Nearly a year after protesters in Baton Rouge were arrested during marches for 37-year-old resident Alton Sterling – who was killed by police while selling CDs outside of a store – a federal judge approved a class-action settlement Friday, Oct. 27 that awards up to $1,000 to dozens. One of the most high-profile activists to be involved with the settlement was DeRay Mckesson, who was arrested along with 69 others. Besides cash payments, the victims will have their records expunged free of charge, the Associated Press reports.
U.S. District Judge John W. deGravelles gave the final approval regarding the settlement after a hearing with McKesson and other plaintiffs. The 69 plaintiffs will ultimately be rewarded amounts ranging from $500 to $1,000 out of the total value of the settlement estimated at $136,000. “It obviously is a matter that touches on a lot of sensitive issues and had the potential for being very contentious and destructive,” deGravelles said.
Kira Marrero, a 24-year-old plaintiff from New Orleans, was arrested while protesting the police-involved shooting of Sterling. “I’m definitely glad that we’re getting some justice, though at the same time it’s a really painful memory to dig up,” she said. “I’m still pretty heartbroken, I guess, by everything that happened. I think everyone who knew me trusted that I wasn’t out there breaking the law and that clearly something was wrong.”
Fats Domino, the New Orleans rhythm-and-blues singer whose two-fisted boogie-woogie piano and nonchalant vocals, heard on dozens of hits, made him one of the biggest stars of the early rock ’n’ roll era, has died in Louisiana. He was 89.
His death was confirmed by his brother-in-law and former road manager Reggie Hall, who said he had no other details. Mr. Domino lived in Harvey, La., across the Mississippi River from New Orleans. Mr. Domino had more than three dozen Top 40 pop hits through the 1950s and early ’60s, among them “Blueberry Hill,”“Ain’t It a Shame” (also known as “Ain’t That a Shame,” which is the actual lyric), “I’m Walkin’,” “Blue Monday” and “Walkin’ to New Orleans.”
Throughout he displayed both the buoyant spirit of New Orleans, his hometown, and a droll resilience that reached listeners worldwide.He sold 65 million singles in those years, with 23 gold records, making him second only to Elvis Presley as a commercial force. Presley acknowledged Mr. Domino as a predecessor. “A lot of people seem to think I started this business,” Presley told Jet magazine in 1957. “But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. I know that.”
Rotund and standing 5 feet 5 inches — he would joke that he was as wide as he was tall — Mr. Domino had a big, infectious grin, a fondness for ornate, jewel-encrusted rings and an easygoing manner in performance; even in plaintive songs his voice had a smile in it. And he was a master of the wordless vocal, making hits out of songs full of “woo-woos” and “la-las.”Working with the songwriter, producer and arranger David Bartholomew, Mr. Domino and his band carried New Orleans parade rhythms into rock ’n’ roll and put a local stamp on nearly everything they touched, even country tunes like “Jambalaya” or big-band songs like “My Blue Heaven” and “When My Dreamboat Comes Home.”
Antoine Dominique Domino Jr. was born on Feb. 26, 1928, the youngest of eight children in a family with Creole roots. He grew up in the Ninth Ward of New Orleans, where he spent most of his life.Music filled his life from the age of 10, when his family inherited an old piano. After his brother-in-law Harrison Verrett, a traditional-jazz musician, wrote down the notes on the keys and taught him a few chords, Antoine threw himself at the instrument — so enthusiastically that his parents moved it to the garage.
He was almost entirely self-taught, picking up ideas from boogie-woogie masters like Meade Lux Lewis, Pinetop Smith and Amos Milburn. “Back then I used to play everybody’s records; everybody’s records who made records,” he told the New Orleans music magazine Offbeat in 2004. “I used to hear ’em, listen at ’em five, six, seven, eight times and I could play it just like the record because I had a good ear for catchin’ notes and different things.” He attended the Louis B. Macarty School but dropped out in the fourth grade to work as an iceman’s helper. “In the houses where people had a piano in their rooms, I’d stop and play,” he told USA Today in 2007. “That’s how I practiced.”
In his teens, he started working at a club called the Hideaway with a band led by the bassist Billy Diamond, who nicknamed him Fats. Mr. Domino soon became the band’s frontman and a local draw.“Fats was breaking up the place, man,” Mr. Bartholomew told The Cleveland Plain Dealer in 2010. “He was singing and playing the piano and carrying on. Everyone was having a good time. When you saw Fats Domino, it was ‘Let’s have a party!’ ”He added: “My first impression was a lasting impression. He was a great singer. He was a great artist. And whatever he was doing, nobody could beat him.”
In 1947 Mr. Domino married Rosemary Hall, and they had eight children, Antoine III, Anatole, Andre, Anonio, Antoinette, Andrea, Anola and Adonica. His wife died in 2008. A complete list of survivors was not immediately available.
Single-night tickets are now on sale and are priced starting at $50 per person per night.
The concerts will feature more than 40 acts across five stages in the Superdome throughout the weekend on the festival’s renowned Mainstage and in the intimate Superlounges. Festival first-timers Diana Ross and Chance the Rapper will open and close the weekend concert series with headlining performances on Friday and Sunday night respectively – along with a special all-female Saturday night lineup, inspired by headliner Mary J. Blige’s forthcoming album Strength of A Woman.
Other well-known performers in this year’s line-up include John Legend, india.arie, Jill Scott, Chaka Khan and Solange.
Roy Wood Jr. from Comedy Central’s “The Daily Show” will serve as the Mainstage host for the weekend, with more surprise guest performances to be announced.
For more information about ticket sales and accommodations and for the latest news about the ESSENCE Festival®, visit www.essencefestival.com, join the festival community by following us on Twitter @essencefest #EssenceFest and become a fan of 2017 ESSENCE Festival® on Facebook.
Today I woke up to a Facebook post that my roommate from college shared on her feed. Her response to that tauntingly generic Facebook encouragement— “What’s on your mind?” seemed a little more perturbed, urgent and determined than usual: “This is a must read! #blacklivesmatter#takeaknee and if u don’t like my hashtags feel free to unfollow me.” Whoa… okay, she had my attention. I found my glasses and I was in. The share was an essay by Solange Knowles about her recent experience with racial discrimination at a Kraftwerk concert.
The essay is entitled “And Do You Belong? I Do…”, and the title is a pretty good indication of what follows. Here we go, I thought… I am about to read about how someone had caused Beyoncé’s sister to feel some type of way. I knew it would be a truthful expression of Solange having to deal with some, well… ignorant mess. I’ve certainly been there. This was going to be a level of discrimination probably more than the norm though, because why else make such an effort to share?
Solange’s essay is thought-provoking and definitely worth the read. She is insightful and honest about her past experiences with racial discrimination, as well as her recent encounter while trying to dance and enjoy music with her family.
Though the content of the post is not surprising – again, so many of us have been there – the trash throwing did surprise me. (Yes, someone throws trash at Solange and her family.) Really?? It was taken there??? But instead of responding in the moment in a way that likely would have brought negative attention to her and her family, I have to applaud Solange for instead turning to Twitter, then laying it out there again in writing, as well as covering the anticipated naysayers with intelligent responses.
We are reminded by her action that knowledge is power, well-chosen words are power, and speaking up in protest is power. I think it’s important that she bravely lays it out there for the world to hear.
article by Ben Poston, Veronica Rocha, Joseph Serna and Kate Mather via latimes.com
Rappers and Los Angeles-area natives the Game and Snoop Dogg led a unification march for men of color Friday morning to the Los Angeles Police Department’s graduation of its newest officers, hours after five Dallas police officers were shot and killed and seven others were wounded during a sniper attack.
About 6:30 a.m., the Game posted on his Instagram account a call for black, Mexican and men of all races to march to the Los Angeles Police Department’s headquarters to “make the Californian government & its law branches aware that from today forward, we will be UNIFIED as minorities & we will no longer allow them to hunt us or be hunted by us!!!”
He said women and children should stay away, “THIS IS OUR MISSION FOR THEM,” he wrote.
The Game, a Compton native whose legal name is Jayceon Terrell Taylor, said in his announcement the march had to be peaceful.
“Do not: bring any weapons or anything illegal. Do not come high or belligerent … We don’t need any HOT HEADS or anyone there for the wrong reasons… We will stand as we are, UNIFIED. I’m calling ALL GANGS, ALL RACES, ALL GROWN MEN affiliated or not & we will stand UNIFIED.”
A post shared by The Game (@losangelesconfidential) on
Snoop Dogg, whose real name is Calvin Broadus, said organizers didn’t know there was an LAPD recruit graduation scheduled for Friday morning. The point of the march was to reintroduce the Police Department to members of the community it serves, he told reporters at the scene.
About 50 men joined the march to LAPD headquarters.
“The mission is to reintroduce our community to the LAPD… just to get some understanding and dialogue,” he said. “We’re the ones they’re going to be dealing with, we’re the ones that are going to be pulled over. … We’re here on peace.”
The group began planning the march before dawn, the Game said. Organizers spoke with marchers about their unifying, peaceful message so it couldn’t be misconstrued by police, and conversely, so they would listen when law enforcement responded.
“We don’t have to fear each other today,” he said.
By now, most have heard about the latest in the incredibly disturbing string of homicides of black citizens at the hands of local police. Alton Sterling was shot and killed after two police officers approached him on Tuesday evening for selling CDs near a convenience store in Baton Rouge, Louisiana.
According to CNN, the state’s governor, John Bel Edwards, announced that the Department of Justice’s Civil Rights Division will investigate the shooting. Edwards added that the Middle District of Louisiana’s U.S. Attorney’s office and the FBI will also assist in the investigation.
Officers say they arrived at the scene when an anonymous 911 caller reported a man threatening him with a gun. A struggle ensued between Sterling and the two officers. Sterling was pinned down, then shot multiple times in the head and chest, eventually succumbing to his injuries.
The encounter was caught on camera and went viral yesterday evening, sparking protests and national media attention. After observing video of the encounter, Edwards said he had “very serious concerns.”
“The video is disturbing to say the least,” he added.
Baton Rouge Mayor Kip Holden said he is also committed to working with federal investigators.
At a morning press conference, Sterling’s family tearfully condemned the actions of the BRPD officers involved in the shooting, asking for justice while visually broken and dismayed.
Audra McDonald brings her acclaimed portrayal of Billie Holiday in the Broadway smash “Lady Day at Emerson’s Bar & Grill” to HBO, with the exclusive presentation scheduled to debut Saturday, March 12, 2016.
Filmed before a live audience at Cafe Brasil in New Orleans, the special features McDonald in her history-making, tour de force performance as the jazz icon.
Originally written for off-Broadway by Lanie Roberston in 1987, the production tells Holiday’s life story through the songs that made her famous, including “God Bless the Child,”“What a Little Moonlight Can Do,” “Strange Fruit” and “Taint Nobody’s Biz-ness.”
McDonald made history and became Broadway’s most decorated performer when she won her sixth Tony Award, for “Lady Day at Emerson’s Bar & Grill,” in 2014. In addition to setting the record for most competitive wins by an actor, she also became the first person to receive awards in all four acting categories. The show’s run at the Circle in the Square Theatre on Broadway was extended four times due to high demand.
“Lady Day at Emerson’s Bar & Grill” is directed by Lonny Price, who also directed the Broadway production, and produced by Allen Newman and Two Hands Entertainment. It was originally produced on Broadway by Jeffrey Richards, Jerry Frankel, Jessica Genick and Will Trice.
The special will also be available on HBO NOW and HBO GO.
The network has released a first teaser which is embedded below: