the film, Chadwick Boseman stars as T’Challa/Black Panther alongside Lupita Nyong’o, Michael B. Jordan, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker and Andy Serkis. The story, described as a tale of black power and black pride in addition to its superhero themes, follows T’Challa as he is sworn in as king of Wakanda, a cloaked, technologically advanced nation in Africa that is home to the exotic metal vibranium, the source of Black Panther’s powers.

Audiences bestowed Black Panther with an A+ CinemaScore (the only other Marvel title to earn the mark was Avengers).

Black Panther hits theaters almost a year after Jordan Peele‘s maverick horror film Get Out transformed into a box-office sensation, although that was a genre pic. And in summer 2017, filmmaker Patty Jenkins’ Wonder Woman, featuring a female protagonist, became the highest-grossing live-action film from a female director.

Overseas — where American films with a black cast can face challenges — Black Panther opened in virtually every major market save for Russia (Feb. 22), Japan (March 1) and China (March 9). The movie earned a mighty $169 million for an estimated global bow of $387 million through Monday, including a hefty $52 million from Imax locations around the world.

Black Panther came in ahead of expectations overseas, but certainly not to the extent it did in North America. Still, it secured the fifteenth-biggest international opening of all time, opening No. 1 in almost every territory. South Korea led with $25.3 million, the fifth-biggest start ever for a Western title. The U.K./Ireland followed with a $24.8 million launch, the best showing of any Marvel title behind Avengers: Age of Ultron and eclipsing the entire runs of Justice League, Ant-Man and the first installments in the Captain America and Thor franchises.

In North America, the only movies that dared to open nationwide opposite Black Panther were Lionsgate and Aardman Animation’s family film Early Man and PureFlix’s faith-based pic Samson. Early Man placed No. 7 with an estimated four-day gross of $4.2 million from 2,492 theaters, while Samson came in No. 11 with an estimated $2.4 million from 1,249 cinemas.

Source: https://www.hollywoodreporter.com/heat-vision/weekend-box-office-black-panther-bounds-record-shattering-218m-debut-1085932

Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety

Black Panther Variety Cover
CREDIT: ART STREIBER FOR VARIETY

by Ramin Satoodeh via Variety.com

Chadwick Boseman struggled to catch his breath after he was cast as Black Panther. When he first tried on his spandex suit for 2016’s “Captain America: Civil War,” it felt too restricting. “It was suffocating,” recalls Boseman. “Literally, it closed off every possibility of air getting to you. I was in it, put the mask on. I said, ‘Hey, you got to get me out of this!’” By the time he headlined his own movie, as the first black Marvel superhero with his name on the poster, Boseman was more comfortable in his re-engineered costume. “I think it begins to feel like skin after a while,” says the 41-year-old actor. “But it takes time to get to that place.”

The same can be said for Disney’s long-awaited tentpole “Black Panther,” which opens in theaters on Feb. 16. For decades, actors, directors, producers and fans have wondered why Hollywood was so slow to bring black superheroes to the big screen. It’s not that there weren’t attempts along the way. In the ’90s, Warner Bros. had originally tapped Marlon Wayans to portray Robin in a “Batman” movie, before Chris O’Donnell landed the sidekick role. Wesley Snipes starred in the vampire superhero franchise “Blade,” which spawned two sequels. In 2004, Halle Berry headlined “Catwoman,” which was ridiculed by critics and tanked at the box office. And 12 years later, Will Smith, the co-star of the juggernaut “Men in Black,” popped up in “Suicide Squad” as the under-seen assassin Deadshot.

“Black Panther,” directed by Ryan Coogler, is a movie that doubles as a movement, or at least a moment that feels groundbreaking in the same way that last year’s runaway hit “Wonder Woman” inspired millions of women. “Panther” marks the first time that a major studio has greenlit a black superhero movie with an African-American director and a primarily black cast, including Forest Whitaker, Angela Bassett, Michael B. Jordan, Lupita Nyong’o, Danai Gurira and Letitia Wright as Shuri, the princess of the fictional African country Wakanda.

The reality of this milestone isn’t lost on Coogler, the 31-year-old director of the Sundance darling “Fruitvale Station” and the “Rocky” sequel “Creed.” “I think progress comes in ebbs and flows,” Coogler says. “I hope things continue to open up. As more content gets made, more opportunities like ours can come about for folks. But you’ve got to put your foot on the gas when it comes to that or things can go back to where they were.”

“Black Panther” chronicles an origin story for a Marvel character who first made his debut in the comic books in 1966. On the big screen, he’s a warrior named T’Challa, who returns home to an Afro-futuristic country to inherit the throne as king. The release of the movie coincides with a crossroads in America. Racial tensions are heightened as a result of a president who continually makes reprehensible remarks about immigrants from nonwhite countries. “Black Panther” also arrives on the heels of #OscarsSoWhite, the two consecutive years (2015 and 2016) that the Motion Picture Academy failed to nominate any actors of color for awards.

Anticipation for the release of “Black Panther” is much higher than for the last outings from Batman and Thor. In May 2016, the hashtag #BlackPantherSoLIT started trending on Twitter as casting details around the movie emerged. “Panther” is poised to break box office records for February, a typically quieter time as audiences catch up on romantic comedies around Valentine’s Day. Marvel’s latest crown jewel is tracking to gross an estimated $150 million on its opening weekend. Strong business for “Black Panther,” which cost nearly $200 million to produce and roughly $150 million more to market, would send a clear message to the movie industry that certain communities are still widely underserved. While domestic ticket sales plummeted last year, the number of frequent African-American moviegoers nearly doubled to 5.6 million in 2016, according to a survey by the Motion Picture Assn. of America.

Some are paying attention. “Representation matters,” says Alan Horn, chairman of Walt Disney Studios, which owns Marvel. “It’s a powerful and important thing for people to know they are seen and to see themselves reflected in our films and the stories we tell.” Horn believes that “Black Panther” is part of a wave of change. “In terms of gender diversity, we’ve done very well,” he says, pointing to his studio’s own roster that includes “Beauty and the Beast,” “Coco” and the upcoming live-action “Mulan.” “When it comes to diversity reflecting color and ethnicity, I’d say yes, you will see more.” Continue reading “Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety”

WATCH: Marvel’s “Black Panther” Teaser Trailer is Here!

Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o starring, Ryan Coogler directing. Out in theaters on Feb. 16, 2018.  Mark the date – we can’t wait!

Angela Bassett Joins Cast of Marvel’s ‘Black Panther’ Movie

Angela Bassett
Angela Bassett (JIM SMEAL/REX/SHUTTERSTOCK)

article by Justin Kroll via Variety.com

“American Horror Story” star Angela Bassett has joined Marvel’s “Black Panther,” playing the mother of the title character.

Michael B. Jordan, Forest Whitaker, Lupita Nyong’o and “The Walking Dead’s” Danai Gurira are also part of the ensemble cast. “Creed” helmer Ryan Coogler will direct.

Chadwick Boseman will play T’Challa, the prince of the African nation of Wakanda, who must take over the throne after his father’s murder. Marvel unveiled the character in “Captain America: Civil War” last May and his standalone film hits theaters on Feb. 16, 2018.

Production is expected to start in the first quarter of 2017.  Joe Robert Cole is co-penning the script with Coogler. Marvel Studios President Kevin Feige is producing the movie.

This marks Bassett’s second turn down the comic book avenue having previously appeared in DC’s “Green Latern” movie starring Ryan Reynolds.

Bassett recently reprised her role as Secret Service Director Lynne Jacobs in “London Has Fallen.” On the small screen, she was just seen on “American Horror Story: Roanoke.”

To read more, go to: http://variety.com/2016/film/news/angela-bassett-cast-in-marvel-black-panther-1201923837/

Lupita Nyong’o Speaks on Colorism and More Opportunities for People of Color

Lupita Nyong’o (Photo: Courtesy of Vogue)

article by Erica Schwiegershausen via nymag.com

In the October issue of Vogue, three-time cover girl Lupita Nyong’o talks about growing up in Nairobi, and her desire to see more African narratives represented in Hollywood and beyond. “I want to create opportunities for other people of color because I’m fortunate enough to have a platform to do that,” she said.

Recently, Nyong’o starred in “Eclipsed” on Broadway, playing a 15-year-old girl held captive by a rebel officer in Liberia. In her latest film, “Queen of Katwe,” she plays the mother of a Ugandan girl who becomes an international chess master. (The film opens next week.) And she’s also working on the forthcoming film adaptation of Chimamanda Ngozi Adichie’s “Americanah“— a love story that centers around two Nigerians.

“Being able to use my platform to expand and diversify the African voice … I feel very passionate about that. It feels intentional, meaningful,” Nyong’o said.  She was drawn to “Queen of Katwe,” she said, because it was “based on a true story, an uplifting story out of Africa.”  Nyong’o also reflected — not for the first time — on the significance of seeing darker-skinned women represented and celebrated as beautiful.

Alek Wek changed how dark people saw themselves,” she said. “That I could do the same in a way for somebody somewhere is amazing.” She added, “The European sense of beauty affects us all. I came home from college in the early two-thousands and saw ads on TV with a girl who can’t get a job. She uses this product. She gets her skin lighter. She gets the job. The lording of lighter skin is a common thing growing up in Nairobi. Being called ‘black mamba.’ The slow burn of recognizing something else is better than you.”

Working on the set of “Queen of Katwe,” Nyong’o said a young Ugandan-British woman came up to her and said: “I’ve never had so many people call me beautiful until you showed up. I get called to auditions I never would have been called to before. I know it’s because you exist.”

Source: Lupita Nyong’o Wants Opportunities for People of Color

Lupita Nyong’o in Talks to Star with Chadwick Boseman in Marvel’s ‘Black Panther’

Lupita Nyong'o Black Panther
Lupita Nyong’o (BILLY FARRELL/BFA/REX/SHUTTERSTOCK BILLY FARRELL/BFA/REX/SHUTTERSTOCK)

article by Justin Kroll via Variety.com

Academy Award winner Lupita Nyong’o is in talks to play the love interest of Chadwick Boseman’s superhero in Marvel’s “The Black Panther.”

“Creed” helmer Ryan Coogler is on board to direct the film.  Kevin Feige is producing the movie, which stars Boseman as T’Challa, the prince of the African nation of Wakanda, who must take over the mantel after his father’s murder. Marvel unveiled the character in “Captain America: Civil War” before the standalone film hits theaters on Feb. 16, 2018.

Nyong’o most recently lent her voice to “Star Wars: the Force Awakens” as Maz Kanata and “The Jungle Book” as Mother Wolf Raksha. She can be seen next in Disney’s “Queen of Katwe” opposite David Oyelowo and is also attached to star in DreamWorks’ “Intelligent Life.”

To read more, go to: http://variety.com/2016/film/news/lupita-nyongo-black-panther-1201772781/