Beyoncé‘s visual album Lemonade was released a year ago this week, but its impact continues to unfold. Just last week, the project won a Peabody Award. But the singer is also focusing on making its resonance felt through a very different vehicle: a group of scholarships called the “Formation Scholars” awards.
Announcing the program this morning on her website, she says that the scholarships are meant “to encourage and support young women who are unafraid to think outside the box and are bold, creative, conscious and confident.” The awards specifically are geared to students studying either “creative arts,” music, literature or African-American studies.
There will be one recipient — either an incoming or current undergraduate or graduate student — at each of the four participating institutions: Berklee College of Music in Boston; Howard University in Washington, D.C.; Parsons School of Design in New York City; and Spelman College in Atlanta.
Beyoncé‘s “Lemonade” has just earned her a Peabody Award. This year, Beyoncé was one of seven honorees in the Entertainment category to be named to the Peabody Awards’ inaugural Peabody 30 for her visual album Lemonade.
“Lemonade” draws from the prolific literary, musical, cinematic, and aesthetic sensibilities of black cultural producers to create a rich tapestry of poetic innovation,” organizers said in a statement. “The audacity of its reach and fierceness of its vision challenges our cultural imagination, while crafting a stunning and sublime masterpiece about the lives of women of color and the bonds of friendship seldom seen or heard in American popular culture.”
The Peabody Awards ceremony will air on June 2 on PBS and Fusion.
In 1991, Julie Dash’s sumptuous film “Daughters of the Dust” broke ground as the first movie directed by a black woman to get a wide theatrical release. Since then, the gorgeous tone poem about a Gullah family in 1902 has continued to gather accolades. It was added to the National Film Registry by the Library of Congress in 2004, and recently served as a heavy inspiration for Beyoncé’s visual album Lemonade.
Now, the film is being re-introduced to the mainstream in a splashy new way—the Cohen Media Group has created a rich 2K restoration that will be screened at the Toronto International Film Festival, then released in theaters again this November. (Watch the exclusive new trailer above to see the film restored in all its fresh, new glory, and scroll down to see the glossy new poster.)
Dash calls the new release “exciting.”“I never imagined it would be released again,” she says. For the record, Dash is also a huge fan of Lemonade—and says that the visual album actually helped Daughters on the road to restoration. Read on to see her thoughts about Beyoncé, Hollywood, and whether she’d ever make a sequel to her classic film.
Vanity Fair: Were you paying attention at all to Lemonade, to the Beyoncé film?
Julie Dash: Yes. My phone blew up the night Lemonade came on and my Web site shut down . . . someone called me and said Daughters of the Dust is trending on Twitter. And I said, “No, it must be something else,” and they said, “No, it’s trending!” And I looked and it was, and it was so funny. It just tickled me to death. So I finally got a chance to see Lemonade and I was just very pleased. Lemonade is just—it breaks new ground. It’s a masterpiece.It’s a tone poem, a visual tone poem with various stories going on—vignettes. It’s just all visual, and it’s like yes.